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Scott Kelby's 7th Annual Worldwide Photo Walk -- Embu das Artes, SP, Brazil, October 11th, 2014. #WWPW2014
Kodak Brownie Starflex with flash and original info card still tied on with string, even a blue flashbulb
Olympus E-M1
Olympus 12-40mm
It started as a thought, a small niggle that just wouldn't go away. What would shooting with film be like? We've been totally digital in this house since 2003 and when I started this doing-it-seriously thing I was dismissive of it. But in learning more about photography I started to realise a few things.
The picture one takes is inextricably bound to the thought processes of what you are doing in that moment. If you change that equation with kit you will change the thought processes and the pictures. I am used to going out the door and getting 200 pictures. If I am forced to think more with only 36 chances to make something good, at 50p per chance, with a fixed lens, with manual focus, with a manual rangefinder, with no chimping and a fortnight until I can see the result - will it change my brain?
I was also thinking about how contrast, grain and colour in photographs make up our syntax of how we interpret photography. Like when we hear someone's accent, the words they say are made to mean more than they are by the interpretation of what that accent means. The syntax of photography is completely wound up in how film has rendered images, and not knowing what that means leaves me floundering. We spend hours fiddling with sliders and curves, applying filters but I'm not sure most of us know what it means. Sometimes I think we are squawking like a parrot that has managed to pick up a few phrases of tourist human.
I was interested in medium format with a Mamiya 6, but I feel it is too expensive as a proof of concept. I thought about Leicas and Voigtlanders but again it was too much of a leap of faith. I thought about a Nikon FE but I thought an SLR would just lead me to think it was my usual Nikon and I'd behave in the same way.
So for virtually no money I give you an immaculate Olympus 35 RC. It feels solid and it is dirt simple. The battery will last for ages and it won't get dust on the sensor. Hopefully when I pick it up I will see the world in a different way again and, most importantly, maybe take a good picture.
I have no idea what I'm doing again and it feels great.
Downsizing my collection lately. A good purge can be healthy and liberating. I decided I will most certainly keep this Argus A3 and it's surgically altered twin, the CC (color camera). Not known for either outstanding optics or build quality, the brutal streamlined industrial design of the pair easily overcomes their shortcomings; allowing them to remain on display.
My 350D, Manfrotto tripod & mount and a colossal Sigma 50-500 zoom borrowed from a friend for the weekend... Let's see if I can get some better swallow shots this time! (That's the avian Swallow BTW :O)
The experiment: Can a mediocre amateur photographer improve by throwing money at the problem? We'll find out this weekend. :O)
Got given this camera yesterday! Not sure about it so i think will look up on the internet, its film and doesnt have any controls apart from winding on. It is a bit plasticy but dont know how old it is. I also got given a polaroid land camera - not as pretty!! The beads are from a collection of my grandmothers (probably from the eighties!) Vintage 1 texture used by Skeletal Mess to. I think I will be using this camera in lots of compositions!
Available as a 12x6 art print at Etsy www.etsy.com/listing/89299926/fine-art-photography-12x6-p...
my mom found what she thinks is my great uncle's old argus camera in her cupboard, and she gave it to me. I am shooting a roll to try it out and see if it works.
My friend Dee took the photograph :)
left to right: Canon F-1 (1971), Canon TX (1975), Canon AE-1 (1976), & Canon A-1 (1977) cameras all with FD lenses (all 50mm except on the A-1, which is a 28mm).
Taken with a Canon 5DmkIII with a 50mm f1.4 lens.
Two cameras from the 1970s , made by the French company FEX/Indo .
The compact 126 XR is for the 126 cartridge ; it has a socket for magicube flash .
The FURA 110 XA electric is for the 110 cartridge ; also with a socket for the magicube , or with the extender that comes with the outfit . It is also able to accept a dedicated electronic flash .
Strobist info:
Two Elinchrom D-Lite RX 4 lights positioned to the front left and right. Strobes triggered by the new Elinchrom EL-SkyPort Plus.
My new-to-me film camera - a Nikon FM3A with a 50/1.8. Having some fun getting to know the world of film. Inspired by photograph by Kalle Lundgren of his FM3A. Strobist info: Einstein camera left and camera right through Buff PLM's; one YN560 bounced off ceiling for fill. See more of my work at jasondietrich.zenfolio.com/blog
Newest flea market pick-up.
Nice camera. The only bummer are the mercury batteries which are no longer available. But it works fine manually without light meter as well. Might very well become my new ever ready walk around camera.
Olympus 35 RC
35mm rangefinder camera
lens: Zuiko f=42mm 1:2.8
Leica M6 + 50mm f/1.4 Summilux
Hasselblad 500 c/m + 50mm T* f/4
Rolleiflex 2.8e TLR
Speed Graphic + Kodak Aero Ektar 178mm f/2.5, Jo Lommen
Polaroid SX-70
Photo taken with a Sinar F1, 4x5 large format body and a custom made lens board on the back that allows me to hook up a Canon 35mm DSLR body.
Polaroid 195
All Rights Reserved - Forbidden Any Type Of Use
Tutti i diritti riservati - Proibito qualsiasi tipo di utilizzo
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Shoter: Luca Rusconi
Location: Rusko's home
Camera: Canon EOS 450D
Flash: Canon Speedlite 430EX II Tripoded
Shot: 50mm | f/8 | ISO 100 | t1/250
Data e ora di scatto: 23/12/10 @ 20:14
Tripoded
Info Flash:
Vedi foto backstage. ^^
Il flash è stato controllato a distanza con il Trigger Wireless Phottix PT-04 II.
Info Post-Prod:
HDR Single RAW con OLONEO PhotoEngine.
Luce soffusa + Moltiplica 50% con PS5.
Primi scatti di prova in stile Splash.
ll soggetto è una simpatica macchina fotografica subacquea che mi ha regalato la mia sorellina con un tempismo eccezionale, suggerendomi un azzeccato soggetto aggiungerei. ^^
Ispirated by: Dan. D.
The Yashica Mat 124 is probably the best known of Japanese TLRs. Largely a copy of the Rolleiflex Automats, it does not match the Rollei in ruggedness and build quality but its built-in coupled light meter is a better job than anything Rollei had ever done.
A bit of a cliché this shot...however, never tried macro water drop photography before. This is soooo much fun and very hit and miss to achieve.
Used a silicone backing tray, obviously filled with water placed under my kitchen tap with a slow drip. Flash used off camera to the left hand side. Pinkish folder behind to give purple ish hue. No photoshop jiggery pokery whatsoever apart from crop!