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OK so the camera name is covered with black tape and its fitted with a "grey" Canon lens, but I am sure this is a Nikon D700.
What do you think ?
Now covering the identification marks on a camera used to be a good Idea if you didn't want to be a target for thieves. However nowadays the expensive "professional" cameras are so big they stand out anyway.
This guy looks like his day was going badly.
Film crew interviewing a young couple in St. Peters Square, Manchester, England. I have no idea what about?
Architect: Weldon J. Fulton (1955)
Location: Santa Monica, CA
The camera obscura is a room that projects a view of the pier and beach into a dark room via a telescope on the roof of the building.
The Flickr Lounge-Tools Of The Trade
I wouldn't be able to take photos without a camera and I have to say the Nikon technology is fabulous!
03 - Apr - 2012:
I was taking some record shots of my latest batch of newly-acquired vintage cameras and decided on this one.
It's a Fujica AX-3 SLR film camera which arrived this week. I'm looking to make a collection of Fujicas and this is my 6th Fujica SLR
Taken on the Canon 5D MkII with 2 remote speedlites in a light tent.
Rolleiflex is the name of a long-running and diverse line of high-end cameras originally made by the German company Franke & Heidecke, and later Rollei-Werk. The "Rolleiflex" name is most commonly used to refer to Rollei's premier line of medium format twin lens reflex (TLR) cameras. (A companion line intended for amateur photographers, Rolleicord, existed for several decades.) However, a variety of TLRs and SLRs in medium format, and zone focus, and SLR 35 mm, as well as digital formats have also been produced under the Rolleiflex label. The 120 roll film Rolleiflex series is marketed primarily to professional photographers. Rolleiflex cameras have used film formats 117 (Original Rolleiflex), 120 (Standard, Automat, Letter Models, Rollei-Majic, and T model), and 127 (Baby Rolleiflex).
The Rolleiflex TLR film cameras were notable for their exceptional build quality, compact size, modest weight, superior optics, durable, simple, reliable mechanics and bright viewfinders. They were popular and widely imitated. The high-quality 7.5cm focal length lenses, manufactured by Zeiss and Schneider, allowed for a smaller, lighter, more compact camera than their imitators[citation needed], further differentiating the Rolleiflex TLR from many of its competitors, who were forced by inferior optics to use 8.0cm or 8.5cm focal length lenses. Unique to the Rolleiflex Automat and letter model cameras, the mechanical wind mechanism was robust and clever, making film loading semi-automatic and quick. This mechanism started the exposure counter automatically, auto-spaced the 12 or 24 exposures, and tensioned the shutter; all with less than one full turn of the film advance crank. This makes the Rolleiflex Automat/Letter model cameras very sought-after for shooting fast paced action, such as street photography[citation needed]. A wide range of accessories made this camera a system: panorama head, sun shade, parallax-corrected close-ups lenses, color correction, contrast enhancing, and special effect filters, all mounted with a quick release bayonet, as well as a quick-change tripod attachment. Some amateur and fine-art photographers still shoot Rolleiflex TLR film cameras with color transparency, color negative, or black-and-white film. The later f2.8 and f3.5 letter models (Planar or Xenotar lens) are highly sought after in the used market, and command the greatest price. Rolleiflex TLRs are no longer manufactured. Historically there were five focal length cameras available include 5.5cm Rollei-Wide, 6.0cm Baby Rollei, 7.5cm (f:3.5), 8.0cm (f2.8), and 13.5cm (f:4 Zeiss Sonnar) Tele-Rolleiflex. Although all Rolleflex cameras can be fine user cameras, there is also, an active market for many Rolleiflex models as collectables, and this adds (greatly in some models) to the end price paid, particularly in Japan[citation needed].
courtesy: wikipedia
A simple camera for the 126 cartridge , with a single shutter speed , and the choice of 2 apertures . Made in early 1970s? This model without flash contacts .Country of origin not mentioned , but his companion 'Clik-o mat' was made in Hong Kong .
My good old Xti gave out a few weeks ago (the pictures you have seen lately are ones I had taken with it before it crashed)... thus the new one. So glad to be back into shooting! ;-)
This is the first camera I ever used. George Cross was my Grand Father, who died in the early 50's. I would have used this camera in the mid 60's.
Soviet era Leica copy Rangefinder camera.
Made between 1965-1980 in Kharkiv, Ukraine.
Read this en.wikipedia.org/wiki/FED_(camera)
the collection as of december '07
not shown: the camera that took the picture - nikon d40
or the digital camera on the macbook or in the cell phone.
brings the tally to something around 56 cameras.
most cameras seen here were thrifted. the majority cost $1 or less.
in cases. and the ones i use are on a shelf.
i don't want to pay for film any more. i don't want to buy $7 batteries to use in cameras that cost $1 a shot.
i know i can get film for all of the cameras [except the polaroid roll film, that's the only one dead. the sx-70 pack can be modified, etc]
if i happen to find polaroid 600 film for a quarter a pack, then hell ya.
in the mean time, i'm goin digital and stockpiling film cameras for fun.
X-T10 was released on 25 June.
My husband wrote a review article about X-T10 in Japanese.
I took the photos of the camera for it.
For some reason, I feel compelled to build numerous detail pieces for the TV Back Lot diorama; this camera dolly being one of them.
Now the question is: will I create the movie camera itself or just have the dolly parked in the background?
Hmmmmm.
The model is 3 1/2" x 2 1/2" and I might have over done the details. But it was fun.
The wheels I used were donated from an HO scale truck.
I want to thank my friend Henry who supplied me with the archive photo of the camera dolly, circa 1960.
Ok, now back to creating the second false front building.....
Although still not pretty after some minor cleaning and corrosion removal, this Wirgin Edinex now has everything working well enough to expose film correctly. I may elect to do a more complete tear-down later and have the major body parts chromed-plated just for fun.
With the new year on the rise I really put off picking up any new projects. I know 2014 is going to be a busy year and would be overwhelming between school, client work and my personal work. But I decided to partake in Letsgetcreative2014 anyway as a challenge to myself! It is a 52 week self portraiture project that has a theme each week and hosted by Ella & Nathalie. It’ll be different to be in front of the camera and learn how to improve on an area of photography work that I’d like to be better at. Anyone can join in!