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Jefferson Island / Rip Van Winkle Gardens
5505 Rip Van Winkle Road
New Iberia, Louisiana
Iberia Parish
Atop a coastal salt dome on Lake Peigneur, Rip Van Winkle Gardens is 25 acres surrounding the Joseph Jefferson Home, built in 1870 by acclaimed American actor Joseph Jefferson and listed on the National Register of Historic Places. Jefferson purchased "Orange Island" in 1869 and built his winter home here to enjoy the fine hunting and fishing and relatively mild climate of south Louisiana for 36 winter respites from the stage. Though Jefferson performed a great many roles in the theaters around the world, it was the role of Rip Van Winkle, as adapted by Jefferson from the Washington Irving tale that ensured Jefferson's fame. He played the role more than 4,500 times.
After his death in 1905, Jefferson's heirs sold the house and land on March 15, 1917 to John Lyle Bayless, Sr. of Anchorage, Kentucky. His heir, J. Lyle Bayless, Jr., began developing formal gardens surrounding the Joseph Jefferson home in the late 1950's, establishing the "Rip Van Winkle Gardens," named for its former actor-owner. Bayless successfully listed the Jefferson home as a national landmark with the Department of the Interior in 1972 and donated it in 1978 to a foundation which would assure its continued operation for the benefit of the public.
Bayless was widely recognized for his knowledge of and fondness for the camellia. In his writings, he related that he first glimpsed a brilliant red camellia in Natchez, Mississippi, during a stay at an old plantation home there with his mother, while his father hunted on Avery Island. Later, he became enchanted with the "Jeanerette Pink" camellia growing in front of the Jefferson Home in the midst of a bitter winter, when he observed the death of the beautiful pink blossom and its return to life only two weeks later.
In Bayless' development of the gardens, he used large numbers of camellias of a great many varieties and made them floral emphasis of the gardens. He gained distinction for his work with this beautiful southern flower, winning more than 1,000 prize ribbons in the southern states. In 1966 Bayless hired an English horticulturist, Geoffrey Wakefield, to landscape the gardens and the result was a beautiful mixture of camellias, azaleas, crape myrtles and other plants in a series of interlocking gardens.
Bayless continued to collect plants from around the world for his conservatory and a reception area for guests who came to view his gardens. Bayless built a "dreamhouse" right on the edge of Lake Peigneur adjoining the new conservatory and gardens where he planned to enjoy his retirement. This was not going to happen as he lived there for only 9 months until November 20, 1980, when disaster struck. A drilling rig pierced one of the giant salt caverns. Then things began to happen. The water from the lake started draining. The drilling rig and other pieces of equipment were sucked into a whirlpool and disappeared. Men in the mines below noticed water coming in. Miraculously, no one was killed.
Bayless knew soon after the tragic events began to happen that the Island was in danger. He went to the second floor of the new house and watched as the lake drained. The ground under the house was moving and he was forced to evacuate. Upon returning he found his "dream house", the conservatory, the visitors center and 65 acres of the gardens gone - now covered by water in an expanded lake.
The gardens were closed to the public for almost four years.
Bayless died in 1985. The foundation that he had endowed and entrusted sold the property in late 1996 to Carolyn Doerle and her husband, Dr. Ron Ray. They set out to revitalize the site by offering many ways for the public to enjoy the tradition that Bayless and the Foundation started years ago. Doerle ran the property from late 1996 until it closed to the public in July of 2001.
In October 2003 the gardens were sold to Live Oak Gardens, LTD which is owned and operated by Mike and Louise Richard and is located adjacent to the gardens. Gardens' restoration began with the removal of debris and restoration of many buildings. Some of these include the Bayless Conference Center, Cafe' Jefferson, the Caretaker's house, the Joseph Jefferson Mansion, Servant's Quarters and other buildings that were badly neglected for several years.
St Peter, Boughton Monchelsea, is one of a series of parish churches built on a sandstone ridge overlooking the Kentish Weald. It is one of them which was closed on my last visit to the area, so on Heritage Weekend I returned, and found it open and very friendly.
A volunteer had cleared some of the vegetation in the churchyard, and was making busy with a bonfire, whose smoke lazily crept through the boughs of ancient trees down the slope of the down.
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A church whose interior does not quite deliver all its picturesque exterior promises. The situation on the end of the sandstone ridge with far-ranging views is wonderful - and the lychgate is one of the oldest in the county, probably dating from the fifteenth century. Inside the results of a serious fire in 1832 and subsequent rebuildings are all too obvious. The plaster has been stripped from the walls and the rubble stonework disastrously repointed, whilst the poor quality mid-nineteenth-century glass installed by Hardman's studio is not typical of the usual high quality of that firm's output. However, the stone and alabaster reredos is just the right scale for the chancel, and compliments the medieval aumbry, piscina and sedilia. There is also a good range of eighteenth- and nineteenth-century memorials including a large piece at the west end by Scheemakers to commemorate Sir Christopher Powell (d. 1742).
www.kentchurches.info/church.asp?p=Boughton+Monchelsea
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BOUGHTON MONCHENSIE
LIES the next parish northward from Hedcorne. It is written in Domesday, Boltone; in later records, Bocton, and sometimes West Bocton; and now usually Boughton. It has the addition of Monchensie, (commonly pronounced Monchelsea) to it from the family of that name, antiently possessors of it, and to distinguish it from the other parishes of the same name within this county; and it is sometimes called, in the neighbourhood of it, Boughton Quarry, from the large quarries of stone within it.
THIS PARISH lies upon the lower or southern ridge, commonly called the Quarry hills, which cross it, the summit of them being the northern boundary of the Weald, so much therefore of this parish as is below it is within that district. The church stands about half way down of the hill southward, and close to the churchyard is the antient mansion of Boughton-place, pleasantly situated, having an extensive prospect southward over the Weald, in a park well wooded and watered; from hence the parish extends into the Weald, towards that branch of the Medway which flows from Hedcorne towards Style-bridge and Yalding, over a low deep country, where the soil is a stiff clay like that of Hedcorne before-described. Northward from Boughtonplace, above the hill, the parish extends over Cocksheath, part of which is within its bounds, on the further side of it is a hamlet called Boughton-green, and beyond it the seat of Boughton-mount, the grounds of which are watered by the stream, which rises near Langley park, and having lost itself under ground, rises again in the quarries here, and flowing on through Lose, to which this parish joins here, joins the Medway a little above Maidstone. These large and noted quarries, usually known by the name of Boughton quarries, are of the Kentish rag-stone, of which the soil of all this part of the parish, as far as the hills above-mentioned consists, being covered over with a fertile loam, of no great depth. At the end of Cocksheath eastward is the hamlet of Cock-street, usually called, from a public-house in it, Boughton Cock, when the soil becomes a red earth, much mixed with rotten flints; a little to the southward of which, at the edge of the heath is the parsonage, with some coppice wood adjoining, and on the brow of the hill, at the eastern bounds of the parish, the seat of Wiarton, having an extensive prospect over the Weald.
THIS PARISH was part of those possessions given by William the Conqueror, on his accession to the crown of England, to his half-brother Odo, bishop of Baieux, whom he likewise made earl of Kent, under the general title of whose lands it is thus entered in the survey of Domesday, taken about the year 1080:
Hugh, grandson of Herbert, holds of the bishop of Baieux Boltone. It was taxed at one suling. The arable land is two carucates. In demesne there is nothing. But five villeins have five carucates there, and two acres of meadow. Wood for the pannage of twenty hogs. There is a church. In the time of king Edward the Consessor, and afterwards, it was worth eight pounds, now six pounds. Alunin held it of earl Goduine.
Four years after the taking the above-mentioned survey, the bishop of Baieux was disgraced, and all his possessions were consiscated to the crown.
After which, this manor came into the possession of the family of Montchensie, called in Latin records, De Monte Canisio, the principal seat of which was at Swanscombe, in this county. (fn. 1) William, son of William de Montchensie, who died anno 6 king John, was possessed of this manor, and it appears that he survived his father but a few years, for Warine de Montchensie, probably his uncle, succeeded to his whole inheritance in the 15th year of that reign. Soon after which this manor passed into the possession of the family of Hougham, of Hougham, in this county.
OUGHTON MONCHENSIE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sutton.
The church, which is dedicated to St. Peter, is a small building, having a handsome square tower at the west end.
This church was given to the priory of Leeds, soon after the foundation of it by Henry de Bocton, and was afterwards appropriated to it, with the licence of the archbishop, before the reign of king Richard II. at which time the parsonage of it was valued at ten pounds, and the vicarage of it at four pounds yearly income, (fn. 4) both which remained part of the possessions of the priory till the dissolution of it in the reign of king Henry VIII. when it came, with the rest of the possessions of that house, into the king's hands, who by his dotation-charter in his 33d year, settled both the parsonage and advowson of the church of Bocton on his new-erected dean and chapter of Rochester, part of whose possessions they now remain.
The lessee of the parsonage is Mrs. Eliz. Smith; but the presentation to the vicarage, the dean and chapter reserve to themselves.
¶On the abolition of deans and chapters, after the death of king Charles I. this parsonage was surveyed by order of the state in 1649, when it was returned, that it consisted of the scite, which, with the tithes, was worth 56l. 3s. 4d. that the glebe land of twenty-nine acres and two roods was worth 8l. 16s. 8d. per annum, both improved rents; which premises were let anno 14 Charles I. to Sir Edward Hales, knight and baronet, by the dean and chapter, for twenty one years, at the yearly rent of 13l. 10s. The lessee to repair the chancel of the parish church, and the advowson was excepted by the dean and chapter out of the lease.
The vicarage is valued in the king's books at 7l. 13s. 4d. and the yearly tenths at 15s. 4d. per annum. In 1640 it was valued at sixty pounds per annum. Communicants, 177. In 1649 it was surveyed, with the parsonage, by order of the state, and valued at thirty pounds per annum, clear yearly income. (fn. 5)
The vicar of this church in 1584, but his name I have not found, was deprived for non-conformity; though he was so acceptable to the parishioners, that they, to the number of fifty-seven, made a petition to the lord treasurer, to restore their minister to them.
Fotos Nuevas Agosto 2012
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© Álbum 0527
By Catedrales e Iglesias
By Cathedrals and Churches
Diócesis de Morelia
Santa Iglesia Catedral
Av Madero Poniente
Col Centro
Apdo Postal 17
C.P.58000
Morelia,Estado de Michoacán
(443) 312-29-36
Horarios de Misa de Lunes a Sábado a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 12:00 pm, 5:00 pm, 7:00 pm y 8:00 pm. Domingos a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 10:30 am, 11:30 am, 12:30 pm, 5:00 pm, 6:00 pm, 7:30 pm y 8:30 pm. Horario de Rosario de Lunes a Viernes a las 6:00 pm. Hora de Confesión durante Misa. Confirmación los Domingos a las 12:30 pm. Bautizos Sábados y Domingos a las 12:00 pm.
La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.
# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.
# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).
# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.
# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.
# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.
# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.
La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.
Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.
El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.
La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.
The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.
# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.
# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).
# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.
# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.
# Its beautiful architecture and history are other reasons why it has become an icon of the city.
# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.
The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.
Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.
On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.
The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.
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De Bovenste Plasmolen is een midden- en bovenslag watermolen te Plasmolen, in de Nederlandse gemeente Mook en Middelaar. Deze korenmolen is in 1725 gebouwd als papiermolen. De molen maakt gebruik van water uit plaatselijke bronnen.
In 1944 is de Bovenste Plasmolen door oorlogshandelingen beschadigd. Hierbij is de toenmalige molenaar Fons Verouden door een granaatscherf geraakt en om het leven gekomen. Na zijn dood heeft het ruim 50 jaar geduurd voordat de molen hersteld werd. In 1995 werd hiertoe de Stichting Bovenste Plasmolen 1725 opgericht, die ervoor heeft gezorgd dat de molen in 1999 is hersteld.
De Bovenste Plasmolen is bijzonder omdat hij water uit twee molenvijvers op verschillende hoogte kan betrekken, waarbij het water uit de bovenste vijver (gevoed door de Beek van het Groene Water) bovenlangs wordt gevoerd, terwijl het water uit de onderste vijver (gevoed door de bron De Helskuil) vanaf het midden van het waterrad wordt aangevoerd.
De Bovenste Plasmolen is maalvaardig en is tijdens de zomermaanden op gezette tijden voor het publiek geopend.
Visit to Chicago on March 29, 2013. I took this photo not far from our hotel. As my title indicates, this building is 311 S. Wacker Drive,
and it looks majestic in the evening with its night light cap glowing.
All of my Eastern and Southern U.S. photos can be found Here
The World Heritage Site of Champaner (Gujarat).
The Jami Masjid (mosque).
It is one of the finest mosques of Gujarat. This is a gigantic structure with two imposing minars on either side of the central entrance to the prayer hall. The dome behind the high central screen of the façade is elevated on two extra storeys of open arcades. The roof just behind this dome is filled by a carved slab of great beauty and ingenuity of workmanship. There are seven mehrabs (prayer niches) in the back wall of the main prayer hall, the central being more elaborated. The northern section of prayer hall was separated by a perforated screen, reserved for ladies from where an extra entrance was provided. A pillared corridor goes round the vast court yard opening inside in ogival arches supported by pillars. The Mosque has three entrance porches to courtyard but the eastern porch is most remarkable for its intricate carving and Jaali work. Construction of mosque is datable to late 15th century A.D.
Sahar Ki Masjid (mosque).
It is one of the most imposing structures constructed very close to the royal enclosure. It might be the private Masjid of the Sultans with five mehrabs. The main entrance is through an arched doorway flanked by two minarets. It is covered by a projection, sloped chhajja. Two more entries on either side of the central one are flanked by jharokhas. Corresponding to each arched entry is a large dome, surrounded on all its four sides by smaller domes. A rectangular ablutions tank was constructed on a platform.
Champaner.
The historical town of Champaner is a city in the Gujarat state of western India. It is located in Panchmahal District, 47 kilometres from the city of Vadodara (Baroda). The city was briefly the capital of Gujarat. It was founded by Vanraj Chavda, the most prominent king of the Chavda Kingdom, in the 8th century. He named it after the name of his friend and general Champa, also known later as Champaraj. By the later 15th century, the Khichi Chauhan Rajputs held Pavagadh fort above the town of Champaner. The young Sultan of Gujarat, Mahmud Begada, captured the fort on 21 November 1484, after a siege of 20 months. He then spent 23 years rebuilding and embellishing Champaner, which he renamed Muhammadabad, after which he moved the capital there from Ahmedabad. The town finally succumbed to attacks from the Mughal Emperor Humayun in 1535.
Fotos de Alejandro Blanco www.flickr.com/photos/alejandro5000
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© Álbum 2841
By Catedrales e Iglesias
Diócesis de Cartagena
www.iglesias-espana.blogspot.mx/
La Catedral de Santa María
más conocida como Catedral de Murcia, es el templo principal y sede de la Diócesis de Cartagena. Se encuentra en pleno casco antiguo de la ciudad de Murcia.
Consagrada en 1465, sufrió varios añadidos (como la torre-campanario) o reformas puntuales (nuevas capillas o fachadas) principalmente en los siglos XVI y XVIII, por lo que integra el estilo gótico original con añadidos renacentistas, barrocos y neoclásicos. Entre sus elementos arquitectónicos destacan la torre, de 93 metros de altura; la fachada principal o imafronte, considerada como una obra maestra del barroco español; y las capillas de los Vélez, de Junterones y del Trascoro.
En la capilla mayor se halla la urna sepulcral donde reposan el corazón y las entrañas de Alfonso X el Sabio.
The Cathedral of Santa Maria
better known as the Cathedral of Murcia, is the main temple and seat of the Diocese of Cartagena. Located in the historic center of the city of Murcia.
Consecrated in 1465, underwent several additions (like the bell tower) or specific reforms (new chapels or facades) mainly in the sixteenth and eighteenth centuries, as a member of the original Gothic style with Renaissance, Baroque and neoclassical. Among its architectural features include the tower, 93 meters high, the main facade or imafronte, considered a masterpiece of Spanish baroque chapels and Velez, Junterones and choir.
In the chancel is the sepulchral urn where lie the heart and entrails of Alfonso X the Wise.
A Catedral de Santa Maria
mais conhecida como a Catedral de Múrcia, é o templo principal e sede da diocese de Cartagena. Localizado no centro histórico da cidade de Múrcia.
Consagrada em 1465, sofreu vários aditamentos (como a torre do sino) ou reformas específicas (novas capelas ou fachadas), principalmente nos séculos XVI e XVIII, como membro do estilo original gótico com renascentista, barroco e neoclássico. Entre suas características arquitetônicas incluem a torre, 93 metros de altura, a fachada principal ou imafronte, considerado uma obra-prima do barroco espanhol capelas e Velez, Junterones e coro.
Na capela-mor é a urna sepulcral onde estão o coração e entranhas de Alfonso X, o Sábio.
Lake Shore Bank Building, 5410 St. Clair Avenue, Cleveland, Ohio. This bank building was built in 1904. The architects were William R. Watterson and Charles S. Schneider. Lake Shore Bank was founded by industrialists whose successful manufacturing facilities were located in the St. Clair neighborhood. It provided their employees and other neighborhood residents, mostly immigrants, a place to deposit their wages and savings. Lake Shore Bank Also served the neighborhood by having bilingual employees, exchanging foreign currency, and selling steamship passages. In 1922, Lake Shore Banking and Trust Company, Garfield Savings Bank, and the Cleveland Trust Company merged under the Cleveland Trust banner to form the sixth largest trust company in the country. The St. Clair Avenue
branch of Cleveland Trust then remained at this location for almost another fifty years, closing in 1970.
A sign above the boarded-up front door reads "Goodrich Gannett Center". The Goodrich-Gannett Neighborhood Center purchased the library building next door in 1963, and expanded into the bank building when it was donated to the organization by Cleveland Trust (former Lake Shore Bank) executives in 1970. The center moved out in 2006 and the building has stood vacant since then. The building is on the National Register of Historic Places.
Tower of the Evangelical Lutheran Church of the Redeemer in Jerusalem (near Holy Sepulcher). It costs 3 NIS (about 75 cents) to climb to the top, but the view is definitely worth it. The spiral staircase is very narrow, allowing only one person at a time. There are several landings on the way up to allow those heading in the opposite direction to pass. With no artificial lighting along the way, the staircase is generally dark and, in one section near the top, completely so.
The recently opened apartment building that is now being marketed as New York by Gehry at 8 Spruce Street.
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Exterior of structure shows minimal signs of damage. Inside of building there is signs of h20 damaged. Perimeter fence needs repair, front portion of fence is down and gate is broken due luting. All signage will need to be repaired or replaced. Down gate was pushed back up to prevent further loss of property.
Photo by USFWS.
We made our annual trip to London in November. We travel down by coach from Slaithwaite and stay at The Cumberland Hotel at Marble Arch. It’s actually a weekend ladies shopping trip that is run as a fundraiser for Slaithwaite Brass Band – I’m the only bloke that goes every year! We decided ( the two of us) to stay down in London until Thursday this time as we wanted to see weekday London and be able to explore a bit further afield on foot. We covered up to 16 miles a day, which is tough going on crowded pavements with hundreds of busy roads to cross. I photographed anything that looked interesting but I bent a contact in the CF card slot, fortunately I had quite a few SD cards with me and the 5D has dual slots so I was able to carry on using it. It’s currently at Lehmann’s getting fixed.
With it being close to Christmas the decorations are up everywhere so there was plenty of colour at night. In Hyde Park the Winter Wonderland was in full swing, we’ve never bothered going to it before but I went twice at night this time. It is massive this year, I couldn’t get over how big it is and the quality of some of the attractions. The cost and effort involved must be phenomenal – it was quite expensive though. It was very difficult to photograph, with extremes of light (LED’s) and darkness and fast moving rides into the bargain. I think I have some decent usable stuff but at the time of writing I am only part way through the editing process so I don’t know for sure.
We set off at around 8.15 am every day and stayed out for at least 12 hours. The weather was poor for a day and a half with drizzle and very dull grey conditions, fortunately we had some pleasant weather (and light) along the way as well. Being based at the end of Oxford Street – Europe’s busiest shopping street – meant that I did quite a bit of night shooting on there. Although I carried a tripod everywhere I only used it once and that was during the day! Because there is always a moving element in almost every shot it seemed pointless using a tripod. I would have got some shots free of movement – or I could have gone for ultra-long exposures to eliminate people and traffic but it would have been problematic I felt. In the end I wound the ISO up and hand held – fingers crossed.
We walked out to Camden Market and Locks but it had been raining and we were a bit early as many were only just setting up for the day. We tried to follow routes that we hadn’t used before and visit new places. We paid a fortune to get in St Pauls but you can’t use cameras. This something that I fail to see the point of, ban flash if you want but if you are going to encourage tourism why ban cameras when there is nothing in particular happening in there. It’s a rule that seems to be applied arbitrarily in cities around the world. Fortunately we could take photos from the outside of the dome, which was real reason for visiting, and we had some great light. Expensive compared with a couple of euros in some famous cathedrals. I’ve wanted to walk to Canary Wharf for a number of years and this year we did. We crisscrossed the Thames a few times and tried to follow the Thames path at other times. We covered around ten miles but it was an interesting day. It was also very quiet for the last four or five miles. We got there about 12.00 and managed to get a sandwich in a café in the shopping centre at the foot of the high rise office blocks before tens of thousands of office workers descended from above. It was mayhem, packed, with snaking queues for anywhere that sold food. We crossed to the other side of The Isle of Dogs and looked across to the O2 Arena and the cable car, unfortunately there isn’t a way across for pedestrians and it was around 3.00 pm. With darkness falling at around 4.30 we decide it was too late to bother. We made our way back to the Thames Clipper pier to check the sailing times. They sail every twenty minutes so we had a couple of glasses of wine and a rest before catching the Clipper. Sailing on the Thames was a first in 15 trips to London. The Clipper is fast and smooth, the lights had come on in the city and there was a fantastic moon rise. It was nigh on impossible to get good shots at the speed we were traveling though and there were times that I wished I could be suspended motionless above the boat. Again, hopefully I will have some usable shots.
We felt that the shopping streets were a little quieter, following the Paris massacre it was to be expected, I might be wrong as we were out and about at later times than previous trips. I think I have heard that footfall is down though. It was good to get into some of the quieter backstreets and conversely to be stuck in the city business district – The Square Mile- at home time. A mass exodus of people running and speed walking to bus stops and the rail and tube stations. It was difficult to move against or across the flow of bodies rushing home.
Whilst the Northern(manufacturing) economy is collapsing, London is a giant development site, it must be the tower crane capital of Europe at the moment. It was difficult to take a shot of any landmark free of cranes, it was easier to make the cranes a feature of the photo. It’s easy to see where the wealth is concentrated – not that there was ever any doubt about it. The morons with too much money are still driving their Lambo’s and Ferraris etc. like clowns in streets that are packed with cars , cyclists and pedestrians, accelerating viciously and noisily for 50 yards. They are just sad attention seekers. From Battersea to Canary Wharf we walked the Thames Embankment, the difference between high and low tide on the river is massive, but the water was the colour of mud – brown! Not very attractive in colour. We caught a Virgin Train from Kings Cross for £14.00 each – a bargain!. We had quite a bit of time to kill around midday at Kings Cross so I checked with security that I was OK to wander around taking photos, without fear of getting jumped by armed security, and set off to photograph the station and St Pancras International Station across the road. I haven’t even looked at the results as I type this but I’ll find out if they are any good shortly. Talking of security, following Paris, there was certainly plenty of private security at most attractions, I don’t know if it was terrorism related though, I can’t say I noticed an increased police presence on the streets. It took us three hours and five minutes from Kings Cross to being back home, not bad for a journey of 200 miles. I can’t imagine that spending countless billions on HS2 or HS3 is going to make a meaningful (cost effective) difference to our journey. Improving what we have, a little faster, would be good. There are some bumpy bits along the route for a mainline and Wakefield to Huddersfield is the equivalent of a cart track – and takes over 30 minutes – it’s only a stone’s throw.
Bridgepixing the Burlington-Bristol Bridge near Philadelphia. Additional Bridge Photos and a Bridge Blog at www.Bridgepix.com.
The Burlington-Bristol Bridge is a truss bridge with a lift span crossing the Delaware River from Burlington, New Jersey to Bristol Township, Pennsylvania in the United States. Construction of the bridge started on April 1, 1930, and the bridge opened to traffic on May 1, 1931. The bridge carries NJ 413 and PA 413.
The two-lane bridge has a total length of 2,301 feet (701 meters), and is operated by the Burlington County Bridge Commission. It is a major route to Philadelphia for the area's residents and usually preferred to the other bridges by bus drivers since the tolls are lower.
The center roadway is lifted by the action of two large concrete slabs of slightly greater weight than the lifted roadway, which block the roadway when fully down. They are set in downwards motion to lift the bridge by a very slight action of the motors, as gravity does the rest.
Rather unusually, a public non-toll road travels directly underneath the approach span. A municipal garage is also located underneath the rising road after the toolbooth. During times when the bridge is up for a boat passing underneath, large traffic backups are created on Keim Boulevard, the road that functions as the route to the bridge from U.S. Route 130 and Broad Street. The tollbooths are equipped with E-ZPass and the toll is paid by those cars going north to the Pennsylvania side.
New bridges for the site have been proposed, but most would require the access ramp to extend out to Route 130, which would result in the destruction of historic buildings, as well as the large industrial park near the bridge. (Wikipedia)
“New Owner Bailey Mansion”, Real Estate Record and Builders’ Guide, 29 October 1904
150TH ST. – Chas. Griffith Moses & Bro. have sold for Henry Acker to Max Marx the Bailey Mansion at the northeast corner of 150th st and St. Nicholas pl, on a plot 62.6x100 feet, and also the private stable on the north side of 150th st, 40 feet east of Convent av, size 25x100. This mansion and stable were built by Jas. A. Bailey of Barnum & Bailey and occupied by him for several years. Mr. Marx has resold the property to John C. Rodgers.
I plan on taking a series of shots showing the view from my apartment window, at different times of day/night/year to reflect the changes. Can't wait to get a snowy one! This one was taken just before 6pm, in late October 2008, before daylight savings time kicked in. Downtown Toronto. Pretty nice view, if you ask me! :) As with the previous 'View At Night', I cropped it to give it a wide feel, and to get rid of the ugly porch in front of that otherwise nice-looking house across the street, lol.
Best viewed large or in full size, 2048 x 1123.
You can also (not yet*) see the Trump International Hotel and Tower under construction here, which Donald Trump claims "will be one of the great buildings of the world." I don't know how super-great it'll be, lol, but I assume it'll make an alright addition to the others next to it. :)
*Update: My mistake, apparently that building is another that is right next to the planned Trump one, practically inches apart. I'll be able to see Trump's as soon as they get to building the thing - I thought they were further along. Also, none of Trump's concept art shows this building (that will now be blocking most of the view for the condos facing north), so I was only anticipating Trump's tower there. Easy to see why I mixed them up. I'll take some photo including the real Trump tower soon enough.
Todos sabemos la historia de este lugar después del dramático 27 de febrero, sin duda una muestra de todo el daño que provocó el terremoto. La foto es de cuando comenzaban los trabajos para cambiar la antigua techumbre que seria reemplazada, la que tampoco alcanzó a ser terminada
Estación Curicó, VII Región del Maule
The Wirt Dexter Commercial Loft building 630 South Wabash Avenue, Chicago, Illinois. Louis H. Sullivan, architect, 1887.
The present structure is actually the third Augustinian church erected on the site. The first San Agustin Church was the first religious structure constructed by the Spaniards on the island of Luzon. Made of bamboo and nipa, it was completed in 1571, but destroyed by fire in December, 1574 during the attempted invasion of Manila by the forces of Limahong. A second church made of wood was constructed on the site. This was destroyed in February 1583, in a fire that started when a candle set ablaze the drapes of the funeral bier during the interment of the Spanish Governor-General Gonzalo Ronquillo de Peñalosa.
The Augustinians decided to rebuild the church using stone, and to construct an adjacent monastery. Construction began in 1586, based on a design by Juan Macías.
The structure was built using hewn adobe stones quarried from Meycauayan, Binangonan and San Mateo, Rizal.
The work proceeded slowly due to the lack of funds and materials, as well as the relative scarcity of stone artisans. The monastery was operational by 1604, and the church was formally declared complete on January 19, 1607, and named St. Paul of Manila. San Agustin Church was looted by the British forces which occupied Manila in 1762 during the Seven Years' War. In 1854, the church was renovated under the supervision of architect Luciano Oliver. Nine years later, on June 3, 1863, the strongest earthquake at that time, hit Manila leaving widespread destruction to the city with San Agustin Church, the only public building left undamaged in the city. A series of strong earthquakes struck Manila again on 18–20 July 1880.
On August 18, 1898, the church was the site where Spanish Governor-General Fermin Jaudenes prepared the terms for the surrender of Manila to the United States of America following the Spanish-American War.
During the Japanese occupation of the Philippines during World War II, San Agustin Church was turned into a concentration camp for prisoners. In the final days of the Battle of Manila, hundreds of Intramuros residents and clergy were held hostage in the church by Japanese soldiers; many of the hostages would be killed during the three-week long battle. The church itself survived the flattening of Intramuros by American forces in May, 1945 with only its roof damaged, the only one of the seven churches in the walled city to remain standing. The adjacent monastery however was totally destroyed, and was later rebuilt in the 1970s as a museum under the design of architect Angel Nakpil.
The San Agustin Church is patterned after some of the magnificent temples built by the Augustinians in Mexico, its present edifice was built in 1587, and completed, together with the monastery, in 1604.The atmosphere is medieval since “both church and monastery symbolize the majesty and equilibrium of a Spanish golden era.”
The massive structure of the church, the symmetry and splendor of the interiors (painted by two Italians who succeeded in producing trompe l'oeil), the profile of the mouldings, rosettes and sunken panels which appear as three-dimensional carvings, a baroque pulpit with the native pineapple as a motif, the grand pipe organ, the antechoir with a 16th-century crucifix, the choir seats carved in molave with ivory inlays of the 17th century and the set of 16 huge and beautiful chandeliers from Paris.
Wilts & Dorset 2619, R619NFX, Optare Solo B30F in Blue Boar Row, Salisbury, bound for West Harnham, 28 March 2002
Shenzhen Fairy Lake Botanical Garden has long been praised as a haven of peace and harmony, for here grows over 3,000 species of plants in such a Chinese classic garden. Shenzhen Fairy Lake Botanical Garden built in 1983 is a renowned botanical garden and scenic area, and functions as a center for scientific research, education and tourism. There are more than 6,200 species of plants preserved in different divisions, such as International Ex Situ Conservation Center for Cycads, International Magnolia Garden, Rare and Endangered Trees Garden, Palm Garden, Cacti and Succulents, Aquatic Plants Garden, Cryptogamic Garden, Gymnosperms Garden, Bamboos Garden, Medicinal Plants Garden, Shady Plants Garden, and Bonsai Garden.
580 Queens Avenue, New Westminster, BC.
Description of Historic Place:
New Westminster Armoury is located on a sloping site within a mix of residential, small commercial, and public structures. It is a large, low-massed, rectangular structure with slightly projecting square towers. Large round-headed windows pierce its walls. The white painted, wooden construction conveys an image of sober simplicity. The main facades feature broad troop doors. The designation is confined to the footprint of the building.
Heritage Value:
The New Westminster Armoury is a Recognized Federal Heritage Building because of its historical associations, and its architectural and environmental values.
Historical Value:
The New Westminster Armoury is closely associated with the 19th century volunteer militia movement. It is also associated with the Royal Westminster Regiment, a renowned militia unit, a member of which was awarded the Victoria Cross in 1944.
Architectural Value:
The New Westminster Armoury is a very good example of a late 19th century armoury. It incorporates details, motifs, elements and shapes that are typical for this time period in west coast buildings. Its exterior exhibits Italianate, Romanesque revival influences. It is unique because armouries at this date were normally composed of brick and it is constructed entirely of wood.
Environmental Value:
New Westminster Armoury is compatible with its evolved setting of mixed-use commercial and residential buildings. It plays an important role as a familiar city landmark.
Sources:
Robert Hunter, New Westminster Armoury, 6th Street and Queen's Avenue, New Westminster, British Columbia. Federal Heritage Buildings Review Office Report 86-060.
New Westminster Armoury, 6th Street and Queen's Avenue, New Westminster, British Columbia. Heritage Character Statement 86-060.
Character-Defining Elements:
The following character-defining elements of the New Westminster Armoury should be respected, for example:
Its simple, functional character with Italianate, Romanesque revival influences used for military purposes using good quality materials and craftsmanship, for example:
-The large, low massing with a gable roof.
-The long main façade symmetrically flanked by slightly projecting square towers and capped by steeply pitched, bellcast mansard roofs.
-The round arched windows that pierce the long flat walls at two levels.
-The regular grouping of the window openings.
-The spartan interior characterized by its large, open volume and the large cedar tie beams that span the hall.
The manner in which the New Westminster Armoury is compatible with the adjacent mixed-use commercial and residential buildings and is a familiar community landmark as evidenced by:
-Its large, but low massing which makes it compatible with its neighbouring residential area of late-19th century houses, parkland, and newer mixed use commercial and residential buildings.
-Its distinctive appearance which makes it a familiar landmark in the community.
Gielgud Theatre London. The ceiling and balcony fronts with at the rear of the dress circle the new boxes containing extra seating. There are no pillars to obstruct views.
London Gieldgud Theatre
February 2012