Orange is a Colour that is Safe and Alive
View allAll Photos Tagged CHROMATIC
Test of the Teleconverter TC1.4x with different birds in flight
Happy with the result
It allows to capture details even from far away
Distance : 34.25m / 112 feet
AF remains fast and accurate BUT it requires a lot of light
The only bad thing to my eyes are :
- more chromatic abarrations
- need to close more with the 60Mp Sensor of the 7R4 (F10 to F13)
- need a lot of light
Test du teleconvertisseur TC 1.4x avec differents oiseaux en vol
Content du resultat
Il permet d'avoir des détails sur des sujet lointains
Distance : 34.25m
L'AF reste rapide et précis, mais il demande beaucoup de lumière
Les seuls points négtifs a mes yeux :
- plus d’aberration chromatique
- besoin de fermer plus avec le capteur de 60Mp du 7R4 (F10 à F13)
- besoin de beaucoup de lumière
(A7R08737_DxO-4KN-3K21+BL+)
Wearing:
❃ 012-[FujicoApparel]-Cyber Tank & Harness ❃
12 Top Colours, 3 Harness Leather Colours, 2 Metal Colours
Can be worn with or without harness
Legacy M | Belleza Jake | Signature | Kario
Available on Mancave
Fujinon 50mm 1:1.4 M42
I never experienced chromatic aberrations with my modern lenses. Now I know what they are. But shooting with this old lens was all about experimenting anyway and I actually like the effect in this one.
This is still a daytime shot taken in March with my old kitlens, with lots of cyan chromatic abberation I had to desaturate and remove around all the edges, (What a blessing my new Tamron lens is!)
One of the 1st prizewinners of the Summer in the City photochallenge in Pinnacle photography group - October 2014
The 1872 Central Synagogue on Lexington Avenue and 55th St in Manhattan.The architectural style is called Moorish Revival.The construction of the synagogue was intended to impress,and impressive it is.The two towers rise 122 feet from the ground and are topped by gilded and poly chromatic stone onion domes.A huge central rose window dominates the Lexington Ave side facade while stained-glass windows are on the side.The architect used horizontal contrasting bands of stone,Moorish stones and exuberant roofline crenelations (the notches in the parapet on top) for dramatic effect.Fire damaged the synagogue in 1886,but the interior was restored using the original 1872 building plans.In 1998,another fire destroyed the roof which collapsed into the interior.A determined congregation called upon restoration architect Hugh Hardy,who was able to restore and reproduce decorative plasterwork,stained glass,original tiles,and pews and raise the synagogue back up from the ashes nyc-architecture.com/UES/UES004.htm daytoninmanhattan.blogspot.com/2010/05/back-from-ashes-ce...</a
The Upper Geyser Basin (Yellostone National Park) is famous for hosting Old Faithful Geyser. But there is much more in the area than just this famous geyser. The Upper Geyser Basin also boasts the largest concentration of geysers in the world, including many of the worlds largest geysers.
This started out life as an in-camera multiple exposure of three ICMs all of the same bland subject: a Cotswold stone wall. The ICMs used three different swipe directions: vertical and both diagonals. The blend mode in the camera was Darken which produces the weaving line effect.
And then (being Sliders Sunday) I took the original colours in the image and zapped them. Al little help from Nik Color Efex followed to introduce a bit of an overall colour gradient and bring out the colours. There was a slight blur vignetted too…
I’ll post a link to an image showing the in-camera original and the three ICMs that preceded it and were blended by the camera. They are all rather dark and gloomy with very unsaturated colour… but that’s only a challenge!
Thanks for taking the time to look. I hope you enjoy the image. Happy 100x and Sliders Sunday :)
Autumn splendour in its fullest ...
Wishing you all my Flickr friends a lovely, sunny & colourful autumn weekend! ... :)
En la imagen podemos observar a una pareja de Orthetrum brunneum en un apareamiento.
Es la especie del género Orthetrum, de los que he fotografiado, que más me ha costado obtener una foto que me gustara. Y anteriormente siempre los había visto en el suelo, este año pasado ha sido diferente.
Fotograma recortado un 8%
En La Puça. Petrer (Alicante) España
In the image we can see a pair of Orthetrum brunneum in a mating.
It is the species of the genus Orthetrum, of which I have photographed, that has cost me the most to obtain a photo that I like. And previously I had always seen them on the ground, this past year has been different.
Frame cropped by 8%
In La Puça. Petrer (Alicante) Spain
*No cameras were moved in the taking of this image.*
This is a straightforward macro of a CD sitting silver side up on my desk on a sunny day.
I love the iridescence and, if you get the angle right on the CD you get some super colour gradients.
Iridescence usually when two reflections interfere with each other where the reflecting layers are very close (of the order of light wavelengths). It can also be caused by diffraction gratings – lines of diffracting materials. That’s what happens with CDs.
Thanks for taking the time to look. I hope you enjoy the image and the colours. Happy Saturday 😊
When I bought one of my Lensbaby lenses, they sent along a prism. I usually use it by placing it in front of part of the lens while shooting. But I decided to make it the centre of attention here. I placed it in the silver case it came in, and shone a light on it.
Shot with Jena Pancolar 50mm f1.8 and 36mm Kenko extension tubes.
Prompts: psychedelic --ar 16:9
Created with #midjourney #photoshop
Thank you for your visit, faves, and kind comments. 😊
Part of an ongoing series:
www.flickr.com/photos/stefan-zimmermann-official/54894281...
+
www.flickr.com/photos/stefan-zimmermann-official/54891915...
+
www.flickr.com/photos/stefan-zimmermann-official/54885641...
Here’s the second photo from my Munich subway series.
This time, I photographed the Candidplatz station – and I have to say, this one makes you smile just by looking at it. The walls glow like a rainbow, flooding the entire space with color. Strangely enough, the square above ground is quite dull – almost bleak. But once you descend, it’s like stepping into an entirely different world. A hidden gem beneath the grey.
When planning the shot, I faced a problem: if I waited for two trains like in the first image, they’d block the vibrant spectrum completely. But without any train at all, the photo felt too static – too polished. So I tried something in between.
I timed the exposure to capture just the end of a departing train, blurring it into motion while still leaving the full rainbow visible. It worked beautifully: now there’s movement, but the station remains the star of the image.
I kind of regret not taking a photo of the grey, uninspired surface above – just to contrast it with this explosion of color below. Maybe next time. For now, this is one of the most joyful and graphically powerful subway spaces I’ve ever seen.
📷 Camera: Sony Alpha 7R V
🔭 Lens: Sony 14mm f/1.8 GM
📍 Tripod: Benro Cyanbird Carbon + FS20PRO Head
🔍 Focal Length: 14 mm
🌞 Aperture: f/8
🌙 ISO: 100
⏳ Exposure Bracketing (HDR-RAW): 1/25 s, 1/6 s, 0.6 s, 2.5 s, 10 s