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Book cover for Im Letzten Wagen: Novelle
by Leonhard Frank. Berlin: E. Rowohlt, 1925. PT2611.R26 I6 1925
Willem Sandberg
Experimenta Typografica 11
Tektovikn
Designed during World War 2
published by Galerie der Spiegel, Köln, 1957
Book cover design by Raskin for Satan in Goray by Isaac Bashevis Singer. Translated from Yiddish by Cecil Hemley and Elaine Gottlieb. New York, Noonday Press 1958. PJ5129.S515 S3 1958
Book cover design by Seymour Chwast for The Fratricides by Nikos Kazantzakis. New York : Simon and Schuster, 1964.PA5610.K39 A8413 1964
Opening interior spread from "Typo", Walter Marti's 1957 book with countless examples of Swiss modern design and typography of that era. This book contains many innovative works of job printing including logomarks, letterheads, business cards, labels, bar menus, brochures bookplates and more with text in German explaining printing techniques. 134 Pages.
Read more about Typo at letterology.blogspot.com/2011/06/mid-century-typographie....
No other animal strives for such unnecessary progress; instead other species maintain a symbiotic relationship with the planet.
Eminent Interior Design is an award-winning interior design firm based in Minneapolis, MN with more than 15 years of industry experience.
This is our fourth year creating their annual interior design portfolio that showcases a vast array of projects from sleek contemporary to formal traditional.
Rough preview of the cover design for the next book I'm designing/typesetting – the German edition of Arthur Krasilnikoff's novel «Hvalens øje». It's a novel in fragments, loosely (!) based on the author's own childhood memories growing up as a Danish child in the (Danish) Faroe islands in the 1940s; wonderfully written, unsentimental, concise, smart, and not always comfortable.
Cover features photographs by S. Lützen and Jean Tresfon.
The inside layout of the book will be based on «Nordlandliebe», so again TMF Patria for text. For titling, this time it's FF Legato! Two favorites in one book. Mm. :-)
The book will be published in Spring 2010.
From Walter Marti's 1957 book "Typo" with countless examples of Swiss modern design and typography of that era. This book contains many innovative works of job printing including logomarks, letterheads, business cards, labels, bar menus, brochures bookplates and more with text in German explaining printing techniques. 134 Pages.
Read more about Typo at letterology.blogspot.com/2011/06/mid-century-typographie....
Book cover design by Howard Morris for The New Nation: a history of the United States during the Confederation 1781-1789 by Merrill Jensen. New York: Vintage Books, 1950. E303 .J45 1950
Book cover design by Roy Kuhlman for The Lion in Love: a Play by Shelagh Delaney. New York: Grove Press, 1961. PR6007.E327 L5 1961
photographed by
Frank Dinger
BECOMING - office for visual communication
facebook: Becoming office for visual communication
Detail from a book cover design by Elaine Lustig for Osip Emilievich Mandelstam: an Essay in Antiphon by Arthur Allen Cohen. Ann Arbor, Mich: Ardis, 1974. PG3476.M355 Z6 1974
Book Cover Design & Book written : Maniackers Design (2010)
CD-ROM with. (Win & Mac)
Size : B5 Size Deformed. (166mm*166mm)
Page : 176 Pages
Client_MdN Corporation. + Maniackers Design
Art Direction, Design & written : Masayuki Sato
Pixel Illustration : Masayuki Sato + Mami Kobayashi
Book cover design by Edward Sorel for Short Stories, Short Plays and Songs by Noel Coward. New York: Dell Publishing Company, 1955.
snow white book. studio fall 2007.
the book is on the duality of fairy tales, mean to be part of a set, each book criticizing certain aspects and poking fun of classic fairy tales. commentary and criticism on classic fairy tales and how they are interpreted (or misinterpreted) in today's time.
french folding is used to create a hidden layer within the book. at first glance the book seems to just tell the version of snow white (the disney-fied version) that most people are familiar with, but hidden through the pages are commentary and criticism of this tale.
i also played around with printing methods (printing on vellum, printing black on black, etc.).
Luberon is and area of Provence in southern France characterized by a series of strikingly picturesque hill-top villages that date back 1,000 years or more. This region has recently become more well-known because of the 2006 film, A Good Year, directed by Ridley Scott. We had the pleasure of designing this beautiful 10 x 8 soft cover book for our client, the French photographer Marco Sgarbi. The first in a two-volume set that would showcase his style and range as a photographer.
The page proportions follow the traditional canons, something that caused our prospective printers to scratch their heads: "Are you sure you want that big margin on the bottom?" Where else do you propose I put my thumb?
«Zu bürgerlicher Eintracht und Vertraulichkeit – Ein gartnernzünftiges Geschichtenbuch», published in November 2011 by Friedrich Reinhardt Verlag, Basel. This 256-page, illustrated storybook – something like my second biggest project this year – celebrates the rich and eventful 750-year history of the Basel Gardeners’ Guild with a diverse selection of stories, images, and glimpses into Basel's past. Type is Productus & Proforma.
Assignment for bookdesign (front & back) + CD
Made by Stefan Witte | Black Sheep Productions: www.black-sheep.nl
Book Cover Design & Book written : Maniackers Design (2010)
CD-ROM with. (Win & Mac)
Size : B5 Size Deformed. (166mm*166mm)
Page : 176 Pages
Client_MdN Corporation. + Maniackers Design
Art Direction, Design & written : Masayuki Sato
Pixel Illustration : Masayuki Sato + Mami Kobayashi
Bookplate from Walter Marti's 1957 book "Typo" with countless examples of Swiss modern design and typography of that era. This book contains many innovative works of job printing including logomarks, letterheads, business cards, labels, bar menus, brochures bookplates and more with text in German explaining printing techniques. 134 Pages.
Read more about Typo at letterology.blogspot.com/2011/06/mid-century-typographie....
I met up with fellow graphic designer Fred Averin last month for coffee. Since our meeting was inspired by a discussion about type usage in the context of an existing brand, I suggested we each bring a favorite piece of type to share.
Remarkably, we both brought a book by the same designer, Robert Massin. In this photo, Fred is looking at my copy of Massin's masterpiece, a graphic interpretation of Eugene Ionesco's play "The Bald Soprano." Fred brought the Massin-designed French edition of "The Bridge over the River Kwai," along with a mindblowing treatment of Genesis designed and illustrated by Adrian Frutiger, and a book by Jean-Francois Bory that I've since found (not to my surprise) is also quite a piece of work, but at the time we were so engaged by the Massin pieces that we never got to it.
A most stimulating way to spend a rainy morning. To think that if it had been fairer weather, I would have brought some hotel stationery instead!
Book Cover Design & Book written : Maniackers Design (2010)
CD-ROM with. (Win & Mac)
Size : B5 Size Deformed. (166mm*166mm)
Page : 176 Pages
Client_MdN Corporation. + Maniackers Design
Art Direction, Design & written : Masayuki Sato
Pixel Illustration : Masayuki Sato + Mami Kobayashi
by Mark Z. Danielewski.
Taken for this slideshow on interesting uses of type in fiction:
thepenguinblog.typepad.com/the_penguin_blog/2008/05/5-in-...
Byoung Won Choi speaks about his Book Publishing
"It was a series of work assembling parts of consciousness, spirit, and parts of thoughts about which I felt complications as a designer, rummaging my favorite articles, sketches of ideas, designs, and portfolios. I also collected daily episodes and favorite sentences. I took off materials of different concept, and recomposed old designs. I screened these contents filtering through 'Green', and illuminated life and design...
Learn more: www.graphicart-news.com/2011/03/must-book-for-graphic-des...
"Design Benign" was my senior thesis project. I studied the role of cuteness in contemporary product design, what cuteness is exactly comprised of, and how cuteness can be beneficial to design.
Design Benign is an ongoing research project about the role of cuteness in product design. You can read excerpts from it, as well as new material, at design-benign.blogspot.com
Nicole Peterson 2008.