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13th Studio Album by Pink Floyd Released in September 1987
This is the 2019 Remixed and Updated Version on Pink Floyd Parlophone Records' Compact Disc....PFR37/01902995044091
Camera Model Name: Canon EOS 5D
Lens: EF100-400mm f/4.5-5.6L IS USM
Tv (Shutter Speed): 1/500
Av (Aperture Value): 8.0
Metering: Partial Metering
ISO Speed: 100
Focal Length: 400.0 mm
Flash: Off
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DAY 11
Distance & Time: By car - 110 km / 4 hrs
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We had come looking for the keys to the ruins of the khar (fortress or castle in Ladakhi), which was not found instead stumbled upon a well hidden and less frequented village. Along with the cave gompa, which can boast of hundreds of years of history. Enriching experiences no doubt.
It is time for us to take leave and thank rimpoche for his kindness, hospitality and time. Descending from the monastery terrace we look around the vista that surrounds us for the final time. Stand still on hearing a sweet and melodious tinkle.
Must be one of the young residents of the monastery who has attached a compact disc with a drylbu (bell). Perhaps, this is what modern Ladakh is all about, peaceful and harmonious co-existence of the new with the ancient.
The Original Peter Green's Fleetwood Mac featuring Mick Fleetwood, Jeremy Spencer, John McVie, Peter Green and Danny Kirwan
3 CD Set Remastered by Maxwood Music Ltd for Sony Music 2019
19075950762
A discarded Jake Bugg compact disc. Montpelier Park, Ealing, London, England, UK.
Please contact me to arrange the use of any of my images. They are copyright, all rights reserved.
Tapes made by Wishbone Ash but not used on any of their Albums
This is a 2007 Release by Eagle Rock Entertainments Ltd from The original 2004 Album mixed and mastered by Talking Elephant Records
EAGCD352
a boring experimental shot now;
...put some water drops on compact disc and played with light for a while...
suggestions are heartily welcomed..
thanks for stopping by :)
HAVE A GREAT TIME :)
This Release in 2011 has the 'Broughtons' first five studio albums plus their live performance in Hyde Park, London on the 18th July 1970
The song here is an original creation of mine called "Solar Storm". You can check it out here: soundcloud.com/josh-rokman/solar-shower
- Josh
Uriah Heep 6th Album Sweet Freedom
Expanded Delux Edition CD on Sanctuary Records SMRCD011
Released 2004
Rare Thirty one tracks. 2CD Compilation of B sides from the Iron Maiden Singles released over the past Half Century
2002 Rhino/Parlophone under licence for EMI
English Prog Rock Band Family's Sixth Studio Album Released on the Reprise Label in 1972
This Limited Edition CD with Bonus Tracks was issued by Repertoire Records in 2006
REPUK 1081
Rare 2nd Studio Album by Portland Garage Rock Trio Pierced Arrows "Fred & Toody Cole with Kelly Halliburton" on Drums
Pierced Arrows was formed after "Dead Moon" broke up in 2006
Released on the Vice Music Label in 2010
VCA 80014
Taken with a Canon 60mm USM Macro lens. Type L for a better view.
Our Daily Challenge - Through A Hole - 10/28/11
The song here is an original creation of mine called "Shimmering Blue Sky".
You can check it out here: soundcloud.com/josh-rokman/shimmering-blue-sky
- Josh
The RAD project: (A roll in a day/a day in a roll) www.flickr.com/groups/rollinaday/
The suggested theme for this month was:
'Rolling stock' and/or anything on wheels, anything that rolls, anything round, circles, half circles, etc. Curves can be included as well. Close-up of plants with curves or balls of flower heads, fruit, etc.
These are just the 'round' objects I photographed. I bought a second 50mm Minolta lens, f1.4, to see whether it blurs nicer than the 50mm f1.7. I still have to figure out how, find better subjects and think a bit more carefully on how to go about it! :) I don't think that it will beat the Nikkor 50mm 1.8. I use only Nikon and Minolta and the Nikons win every time.
I bought new music for my trip several months ago, but thought you can never have enough new music for a road trip! Some of these I have had my eye on for a while, but thought this was a great excuse to get them!
Theme: Music To My Ears
Year Eight Of My 365 Project
Twenty-seven years after the fact: a tour de force!
— Betty Carter
Audio CD (released: 29 March 2019; recorded 1992)
Label: Blue Engine Records
Catalog No.: BE0014
UPC: 8-57509-00517-9
Number of Discs: 1
▶ Front cover: here.
**************
▶ Tracks:
1. Ms. B.C. 3:10
2. Make It Last 5:45
3. 30 Years 4:35
4. Why Him? / Where or When / What's New? 15:46
5. Tight! / Mr. Gentleman 4:32
6. Social Call 2:29
7. Moonlight in Vermont 4:37
8. The Good Life 5:47
9. Bridges 9:30
10. If I Should Lose You 6:47
11. Most Gentlemen Don't Like Love 4:27
12. Make Him Believe 5:26
13. Frenesi 3:14
***************
☞ Leader, vocals: Betty Carter
☞ Small Group
Geri Allen: piano
Cyrus Chestnut: piano
Ariel Roland: bass
Greg Hutchinson: drums
Clarence Penn: drums
☞ The Big Band
Jerry Dodgion: alto saxophone
Rick Wald: alto saxophone
Alex Foster: tenor saxophone
Lou Marini: tenor saxophone
Joe Temperley: baritone saxophone
Art Baron: trombone
Robin Eubanks: trombone
Joe Randazzo: trombone
Lew Soloff: trumpet
Earl Gardner: trumpet
Ron Tooley: trumpet
Kamau Adilifu: trumpet
John Hicks: piano
Lisle Atkinson: bass
Kenny Washington: drums
☞ The Strings
Jeanne LeBlanc: cello
Akua Dixon: cello
Julie Green: cello
Bruce Wang: cello
John Beal: bass
Dave Finck: bass
***************
▶ "The Music Never Stops is a beautiful piece of unheard history: an archival recording of a concert headlined by the late, great vocalist Betty Carter. Recorded in 1992 [six years before Carter died], the show was a centerpiece of one of Jazz at Lincoln Center's earliest seasons.
She assembled three trios, a big band [her first with a big band in three decades], and a string section on the stage and darted back and forth between the different ensembles, transitioning seamlessly and effortlessly between burning be-bop and deeply felt ballads, wearing out the musicians with her stamina.
The album highlights the legendary Carter's many talents: her effortless way with a melody, her endlessly inventive improvisations, and her unparalleled ability to build both a narrative and a mood by spontaneously weaving jazz standards and her own genius material together. But this concert wasn't just another night for Carter; the record also features contributions from some of the best contemporary jazz instrumentalists working in NYC.
The music contained everything one would anticipate from Carter: mesmerizing balladry, exhilarating swing, impeccable lyricism, stunning improvisation, and brilliantly constructed song-stories that are still visionary today."
***************
▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Camera: Olympus Pen E-PL1.
— Lens: Lumix G 20/F1.7 II.
— Edit: Photoshop Elements 15.
▶ Commercial use requires explicit permission, as per Creative Commons.
The Late Christine McVie joined Fleetwood Mac shortly after founder member Peter Green decided to quit. Vocalist and Keyboard player, Christine cemented the Buckingham, Nicks era together and will be sorely missed
Madison Blues is a Three Disc set of live and studio recordings
with Group members Mick Fleetwood, Danny Kirwan, Jeremy Spencer and John McVie
Shakedown Records Released 2003
New music for my trip to Colorado! Every year I get new music to listen to for the long drive to Colorado for my yearly mountain adventures. This year the drive will be a bit longer (I have to spend the night on the road just to get there), but I am going to incorporate music from previous years- both albums that were really great and are always in my mix, as well as albums that I need to go back and re-visit!
Theme: Music To My Ears
Year Ten Of My 365 Project
Twenty-seven years after the fact: a tour de force!
— Betty Carter
Audio CD (29 March 2019)
Label: Blue Engine Records
Catalog No.: BE0014
UPC: 8-57509-00517-9
Format: Domestic
Number of Discs: 1
▶ Rear cover: here.
**************
1. Ms. B.C. 3:10
2. Make It Last 5:45
3. 30 Years 4:35
4. Why Him? / Where or When / What's New? 15:46
5. Tight! / Mr. Gentleman 4:32
6. Social Call 2:29
7. Moonlight in Vermont 4:37
8. The Good Life 5:47
9. Bridges 9:30
10. If I Should Lose You 6:47
11. Most Gentlemen Don't Like Love 4:27
12. Make Him Believe 5:26
13. Frenesi 3:14
***************
☞ Leader, vocals: Betty Carter
☞ Small Group
Geri Allen: piano
Cyrus Chestnut: piano
Ariel Roland: bass
Greg Hutchinson: drums
Clarence Penn: drums
☞ The Big Band
Jerry Dodgion: alto saxophone
Rick Wald: alto saxophone
Alex Foster: tenor saxophone
Lou Marini: tenor saxophone
Joe Temperley: baritone saxophone
Art Baron: trombone
Robin Eubanks: trombone
Joe Randazzo: trombone
Lew Soloff: trumpet
Earl Gardner: trumpet
Ron Tooley: trumpet
Kamau Adilifu: trumpet
John Hicks: piano
Lisle Atkinson: bass
Kenny Washington: drums
☞ The Strings
Jeanne LeBlanc: cello
Akua Dixon: cello
Julie Green: cello
Bruce Wang: cello
John Beal: bass
Dave Finck: bass
***************
▶ The jazz vocalist (and composer) Betty Carter died 21 years ago, on this day, 26 September 1998, at age 69 (born May 1929).
Six years earlier, in 1992, Ms. Carter had performed in a bravura concert in New York City, backed by an all-star cast of musicians (Geri Allen, Cyrus Chestnut, and Robin Eubanks, to name only three), comprising a small combo and a 15-piece big-band. The performance was recorded but never released.
That is, until now.
In March 2019, twenty-seven years after her concert, a recording was finally, posthumously, released: "The Music Never Stops," on compact disc. A vinyl edition followed in May. (The production and re-mastering were handled by Blue Engine Records, the newly minted label of Jazz at Lincoln Center, headed by Wynton Marsalis.)
"The Music Never Stops" isn't always pretty, but it IS intensely beautiful, the real deal. Be-bop, post-bop, scatting, swooping, voice as an instrument, sometimes breakneck tempos, and sometimes heartfelt ballads. This is textbook jazz singing by Ms. Carter. This is TIGHT!
Fellow jazz vocalist, the late, great Carmen McRae once remarked, "There's really only one jazz singer, only one: Betty Carter.""
***************
▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Camera: Olympus Pen E-PL1.
▶ Commercial use requires explicit permission, as per Creative Commons.
Released at the back end of 1970 this Album has become a cult recording for followers of Psychedelic Folk Music.
Hard to categorise, the Album features as a Number 1 in a lot of the Progressive Folk Music Critics list....possibly because it is just plain weird.
The original CD is hard to get and can be quite expensive but because the Band reformed after 40 or so years a few record companies released the Album with extra songs.
This CD is recorded by Rock-Fever Music under licence of the original Dawn Records
RFM 020
Twenty-seven years after the fact: a tour de force!
— Betty Carter
Audio CD (29 March 2019)
Label: Blue Engine Records
Catalog No.: BE0014
UPC: 8-57509-00517-9
Format: Domestic
Number of Discs: 1
▶ Front cover: here.
**************
1. Ms. B.C. 3:10
2. Make It Last 5:45
3. 30 Years 4:35
4. Why Him? / Where or When / What's New? 15:46
5. Tight! / Mr. Gentleman 4:32
6. Social Call 2:29
7. Moonlight in Vermont 4:37
8. The Good Life 5:47
9. Bridges 9:30
10. If I Should Lose You 6:47
11. Most Gentlemen Don't Like Love 4:27
12. Make Him Believe 5:26
13. Frenesi 3:14
***************
☞ Leader, vocals: Betty Carter
☞ Small Group
Geri Allen: piano
Cyrus Chestnut: piano
Ariel Roland: bass
Greg Hutchinson: drums
Clarence Penn: drums
☞ The Big Band
Jerry Dodgion: alto saxophone
Rick Wald: alto saxophone
Alex Foster: tenor saxophone
Lou Marini: tenor saxophone
Joe Temperley: baritone saxophone
Art Baron: trombone
Robin Eubanks: trombone
Joe Randazzo: trombone
Lew Soloff: trumpet
Earl Gardner: trumpet
Ron Tooley: trumpet
Kamau Adilifu: trumpet
John Hicks: piano
Lisle Atkinson: bass
Kenny Washington: drums
☞ The Strings
Jeanne LeBlanc: cello
Akua Dixon: cello
Julie Green: cello
Bruce Wang: cello
John Beal: bass
Dave Finck: bass
***************
▶ "The Music Never Stops is a beautiful piece of unheard history: an archival recording of a concert headlined by the late, great vocalist Betty Carter. Recorded in 1992 [six years before Carter's death], the show was a centerpiece of one of Jazz at Lincoln Center's earliest seasons. She assembled three trios, a big band [her first with a big band in three decades], and a string section on the stage and darted back and forth between the different ensembles, transitioning seamlessly and effortlessly between burning be-bop and deeply felt ballads, wearing out the musicians with her stamina. The album highlights the legendary Carter's many talents: her effortless way with a melody, her endlessly inventive improvisations, and her unparalleled ability to build both a narrative and a mood by spontaneously weaving jazz standards and her own genius material together. But this concert wasn't just another night for Carter, and the record also features contributions from some of the best contemporary jazz instrumentalists working in NYC. The music contained everything one would anticipate from Carter: mesmerizing balladry, exhilarating swing, impeccable lyricism, stunning improvisation, and brilliantly constructed song-stories that are still visionary today."
***************
▶ Photo by Yours For Good Fermentables.com.
▶ For a larger image, type 'L' (without the quotation marks).
— Follow on Twitter: @Cizauskas.
— Follow on Facebook: YoursForGoodFermentables.
— Follow on Instagram: @tcizauskas.
▶ Camera: Olympus Pen E-PL1.
▶ Commercial use requires explicit permission, as per Creative Commons.
4 Compact Disc Set Hardback including Menu Bio Booklet and a Small Flip Book
This Compilation was released in 2003 by Warner Bros. Records
R2 78176
It's not quite the complete works, and I've a couple of box sets that won't fit on the shelf. Completism is such a male thing, isn't it? The official accounts will tell you that Peter Hammill (often abbreviated to PH) is a founding member of "alternative" rock band Van der Graaf Generator (VdGG), and that he has recorded well over thirty critically-acclaimed solo albums in a forty-three year period. These facts alone might have elevated Hammill to the dreaded "national treasure" status, but thankfully that hasn't happened, and I suspect he himself will be as relieved as anyone about that.
Trying to describe what PH is like to someone who knows nothing about him is hard: a singer, a song-writer, a recording artist, a record producer, he plays piano and guitar, a performer; he works alone or with collaborators. These are objective truths … but to try to give a better idea ... I'd say PH is thought-provoking, honest, driven, unpredictable, quintessentially English, an explorer of the sometimes uncomfortable aspects of the human condition, refuses to stand still creatively, a family man, in possession of a unique voice that has the power to terrify and enthral in equal measure, a regular bloke, on a mission, doesn't seek "popularity", and is someone who works tirelessly to achieve his own plans and goals rather than trying to please an audience (but is glad when he does). If I thought harder I could list more.
I sometimes wonder how songs about loss and regret - and many of them are - can be so uplifting. Maybe it's down to a certain temperament on the part of the listener. I became captivated by Peter Hammill's work at the very end of the twentieth century, through a combination of VdGG-immersion and devouring the writings of Andy Tillison (recording artist, creative force behind the bands The Tangent and Parallel or 90 Degrees, and long-time PH aficionado). And so I started building this CD collection; some of them were out of print at the time so I had to resort to second-hand shops or eBay to get them.
Someone recently wrote - and it brought a wry smile to my face - that PH makes "music that most people will hate". He's certainly not everyone's cup of tea, but even so it's a bit harsh, because I think most people could find at least some PH songs that they'd like. Hammill is one of Britain's most accomplished and influential living artists, yet those same "most people" will never have heard of him. At the age of 65, and in today's era of instant gratification and five-minute fame courtesy of "X Factor" and "The Voice", Hammill continues to innovate and surprise, and shows no signs of slowing down. I'll mention just one song from the hundreds he has written: "Sleep Now". I challenge any man who has at least one beloved daughter of any age not to be moved by the words, or by Hammill's delivery of this achingly beautiful lullaby.
It's a bit of an old cliché, but I can say with hand on heart (another cliché) that Peter Hammill's music has enriched my life. And I haven't even mentioned his live performances ...