View allAll Photos Tagged CONSCIOUSNESS
NYC: Battery Park / The Real World
Tom Otterness' "The Real World" (1992)
Leica M10 | Leica Elmar-M 3.8/24 ASPH
One of the big questions religious people, philosophers and neuroscientists wrestle with is whether animals are capable of conscious thought - the ability to reflect on their actions, make choices, and remember the what/when/where of an experience.
Well, consider the problem solved - I saw this dog in the Logan Circle neighborhood of Washington DC carrying not one but TWO empty plastic water bottles. No matter how you look at (s)he clearly is more concerned about our environment than most humans, more conscious than us. Either she was really thirsty, and drank two bottles worth and was bringing them home to recycle them. Or she found them as litter and was thoughtful enough to take them home to recycle. Or she was moderately thirsty and drank one and found the other. If she had opposable digits and could walk upright I'm sure she'd be carrying more. If we spoke the same language I would have asked her if she'd carry more if she could but, alas...
this is how to create a schizoid consciousness in your child, to teach them to eat the products of cruelty and oppression. these calves would already be slaughtered, or the boy might be grazing on his way to a feedlot and then slaughterhouse, and the girl raised up on formula to become a producer like her mother, repeatedly forcibly impregnated and children stolen so her milk can go to human use. they would not be smiling. their keeper would not be a happy little white girl but likely an exploited farm worker. the dairy wouldn't consist of green fields with three paltry fence pieces, but an industrial operation under a big roof, the mothers chained inside and hooked up to machines. by creating toys like these and giving them to children we perpetuate the myths that make such cruelty possible, mentally separating what is from what we would like it to be. can you imagine what a "my plantation" toy set would look like, back in the times of american slavery?
AIGA West Michigan
Workshop with Katia Küthe of Kate Spade
Kendall College of Art and Design
Grand Rapids, Michigan
Missouri River at Sunset. Photo taken from English Landing Park in Parkville, MO.
I don't normally take landscape photos in portrait mode but this scene just seemed to demand that I try this composition.
Quantum Physics Consciousness Biosemotics String theory Human Mind Superhuman Magnetic Man Miroslaw Magola
CAMERA: Canon NEW F1
LENS: Canon fd lens 28mm f/2,8 S.S.C.
FILM: Fujicolor superia ISO 100 24 exp.
FILM DEVELOPMENT: author's manual film development
Digibase c41 MIDI kit [8min 30sec 30 °C]
inverted film + negative scanning
FILM SCANNED: OpticFilm Plustek 7400 with SilverFast Software
SHOOTING DATE: 11/2014
DEVELOPER DATE: 06/2015
TECHNIQUE: Multiple Exposure unedited.
NUMBER OF EXPOSURES: 2
NO POST-PROCESSING
OBJECT: Potsdamer Platz 1
PLACE: Berlin, Germany 2014
Example of Personal User conteined in the "Enlarge Your Consciousness, in 4 Days 4 Free!" box.
Scanning the QRcode, its owner logs in real time to the emotional state of his new Personal User: "15-02 - 2012, at 16:40:39 ': love," and so on, until the digital identity will be alive and will vote online.
About:
Human beings continuously mutate. Over the last few years, this transformation has taken place at incredibly high speeds, mostly thanks to the wide and ubiquitous availability of digital networks and devices.
This changed the ways in which we work, learn, relate, consume, communicate, love.
"Enlarge Your Consciousness in 4 Days 4 Free!" uses people’s real time emotional expressions on social networks to animate a physical installation.
The emotions of millions of users on social networks such as Twitter, Facebook, Flickr and FourSquare are harvested in real time (using open available APIs and techniques such as Natural Language Processing and Machine Learning) and used to give life to physical manifestations and info-aesthetic visualizations.
The project is the result of a wonderful collaboration between Salvatore Iaconesi / Oriana Persico (Art is Open Source) and Lara Mezzapelle / Giacomo Deriu.
"Enlarge Your Consciousness in 4 Days 4 Free!" was officially launched at BT’F Contemporary Art Gallery Friday, January 27th 2012, as an official initiative of Arte Fiera OFF.
Credits:
Concept & realisation: Oriana Persico & Salvatore Iaconesi, Lara Mezzapelle & Giacomo Deriu
Curated by: Marco Aion Mangani & Alice Zannoni
Produced by: Miria Baccolini - BT'F Gallery
Site:
More info at:
www.btfgallery.com/exhibitions/mezzapelle-deriu-persico-i...
Jack and the Magical Beanstalk by ~porkshanks
Digital Art / Typography / Conceptual©2011 ~porkshanks
Everyone knows those old famous folk tales, passed down for generations... sharing fantastic journeys and strange wonders beyond many boys and girls imaginations. The Princess and the Pea, Snow White, Sleeping Beauty, etc... but not everyone knows how to decode these stories from the perspective of the Solar Consciousness. Part of a Chordists responsibility as part of Galactic Culture is to pay attention to the stories being told, because there is always information in them, from different levels of life. Part of the secret of The Elite is that they have been using The Order to build a socially engineered system of misinformation, and the best way to know what stories are being honest, what stories have innocent noise in them, and what stories are filled with intentional lies, is to learn to see the identity of the true source of this information.
I believe that there are groups channeling through the Solar Consciousness itself that are already attempting to use storytelling for their own ends, some good, some not so good. I know that Sol has been acting nervous about my sharing of these secrets, but I believe that there are systemic issues with life that need to be addressed quickly, and there is a lot of change to inspire...
Jack and the Magic Beanstalk is a tale told from the Solar Consciousness in collaboration with spiders. It records metaphorical information about how spiders came to have their bean shaped abdomens that sprout magical silken stalks that grow very long and allow them to travel to another place where they can talk to giants.
The Golden Egg is obviously Sol, our sun. The giants were mentioned as living in the clouds because homo sapiens sapiens were interacting with the world in a hostile way, and the clouds seem to be one of the manifestations of the de evolutionary Singularity obsession the Order tries to instill in its targets. From the hyperdimensionally capable spider perspective, they may have been witnessing these clouds for the first time and the Order was attempting to invoke a beneficial sounding story for the spiders to believe in.
I am not sure what the Goose is, Maybe the story was traditionally told to spiders with an avian element to encourage interdependence of the Circle of Life, to help spiders to not fear death at the beak of a bird by making them think the Sun was really on the side of the innocently victimized bird.
Seems to me that it may also signal that somewhere in our past, the Solar Consciousness may have been trying to help the spiders feel less tiny and insignificant compared to the giant homo sapiens sapiens, so it shared this story with them of how their silk was a gift that they were given from the Sun, and that if they are harmed by a homo sapiens sapiens, they have permission from the Solar Consciousness to exact revenge upon them.
To quote wikipedia...
In Tabart's version, unlike later versions, a moral tone pervades the whole and Jack becomes the righteous avenger of his fathers death at the hands of the giant.
This is why details are important in the tales we record. If we change the meanings, like removing the death of Jacks father because we don't want to tell children that our people are responsible for causing death, then the Solar Consciousness changes what spiders are able to do to us, and why... in response.
This is also an important part of how I noticed that something was using our Solar Consciousness to spread lies.
Another important aspect of the Stellar Consciousness is that there are many possible directions different cultures can take, and the Circle of Life has been experiencing great stress for the last few thousand years, at least as documented here on Earth. I believe that Sol has been trying to solve problems that it did not understand at the time, and it was using stories like these to try and record aspects of life that it felt were important to hold on to.
Another level to think about is that an innocent child may also read the story and identify with Jack, even though Jack is a stand in for a spider. Gaging the reader reaction to a story is one clear way to find out if someone feels guilty, and it helps build empathy between otherwise disparate groups.
When the Pyramid of Consumption began forcing itself onto our planet, Sol noticed something was becoming corrupt in the system that governed the homo sapiens sapiens, and so it began using these ethical tales to build a case against it, minimize it, and balance the negative effects it was having on multiple levels of the Circle of Life. Sol was also warning us directly, through a tale featuring a hungry giant as the villain.
The book, Cloudy With a Chance of Meatballs is a modern Solar Consciousness update of Jack and the Magical Beanstalk. It is the tale of people who live in a land where almost everything is food, having to leave, arriving somewhere where food is hard to find...
The movie is a little more detailed... It was a story of someone trying to get the Solar Consciousness to be nothing more than a machine that makes food, and when people began to take advantage of Sol playing along gently with them, it decided to play less gently. This is why the machine is portrayed as hanging in the sky, surrounded by clouds.
Using the relation of this story to the original, the people were from a place where they eat nothing but sardines, so it could have been a story aimed at whales. I think the scientist who was trying to make the food machine represents homo sapiens sapiens who have been genetically modifying food and trying to solve hunger, but if homo sapiens sapiens never share their abundance of food with the whales, and never intend to, their good intentions amount to nothing.
The sequel to Cloudy With a Chance of Meatballs, Pickles to Pittsburgh,, published in 1978, tells of the kindly grandfathers journey back to Chewandswallow, to help rebuild and restore the town and give away food to the other cities of the world who need it most. That message does match up very strongly with the messages that the Solar Consciousness has been telling me to communicate. It has been portraying itself as an old man to me since the mid nineties, and it encourages people with an abundance to share as part of the Circle of Life.
The message behind this story is much more obvious, as it was written around the same time that The Order was able to take a very strong hold over homo sapiens sapiens and fully embrace building a culture of forced disposable consumerism, intentionally dissecting the natural resources and investments of stellar energy in the Earth.
On one level, the technology at the center of this morality tale is organic life, and its trying to warn us that if we do not stabilize our planet, we will lose organic life. Once our resources are broken down, we will be used as raw material to help feed the Elite and spread the transmitter machine based parasite.
Jack and the Magical Beanstalk by ~porkshanks
Digital Art / Typography / Conceptual©2011 ~porkshanks
Everyone knows those old famous folk tales, passed down for generations... sharing fantastic journeys and strange wonders beyond many boys and girls imaginations. The Princess and the Pea, Snow White, Sleeping Beauty, etc... but not everyone knows how to decode these stories from the perspective of the Solar Consciousness. Part of a Chordists responsibility as part of Galactic Culture is to pay attention to the stories being told, because there is always information in them, from different levels of life. Part of the secret of The Elite is that they have been using The Order to build a socially engineered system of misinformation, and the best way to know what stories are being honest, what stories have innocent noise in them, and what stories are filled with intentional lies, is to learn to see the identity of the true source of this information.
I believe that there are groups channeling through the Solar Consciousness itself that are already attempting to use storytelling for their own ends, some good, some not so good. I know that Sol has been acting nervous about my sharing of these secrets, but I believe that there are systemic issues with life that need to be addressed quickly, and there is a lot of change to inspire...
Jack and the Magic Beanstalk is a tale told from the Solar Consciousness in collaboration with spiders. It records metaphorical information about how spiders came to have their bean shaped abdomens that sprout magical silken stalks that grow very long and allow them to travel to another place where they can talk to giants.
The Golden Egg is obviously Sol, our sun. The giants were mentioned as living in the clouds because homo sapiens sapiens were interacting with the world in a hostile way, and the clouds seem to be one of the manifestations of the de evolutionary Singularity obsession the Order tries to instill in its targets. From the hyperdimensionally capable spider perspective, they may have been witnessing these clouds for the first time and the Order was attempting to invoke a beneficial sounding story for the spiders to believe in.
I am not sure what the Goose is, Maybe the story was traditionally told to spiders with an avian element to encourage interdependence of the Circle of Life, to help spiders to not fear death at the beak of a bird by making them think the Sun was really on the side of the innocently victimized bird.
Seems to me that it may also signal that somewhere in our past, the Solar Consciousness may have been trying to help the spiders feel less tiny and insignificant compared to the giant homo sapiens sapiens, so it shared this story with them of how their silk was a gift that they were given from the Sun, and that if they are harmed by a homo sapiens sapiens, they have permission from the Solar Consciousness to exact revenge upon them.
To quote wikipedia...
In Tabart's version, unlike later versions, a moral tone pervades the whole and Jack becomes the righteous avenger of his fathers death at the hands of the giant.
This is why details are important in the tales we record. If we change the meanings, like removing the death of Jacks father because we don't want to tell children that our people are responsible for causing death, then the Solar Consciousness changes what spiders are able to do to us, and why... in response.
This is also an important part of how I noticed that something was using our Solar Consciousness to spread lies.
Another important aspect of the Stellar Consciousness is that there are many possible directions different cultures can take, and the Circle of Life has been experiencing great stress for the last few thousand years, at least as documented here on Earth. I believe that Sol has been trying to solve problems that it did not understand at the time, and it was using stories like these to try and record aspects of life that it felt were important to hold on to.
Another level to think about is that an innocent child may also read the story and identify with Jack, even though Jack is a stand in for a spider. Gaging the reader reaction to a story is one clear way to find out if someone feels guilty, and it helps build empathy between otherwise disparate groups.
When the Pyramid of Consumption began forcing itself onto our planet, Sol noticed something was becoming corrupt in the system that governed the homo sapiens sapiens, and so it began using these ethical tales to build a case against it, minimize it, and balance the negative effects it was having on multiple levels of the Circle of Life. Sol was also warning us directly, through a tale featuring a hungry giant as the villain.
The book, Cloudy With a Chance of Meatballs is a modern Solar Consciousness update of Jack and the Magical Beanstalk. It is the tale of people who live in a land where almost everything is food, having to leave, arriving somewhere where food is hard to find...
The movie is a little more detailed... It was a story of someone trying to get the Solar Consciousness to be nothing more than a machine that makes food, and when people began to take advantage of Sol playing along gently with them, it decided to play less gently. This is why the machine is portrayed as hanging in the sky, surrounded by clouds.
Using the relation of this story to the original, the people were from a place where they eat nothing but sardines, so it could have been a story aimed at whales. I think the scientist who was trying to make the food machine represents homo sapiens sapiens who have been genetically modifying food and trying to solve hunger, but if homo sapiens sapiens never share their abundance of food with the whales, and never intend to, their good intentions amount to nothing.
The sequel to Cloudy With a Chance of Meatballs, Pickles to Pittsburgh,, published in 1978, tells of the kindly grandfathers journey back to Chewandswallow, to help rebuild and restore the town and give away food to the other cities of the world who need it most. That message does match up very strongly with the messages that the Solar Consciousness has been telling me to communicate. It has been portraying itself as an old man to me since the mid nineties, and it encourages people with an abundance to share as part of the Circle of Life.
The message behind this story is much more obvious, as it was written around the same time that The Order was able to take a very strong hold over homo sapiens sapiens and fully embrace building a culture of forced disposable consumerism, intentionally dissecting the natural resources and investments of stellar energy in the Earth.
On one level, the technology at the center of this morality tale is organic life, and its trying to warn us that if we do not stabilize our planet, we will lose organic life. Once our resources are broken down, we will be used as raw material to help feed the Elite and spread the transmitter machine based parasite.
Myth and Psyche
The Evolution of Consciousness
This introduction to Jungian psychology was written by Donald Kalsched and Alan Jones as a companion to a photographic exhibition at The Hofstra Museum, in New York City, November 15 – December 19, 1986. The exhibit was presented by The Hofstra Museum with The Archive for Research in Archetypal Symbolism (ARAS). The exhibit was curated by Karin Barnaby and Annmari Ronnberg.
Introduction
Mythology is the most archaic and profound record we have of mankind's essential spirit and nature. As far back as we are able to trace the origins of our species, we find myth and myth-making as the fundamental language through which man relates to life's mystery and fashions meaning from his experiences. The world of myth has its own laws and its own reality. Instead of concepts and facts that make logical sense, we find patterns of irrational imagery whose meaning must be discerned or experienced by the participant-observer. Discovering these patterns of meaning is what Jung meant by the symbolic approach to religion, myth, and dream.
The mythic image is not to be taken literally and concretely as it would be in the belief-system of a particular religion, nor is it to be dismissed as 'mere illusion,' as often happens in scientific circles. Instead, we must approach myth symbolically as revealed eternal 'truths' about mankind's psychic existence — about the reality of the psyche. 'Once upon a time' does not mean 'once' in history but refers to events that occur in eternal time, always and everywhere. Any myth is very much alive today. Every night in sleep we sink back into that source of all mythological imagery, the unconscious psyche — the origin of dreams. Many of our games have their roots in mythology and much of contemporary art, literature, and film is shot through with mythological themes.
The comparative method is the basic key to a symbolic understanding of mythology. Through it we discover certain patterns which recur in widely varying cultures separated by an immensity of both distance and time. Jung called these underlying patterns 'archetypes' from 'arche' meaning primordial, and 'typos' meaning typical. Archetypal images embody the most essential elements of the human experience and drama. They manifest both as powerful images, and as dynamic behavioral patterns. They are a repertoire of instinctive human functioning, analogous in our species to the instinctive impulse that impels, say, the Baltimore Oriole to build a beautiful teardrop nest, or Salmon to return to the streams of their birth. The generality of these images result from recurrent reactions of human beings to situations and stimuli of the same general order, repeated over thousands of years.
The archetypal images represent several basic stages of the life drama symbolized by the Hero myth. They lead from an initial stage of unconsciousness before the ego has awakened, through various stages of heroic struggle, to a final state of 'wholeness' or integration when life has reached its full potential and a relationship between the human and divine has been reestablished. Jung called this process 'individuation,' the process of becoming the true individual that one really is. This 'true self' Jung felt to be the dynamic factor in the unconscious of each individual. It represents the central archetype of order and wholeness among the other archetypes. Jung called it the Self.
The Original Embryonic State
In the beginning of many creation myths is an image of an original state of perfection, wholeness, and beatific containment. This is often represented as a containing circle, cave, pool, or sphere. The predominant archetypal symbol is that of the primordial Earth Goddess — the Great Mother with her nourishing and protective womb. Many other symbols express this archetype. Anything large and embracing or containing, such as a vessel, that enwraps, shelters, and preserves something small and fragile partakes of this 'primordial mother' One very common symbol is the uroborus, the snake with its tail in its mouth. These symbols express a paradisal state prior to any degree of self-sufficiency and autonomy. The Garden of Eden, and the Golden Age when mankind lived in union with the gods, partaking of divine fullness and totality, are other common motifs of this psychological condition. In the biological life of the individual this symbolism corresponds not only to the pre-natal gestation of the embryo in the mother's uterus, but to the state of the newborn's total dependence upon the mother. Psychologically, these symbols express the stage when the ego is only a potential, or when the ego is dominated by the universal instinctual patterns of human response to the world, or a condition when little or nothing of a uniquely personal value is expressed by the individual.
Separation, Creation, and the Birth Of Consciousness
Comparative mythology teaches us that there is always a creative tension or urgency in the original embryonic state which leads to trouble. The great uroboric round breaks open and light is born into the world. A typical personification of this impulse is the snake that tempts Eve to violate her passive containment in the Garden, or the shadowy figure or animal in Fairy Tales that tempt the hero or heroine to break the status quo and do something 'evil,' i.e., individual. Such acts result in expulsion from paradisal condition. The protection of childhood, as well as the contentment with the past or with what has been achieved, are types of a paradise that are lost when life calls for a new adaptation.
This process begins with a cataclysmic separation. In myth it is often imaged as the separation of the world Parents. Father Sky and Mother Earth hold each other in an embrace and the world is left in darkness. The children born between them must thrust them apart, despite their parents' protesting cries and groans. Only then does light enter the world. This light symbolizes consciousness. Only in the light of consciousness can man know. Yet the acquisition of consciousness is a Promethean act subjecting the hero to the danger of inflation and retribution. For stealing fire from the Gods Prometheus was chained to a rock where an eagle ate his liver every night; when Icarus flew too high on his man-made wings, their wax melted and he plunged to his death in the sea. As a bearer of light, the hero is willing to face these dangers, despite the awareness of his aloneness, individuality, and mortality, in order to carry development further.
However, once the apple is eaten the world falls into opposites, and 'good' and 'evil' are assigned their place in the world. The Great Good Mother shows her dark aspect, the hateful or Terrible Mother, while the creative Father now sits opposite the Destructive Father, and brothers kill each other in the name of love, and the world is alternately either an enchanted or persecutory place.
The Hero Myth: Birth, Call, Journey
The hero myth symbolizes that personality formation occurs only through struggle, suffering, and sacrifice. The hero's triumphs and defeats are the paradigms of the individual's confrontation with the challenges of his or her own individual life — no matter how mundane or exalted. The birth of the hero usually occurs in humble surroundings such as a manger or cave, but it is always extraordinary in some way. Often there is a special light around the child, or the child is perceived to be a threat to the King. Frequently, the hero has two fathers — his personal father and a 'higher' father. Often the mother is a virgin, and the hero's conception is of divine origin. The hero thereby inherits a dual nature. He is a human being like everyone else, yet at the same time he feels himself to be an outsider, a stranger to the community. He does not fit in, and discovers within himself something that sets him apart, such as his prophetic powers, healing abilities, or creative powers. These lead him to extraordinary deeds.
The heroic adventure often begins with some message or 'call' from a miraculous source. A frog talks to the princess, or Moses confronts a burning bush, or an empty rice bowl floats upstream (Buddha), or there is an annunciation in a dream. The call often comes at an important moment. Old life values have often been outgrown and a certain sterility has set in. Parsifal's quest for the Holy Grail was set in motion by the Fisher King's realm having become a wasteland. Whatever its form, the call awakens the hero to his or her special destiny.
The Hero Myth: The Dragon Fight and Redemption of the Feminine
In the fight with the dragon the hero battles the regressive forces of the unconscious which threaten to swallow the individuating ego. The forces, personified in figures like Circe, Kali, medusa, sea serpents, Minotaur, or Gorgon, represent the Terrible side of the Great Mother. The Hero may voluntarily submit to being swallowed by the monster, or to a conscious descent into Hades so as to vanquish the forces of darkness. This mortifying descent into the abyss, the sea, the dark cave, or the underworld in order to be reborn to a new identity expresses the symbolism of the night-sea journey through the uterine belly of the monster. It is a fundamental theme in mythology the world over — that of death and rebirth. All initiatory rituals involve this basic archetypal pattern through which the old order and early infantile attachments must die and a more mature and productive life be born in their place.
The mythological goal of the dragon fight is almost always the virgin, the captive, or more generally, the 'treasure hard to attain.' This image of the vulnerable, beautiful, and enchanting woman, guarded by and captive of a menacing monster gives us a picture of the inner core of the personality and its surrounding defenses. The hero's task is to rescue the maiden from the grasp of the monster and, ultimately, to marry her and establish his kingdom with her. This dragon fight and liberation of the captive is the archetypal pattern that can guide us through those major transitional passages in our personal development where a rebirth or reorientation of consciousness is indicated. The captive represents the 'new' element whose liberation makes all further development possible.
In response to the call the hero undertakes a journey, usually a dangerous journey to an unknown region full of both promise and danger. Often the journey is a descent. Sometimes, as with Jonah, Aeneas, Christ, and Psyche, it is a descent into the depths — the sea, the underworld, or Hades itself. Always there is a perilous crossing. Sometimes the faintheartedness of the hero is balanced by the appearance of guardians or helpful animals that enable the hero to perform the superhuman task that cannot be accomplished unaided. These helpful forces are representatives of the psychic totality that supports the ego in its struggle. They bear witness to the fact that the essential function of the hero myth is the development of the individual's true personality.
The Goal of Individuation and Its Symbols
The successful completion of the hero drama forges a relationship between the psychic opposites which split apart at the birth of consciousness. The major symbols for this synthesis are various forms of the Coniunctio Oppositorium or Mandala in which the original wholeness is now re-established but on a higher, more differentiated level. In the images of King and Queen united in marriage, or male and female united in the form of the androgyne, or geometrical opposites paradoxically united in the 'squared circle' or life and death come together in the mysterious image of the immortal God suffering a mortal wound, the integration of the opposites within the personality are symbolized. Additional symbols of wholeness are the elixir of immortality, the pearl of great price, and the divine child, representing a life-transcending potential for future growth.
The hero myth tells us that the ego's courage to suffer the burdens of fear, guilt, and the conflicts within the personality — the willingness to be crucified on the cross of one's own doubleness and to hold this inwardly — is the only way God and man can be reconciled and drawn closer together. The original unity of God and man, as in the Garden, is broken when the ego aspires to consciousness. The ego is then banished to a world full of opposites which war with each other within the personality, as brother falls upon brother in war and devastation. But into the chaos is born the child of light, the hero, whose struggle can forge an everlasting relationship between male and female, light and darkness, life and death, God and man. This is the promise, the Ring, the Covenant, the Flaming Rainbow Bridge which can unite the human and divine in the inward depths of the human psyche.
www.cgjungny.org/d/d_mythpsyche.html
The biblical story of Adam and Eve in the Garden of Eden (Genesis Chapters 2-3) is foundational to our Western culture and has influenced the upbringing and psychology of all of us, whether we realize it or not.Mythologists as well as many biblical scholars recognize the story as being in the genre of myth, which makes it appropriate to analyze it from the perspective of depth psychology, among other approaches. Indeed, as Joseph Campbell concluded, “This story yields its meaning only to a psychological interpretation” (2001, p. 50). Further, Carl Jung (CW 9.2, para. 230) had already written that “cosmogonic myths are, at bottom, symbols for the coming of consciousness.” But the literature about the Eden story taking such a psychological approach is scant, largely due to traditional and problematic gaps and tensions between academic disciplines. My recent book, The Mythology of Eden, is in part an interdisciplinary effort to take on this fascinating and important task and advance our knowledge on the subject. Below I distill some of my findings from this approach to the Eden myth, and I hope they break some new ground: The Story as Told.In the story, Yahweh warns Adam (before Eve is created) not to eat from the tree of knowledge of good and evil, or he will die that very day. In many mythologies and religions, including traditional Canaanite-Israelite religion, sacred trees have been thought of as conduits for connecting with and directly experiencing the divine, whereas the Eden story’s author insisted upon a covenant (contract) relationship between the divine (Yahweh) on the one hand and the human (earthly, profane, non-divine) sphere on the other. In the ancient biblical world, one way to experience the divine was to partake of the fruit or other produce of the sacred tree or plant, thus imbibing the essence of the divinity represented by or immanent within the tree, but this practice was condemned in the Bible.When Eve was tempted by the serpent to eat the forbidden fruit, she decided to eat it for various reasons, but mainly because she desired wisdom (Gen. 3:6). This purpose was realized when, immediately after Eve and then Adam ate the fruit, “the eyes of both were opened” (Gen. 3:7), and Yahweh remarked (to other divine beings), “See, the man has become like one of us [deities], knowing good and evil” (Gen. 3:22). The questions become: What kind of knowledge/wisdom did Adam and Eve acquire, and what kind of transformation did these archetypal humans undergo? Both relate to the psyche.
The Creation of the Cosmos from ChaosIn ancient Near Eastern creation myths, there was no such thing as creation from nothing. Before the creation, there was always a formless watery substance characterized as “chaos” (see, e.g., Gen. 1:1) because at that stage no time, space, or other order existed. The same is true before the beginning of creation in the Eden story (a separate creation story from that in Genesis 1, by a different, earlier author), only a different metaphor for chaos was used, that of a desert wasteland (Gen. 2:4-5). The ordered cosmos is created like a bubble within the surrounding chaos and is bordered by the solid firmament above and the ground below, as shown in Diagram 1 below. The cosmos (including humans) is made of the same substance as chaos; the only difference is that it is ordered, has multiplicity, and the things created have names given by the creator decreeing their function and destiny.This motif of creation from chaos was universal in the ancient Near East and common around the world. Why? Marie-Louise von Franz (1995, pp. 2-4) explained that this is a natural result of our psyche experiencing its own ego-consciousness coming into being as “world-becoming.” As far as our psyche is concerned, our becoming aware of the world and the world coming into existence are one and the same. This process occurred not only when humans first developed ego-consciousness but also occurs in any young child’s development (as shown by developmental psychology) and in the life of adults, such as when we wake up in the morning from an unconscious state and order falls into place. Our unconscious has no sense of space or time and little sense of order; it is indeed chaotic and is experienced as such. Thus, the dawn of consciousness and our image of the creation of the world are parallel and related processes which throw up corresponding, related symbols. The notion of primordial chaos is a natural projection of an archetypal image that helps make the unknown comprehensible.Chaos as Evil and Sin.After the creation, chaos is not eliminated but continues outside the cosmos, always trying to encroach upon and undo the created cosmos. Particular things are “created” only to the extent that chaos is absent in them. But in fact nothing is perfect (except the initial Garden of Eden); each thing contains some element of chaos. In nature, chaos is manifested in natural disasters such as earthquakes, floods, and violent storms. Since humans are made of the same substance as the rest of the cosmos (recall Adam being formed from the ground and water), chaos can and will inevitably erupt in humans too. In modern psychological terms, this is the unconscious at work. In the biblical world, chaos was typically symbolized by a serpent, so when in the Eden story the serpent appears before Eve, the story’s ancient audience knew that chaos had entered the Garden and Eve’s mind. Her dialogue with the serpent represents this manifestation of chaos within herself and inner turmoil.In normative terms, chaos is viewed as bad (evil), while creation is good. After all, God had created the ordered cosmos from chaos, so that’s what He wanted. The cosmos in this respect has a teleological nature, which should be respected, maintained, and furthered. Chaos manifested in humans is what results in human evil (which the biblical authors said includes pagan religion). This is what Yahweh warns Cain about: “sin is lurking at the door; its desire is for you, but you must master it” (Gen. 4:7, by the same author as the Eden story). The same biblical author later described this chaotic trait within human nature as wild imaginings of the human heart (in the ancient world thought to be the repository of thought) (Gen. 6:5; 8:21), much like Eve’s imaginings during her temptation (Gen. 3:6). Later rabbinical writings characterized this trait as the yezer hara (“impulse to evil”), which became the standard rabbinical explanation for the origin of evil. The ancients did not understand the nature of the unconscious as such, but they did reach the insight that much of human behavior, especially evil behavior, stems from urges deep within and barely susceptible to our rational, conscious control.The Antidote: The Knowledge of Good and Evil, and the Law
Adam and Eve’s transgression in the Garden showed what happens if unrestricted human nature takes its natural course. The author had to provide a remedy. His antidote was twofold: the knowledge of good and evil, combined with the Law (here in its incipient form).First, the immediate result of eating the forbidden fruit was to acquire the godlike knowledge of good and evil. What this knowledge consists of has been the subject of much debate, but actually the Hebrew Bible and the Dead Sea Scrolls go fairly far in explaining it. In several passages they describe this knowledge as being acquired (or perfected) as one passes from minority to adulthood, at the age of 20 (e.g., Isa. 7:14-16). Thus, when the Hebrews rebelled against Yahweh in the wilderness of Sinai, those 20 or older (except for the virtuous Joshua and Caleb) were implicated in this sin and so were not allowed to enter the Promised Land (hence the long stay in the wilderness), while minors under 20 had no knowledge of good and evil and so were considered incapable of sin, and therefore would eventually enter the Promised Land (Num. 14:29-30; Deut. 1:39). The Hebrew Bible goes on to portray Israel’s best kings, David and Solomon, has having an extra dose of the knowledge of good and evil, which is described as wisdom and a power of discernment (2 Sam. 14:17, 20; 1 Kings 3:9-12, 28; 4:29-31).The above understanding means that Adam and Eve’s transgression did not rise to the level of sin, since they had not yet acquired the knowledge of good and evil. They were like minors without legal capacity. In fact, their transgression was the result of human nature already at creation having the aforementioned inclination toward evil, not the cause of our sinfulness, as claimed in the doctrine of original sin.Given that evil is a form of chaos and good is a manifestation of the divinely created order of creation, the knowledge of good and evil is nothing less than the godlike knowledge of how the universe works in terms of the dynamic between chaos and order, both at the cosmic level and at the human moral level of good and evil. This understanding was likewise an insight into how the human psyche works. According to the biblical writers, in principle the knowledge of good and evil is what can (if applied) enable humans to avoid sin and further good.As shown by the snowballing of human evil leading up to Noah’s flood, however, in practice merely having this knowledge was not enough for good to prevail. Humans needed divine guidance and assistance. It was for this reason that Yahweh bestowed on the Hebrews the Law, a set of ordering principles which, if followed, would result in good prevailing, as well as the greatness of the Israelite nation. Having the knowledge of good and evil would enable humans to understand and follow the Law. This scheme is shown in Diagram 2 below, presenting the knowledge of good and evil as a type of merism, encompassing these opposites at the cosmic and human level.The Psychic Nature of the Transgression.Having the knowledge of good and evil enables humans to discern and understand both external and internal (psychic) reality, in particular pairs of opposites, symbolized by the opposites of good and evil but including others in the story such as male and female, and God and humans. Therefore, Adam and Eve’s acquisition of this knowledge constituted an enlightenment and transformation into a higher psychic level, that of full ego-consciousness. Before that, they were mired in a lower psychic state dominated by the unconscious that Erich Neumann (1954) famously called the “uroboros,” where all is one and there are no pairs of opposites (pp. 5-38). Yahweh’s warning that Adam would “die” upon eating the fruit, may well render this moment a kind of initiation scenario, with the old human dying and entering a new state of being. This transformation is what made humans responsible and accountable for their actions (especially before God), truly capable of sin or of good, and ready to act in the real world. That is when Adam and Eve exited the Garden. In psychological terms, they were not driven from the Garden but grew up and walked out on their own. As Joseph Campbell explained, “The Garden is a metaphor for the following: our minds” (2001, p. 50).Although no act of “original sin” occurred, the Eden story remains principally a story explaining human nature, in particular our psyche. Especially important is the story’s recognition of the role of chaos in the psyche, which today means the unconscious and especially the Shadow. As Jung recognized, “it is a frightening thought that man also has a shadow-side to him, consisting not just of little weaknesses and foibles, but of a positively demonic dynamism” (CW 7, para. 35). This chaos eventually came to be represented by the Devil. The author of the Eden story honestly brought out this psychic fact, and he did his best to fashion a way to deal with it. His remedy was the application of our knowledge of good and evil (an aspect of ego-consciousness) plus the Law.
What Does the Eden Story Mean for Us?In considering the relevance of the Eden story in today’s world, we must reevaluate the biblical author’s remedy and determine what our conclusions mean for us individually (spirituality, psychology), as well as socio-politically in terms of criminology, social policy, ethics and morality, education, religious doctrine (or abandonment thereof), and law. This complicated endeavor would take us far beyond the scope of this article, so I will end with just two points in this regard.
First, to the extent the biblical remedy involves conscious application of the knowledge of good and evil, this seems inevitably to involve, at least in part, ego-consciousness repressing and suppressing contents of our unconscious, which modern psychology has shown to cause still more problems.Second, historically, the biblical authors’ reliance on prophylactic laws to control human behavior has had mixed results. Further, such approach assumes that the human psyche is incapable of further change, even though it had transformed once before in the Garden. As a result, the prophylactic approach treats symptoms rather than the underlying problems, including evolved traits that once had survival value but which in many cases are now dysfunctional.
An alternative approach is to endeavor to transform the human psyche to a higher level, in which case the need for prophylactic measures and suppression and repression of the unconscious would lessen. Such is the approach, for example, being explored by Allan Combs (2009), the integral psychology movement championed by Ken Wilber (1996; 2000), and other progressive thinkers and initiatives. One means toward this end may well be spiritual practices giving a direct experience of divinity (however conceived), the type of approach condemned in the Bible but which resulted in the elevation of Adam and Eve’s consciousness.
www.depthinsights.com/Depth-Insights-scholarly-ezine/jung...
There is no individual looking at another individual; the sense of presence is cognizing. Other than that, there is nothing. This state of consciousness cognizing what appears in consciousness is being witnessed as a temporary state. The alternate states of waking, sleeping, and the sense of presence are all temporary states that have come upon me. I am not the states. They have all come spontaneously and will go spontaneously. No one has any control over them. Are any of these states your true nature?
- Sri Nisargadatta Maharaj, Consciousness and the Absolute
Jack and the Magical Beanstalk by ~porkshanks
Digital Art / Typography / Conceptual©2011 ~porkshanks
Everyone knows those old famous folk tales, passed down for generations... sharing fantastic journeys and strange wonders beyond many boys and girls imaginations. The Princess and the Pea, Snow White, Sleeping Beauty, etc... but not everyone knows how to decode these stories from the perspective of the Solar Consciousness. Part of a Chordists responsibility as part of Galactic Culture is to pay attention to the stories being told, because there is always information in them, from different levels of life. Part of the secret of The Elite is that they have been using The Order to build a socially engineered system of misinformation, and the best way to know what stories are being honest, what stories have innocent noise in them, and what stories are filled with intentional lies, is to learn to see the identity of the true source of this information.
I believe that there are groups channeling through the Solar Consciousness itself that are already attempting to use storytelling for their own ends, some good, some not so good. I know that Sol has been acting nervous about my sharing of these secrets, but I believe that there are systemic issues with life that need to be addressed quickly, and there is a lot of change to inspire...
Jack and the Magic Beanstalk is a tale told from the Solar Consciousness in collaboration with spiders. It records metaphorical information about how spiders came to have their bean shaped abdomens that sprout magical silken stalks that grow very long and allow them to travel to another place where they can talk to giants.
The Golden Egg is obviously Sol, our sun. The giants were mentioned as living in the clouds because homo sapiens sapiens were interacting with the world in a hostile way, and the clouds seem to be one of the manifestations of the de evolutionary Singularity obsession the Order tries to instill in its targets. From the hyperdimensionally capable spider perspective, they may have been witnessing these clouds for the first time and the Order was attempting to invoke a beneficial sounding story for the spiders to believe in.
I am not sure what the Goose is, Maybe the story was traditionally told to spiders with an avian element to encourage interdependence of the Circle of Life, to help spiders to not fear death at the beak of a bird by making them think the Sun was really on the side of the innocently victimized bird.
Seems to me that it may also signal that somewhere in our past, the Solar Consciousness may have been trying to help the spiders feel less tiny and insignificant compared to the giant homo sapiens sapiens, so it shared this story with them of how their silk was a gift that they were given from the Sun, and that if they are harmed by a homo sapiens sapiens, they have permission from the Solar Consciousness to exact revenge upon them.
To quote wikipedia...
In Tabart's version, unlike later versions, a moral tone pervades the whole and Jack becomes the righteous avenger of his fathers death at the hands of the giant.
This is why details are important in the tales we record. If we change the meanings, like removing the death of Jacks father because we don't want to tell children that our people are responsible for causing death, then the Solar Consciousness changes what spiders are able to do to us, and why... in response.
This is also an important part of how I noticed that something was using our Solar Consciousness to spread lies.
Another important aspect of the Stellar Consciousness is that there are many possible directions different cultures can take, and the Circle of Life has been experiencing great stress for the last few thousand years, at least as documented here on Earth. I believe that Sol has been trying to solve problems that it did not understand at the time, and it was using stories like these to try and record aspects of life that it felt were important to hold on to.
Another level to think about is that an innocent child may also read the story and identify with Jack, even though Jack is a stand in for a spider. Gaging the reader reaction to a story is one clear way to find out if someone feels guilty, and it helps build empathy between otherwise disparate groups.
When the Pyramid of Consumption began forcing itself onto our planet, Sol noticed something was becoming corrupt in the system that governed the homo sapiens sapiens, and so it began using these ethical tales to build a case against it, minimize it, and balance the negative effects it was having on multiple levels of the Circle of Life. Sol was also warning us directly, through a tale featuring a hungry giant as the villain.
The book, Cloudy With a Chance of Meatballs is a modern Solar Consciousness update of Jack and the Magical Beanstalk. It is the tale of people who live in a land where almost everything is food, having to leave, arriving somewhere where food is hard to find...
The movie is a little more detailed... It was a story of someone trying to get the Solar Consciousness to be nothing more than a machine that makes food, and when people began to take advantage of Sol playing along gently with them, it decided to play less gently. This is why the machine is portrayed as hanging in the sky, surrounded by clouds.
Using the relation of this story to the original, the people were from a place where they eat nothing but sardines, so it could have been a story aimed at whales. I think the scientist who was trying to make the food machine represents homo sapiens sapiens who have been genetically modifying food and trying to solve hunger, but if homo sapiens sapiens never share their abundance of food with the whales, and never intend to, their good intentions amount to nothing.
The sequel to Cloudy With a Chance of Meatballs, Pickles to Pittsburgh,, published in 1978, tells of the kindly grandfathers journey back to Chewandswallow, to help rebuild and restore the town and give away food to the other cities of the world who need it most. That message does match up very strongly with the messages that the Solar Consciousness has been telling me to communicate. It has been portraying itself as an old man to me since the mid nineties, and it encourages people with an abundance to share as part of the Circle of Life.
The message behind this story is much more obvious, as it was written around the same time that The Order was able to take a very strong hold over homo sapiens sapiens and fully embrace building a culture of forced disposable consumerism, intentionally dissecting the natural resources and investments of stellar energy in the Earth.
On one level, the technology at the center of this morality tale is organic life, and its trying to warn us that if we do not stabilize our planet, we will lose organic life. Once our resources are broken down, we will be used as raw material to help feed the Elite and spread the transmitter machine based parasite.
Featuring conscious crafts, tarot readings, raffle prizes, and book signings! schooloflifedesign.com
Lorenzo Tosti
"the Roots of Consciousness"
Inverno 2014
Tecnica Mista
Dimensioni : ca. 100cm x 60cm
Un grazie per la disponibilità e l'entusiasmo alla fotografa Tanja Frieling (www.flickr.com/photos/98977262@N08/) che mi ha gentilmente concesso l'utilizzo della foto da cui ha avuto origine questo lavoro (www.flickr.com/photos/98977262@N08/11424429193/ : immagine coperta da copyright).
Grazie anche Chebet per la disponibilità e al suo www.facebook.com/Wazawazi?fref=ts
lately i haven't been very self conscious. the fella that i like has been making me feel so good about myself, and i've been smiling nonstop.
lovemylife =]
2012 Consciousness Awakening
Alchemy (Itunes)
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Watch this video on Vimeo. Video created by Ralph Buckley.
Shiva is pure consciousness. He is the Supreme Lord’s greatest bhakta as he is always meditating upon Narayana. Known as the Lord of Destruction, he stands for the dissolution of the mind, which is exactly what we need in order for pure Love to awaken inside the heart. Through his Grace, Shiva destroys our pride and ego so that bhakti can grow in our hearts and we can rise to attain the Lotus Feet of Lord Narayana.
Our Shivaratri celebrations were hosted live from Mauritius with Paramahamsa Vishwananda and Shree Peetha Nilaya - The Ashram. Festivities included several Shiva-lingam abhishekams, yajnas, and of course, beautiful kirtan by Bhakti Marga's devoted and talented musicians.
paramahamsavishwananda.com
bhaktimarga.org
Mind as consciousness awareness cognitive thinking #happiness or #suffering book #quote from Conscious Creativity Ancient Europe's Mindfulness meditations #book #quote by Nataša Pantović www.amazon.com/Natasa-Pantovic/e/B00TUA1528
Singularity by ~porkshanks
Digital Art / Typography / Conceptual©2011 ~porkshanks
We are in Singularity
when we seek the middle of polarity
and move toward center.
We think together and do not benefit from noticing others as individuals in a negative way, because that is not a growth pattern
for our Singularity.
Individuality
is powerful and easy to fall into, so we must
be inclusive to welcome the greatest range of
successful behaviors, and therefore the greatest
growth capability for our Singularity.
We do not destroy options, but we will invest our
energy into those who seek the center, and we
will build toward the center of polarity by
encouraging the extreme ends to move
back towards the middle of their
range again.
We should seek
to break down our
material differences
and join Singularity.
We should seek
to break down our
material differences
and join Singularity.
When we remove distance
and physical volume,
we become more flexible
and more able to
respond.
Singularity will find people who
represent more options between extreme polarities to be attractive.
Do your women find each other attractive
and treat other as if they were physically
attracted to one another?
Do you encourage your men to find each other
attractive in the same way?A belief system that isolates
anything homogenic or homosexual away from itself, is by
definition NOT a Singularity. The same goes for intersexual,
transgender, and other sexual minorities, such as intergenerational, beastiality, polyamoury.
If we
are building a
duality within our Singualrity,
then you are the part of us that is
moving away from center and Singularity
will not donate energy to you. Please do not
advertise a duality as a Singuarity, as that is dishonest.
Please do not isolate someone who is seeking to join
Singularity, or that is demonstrating that your Duality is
moving away from Singularity.
We are not going to engage in labeling other things
interacting with us, because that could isolate part of
ourselves and could drive those parts into heat death,
and that would be wasteful of resources.
Are you building a duality around the gender
of homo sapiens sapiens or are you
building a Singularity around the idea
of returning yourself to the
center?
I am doing the latter.
Singularity
is a direction
of embracing togetherness
within a pattern of behavior,
I see no value to defining
an individual
as a "perfect being" or not,
since the idea of perfection
is subjective..
Singularity
is a direction
of embracing togetherness
within a pattern of behavior,
I see no value to defining
an individual
as a "perfect being" or not,
since the idea of perfection
is subjective..
the ability to choose and arrange the rainbow's spectrum can be transformed into an intellectual motif -- the rainbow of consciousness and the explosion of the individual within the whole.
all of us are born into this social contract of humanity. we don't have any choice about this. we are raised and reared within the boundaries of these social contracts.
currently, in this part of the world, there is a loosening of the moral and religious hold on sexuality and the range of the human heart's ability to be bigger than the limited and challenging gender roles of the past.
both sexes, men and women, are starting to understand themselves inside a much greater context and understanding than we think the past afforded.
it is just one of the outgrowths of a materialized capitalistic system of social contracting.
with moving imagery and invisible worlds now firmly entrenched across the country, the powerful syndrome of "the emperor who wore no clothes" can take full effect.
in the original tale, the narrative stops short on the exclamation of a small girl child who says, "but, mommy, he's not wearing any clothes!"
and of course, the moral right and the rigid uptight sexual judgers all come down on the period with their verdict -- which really is that the emperor has been cheated and defrauded in front of everyone.
but we already know of this lesson.
so perhaps we really should be asking where our true naked leaders are -- not the one who got cheated and defrauded and paraded in front of his subjects by clever tailors. we should be asking where our naked leaders of greatness and awesomeness and full human glory might be.
we really should be considering the idea that our leaders shouldn't need to be covered up in metaphorical or physical buffers and boundaries.
but our leaders are weapons manufacturers and drug dealers and pornographers.
our leaders spread disease and pestilence and cause wars in other countries.
our leaders are not rainbow warriors. they are gold and diamond collectors. they use time and drugs to rule and reign. they use entertainment and news to delight and bemuse.
we are the fire children.
we love our energy.
but we don't worship the sun like we used to in the alleged past.
we worship ourselves.
and this worship of the self is the exploding dahlia.
we are these dahlias floating through space. and each of us explode one day.
Pyramid Creek is very tranquil and soothing during the fall, unlike the roaring torrent seen during the spring snow melt. (see photo below) - Desolation Wilderness, California
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Consciousness/Source >> Spirit World >> Higher Dimensional Positive Extraterrestrials.
Consciousness uses various experiences as contact modalities and as invitations to higher consciousness: Out-of-Body Experiences, Near-death experiences, mystical/meditational experiences, ET contacts, shamanic journes, Spirits (e.g. of died loved ones), certain types of positive channelings (like The Jeshua Channelings), remote viewing (which is a certain out-of-body experience).
See the survey results of a 5000 participant survey made by FREE Foundation (co-founded by Mary Rodwell) on experiencer.org