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A bit of a cliché this shot...however, never tried macro water drop photography before. This is soooo much fun and very hit and miss to achieve.
Used a silicone backing tray, obviously filled with water placed under my kitchen tap with a slow drip. Flash used off camera to the left hand side. Pinkish folder behind to give purple ish hue. No photoshop jiggery pokery whatsoever apart from crop!
Camera: Sony IPELA SNC-CH260
Output resolution: 1920x1080
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Canon F-1 New
May 2018
Canon FD glass mounted to Sony A7II via Metabones adapter.
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Strobist info:
1) Einstein 27" silver beauty dish with grid on Camera left.
2) Einstein in a softbox with grid Camera right
3) 2 Einsteins in a stripbox with grid left right behind the subject.
4) Einstein behind the camera firing to white V block.
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©2015 Levent Eryilmaz
What better way to kick off a photography project with a picture of a camera? This is an antique Reflekta II camera (actually made in Germany) presented to me by an old family friend.
Camera: Canon EOS-1V
Film: AGFA APX 400
Lens: SIGMA 50mm f1.4 GD HSM (Art)
Filter: -
Film processing
Labor: Pálvölgyi Foto - Budapest
Elöhívás azonosító: 351101
Digitization
Film scanner: NORITSU KOKI QSS-32_33
Canon EOS1-V code: 48-099
Easter Greetings from this Chicken Photographer. His subjects seem to be newly hatched chicks who are using the top of the egg as a parasol.
The "normal" contents of my camera bag. Taken by a Nikon D40x at ISO 400 with a Nikon 18-55mm VR kit lens. (at 18) Camera's on-board flash fired. This is the first picture I've posted taken with the VR version of the kit lens - I've previously posted pictures from one of the two non-VR versions I own, both of which now have broken lens mounts. (M#@$f#@$in' plastic mounts!)
Naturally, since this is a working photographer's bag, some items are in constant flux: the film and batteries, for example!
See the notes for equipment ID: the top edge has various dishes that are on my dining room table, the backdrop for the shot...
I normally carry at least one, usually two (as seen) spare SD or SDHC memory cards for my digital camera; I normally carry a 4 Gb in-camera, with a 2 Gb and an 8 Gb as spares. (the blue card above is a 4 Gb) My 2 Gb card is a Class-2, my 4 GB cards are class-4, and the 8 Gb card is a class-6. Yes, I have run out of the house with the digital camera but no card in it! (the card was in the computer card reader...)
Normally, the camera taking the picture (a Nikon D40x) is shoulder carried with the kit lens attached; however if a birding expedition is in progress, the kit lens will be in the camera bag, and the Sigma 70-300 will be attached to the D40x. The FT2 may be out of the bag, too, for macro photography... (typically wildflowers)
Now the obvious question: why do I load all these? I tend to keep the cameras specialized: the FT2 for macros, the OM-1 for portraits, the SP-1000 for low-light non-flash, the Ikonta for B/W self-portraits, (It's the only one other than the digital with a reliable self-timer...) etc...
Note also that three different film/image-sensor sizes are represented: four if you count the taking camera. (35mm ½ frame, 35mm full frame, 6x6 and a 1.5 crop factor Digital camera)
Update (12/2011): The Sigma is gone (AF stopped working) replaced by a Promaster 100-400 used on the N75, the Nikkor 50mm ƒ1.4 isn't normally carried any more, and there is an addition: a Nikkor 35mm ƒ1.8 DX (and it's case) that is used on the D40x taking the shot for available (but low) light situations. (and sometimes for other shots, too) The Olympus Pen FT has gotten a shoulder strap...
Further update: (6/2012) Add a Zeiss-Ikon Nettar 515/2 camera to the mix, although it is usually carried in a jacket pocket, not in the camera bag... add another film format, too, the Nettar is a 6x9cm camera...
Further update: (3/2013) A Nikon F4s has been added:it is normally carried with either the kit lens from the N75 or the 100-400 zoom lens (replacement for the 70-300...) on-board, although it takes any of the Nikkor lenses shown.
Update 7/2013: a Nikkor 50mm ƒ 1.8 AF-D has been added to the mix... (8/2013): a Nikkor 35mnm ƒ 2 AF-D was added. Note that the F4s, the 100-400, the 28-80, the 50mm ƒ 1.8 and the 35 ƒ 2 are normally carried as a set and not in the camera bag... Update 12/2013: a Nikkor 20mm AF-D has been added, while the plastic mount on the 28-80 finally gave way. The 28-80 was replaced by a Nikkor 35-105 AF (NOT D) ƒ 3.5-4.5...
Further update (1/2015): I no longer carry all this: I've switched to individual camera bags for various cameras.
my latest restore/customize camera effort.
its a tan snake skin leather and it is much softer than it looks.
My new toy. After reading much reviews, I finally decided to get it. My girlfriend said, "Why are you getting my mother's era toy!?"
Legend fashion/nude photographer, Terry Richardson, uses this even till now (i think).
Yashica T4 and Koycera Yashica T4 is the same. Just the Yashica T4 is exported to Europe while Koycera is the name they use in Japan.
Came in a super mint condition. As good as brand new. Came even with the original pouch, sling and manual!
I really cannot wait to see how sharp this Carl Zeiss Tessar is!
An old film Camera, back from the early 40ies I think. 24x24 format, has to be loaded in the darkroom. One of the first (or maybe the first) model with a mechanical auto-winder.
Based on a standard Polaroid 420 Automatic Land Camera, this camera has been extensively modified to be able to shoot at professional standards.
The original f8.8 lens and automatic shutter have been replaced with a German made, 1960's Agfa Agnar, 105mm, f6.3, coated glass lens, mounted in a Vario size 00 shutter. The shutter features full X-sync for flash, cable release socket and bulb mode, making it perfect for shooting in all scenarios. The mechanical nature of the shutter also means that the camera no longer requires batteries!
The new 105mm lens is not only faster than the original lens, but also much sharper. It features a beautifully shallow depth of field when wide open, with lovely bokeh. Coverage is 100% full frame, with no noticeable vignetting. This makes the camera the perfect choice for anyone wanting manual control over their shots, on a totally unique camera.
Features:
- Agfa Agnar, 105mm, f6.3 coated glass lens
- Vario shutter, with bulb mode, cable release and X-sync for flash, range from 1/200th to bulb mode
- Aperture range from f6.3 to above f22
- twin window rangefinder/viewfinder with projected framelines and automatic parallax compensation rangefinder/viewfinder
- Cold shoe mount for flash and other accessories
- Custom mounted tripod socket, made of solid aluminium
- Folding bellows design
- Neck strap
- Storage area at the back of the camera, for cleaning cloths etc
- Custom scarlet red accents
- Compatible with ALL Type 100 films, such as Fuji FP-100C and FP-3000B, as well as expired Polaroid brand films.
The 105mm AGFA lens has been mounted and focus optimized for coupling to the original 114mm rangefinder. Both portrait distances and infinity settings are tack sharp.
The body of the camera has been fitted with a custom made tripod socket, made from a solid block of aluminium. I actually cannot claim credit for this, as it was installed on the camera by its previous owner. I did make it look a little neater though, and added a third mounting screw.
Lastly, the camera has been finished cosmetically with some snazzy scarlet red accents, which give the camera it's name (scharlach is the German word for scarlet).
My camera gear during my London visit. Inside the Skin 50 pouch I carried the Zenitar 16mm and the Canon 50mm f1.4 as well as the Pixel Pocket Rocket card holder, extra battery and other assorted items. I used it strapped to my belt on the right side and it's very comfortable and convenient. It's my most common gear loadout.
Mounted on the 5D mk2 is a 24-105 f4 IS, my primary lens.
Le tengo mucho afecto a esta vieja camara que fue de mi padre. Es una Zeiss Ikon Contaflex Super B.
La compro cuando yo naci. Muchas fotos de mi infancia las tomo con ella.
No puedo evitar sentir nostalgia cuando la tengo en mis manos. Segun lo que he investigado no es un modelo clasico, aunque fue la primer camara automatica de 35mm.
El lente es un Carl Zeiss Tessar. El "Tessar: viene del griego que significa "cuatro:, por los cuatro elementos que tiene el objetivo. Muchos productos fotograficos Sony y los mas recientes telefonos con camara de Nokia utilizan estos lentes Carl Zeiss Tessar, (aunque los actuales ya no usan los 4 objetivos, pero conservan el nombre Tessar por mercadotecnia).
En esa epoca los alemanes predominaban en el mercado de las camaras fotograficas. Los productos japoneses eran vistos como lo son el dia de hoy los chinos.
Era tanta la fama de los alemanes en instrumentos fotograficos, que los japoneses copiaron el nombre de Zeiss Ikon para usarlo en su marca Nikon (El" Ni" es por nipon).
Hoy la empresa Zeiss Ikon intenta recuperar el prestigio perdido. Se rumora que sacara a la venta la primer camara digital de esa empresa.
Regresando a la Contaflex, las fotos que toma en automatico no son muy buenas, pero creo que seria injusto compararla con las camaras fotograficas actuales, prefiero recordarla como una maravilla tecnologica de la epoca.
Wood, cardboard, screws,...
the sliding rail is a piece of bamboo parquet. The focusing system needs some developments...
waiting for the lens (industar 51)
Trying to catch up on photos but still consumed with Kaylee's potty training and other house keeping. Here's a quick shot of a vintage camera from our collection found at a garage sale up in Washington.
Happy Cliche Saturday!!
Image used to test the rollers on a Polaroid camera. They were just cleaned and tested perfect.
Kind of liked the shot and lighting so I finished it off with the old chop stick manipulation.
Camera: Polaroid Alpha 1 model 2
Film: Polaroid Time Zero, exp. 02.2006
Image by Leslie Lazenby of my neighbors in Findlay, OH
This is some of my gear! :)
*Scroll over the photo for the name of each piece of equipment.*
I enjoy switching it up between polaroids, panoramas, medium format and digital, as I adore the outcome of both lo-fi and hi-fi photography!
I'd love to hear about your experiences with any of these cameras, so please feel free to comment and I'll be sure to reciprocate! Thanks for checking out my photo. :)
While Joseph Ong (at the right) was eating something (using a lens pen as chopsticks), I was having fun spray painting his Canon EF 70-200 2.8L lens. Just curious what a black telephoto lens (Nikon look) would look like in a Canon body.
Il regalo di natale da parte del mio amore!!!
Bellissima *__*
...penso che mi divertirò tanto!!!
Se le cartucce non costassero un occhio mi divertirei di più...va va beh, mi giocherò bene gli scatti :P
At work, I shoot mostly in the studio. Here is my gear for my personal work. I usually just carry one camera body and a couple of lenses and a flash at a time depending on what i plan to shoot. I also use different bags depending on what I want to put in it.
For my portable lighting gear:
Four of my favourite 35mm film cameras
Voigtlander R3M / 40mm Nokton
Nikon fm3a / 50mm AIS F1.2
Yashica Electro 35
Olympus OM4ti 24-48 Zuiko F4
Tasty hmm!
Shot with Nikon D800 and 45mm PC-E
I love this shot of my mom. The beach, the camera, her squint as she decides what she wants to shoot, her hair, everything.
Equipment used: Nikon D7000 + MB-D11 Really Right Stuff (RRF) right angle bracket, DR-6 right angle finder, CZ 50mm Makro Planar, Gitzo 2220 tripod with Acratech GV2 gimbal / ball head.
Exposure: Manual, 1/250 sec and f/5.6.
Lighting: A single Elinchrome FX 200Ri with one barn door at the bottom of the reflector to prevent light spilling on the glass plate under the camera. Strobe was triggered by a Skyport radio trigger. I fixed a small ball head with a paper clamp to hold the Styrofoam reflector to left of FA. The ball head was fixed to a Manfrotto Articulating Arm 196-2 which was mounted on a Super Clamp. The ball head made positioning of the reflector a breeze. The catch lights in the lens were made with a simple torch which was handheld.
Note: This is not a very good perspective but I was constrained due to the size of the glass plate and was forced to choose a high angle. Also could not just get rid of dust on the plate. Sorry about it!
This Nikon FA camera body (in EX+ condition) was presented to me by my elder sister. It belonged to my late brother in law Neel, a gem of a person. While going through the KEH site one day I found a MD-15 drive in EX condition for $25. I just couldn’t pass it up. The 50mm f/1.2 lens was bought in Hyderabad and is in Ex+ condition too. The whole set up is a fully functional and is great to look at. It is the new beauty queen of my collection!
The Nikon FA is one of the historically important cameras as it was the first camera in the world to have the so called “evaluative metering” (aka multi-segment metering). Nikon called it “Matrix Metering” and that term now has become a standard term in photographic jargon. This compact camera supports M, A, S, P modes and shows all important information in the viewfinder. The shutter speeds are from 30 sec to 1/4000 sec and X-Sync is 1/250 sec. It also has a 1/250 mechanical back up speed that works even without batteries. The set up makes a nice Click, Zzzzzt sound when the shutter is released. It is very ergonomic to hold too due to the shape of MD-15. The only hitch is that it requires a 12V supply like a car (meaning 8 AA cells) and hence is heavy.