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火車
演唱：羅大佑 作詞：李坤城 作曲：羅大佑
火車火車 行對佗位去 爬去山頂拖甲在喘氣
火車火車 行對佗位去 攢去土腳恬恬假細膩
台北台北 來到火車頭 別人行李不通放無記
報紙報紙 昨昏的消息 便當便當迷人的氣味
火車火車 藏對佗位去 歇在山頂伴人在過暝
火車火車 藏對佗位去 去公園中教人講過去
火車火車 汝欲對佗去 翻山過嶺甘心行落去
火車火車 汝欲對佗去 古早古早風神的志氣
想欲予阮 出外的人 飛向一個繁華世界
一站一站 過過停停 男兒的天外天
想欲予阮 思念的人 看著阮的思戀心情
一步一步 搖搖擺擺 故鄉的田邊
想欲予阮 出外的人 飛向一個繁華世界
一站一站 過過停停 男兒的天外天
想欲予阮 思念的人 看著阮的思戀心情
一步一步 搖搖擺擺 阮的老厝邊
Polaroid Automatic 250 Land Camera‧Polaroid 125i
[+]
A quick shot during a few seconds of downtime during yesterday's OneLight Workshop, which was cool. I finally reworked my website, still not up to par, but you can read a little about the workshop over there if you'd like.
The wicked camera belongs to this gentleman.
©2015 Daniel Novotny. Transparent Watercolor on Paper, 35 x 50 cm
www.danielnovotnyart.com/?p=5251
Visit my blog at www.danielnovotnyart.com!
These appear to be an early Israeli knockoff of the Kiddicraft bricks/LEGO Automatic Binding bricks. Seller said they were from the 1960s, but I suspect 1950s. The Hebrew translation of the toy's name is "Miracle Building Blocks." The 2x2 and 2x4 bricks are slotted, and there are some windows and doors that fit in the slots. The 2x8 brick does not have slots. The label on the back of the box has what the seller described to me as being a luxury tax that appeared in Israel in the late 1940s and 1950s.
Not sure how these would have appeared in stores or how the bricks would have been laid out in the boxes.
Classic 35mm range finder camera produced from 1968 with great lens;
Konica Hexanon 38mm f:2,8. Copal B Mat Special Programmed Automatic Shutter; B 1/30 - 1/650 sec. Unfortunately doesn't the range finder work on this item, but I will try to repair it some fine day.
SOLD 2007-02-25
water cooled, piston operated, fully automatic, 8mm mauser rifle, Germany's first attempt at a light machine gun. developed in 1850, it was well before its time. Unfortunately, the 8mm mauser round had too much recoil to maintain accuracy with fully automatic fire, and the project was scrapped.
Manufactured from 1967 to 1969 by the Polaroid Corp. of Cambridge, Massachusetts. The “Automatics” added a fully automatic, transistorized electronic shutter that gave continuously-variable shutter speeds. They used a new type of film that loaded in flat, drop-in packs. The 210 was a light plastic model that used a simple viewfinder with a distance scale superimposed in the field of view (which was linked with parallax correction to the focusing mechanism). Shown here with it’s matching Polaroid 268 flash attachment that used an M3 clear bulb.
Fun fact: Many people thought the gang at Polaroid couldn’t count! After all, the numbers on the parts had #1 for focusing, #2 for taking the picture (releasing the shutter), #3 for cocking the shutter and #4 for pulling the film out to start development. Why did you cock the shutter in the middle of the process? Well, the reason is simple. The new electronic shutter was “on” once you fired the camera—powering a small CdS cell on the front panel to select a speed from 10 secs to 1/1200 sec. If you left the cocking lever in the “up” position, the shutter system stayed on, measuring light—and running down the camera battery! Polaroid numbered the steps so that you conserved battery power. And, when I used to sell camera equipment, we use to see many of these cameras come in with exploded and corroded batteries (sometimes completely ruining the camera) where the camera had been stored with the cocking lever up. See, you really should follow the steps 1-2-3-4 (see the additional image of the numbers on the pack camera)…
Prod. Konishiroku Co., 1970's
Sn.134237
Lens: Konica Hexanon 2,8/38mm
Shutter: Copal 1/30-1/650 (automatic)
ISO: 25-400
New Chris-mobile. It replaces my '98 2.5 TDi of the same type, because it is not possible to drive a fuel-economic diesel in the Netherlands anymore, I now drive a gasguzzler.
Yay Environment!
70 liters of dieselfuel = 1200 km's.
70 liters of petrol = 700 km's
explain to me about environment again....
1988 Citroën BX 19 TRS automatic at EuroCitro 2014, Le Mans
In 1986, when the BX phase 2 / mk.2 appeared, and also the BX 19 GTI, the 19 carburetor (former BX 19 GT) became the BX 19 TRS. It was also available as break, and as automatic.
This BX has the optional BX 19 GTI "VIP"-interior.
Colour: Rouge Florentin
– – – – – – – – – – – –
BX 19 GT description:
The BX 19 GT was introduced in July 1984 and was the first BX 19. As it appeared before the BX SPORT, it became the fastest BX back when the 16 RS and 16 TRS were the most powerful BXs.
105 hp carburetor, only manual. 1905 ccm, 105 hp at 5600 rpm, 16,5 mkg at 3000 tr/min, 185 km/h.
Specific wheel trims, front fog lights, spoiler, rubber mouldings on the bumpers. Specific stickers. Specific tyres. Slightly different suspension.
"GT"-Logo in the interior. Like the CX 25 GTI TURBO (2), it has a "normal", round odometer! Also a specific part.
Power steering, tweed interior and board computer always standard.
In 1986, some changes were made. The stickers were modified (The "GT"-sticker on the bonnet disappeared), the board computer became optional and the tweed (brown, white, blue....) interiors were replaced by a black and grey (black plastics) "VIP"-fabric.
In 1986, when the BX phase 2 / mk.2 appeared, and also the BX 19 GTI, the 19 carburetor became the BX 19 TRS. It was also available as break, and with autobox.
bxworld.net/modules.php?name=Content&pa=showpage&...
Old website, but only about the BX 19 GT!
75-200 f/4.5 MD Zoom Rokkor-X
Minolta XD-11 the ultimate 35mm slr including multi mode automation
Minolta XD-5 the world's least expensive multi mode automatic
Minolta XG-9 point-focus-shoot simplicity with total creative control
Minolta XG-1 the most economical automatic 35mm slr minolta has ever made
Auto electroflash 320x 200x 132x
Vehicle make MERCEDES
Date of first registration 19 August 1969
Year of manufacture 1969
Cylinder capacity (cc) 2778cc Fuel type PETROL
Vehicle status Tax not due Vehicle colour SILVER
"The Yashica “Auto Focus Motor” this handy camera features automatic focusing and exposure setting so that all you need to do is train your camera on the subject and press the shutter. And its built-in electronic flash unit lets you get beautiful shots even indoors and at night. Anyone can enjoy easy picture taking with this fully automatic camera that takes care of film loading and film advancing before shooting and film rewinding afterwards. The Yashica Auto Focus is a 35mm compact camera was made in 1978."
source: www.analoguekaki.com/wordpress/products-page/categories/y...
. . . to say it clear: all these pictures are ordinary photos from me. They are changed by me to look like paintings from an artist. I call this paintography - automatic painting!
_____________________________________________
Huế (Vietnamese: [hwě] is a city in central Vietnam that was the seat of Nguyen Dynasty emperors and the national capital from 1802–1945. A major attraction is its vast, 19th-century Citadel, surrounded by a moat and thick stone walls. It encompasses the Imperial City, with palaces and shrines; the Forbidden Purple City, once the emperor's home; and a replica of the Royal Theater.
HISTORY
Huế originally rose to prominence as the capital of the Nguyễn lords, a feudal dynasty that dominated much of southern Vietnam from the 17th to the 19th century. In 1775 when Trịnh lord Trịnh Sâm captured it, it was known as Phú Xuân.
In 1802, Nguyễn Phúc Ánh (later Emperor Gia Long) succeeded in establishing his control over the whole of Vietnam, thereby making Huế the national capital.[1]
Minh Mạng (r. 1820-40) was the second emperor of the Nguyễn Dynasty, reigning from 14 February 1820 (his 29th birthday) until his death, on 20 January 1841. He was a younger son of Emperor Gia Long, whose eldest son, Crown Prince Cảnh, had died in 1801. Minh was well known for his opposition to French involvement in Vietnam, and for his rigid Confucian orthodoxy.
During the French colonial period, Huế was located in the protectorate of Annam. It remained the seat of the Imperial Palace until 1945, when Emperor Bảo Đại abdicated and a communist DRV government was established with its capital at Hà Nội (Hanoi), in the north.
While Bảo Đại was proclaimed "Head of the State of Vietnam" with the help of the returning French colonialists in 1949 (although not with recognition from the communists or the full acceptance of the Vietnamese people), his new capital was Sài Gòn (Saigon), in the south.
During the Republic of Vietnam, Huế's central location very near the border between the North and South put it in a vulnerable position in the Vietnam War. In the Tết Offensive of 1968, during the Battle of Huế, the city suffered considerable damage not only to its physical features, but its reputation as well, due to a combination of the American military bombing of historic buildings held by the North Vietnamese, and the massacre at Huế committed by the communist forces.
After the war's conclusion, many of the historic features of Huế were neglected because they were seen by the victorious communist regime and some other Vietnamese as "relics from the feudal regime"; the Vietnamese Communist Party doctrine officially described the Nguyễn Dynasty as "feudal" and "reactionary." There has since been a change of policy, however, and many historical areas of the city are currently being restored.
GEOGRAPHY
The city is located in central Vietnam on the banks of the Perfume River, just a few miles inland from the East Sea. It is about 700 km south of Hanoi and about 1,100 km north of Hồ Chí Minh City.
CLIMATE
Huế features a Tropical monsoon climate under the Köppen climate classification. The dry season is from March to August, with high temperatures of 35 to 40 °C. The rainy season is from August to January, with a flood season from October, onwards. The average rainy season temperature is 20 °C, sometimes as low as 9 °C. Spring lasts from January to late February.
CULTURE
Located in the center of Vietnam, Huế was the capital city of Vietnam for approximately 150 years during feudal time (1802–1945), and the royal lifestyle and customs have had a significant impact on the characteristics of the people of Huế. That impact can still be felt today.
NAME GIVING
Historically, the qualities valued by the royal family were reflected in its name-giving customs, which came to be adopted by society at large.[citation needed] As a rule, royal family members were named after a poem written by Minh Mạng, the second king of Nguyễn Dynasty. The poem, Đế hệ thi", has been set as a standard frame to name every generation of the royal family, through which people can know the family order as well as the relationship between royal members. More importantly, the names reflect the essential personality traits that the royal regime would like their offspring to uphold. This name-giving tradition is proudly kept alive and nowadays people from Huế royal family branches (normally considered 'pure' Huế) still have their names taken from the words in the poem.
CLOTHING
The design of the modern-day áo dài, a Vietnamese national costume, evolved from an outfit worn at the court of the Nguyễn Lords at Huế in the 18th century. A court historian of the time described the rules of dress as follows:
Thường phục thì đàn ông, đàn bà dùng áo cổ đứng ngắn tay, cửa ống tay rộng hoặc hẹp tùy tiện. Áo thì hai bên nách trở xuống phải khâu kín liền, không được xẻ mở. Duy đàn ông không muốn mặc áo cổ tròn ống tay hẹp cho tiện khi làm việc thì được phép.
Outside court, men and women wear gowns with straight collars and short sleeves. The sleeves are large or small depending on the weather. There are seams on both sides running down from the sleeve, so the gown is not open anywhere. Men may wear a round collar and a short sleeve for more convenience.
— Đại Nam thực lục
This outfit evolved into the áo ngũ thân, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyễn Cát Tường and other artists associated with Hanoi University redesigned the ngũ thân as a modern dress in the 1920s and 1930s.[12] While the áo dài and nón lá are generally seen as a symbol of Vietnam as a whole, the combination is seen by Vietnamese as being particularly evocative of Huế. Violet-coloured áo dài are especially common in Huế, the color having a special connection to the city's heritage as a former capital.
CUISINE
The cuisine of Huế forms the heart of Central Vietnamese cuisine, but one of the most striking differences is the prominence of vegetarianism in the city. Several all-vegetarian restaurants are scattered in various corners of the city to serve the locals who have a strong tradition of eating vegetarian twice a month, as part of their Buddhist beliefs. Another feature of Huế dishes that sets them apart from other regional cuisines in Vietnam is the relatively small serving size with refined presentation, a vestige of its royal cuisine. Finally, another feature of Huế cuisine is that it is often very spicy.
In Hue cuisine, it has both luxurious and rustic popular dishes. All are cooked with talent skills of the Hue people, creating special flavor of Hue food. With such a rich history, Hue's royal cuisine (foods served for the King) is the combination between taste and aesthetic. It consists of several distinctive dishes from small and delicated creations which originally created to please the appetites of Nguyen feudal lords, emperors and their hundreds of concubines and wives. Furthermore, there is another thing making "amazing cuisine" of Hue is traditional foods. Hue's traditional cuisine is so distinctive from other regions in the country, which is considered as the best in Vietnam.
RELIGION
The imperial court practiced various religions such as Buddhism, Taoism and Confucianism. The most important altar was the Esplanade of Sacrifice to the Heaven and Earth, where the monarch would offer each year prayers to the Heaven and Earth.
In Huế, Buddhism enjoyed stronger support than elsewhere in Vietnam, with more monasteries than anywhere else and the nation's most famous monks.
Famously in 1963, Thích Quảng Đức drove to Saigon to protest anti-Buddhist policies of the South Vietnamese government and set himself on fire on a Saigon street.
Thich Nhat Hanh, world-famous Zen master now living in France, originates from Huế.
TOURISM
Huế is well known for its historic monuments, which have earned it a place in UNESCO's World Heritage Sites. The seat of the Nguyễn emperors was the Imperial City, which occupies a large, walled area on the north side of the Perfume River. Inside the citadel was a forbidden city where only the emperors, concubines, and those close enough to them were granted access; the punishment for trespassing was death. Today, little of the forbidden city remains, though reconstruction efforts are in progress to maintain it as a historic tourist attraction.
Roughly along the Perfume River from Huế lie myriad other monuments, including the tombs of several emperors, including Minh Mạng, Khải Định, and Tự Đức. Also notable is the Thiên Mụ Pagoda, the largest pagoda in Huế and the official symbol of the city.
A number of French-style buildings lie along the south bank of the Perfume River. Among them are Quốc Học High School, the oldest high school in Vietnam, and Hai Ba Trung High School.
The Huế Museum of Royal Fine Arts on 3 Le Truc Street also maintains a collection of various artifacts from the city.
In addition to the various touristic attractions in Hué itself, the city also offers day-trips to the Demilitarized Zone lying approximately 70 km north, showing various war settings like The Rockpile, Khe Sanh Combat Base or the Vinh Moc tunnels.
The first 11 months of 2012, Huế received 2.4 million visitors, an increase of 24.6% from the same period of 2011. 803,000 of those 2.4 million visitors were foreign guests, an increase of 25.7%.
Although tourism plays a key role in the city's socioeconomic development, it also has negative impacts on the environment and natural resource base. For example, services associated with tourism, such as travel, the development of infrastructure and its operation, and the production and consumption of goods, are all energy-intensive.
Research by the Climate and Development Knowledge Network has identified traditional ‘garden houses’ as having the potential to increase tourist traffic and revenue. Apart from the environmental, economic and cultural benefits provided by garden houses, their promotion could pave the way for other low carbon development initiatives.
IN POPULAR CULTURE
The second half of Stanley Kubrick's Full Metal Jacket takes place primarily in and around the bombed-out ruins of the city of Huế. The scenes were filmed in the disused Beckton Gas Works a few miles from central London.
The 6th Campaign mission in Call of Duty: Black Ops, takes place in Hue City.
vietcong 2 from 2005 is set in hue. The player assumes the role of an American MACV soldier and young Vietcong recruit fighting before and during the Tet Offensive.
INFRASTRUCTURE
HEALTH
The Huế Central Hospital, established in 1894, was the first Western hospital in Vietnam. The hospital, providing 2078 beds and occupying 120,000 square meters, is one of three largest in the country along with Bạch Mai Hospital in Hanoi and Chợ Rẫy Hospital in Ho Chi Minh City, and is managed by the Ministry of Health.
TRANSPORTATION
Huế has a railway station with connections to all major Vietnamese cities. Phu Bai International Airport is located just south of the city centre.
WIKIPEDIA
The IIId Automatic's successor, in mostly working order. Speeds below 1/30th are useless, but the light meter and guide needles both work as does everything else so not bad overall. Put on the Quinon lens i own, this came with another Westanar 50mm f/2.8 (i now have three).
I got lens spanner this week so i took apart two of the Westanars and cleaned the glass and fixed the stuck aperture blades, they work great now.
Now that i do own this i now have every King Regula interchange lens rangefinder, just need the lenses now :)