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Vintage camera at the Victoria and Albert Museum in London, Great-Britain.
My museum collection : www.flickr.com/photos/9619972@N08/collections/72157702215...
This was a 1937 Leica II model D (#2204xx) which has been converted to a 1948 Leica IIC. Top shutter speed of 500. Lens is Summitar 5cm f2 #4875xx. Was given to me by a friend who used it when travelling through Africa in the early 70s.
Leica M2
35mm Summicron (1973) (yellow filter)
Fomapan 100 in Clayton F76 (1:9 @ 68 deg for 7 min)
-- Molly photo bombed my camera porn shot. Not really.
Taking the new Fujifilm Instax Wide 300 instant camera out and about. Instax film handles bright sunlight just fine. For more about the Fuji, see my review at www.yashicasailorboy.com
Thanks, Chris
Ever wondered how a toy camera looks like from the inside? Wonder no more, this is actually a good looking camera.
Postwar Ensign Ful-Vue Mk 2 (1950-54) Very similar to the Mk 1 but having a flash socket, different shutter (but same basic time or instant settings) and a now twisting lens focus system. 120 film.
All of the pictures are © copyright by P1ay "All rights are reserved" worldwide. Please do not use, copy or edit any of my photographs. However please feel free to contact with me if you are interested in using any of my images.
I have had this shot in my head for some time and always knew it was going to be more about the edit rather than just taking a picture…I also knew that I would have to take two shots to achieve this picture and I really did not want to take two shots, I wanted to take one shot and have a quick edit.
I spent a few days trying to figure how I would get the camera to look like it was floating mid air…eventually I used the camera strap and wore it round my neck, as you do…this did work and I manage to put my neck down a little and it bought the camera down…however I needed the camera to stick out a bit so it was away from my body…my genius friend gave my two magnetic strips…I opened the screen out and rotated it so it was pointing towards me….attached the strips and used a magnet from a fridge magnet and stuck it on the strips which then stuck to my belt buckle…Like I said genius friend!!!
I then used to rubber bands to tie the lights to my hands so I could have them open…I did not want to have to long of an exposure as I knew my hands would move, so I turned the ISO up to 500, F13 and had it for 1 second.
I cloned the straps and rubber bands off in PS and also added the small flares, I wanted an orb round the camera but it did not look right so I kept the flares to a minimum. I then took back into lightrooms and decreased the contrast and clarity, I used the spilt toning to adjust the colour and increased the yellow luminance a bit and finally added a bit of vignetting.
All of the pictures are © copyright by P1ay "All rights are reserved" worldwide. Please do not use, copy or edit any of my photographs. However please feel free to contact with me if you are interested in using any of my images.
Cameras at the Victoria and Albert Museum in London, Great-Britain.
My museum collection : www.flickr.com/photos/9619972@N08/collections/72157702215...
This is part of my Camera Collection. Its amazing how new cameras are trying to look a lot like this ones.
- Seems OLD LOOK never gets OLD -
I get a decent number of questions asking me what I shoot with, do I use X or Y or whatever... so to make it easier I recently just took a photo of what's in my camera case, and then dumped it out so folks could get an idea of what tools I use (admittedly some more than other's).
This is what I keep my camera gear in... if you want to see the contents dumped out see this photo where it's easier to see everything as in this photo there is a lot of stuff that is buried under something else.
Click here to see it larger.
Click here to see a close up of the bottom section of the case.
Camera Bodies:
Canon 5DMkII
Canon 5D
Canon 50D
Canon 20D
Canon Elan 7
Lenses:
Canon 15mm f/2.8 fisheye
Canon 35mm f/1.4L
Canon 50mm f/1.4
Canon 85mm f/1.2L MkII
Canon 100mm f/2.8 macro
Canon 135mm f/2L
Canon 16-35mm f/2.8 MkII
Canon 24-70mm f/2.8L
Canon 70-200mm f/2.8L IS
Lensbaby Composer (w/ lens diaphram set)
Flash / Lighting Stuff:
Canon 580EXII x3 (w/ foot stands)
Pocket Wizard Plus II x4
Sekonic L-358 (w/ Pocket Wizard Trigger Module)
Canon Remote Shutter Release Cable (to trigger camera via Pocket Wizards)
Pocket Wizard Mini to PC Sync Cables x4
Canon CP-E4 Camera Battery Pack (filled with Maha Powerex 2700mAh batteries)
Canon ST-E2 Wireless Trasmitter
Film / Memory Cards:
SanDisk Ultra II 2GB x 9
SanDisk Ultra II 4GB x 1
SanDisk Extreme III 8GB x 2
Fuji Pro400H and NeoPan Film
Gepe Cardsafe Extreme Cases x3
Accessories:
Lastolite White/Grey Card
x-rite Colorchecker Passport w/ no case (recieved it as a beta tester for the product)
Business cards, Canon CPS Calendar, Pen
Large and Regular Sized PhotoClear Cleaning Cloth
LensPen, Giottos Cleaning Brush
Hot Shoe Level
Extra Battery for Canon 5DMkII and for the ST-E2 Transmitter
Battery Chargers for Canon Camera's
Hoya CP Filter
Case:
Pelican 1614 Hardshell case w/ rollers and adjustable dividers
Pelican 1609 Lid Oranizer for 1600 Case
Pelican Silica Gel Pack (for removing moisture, able to be used over and over)
Tech Details: If your curious how one takes a photograph of all of one's photo gear the answer is you borrow a friends camera from down the street (a Rebel XT/350D with a Canon 24-70mm f/2.8L lens).
Lighting provided by one White Lighting X1600 to camera right difused through a large softbox, with Westcott 42" Silver reflector to camera right to just bring in some fill light. A short roll of White Savage Seamless just hanging off the knuckle arm of an Avenger C-Stand (easier and quicker than getting out a big background stand). Triggered by a good ole-fashioned sync cable connected to a Nikon AS-15 on the hot shoe since the RebelXT/350D lacks a PC Sync connector.
Ganhei uma câmera nova ontem e decidi postar uma das fotos que mais gostei até agora e sem edição nenhuma só pra ver como ficou e eu realmente acho que ficou muito boa (:
Up on the Top we have Eric Kim's M6 w/35mm Summilux and his M9 with Voigtlander 21mm Color Scopar and Finder.
Down on the bottom I have my M6 with the trusty 35mm Summicron ASPH.
Somewhere on film this moment can be experienced from a completely different perspective. (Pictured: 1972 Nikkormat EL)
Canon EOS 300D
Chinon Multi-Coated 1:1.7 f=55mm
Sony Cybershot DSC-V1:
www.imaging-resource.com/PRODS/V1/V1A.HTM
www.dpreview.com/reviews/sonydscv1
Sony Cybershot DSC-P10:
Camera: Contax Tix
Lense: Carl Zeiss Sonnar 28/2.8 T*
Film: Fujifilm APS NEXIA A200
Develop & Scan: Bang Bang Geng, Publika, Kuala Lumpur
So Jeni came up with these awesome little drawstring bags to tote around her camera. She was nice enough to share her measurements and notes with me so I could make one for myself.
A little birdie told me that she will be posting the tutorial when she gets back from Sewing Summit!
8x10 Paper Negative
This is my newest 4x5 camera, the "Red Aviar". I've built it out of Bits and Pieces I've had sitting around.
The lens is a 13 1/2" Taylor Hobson Cooke Aviar Anastigmat. It's not clear if this is a WWII or a WWI lens. Regardless, it's heavy = approx. 4 Kg. This is to heavy to mount on my Calumet C-1, I was afraid I might break something, so I decided to build a custom camera to hold the lens.
The Bellows and Focusing mechanism are from a Polaroid MP4 camera. I had to drill out the front to fit the new lens.
The Body is a scrappy red wooden box I've had just sitting around doing nothing, and the rear is a leftover Toyo 4x5 rear standard. Tripod Mount is a permanently mounted Manfrotto Hex.
Lot's of plywood, cutting and glueing.
A photograph of an original leaflet advertising a free camera promotion with Black Cat Cigarettes. I’m not sure how they came up with that branding, perhaps the cigarettes tasted like black cats or worse still maybe they were made from black cats.
It started as a thought, a small niggle that just wouldn't go away. What would shooting with film be like? We've been totally digital in this house since 2003 and when I started this doing-it-seriously thing I was dismissive of it. But in learning more about photography I started to realise a few things.
The picture one takes is inextricably bound to the thought processes of what you are doing in that moment. If you change that equation with kit you will change the thought processes and the pictures. I am used to going out the door and getting 200 pictures. If I am forced to think more with only 36 chances to make something good, at 50p per chance, with a fixed lens, with manual focus, with a manual rangefinder, with no chimping and a fortnight until I can see the result - will it change my brain?
I was also thinking about how contrast, grain and colour in photographs make up our syntax of how we interpret photography. Like when we hear someone's accent, the words they say are made to mean more than they are by the interpretation of what that accent means. The syntax of photography is completely wound up in how film has rendered images, and not knowing what that means leaves me floundering. We spend hours fiddling with sliders and curves, applying filters but I'm not sure most of us know what it means. Sometimes I think we are squawking like a parrot that has managed to pick up a few phrases of tourist human.
I was interested in medium format with a Mamiya 6, but I feel it is too expensive as a proof of concept. I thought about Leicas and Voigtlanders but again it was too much of a leap of faith. I thought about a Nikon FE but I thought an SLR would just lead me to think it was my usual Nikon and I'd behave in the same way.
So for virtually no money I give you an immaculate Olympus 35 RC. It feels solid and it is dirt simple. The battery will last for ages and it won't get dust on the sensor. Hopefully when I pick it up I will see the world in a different way again and, most importantly, maybe take a good picture.
I have no idea what I'm doing again and it feels great.
the camera photographs what's there.
Jack Nicholson
The light was amazing the other morning when I took this.Coupled with where the flare happened to be made me happy.
Downsizing my collection lately. A good purge can be healthy and liberating. I decided I will most certainly keep this Argus A3 and it's surgically altered twin, the CC (color camera). Not known for either outstanding optics or build quality, the brutal streamlined industrial design of the pair easily overcomes their shortcomings; allowing them to remain on display.