Orange is a Colour that is Safe and Alive
View allAll Photos Tagged CHROMATIC
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Fujinon 50mm 1:1.4 M42
I never experienced chromatic aberrations with my modern lenses. Now I know what they are. But shooting with this old lens was all about experimenting anyway and I actually like the effect in this one.
Lo que vemos en la imagen es un apareamiento de Orthetrum chrysostigma que nos deja a la vista la diferencia de color entre machos y hembras en esta especie.
También la diferencia de forma y tamaño del cuerpo pero manteniendo unos ojos similares.
Fotograma recortado un 4%
En la Rambla de Minateda. Agramón (Albacete) España
What we see in the image is a mating of Orthetrum chrysostigma that reveals the difference in color between males and females in this species.
Also the difference in shape and size of the body but maintaining similar eyes.
Frame cropped by 4%
On the Rambla de Minateda. Agramón (Albacete) Spain
Open holes and closed holes on the flute. Macro Mondays "Opposites". Blue & yellow-orange opposites on the CIE chromaticity diagram, too!
In the embrace of fiery petals,
a secret world unfolds.
Emerald whispers curl around amber dreams,
as if spring and flame have struck an accord.
A bloom both fierce and tender,
where the pulse of nature beats in a kaleidoscope of color.
The Upper Geyser Basin (Yellostone National Park) is famous for hosting Old Faithful Geyser. But there is much more in the area than just this famous geyser. The Upper Geyser Basin also boasts the largest concentration of geysers in the world, including many of the worlds largest geysers.
This started out life as an in-camera multiple exposure of three ICMs all of the same bland subject: a Cotswold stone wall. The ICMs used three different swipe directions: vertical and both diagonals. The blend mode in the camera was Darken which produces the weaving line effect.
And then (being Sliders Sunday) I took the original colours in the image and zapped them. Al little help from Nik Color Efex followed to introduce a bit of an overall colour gradient and bring out the colours. There was a slight blur vignetted too…
I’ll post a link to an image showing the in-camera original and the three ICMs that preceded it and were blended by the camera. They are all rather dark and gloomy with very unsaturated colour… but that’s only a challenge!
Thanks for taking the time to look. I hope you enjoy the image. Happy 100x and Sliders Sunday :)
Autumn splendour in its fullest ...
Wishing you all my Flickr friends a lovely, sunny & colourful autumn weekend! ... :)
En la imagen podemos observar a una pareja de Orthetrum brunneum en un apareamiento.
Es la especie del género Orthetrum, de los que he fotografiado, que más me ha costado obtener una foto que me gustara. Y anteriormente siempre los había visto en el suelo, este año pasado ha sido diferente.
Fotograma recortado un 8%
En La Puça. Petrer (Alicante) España
In the image we can see a pair of Orthetrum brunneum in a mating.
It is the species of the genus Orthetrum, of which I have photographed, that has cost me the most to obtain a photo that I like. And previously I had always seen them on the ground, this past year has been different.
Frame cropped by 8%
In La Puça. Petrer (Alicante) Spain
*No cameras were moved in the taking of this image.*
This is a straightforward macro of a CD sitting silver side up on my desk on a sunny day.
I love the iridescence and, if you get the angle right on the CD you get some super colour gradients.
Iridescence usually when two reflections interfere with each other where the reflecting layers are very close (of the order of light wavelengths). It can also be caused by diffraction gratings – lines of diffracting materials. That’s what happens with CDs.
Thanks for taking the time to look. I hope you enjoy the image and the colours. Happy Saturday 😊
When I bought one of my Lensbaby lenses, they sent along a prism. I usually use it by placing it in front of part of the lens while shooting. But I decided to make it the centre of attention here. I placed it in the silver case it came in, and shone a light on it.
Shot with Jena Pancolar 50mm f1.8 and 36mm Kenko extension tubes.
Olympus Zuiko OM 8.0 500mm Reflex on Sony A7 series
The marsh iris suddenly began blooming some days ago at about 8 o` clock in the evening.
Here I tried a catadioptric lens (Mirror lens) with the typical 500 mm focal length. There are just a few lenses mainly from the 80ies which are good enough for use. Its extremely difficult to get a usable sharp picture because you have just one stop (8.0) and a razor knife thin depth of field. A mirror lens has no chromatic aberration. Some people do not like them because of the "donut bokeh". If you try to avoid this, these lenses show a unique and very special kind of bokeh.
Die Sumpfiris begann eines abends plötzlich zu blühen. Sie wächst an Rand unseres Teiches. Ich testete hier ein Olympus Spiegelobjektiv mit der typischen Brennweite von 500mm. Es gibt nur wenige dieser Objektive, die gut für den praktischen Nutzen sind. Es sind in der Regel Objektive der grossen Hersteller aus den 80igern. Das Fotografieren hiermit ist extrem schwierig da es nur die eine Anfangsöffnung Blende 8 gibt und die Schärfentiefe rasiermesserartig dünn ist. Ein Spiegeltele hat aber z.B. keinerlei chromatische Aberration. Manche Fotografen mögen diese Linsen alleine schon wegen ihres sog. "donut bokehs" nicht. Spitzlichter werden nicht als Kreise , sondern als Donuts dargestellt, da das Objektiv in der Mitte ja eine Aussparung hat. Versucht man aber diese Donuts zu vermeiden, zeigt das Objektiv ein einzigartiges, ganz spezielles Bokeh.