Flickr Portraits**
View allAll Photos Tagged CS6
This is is not an hdr,i used luminosity-masks,and high pass sharpening filter and a lot of selections and masks to create the final.
Thank you for taking the time to view my image.
Ilford HP5 35mm film, developer ID-11 10' at 20°C. Exposure ISO 400 @35mm lens, available light. Digitized with Alpha 6000 edited in ACR, inverted in CS6.
This image was created from multiple exposures blended together in Photoshop CS6 layers using the "Lighten" blend mode. All exposures were taken with a single Paul C. Buff Einstein strobe with a 22" beauty dish attached to a Elinchrom boom arm and a 3-stop B&W ND filter attached to my lens. If you send me a FlickrMail message, I'll be more than happy to send you some information on mostly how I photograph this style and what equipment I use, along with some YouTube video links that help explain this process.
Please have a look at my automotive photography album: www.flickr.com/photos/kenlane/albums/72157634353498642
During my morning shooting with David Frey at LaJolla Tidepools, I scrambled from one location to the next gathering up every composition I could see. It was nice to watch the colors in the sky slowly morph from deep blues to purples and then to yellows and oranges. A miracle that most take for granite. :)
Thank you for taking the time to visit and as always, your views, comments, faves, and support are greatly appreciated!! :) Have a great weekend one and all. :)
Please leave a comment if you like this photo. It's the easiest way for me to interact with my contacts and respond by visiting your stream. If you have any questions about this photo or about photography in general, I will do my best to help, just post a comment or send me a Flickr mail and I will respond as quickly as possible.
For those of you new to photography, I would like to provide you with some very helpful videos that will help you get more from your photography. They were very useful to me while I was learning and I hope that they will help you out as well. Just click the link below and on the left side column there are pre made playlists on everything you could ever want to know about photography. I hope you enjoy them and as always my friends "Happy Shooting"
About the location:
Last night I was lazing around the house, not really motivated to do anything. At around 2:00am I realized that sunrise was only a couple of hours away so I checked the Yahoo weather map conveniently located in the titlebar in Flickr, and it was showing a thin cloud layer to the west moving around 5 mph in my direction. This location is only 35 minutes from my house so I decided that I would stay up through the night and get a super early start. I always face a difficult choice on my way up into the mountains. If I head west on Hwy 138 then I have only this view without any backup locations, but if I head east I have several other options but no view that includes the city, so I have to feel pretty confident about the cloud coverage to head west but I could feel the light coming on this morning. This is a view over Lone Pine Canyon road, the city in the distance, because of the angle looks like one but is actually 3 cities, San Bernardino, Redlands and Beaumont blending together and leading up to Mount San Jacinto in the background.
About the shot:
This was shot using a technique in which you trick the camera into thinking something it's not seeing. I first set the camera to spot metering and metered the sky. Then it set the camera to underexpose by 2 stops switch to manual focus and refocus on the city lights, then I light painted the foreground with a couple of lights at a WB of 5000k.
Thank you for taking the time to visit and as always, your views, comments, faves, and support are greatly appreciated!! :)
If you have any questions about this photo or about photography in general, I will do my best to help, just post a comment or send me a Flickr mail and I will respond as quickly as possible.
This is is not an hdr,i used luminosity-masks,and high pass sharpening filter and a lot of selections and masks to create the final.
Thank you for taking your time to view my image.
I once again looked at the structure at the beginning of the antennae, because this springtail allowed it. Do you also see the small opening in ant.2, where possible fit in the structure of ant.1?
Stack in zerene : 12 images
Finishing touches : Photoshop CS6
Everything in Middle Tennessee has looked like this for almost a full week...something of a rarity for this part of the country. Although winter weather rolls through pretty regularly this time of the year, having it stick around for 5 or 6 days is the rarity. And this was the scene nearly everywhere that wasn't protected in some way...ice, snow, and just general frozen conditions! And, while this is not my preferred 'season' of the year, it does present some great opportunities for photographers...why not take advantage of it?!?
Technical Information (or Nerdy Stuff):
Camera - Nikon D7200 (handheld)
Lens – Nikkor 18-300mm Zoom
ISO – 200
Aperture – f/5.6
Exposure – 1/100 second
Focal Length – 300mm
The original RAW file was processed with Adobe Camera Raw and final adjustments were made with Photoshop CS6.
"For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the link below:
“Flowers don’t worry about how they’re going to bloom. They just open up and turn toward the light and that makes them beautiful.”
– Jim Carrey (Canadian-American actor and comedian)
This photo was taken in 2013 during my previous Project 365…please visit my album for this “REMASTERED” Project 365 as I revisit each day of 2013 for additional photos to share!!
Technical Information (or Nerdy Stuff):
Camera - Nikon D5200 (handheld)
Lens – Nikkor 50mm fixed prime f/1.8
ISO – 320
Aperture – f/2.5
Exposure – 1/250 second
Focal Length – 50mm
The original RAW file was processed with Adobe Camera Raw and final adjustments were made with Photoshop CS6.
"For I know the plans I have for you,” declares the LORD, “plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
If you are interested in my works, they are available on Getty Images and Adobe Stock; prints on Photos.
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Follow me also on Portfolio Website | Instagram | 500px | Facebook Page | EyeEm | Wix |
Les salins de Gruissan après les récoltes de septembre et avant les dernières pluies.
Retrouvez plus de contenus sur / More contents on Facebook
This other Eden, demi-paradise, This fortress built by Nature for herself Against infection - - - !!!
(William Shakespear - Richard II)
Please click here to view this large!
Captured this with three RAW shots at -2..0..+2 EV. Digital blending in Photoshop CS6. I increased the overall saturation with Hue/Saturation in Photoshop. Curve adjustment to increase the overall contrast. 1 layer mask in soft light mode at 50% gray, using brush tool to lighten and darken some areas of the image, to bring out details. Topaz DeNoise to reduce noise. Topaz Clarity for additional boost in color and contrast.
Sahalie Falls at Willamette National Forest in Oregon along McKenzie River off Highway 126. Decided to drive to Sahalie and Koosah Falls on Sunday just to check it out. Figured that there will be many people there and the weather was too sunny for waterfall photography. But again, the multiple exposures and HDR processing allowed me to get a nice image of this waterfall.
Walking along the creek allows for several comps. This is one of them. To get this shot, you have to climb down a steep slope and walk out to the rocks in the creek. Of course, your feet will get wet. Have a great Monday everyone!
To view my other Images from Oregon, click here.
For print purchases and licensing information, please visit My Website or email me at davidgnphotography@gmail.com
I haven't touched my camera in so long. Just got a new laptop and Lightroom 4 and Photoshop CS6 so I'm excited to start using those.
I was just tryin' out my macro attachment in this image, nothing special.
Check out my last client work, hope you like it - xoxo.
Follow also this amazing DJ around the best clubs of SL!
PUT YOUR HANDS UP IN THE AIR! 💛
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Dati Tecnici
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a) Fujifilm X-H1 + Anello adattatore Fringer-EF-FXPRO2;
b) Canon Zoom Lens EF 24/70mm f.2,8 II L USM + Filtro Carl Zeiss T* UV Filter 82mm;
c) Tempo 1/25s con apertura diaframma a f.5,6 +1,5 di stop in manuale (a mano libera);
d) Lettura Esposimetrica effettuata con esposimetro della macchina impostata su "Media a Prevalenza Centrale" ( ho effettuato 4 misurazioni a luce incidente con il Sekonic Dual Spot F-L778 con lettura impostata a 5° per confrontarla con la lettura che mi dava l’esposimetro della macchina, ho effettuato quella correzione di +1,5 di stop per recuperare alcun particolare nelle ombre e nelle penombre, nella trama della maglietta del bimbo e nei capelli.
e) Impostazione nel corpo camera ISO/ASA 6400, DR (100%), Modalità AF (Area), WB Bilanciamento del Bianco (Auto), Simulazione Film (Provia Standard), Colore (+2), Nitidezza (+1), Tono Alte luci (0), Tono Ombre (0), Riduzione disturbo (+1), Gamma Dinamica (Auto), Qualità Immagine (Fine), Filtro ND (On), Dimensione Immagine (3:2 - L); Bit/pixed compressi 48.
f) Focale impiegata 24mm (reale 36mm);
g) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;
h) Prima Post-Produzione (leggerissima file quasi perfetto) per la correzione del bilanciamento cromatico/tonale (dopo la de saturazione) delle varie aree e zone di colore per compensare l’intensità di luce (ore 21,30 di ripresa “luci a soffitto e laterali – luce calda 3250K°”) con Nikon Capture NX 2;
i) Seconda Post-Produzione con Adobe Photoshop CS6 64Bit per il bilanciamento delle zone d’ombra (Lievissima file quasi perfetto);
l) Post-Produzione di completamento con Nikon Capture NX 2 e CorelPhoto-Paint X7 64Bit per il completamento e la sistemazione finale del "Sistema Zonale".
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2024©2034 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2024©2034 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Da Ascoltare leggendo la poesia
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She Remembers – Max Richter
www.youtube.com/watch?v=y0YkZFxOFeI
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Lontano da tutti,...lontano dal mondo
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quando a casa fai ritorno
vorresti che lei
fosse li, ancora,
ad aspettarti,
si adagiasse vicino a te
al tuo fianco
per diventare la tua anima,
la tua immancabile ombra.
L’unica… che
hai da sempre amato
da quando la conoscesti.
Era la “ragazza” della porta accanto
l’hai notata e mai più l'hai scordata.
Bellissima e di un profumo
mai sentito,
d’un fiore non visto
dal colore candido
e delicato di cui
solo l’amore sa immaginare.
Saremmo stati solo noi
felici e nessun altro.
Lontano da tutti,
...lontano dal mondo.
Tu sai che sei la mia vita
da quel giorno che
ti ho rivista,
e con un unico bacio
ti ho riconquistata.
Ma adesso
la mia “ragazza”
mi ha abbandonato,
lo so, ho trascurato
quel grande amore , e tu,
adesso, appartieni ad un altro.
…vorrei solo morire
e in questo momento sparire
per sempre da questa terra
per non essere più visto
ne più ascoltato
e mai più da nessuna donna
…..amato.
………………..…Luigi Mirto
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Far from everyone,...far from the world
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when you return home
you would like her
were there, still,
waiting for you,
she would lie down next to you
by your side
to become your soul,
your ever-present shadow.
The only one... that
you have always loved
since you met her.
She was the “girl” next door
you noticed it and never forgot it again.
Beautiful and fragrant
never heard,
of an unseen flower
with a white colour
and delicate of which
only love can imagine.
It would have just been us
happy and no one else.
Far from everyone,
...far from the world.
You know that you are my life
since that day
I saw you again,
and with a single kiss
I won you back.
But now
my girlfriend"
he abandoned me,
I know, I overlooked it
that great love, and you,
now, you belong to someone else.
…I would just like to die
and at this moment disappear
forever from this earth
never to be seen again
nor listened to anymore
and never again by any woman
…..beloved.
………………..…Luigi Mirto
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
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Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
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These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
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una y no mas santo tomas.
no creo que haga mas panoramas. no me convencen. pero es divertido.
no more panoramas for me. i am not convinced. but its fun.
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Explored + Interesting-page 01-Nov-2012 (Highest Position #2)
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Sunset at Senganmon, Kumomi in Izu-Matsuzaki.
Oct 08, it was happy in a calm sea, unlike the two previous post.
先日の嵐の海と反対に、穏やかな海の西伊豆・雲見「千貫門」。
リベンジというわけでもないですが、1ヶ月とたたずにまた行ってしまいました。
ボクの定番ポイントのカットです。
data:
Taken on Oct 8, 2012, 17:41.
Gear: Nikon D7000
Lens: Sigma 10-20mm F3.5 EX DC HSM
Tripod: Manfrotto 055XPROB + #410 head
Shot on focal 14mm / iso100 / with C-PLw filter.
Max Exposure : 75 seconds and other Raw / f11.
Develop by Lightroom 4 and corrected on Photoshop CS6.
Facebook page: Tommy Tsutsui Photography
private site: 伊豆の海景・風景写真
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Ⓒ Tommy Tsutsui All rights reserved.
You can purchase license for this photo from Getty Images!
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Location: Europäische Schule München, Annex
Architekt: léonwohlhage Gesellschaft von Architekten mbH mit Atelier Loidl Landschaftsarchitekten Berlin GmbH
Bearbeitung: Jürgen Krall Photographie
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Bild Nr.: 191_2656_cs6
The current City Hall for the city of St. Louis, having housed city government since 1898, is a landmark by appearance, reputation and city designation (since 1971). Efforts to build what would become the current City Hall (seen above) got underway in May 1888 when the City Hall Commission was formed. On April 4, 1889, an ordinance was passed to authorize the Commission to advertise for bids for the building. The original cost was not to exceed one million dollars. The commission chose the design of George Richard Mann, of the firm Eckel & Mann of St. Joseph, from the 37 national entries. His design was titled "St. Louis 1892", obviously expecting it to be completed by 1892. A French-style plan, inspired by the Hotel de Ville or City Hall of Paris, with ornamental dormer windows and former towers, it also recalled architectural elements of the Chateau de Chambord on the Loire River in France.
The construction of City Hall started July 19, 1890, with Mayor Edward Noonan's daughter Zoe, breaking ground. The cornerstone was laid on June 6, 1891. No bond issue was passed to finance construction of the new City Hall, explaining the 14 years required to finish the building. Funds came from general revenue and the sale of city property. Every year or two, the Council, would authorize an average of $110, 000 to continue construction. An ordinance was passed on Sept, 10, 1893 to limit the total cost at two million dollars. Though the building was not completed, it was finally occupied on April 11, 1898 when Mayor Henry Ziegenhein headed a ceremonial parade of city officials from the old building to their offices in the new City Hall. In 1904, the final portions of the building were completed, the Rotunda, the Tucker Boulevard vestibule and the grand staircase, using the design by the St. Louis architectural firm of Weber & Groves. The building was officially completed on Nov. 5, 1904 when Mayor Rolla Wells held an open house for the residents of St. Louis. The final cost of the building was $1,787,159.16. However, the exterior of City Hall was never quite finished. All sides of the building have ornamental dormers called belvederes, each having bare spaces of limestone. These were meant to have carved decorations, yet remained untouched probably due to lack of funds. Despite its incomplete state, City Hall was praised for its "splendid architectural composition," and called "an impressive period piece of craftsmanship". Unfortunately, a poorly executed acid cleaning and years of exposure to coal smoke has left the original pink and orange exterior tarnished.
www.stlouis-mo.gov/government/about/history-of-city-hall.cfm
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the following link: www.flickriver.com/photos/photojourney57/
a bald cypress "twirled" in photoshop. I exempted the trunk from the twirl and had to fill in a bit afterwards. Might try this again in another shot.
This photograph was taken from the balcony of our condo on Orange Beach back in March...earlier in the day, a storm front moved through and brought a decent amount of rain but mostly just kept everyone off the beach. As the front started to move out, the change was nearly immediate...as seen in this photo! The front on the left and the clear blue skies on the right; the gray colorless ocean on the left and the amazing blue ocean water on the right; and empty beach on the left and beachgoers coming back out on the right. The difference is clearly visible as a split right down the middle of my photo...unhappy beach vs beautiful beach! Enjoy mother nature at her best...
Three bracketed photos were taken with a handheld Nikon D7200 and combined with Photomatix Pro to create this HDR image. Additional adjustments were made in Photoshop CS6.
"For I know the plans I have for you", declares the LORD, "plans to prosper you and not to harm you, plans to give you hope and a future." ~Jeremiah 29:11
The best way to view my photostream is through Flickriver with the link below: www.flickriver.com/photos/photojourney57/
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Dati Tecnici
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a) Fuji X-H1 + Super EBC XF Fuji 10-24mm f.4,0 R OIS, (parte di file);
b) Tempo 1/20s apertura a f.4,5 + 2/3 di stop (a mano libera no flash);
c) Focale nell'ottica 14mm, reale circa 22mm, ISO/ASA 6400
d) Tecnica di impressione del sensore (Tecnica dell'Esposizione a Destra)
e) Lettura Esposimetrica in Media a Prevalenza Centrale con esposimetro della macchina;
f) Messa a fuoco (auto).
g) Lux Warm Ambiente Incandescenza 2850° kelvin diretta su parete bianca
h) Prima Post-Produzione per effettuare un minimo intervento del bilanciamento tonale nelle varie aree del fotogramma, nelle ampie zone dei neri e nei bianchi per compensare la temperatura cromatica della luce molto calda (lampada ad incandescenza 60Watt "2850° kelvin" circa) con Nikon Capture NX 2
i) Seconda Post-Produzione con Adobe Photoshop CS6 per il bilanciamento della compensazione dell’Esposizione con le zone d’ombra;
l) Post-Produzione di completamento con Nikon Capture NX 2.
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2019/2025 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2019/2025 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means
Without prior permission.
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Giorgia - Quando Una Stella Muore
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…quando una stella muore
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Ebbri di vivere sono i fanciulli,
ma pochi di essi se ne ricordano,
i grandi lo sanno ma spesso
nulla gli importa.
Le guerre che creano distruggono
la loro vita, la loro esistenza.
Essi imparano dal nostro comportamento
e molto poco da cosa gli insegni.
Sono più utili i buoni esempi
che i cattivi rimproveri e spesso
nelle situazioni più difficili
i grandi non sanno che
un bambino può dare esempi
estremamente importanti.
Non c’è dovere più importante
di garantire che siano rispettati
i loro diritti, la loro innocenza,
che il loro benessere sia tutelato,
che le loro vite siano libere
dalle paure e dal bisogno e che
possano crescere nella pace.
Non c’è responsabilità più sacra
di quella che il mondo ha verso i bambini.
Ci premuriamo a insegnare loro
a camminare e a parlare
nei primi dodici mesi della loro vita
ma a imporre loro di sedersi e tacere
i seguenti dodici anni.
Dobbiamo prenderci cura oggi
di come crescono se siamo
preoccupati dal cattivo futuro.
Non sono proprietà dei genitori
e farne ciò che vogliono ma
confidare alle loro responsabilità
per quando saranno adulti.
Loro hanno la capacità di
trovare tutto nel nulla mentre
gli uomini, oggi, il nulla nel tutto.
I bambini sono stelle nell'universo
ma quando una stella muore
….muore l’umanità.
La vita di un bambino è come
un foglio di carta su cui ognuno
di noi lascia un segno indelebile.
…………………….....……Luigi Mirto.
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…but when a star dies
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The children are intoxicated,
but few of them remember it,
the big ones know it but often
nothing matters to him.
The wars they create destroy
their life, their existence.
They learn from our behavior
and very little to what you teach them.
Good examples are more useful
that bad reproaches is often
in the most difficult situations
the big ones don't know that
a child can give examples
extremely important.
There is no more important duty
to ensure that they are respected
their rights, their innocence,
that their well-being is protected,
that their lives are free
from fears and need and that
can grow in peace.
There is no more sacred responsibility
of what the world has towards children.
We take care to teach them
to walk and talk
in the first twelve months of their life
but to force them to sit and keep quiet
the following twelve years.
We have to take care today
of how they grow if we are
worried about the bad future.
They are not the property of the parents
and do what they want but
trust in their responsibilities
for when they will be adults.
They have the capacity to
find everything in nothingness while
men, today, nothing in everything.
Children are stars in the universe
but when a star dies
.... humanity dies.
A child's life is like
a sheet of paper on which each one
of us leaves an indelible mark.
…………………… ..... …… Luigi Mirto
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Falaise d'Etretat, Basse Normandie, FRANCE
Modèle : NIKON D800
Longueur de la Focale : 24mm
Temps d'exposition : 30 secondes
Ouverture : f/ 9
ISO : 50
This is a composite of three images, Hope you like it, We havnt had great weather for photography so far over the easter weekend!! =( Hope it improves for tomorrow!!!
L to go large or you might just miss my little addition to this shot =)
Happy holidays!
Also follow me on Facebook:www.facebook.com/Protze.AutomotivePhotography
Or Instagram: www.instagram.com/pascallpro
the eye building in Bristol, England. processed with cs6, silver exfex pro 2 . used selective gradient masks from 3 different shots- high key, low key and neutral to create the shot
Safety Beach, Victoria, Australia
Canon 5D Mk III
Canon 17 - 40mm f4L
Lee Big Stopper
Exposure - 90 sec.
Aperture - f/8
ISO - 200
Focal Length - 17mm
Adobe Photoshop CS6
Adobe Lightroom 4
I've photographed this location once before (you can find the previous photo in my photostream) but I thought I'd give it another go and I must say i'm much happier with this version.