View allAll Photos Tagged AutoFocus
Swatch Pro in Trestles with pro surfers Stephanie Gilmore, Anastasia Ashley, Alana Blanchard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk Djik and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Alana Blanchard is a sea goddess!
Alana Blanchard & Stephanie Gilmore Swatch Pro Trestles Pro Women's Surfing Van's US Open Sports Photography Wiht New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
Learn more about taking advantage of the Canon T3i / 600D autofocus system here:
blog.dojoklo.com/2011/09/22/taking-control-of-your-canon-...
Simulated view of the Nikon D7100 Viewfinder, showing a single selected Autofocus Point. (Image shown at 70% opacity to better view AF Point.)
Learn more about the D7100, and taking advantage of all its features and functions, on my blog Picturing Change.
The Minolta 7000 revolutionized photography at the end of the 80's. It was the first in body autofocus 35mm SLR and it made Minolta the market leader for 2 years.
Van's US Open 2014 Huntington Beach with pro surfers Alana Blanhard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Olympus IS-10 (1994)
Specifications from the user manual
Type: Fully automatic 35mm autofocus single-lens reflex camera with built-in 28mm ~ 110mm zoom lens.
Film format: 35mm standard DX-coded film (24 x 36mm).
Lens: Olympus lens (filter available, 52mm filter diameter) 28mm ~ 110mm F4.5 ~ 5.6, 11 elements in 9 groups (5-group zoom construction).
Shutter: Electronic control system vertical focal plane shutter. Shutter speed 1/2000-sec. ~ 2-sec.
Focusing: TTL phase-difference detection system autofocus with focus lock. Auxiliary flash activation in low light. Autofocus beep available. Focusing range — 0.75 m (2.5 ft) ~∞
Viewfinder: Single-lens reflex system, magnification ratio 0.72 (at 50mm). Finder view-field — 85% of actual view-field.
Viewfinder information: Autofocus frame, spot frame, autofocus indicator, flash indicator (to be used as flash warning), overexposure/underexposure indicator. Diopter adjustment: -2 ~ +1.
Light metering system: TTL light metering system — Fuzzy logic ESP light metering, center-weighted average light metering, spot metering.
Exposure modes: (1) Program AE (Full-Auto, Stop Action, Portrait, Night Scene, Landscape), (2) Aperture-preferred AE.
Exposure counter: Progressive type, displayed on LCD panel.
Film speed range: Automatic setting with DX-coded film (ISO 25, 32, 50, 64, 100, 125, 200, 250, 400, 500, 800, 1000, 1600, 2000, 3200. Other intermediate film speeds will be automatically set for next lower speed).
Film loading: Automatic loading (automatically advances to first frame when camera back is closed).
Film advance: Automatic film winding.
Film rewind: Automatic film rewind (automatic rewind activated at end of film, automatic rewind stop). Rewind is possible at any point with rewind button.
Selftimer: Electronic selftimer with 12-sec. delay. Remote control (optional): Infrared remote control unit, 3-sec delay.
Flash: Built-in IVP (Intelligent Variable-Power) flash system. Manual activating system, 54 recycling time of about 0.2 ~ 3.5 sec. (at normal temperature).
Flash range: Wide — 0.75~4.3 m (2.5~14.1 ft), Tele — 0.75~3.5 m (2.5~11.5 ft) with ISO 100 negative color film); Wide — 0.75~8.6 m (2.5~28.2 ft), Tele — 0.75~7.0 m (2.5~23.0 ft) with ISO 400 negative color film.
Flash modes: A u t o (automatic f l a s h activation in low-light), Auto-S (red-eye reducing, same as Auto otherwise), Fill-in (forced activation), OFF (when flash is retracted).
Battery check: Displayed on LCD panel.
Power source: Two 3V lithium batteries (CR123A or DL123A) (replaceable).
Dimensions: 123(W) X 88(H) X 110(D) mm (4.8 X 3.5 X 4.3 in) (excluding protrusions). Weight: 615 g (21.7 oz) (without batteries)
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
Yashica 300 Autofocus ~1993
35mm AF SLR camera
Three auto focus modes: Standard, continuous predictive and, my favourite, trap focus, focus at a given distance, act the shutter and leave the camera, when something passes on the focus area it shoots, great for kids and animals.
Also a three step AF, allows to choose the AF range.
The programs include aperture/shutter priority, manual, shift and auto back light. Exposure compensation is also available.
Shutter speeds 8"-1/200 and B, in manual mode.
It's motorised allowing single shot or continuous 2 fps.
AE lock, DX coding and includes, in the back door a panorama adapter, the problem is that if installed the all roll is going to be panorama style.
AF power zoom 28-70mm 1:3.5-4.5, with three speed levels, depending on the force applied, slow, medium and fast, with manual override.
Made in Japan by Kiocera
Set of photos taken with this camera
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia. em português
Simulated view of the T4i / 650D viewfinder and AF Points - an example image from my e-book guides.
Learn more about how to take advantage of the Canon T4i / 650D autofocus system on my blog Picturing Change.
The Konica C35 AF is listed at number 9 in Jason Sneider's Top 20 Cameras Of All-Time on Shutterbug.
Camerapedia: The Konica C35 AF (nicknamed "Jasupin") is a milestone camera in that it was the world's first production autofocus camera. Launched in November 1977, it used the "Visitronic" AF system developed and produced by Honeywell. This was a "passive" rather than the subsequently more popular "active" system (which Canon utilized in the AF35M eighteen months after the C35 AF)
Shutterbug: This is the first autofocus still camera in the world, and it sired legions of point-and-shoot AF 35mm cameras produced by virtually every manufacturer of 35mm cameras. The C35AF uses the patented Honeywell Visitronic autofocus system, basically a passive, dual-image comparator linked to the lens’ focusing mechanism by an electromechanical system. As you wind the advance lever to cock the shutter, the lens moves completely forward to a ready position. When you press the shutter release, the lens begins to move backward under spring tension until it receives an electrical signal indicating proper focus. At that instant, a claw engages a toothed rack affixed to the internal lens barrel and locks the lens in proper focus position. The signal is generated by the Visitronic module, in effect, a photoelectric rangefinder that compares the subject details detected by stationary and moving photocells. When the details in both cells are identical, the moving photocell stops, and the focus-locking signal is generated.
The Visitronic system is relatively primitive compared to the active infrared AF ranging systems used in most current point-and-shoots, and the vastly improved passive systems used in most AF SLRs. However, it was good enough to provide decent AF performance with the 38mm f/2.8 Hexanon lens of the Konica C35AF, and to inspire hordes of competitors to enter the fray, creating an entirely new camera category. About a year and a half later, Canon brought forth the C35AF (familiarly known as the Sure Shot), which added auto wind, motorized rewind, easy loading, and active AF to the mix. The Canon Sure Shot, a best seller, was the first modern auto-everything point-and-shoot 35, lacking only a DX auto film speed setting and fully automatic rewind (you had to push a button).
Other features of the Konica C35AF include electronically-programmed apertures from f/2.8 to f/22; electronically-programmed shutter speeds of 1/60, 1/125, and 1/250 sec; direct optical viewfinder with parallax-compensation markings and “use flash” LED; ASA settings 25-400; built-in manual pop-up auto flash; single-stroke film-wind lever; manual rewind; hinged back; and manual film loading. The approximate camera-set autofocus distance is read out on a little scale to the left of the lens. The C35AF was rather expensive ($283) for a camera of such modest specs, but it was a good picture-taker and it sold very well on the basis of its groundbreaking technology.
my veteran camera, I used it for 14 years
Manufactured by Nikon Corporation, Japan
Model: c.1990, (produced between 1988-1991)
35mm film SLR camera, Integral-motor autofocus, and fully electronic / manual use
BODY
Lens release: button on the left side of the lens mount
Focus modes: Autofocus and Manual with electronic rangefinder by the ring and scale window on the lens
Autofocus modes: Single servo AF with focus priority and continous servo AF with release priority, selector on the left of the lens mount
AF detection system: TTL phase detection system - Nikon Advanced AM200 module
AF detection range: EV minus 1 to EV 19 at ISO 100.
AF lock: Possible in single servo AF mode once a stationary subject is in focus as long as the shutter button is depressed; in continuous servo AF, button on the right lower side of the lens mount
Electronic rangefinder: Available in manual focus mode with an AF Nikkor and other
AI-type Nikkor lenses with a maximum aperture of f/5.6 or faster
Depth of Field preview button: on the right side of the lens mount
Shutter: Electromagnetically controlled vertical-travel focal-plane metal shutter,
speeds: 30 - 1/8000 +B, speed setting: automatic or manual by the dial on the top plate
Shutter release: By motor trigger, automatic motor drive winding and cocking, knob on the hand-grip (battery chamber) of the camera
Frame counter: Additive type, counts back while film is rewinding, auto-resets
LCD panel information: Shutter speed, aperture, exposure mode, metering system, film speed, DX mark, electronic analogue display, exposure compensation mark, frame counter/self timer/multiple exposure, exposure compensation value, film advance mode, film loading, film rewind, self timer, panel on the right of the top plate
Command input control dial: a thumb wheel, on the right of the top plate
Viewfinder/LCD panel illumination: by pressing button on the back side of the top plate
Viewfinder: Fixed eyelevel SLR pentaprism, high-eyepoint type, w/ Eyepiece hood
Focusing Screen: Fixed Nikon advanced B-type Bright-View screen,
interchangeable with E-type screen
Viewfinder information: Focus indications, exposure mode, shutter speed/ISO, aperture/exposure compensation, electronic analogue display, exposure compensation mark and flash-ready are all shown in LCD readout,
also shows flash recommended/ready light LEDs
Exposure meter: Matrix metering, centre-weighted metering (75/25) and spot metering, selection button on the left of the top plate,
Activates by lightly pressing the shutter release button, stays on for approx. 8 sec. after finger leaves button
Film speed range: 6-6400 ASA, setting: DX code or by manual override, setting by the LCD display and the mode knob on the multi-settings dial on the left of the top plate
Metering range: EV 0 to 21
Exposure modes: Fully Programmed auto-multi, shutter priority auto, aperture priority auto and manual, setting by the LCD display and the mode knob on the multi-settings dial on the left of the top plate
Programmed auto exposure control: Both shutter speed and aperture are set
automatically, 1 EV increments of aperture is possible
Activated by lightly pressing the shutter release button, stays on for approx. 8 sec after finger leaves button
Exposure compensation: within +/- 5 EV range in 1/3 EV steps, button on the front of the LCD display
Auto exposure lock: By sliding the AE-L lever on the back side of the top plate, while the meter is on
Multiple exposure button: the knob on the multi-settings dial on the left of the top plate coupled with rewind release button, up to 9 exposures can be set
Film loading: Film automatically advances to first frame when shutter release button is depressed once
Film advance: In single-frame shooting mode, film automatically advances one frame when shutter is released; in continuous high or continuous low shooting modes, shots are taken as long as shutter release button is depressed; high speed 3.3 fps; low 2.0 fps., setting by the LCD display and the mode knob on the multi-settings dial on the left of the top plate
Film rewind: By simultaneously pressing buttons with red rewind markings in front of the LCD display and the knob on the multi-settings dial on the left of the top plate,
rewind stops auotomatically when film is rewound
Hot-shoe, Flash synch. X, 1/60 to 1/250
Self-timer: Electronically controlled; timer duration selectable from 2 to 30 seconds in one second increments, blinking red LED on the front of the hand grip, indicates self-timer operation, cancellable, button on the left of the top plate
Remote control terminal: on the left-front side of the camera, w/ a lid
Back cover: Hinged, interchangeable with Nikon Multi-Control Back MF-21 or World Time Data Back MF-20, w/ film cartridge confirmation window
Tripod socket: 1/4''
Strap lugs
Body: Weight: 695g, wo/ lens
Battery: 4 AA alkaline batteries, battery chamber opens by a screw on the right bottom side of the camera and the battery holder slides out
On/off switch: on the right of the top plate
Engraving on the bottom plate: Made in Japan and serial no. 2092349
LENS
AF Nikkor 24-50mm f/3.3 - f/4.5, filter thread 62mm, serial no…
Mount: Nikon F bayonet
Zooming: manual, the ring and scale on the lens
Aperture: f/3.3-f/22, setting: auto or manual by the ring and scale on the lens,
w/ a lock button on it, locks at f/22
Focus range: 0.6-10m + inf, with macro
Produced between 1987-95
More info:
Fuji DL 200 from 1985 with autofocus, DX coding, drop in loading of wonky construction, fill flash, sliding lens cover. A cool 1980s design! Apparently the battery needs to be replaced by the factory and has a five-year life. However, this one fires and it's more than 25 years old. Mine came with a laughable hinged teleconverter that slips over the camera when the clamshell is open.
Autofocus on the 5N is not very intuitive. I touched a point on the screen and a box appeared which then began roaming around the screen! It seems I enabled focus tracking. Looks like I'll have to read the manual.
Current working page, marked by the curly copper paperclip.
(Time capsule pictures. My notebook changes so much, I thought I'd grab what it looks like now. It will be different later.)
Today it was nice to come home after a memorial service at work and reflect upon Armistice Day by the calm of the pond.
Update: the AF shift seems in fact due to the lenses. Those lenses behave the same way on another upscale body (APS-C) - all but the (APS-C only) 10-20mm are front-focusing.
I have also briefly used them on a brand new 5D (full frame) and did not notice these defects. I'm wondering whether EF mounts are really really 100% compatible with EF-S bodies (but this conclusion is by no means scientific - I didn't have time to conduct rigorous tests).
-- AF
1- Canon EF 50mm f/1.8 II @ f/1.8
2- Tamron 28-75mm f/2.8 @ f/2.8
3- Sigma 10-20 @ f/5.6
-- MF
4- Canon EF 50mm f/1.8 II @ f/1.8 - unique attempt of MF in view finder (not LiveView)
For comparison only ;-)
View in full size.
Setup:
- paper chart on a music stand @ ~45° + hard cover comic book
* realistic scale
* the "0" mark is 2mm long!
* ~1 mm vertical tolerance for parallax, tilt and paper issues.
- Canon EOS 450D on tripod, roughly straight
- AF set on central sensor (f/2.8)
- remote trigger
Procedure:
- central AF right in the "Focus Here" text
- 3 shots, focusing from infinity
- 3 shots, focusing from minimum distance
DOF table: (from DOF Master, inaccurately using distance from sensor)
- focal length @aperture @distance: -front DOF / +rear DOF
- 50mm @f/1.8 @50cm: -3mm / +3mm
- 75mm @f/2.8 @60cm: -3mm / +3mm
- 20mm @f/5.6 @30cm: -21mm / +24.4mm
Analysis:
Very consistent performance through the shots for each lens. Maybe a slightly, barely visible better performance from the infinity-to-focused series
- 50mm
* "Focus here" slightly blurred
* the left hand scale seems sharpest from -4 to -8mm centered on -6mm (that's about 1 DOF shift - the text is soft)
* the right hand scale seems sharpest from -6 to -12mm centered between -8mm and -10mm (that's more than a 1 DOF shift - the text is blurred)
- 75mm:
* "Focus here" is sharp enough
* the left hand scale seems sharpest from about -1 to -7mm centered on -4mm (that's about 1 DOF shift - the text is soft)
* the right hand scale seems sharpest from +0 to -4mm centered on maybe -1mm (that's less than a 1 DOF shift - the text is sharp so it's good enough)
- 20mm: with the same criterion as before, the actual DOF is more like 20mm than 45
* "Focus here" is sharp
* the left hand scale seems sharpest from about +6 to -14mm centered in the neighborhood of -4mm. The text is sharp enough.
* the right hand scale seems sharpest from +4 to -10mm centered on -4mm. The text is sharp so it's good enough
- 50mm Manual Focus:
* "Focus here" is crazily SHARP!
* slight shift toward +0 +1mm.
So, at close range, there's a systematic and consistent but not that big shift toward front focusing of a few millis (enough to screw a closeup portrait though).
Experience shows that the focus is also poor (planar subject slightly out of focus) with a Sigma 70-300mm APO @300mm in the 10m range compared with LiveView assisted manual focusing.
So, what's your opinion?
(sympa pour fêter ma 250e, hein ?)
Nikon D750 - Group Area Autofocus
Simulated view of the D750 viewfinder.
Example image from Nikon D750 Experience guide to the D750
Simulated view of the T4i / 650D viewfinder and AF Points - an example image from my e-book guides.
Learn more about how to take advantage of the Canon T4i / 650D autofocus system on my blog Picturing Change.
Canon 7D Mark II - AF Point Expansion - 4 Adjacent
Simulated view of the Canon 7D Mark II Viewfinder, showing the location of the 65 autofocus AF Points.
Example image from Canon 7D Mark II Experience guide to the 7DII
Simulated view of the Canon 5D Mark III viewfinder, showing the 61 autofocus AF points of the new autofocus system. Learn more about how to use the Canon 5D MK III, including the sophisticated AF system, with Canon 5D Mark III Experience.
www.dojoklo.com/Full_Stop/Canon_5DMkIII_Experience.htm
(Note: flower image lightened here (65% opacity) to better show AF points.)
Autofocucs speed test with two of the best m4/3 lenses - Olympus M. Zuiko Digital ED 12-40mm f/2.8 PRO and Panasonic 20mm f1.7.
Swatch Pro in Trestles with pro surfers Stephanie Gilmore, Anastasia Ashley, Alana Blanchard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk Djik and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!
Alana Blanchard is a sea goddess!
Alana Blanchard & Stephanie Gilmore Swatch Pro Trestles Pro Women's Surfing Van's US Open Sports Photography Wiht New Tamron SP 150-600mm F/5-6.3 Di VC USD Lens for Nikon
45SURF Hero's Odyssey Mythology Photography
Homer's Odyssey: Tell me, O muse, of that ingenious hero who travelled far and wide. . . Many cities did he visit, and many were the nations with whose manners and customs he was acquainted; moreover he suffered much by sea while trying to save his own life and bring his men safely home; --Homer's Odyssey translated by Samuel Butler
Katherine Tinker Preserve
Yarmouth, Maine
Photo taken with a Minolta Maxxum 7 and Minolta Maxxum AF 50mm F/1.7 using Kodak Portra 400 color print film.
Yashica 300 Autofocus ~1993
35mm AF SLR camera
Three auto focus modes: Standard, continuous predictive and, my favourite, trap focus, focus at a given distance, act the shutter and leave the camera, when something passes on the focus area it shoots, great for kids and animals.
Also a three step AF, allows to choose the AF range.
The programs include aperture/shutter priority, manual, shift and auto back light. Exposure compensation is also available.
Shutter speeds 8"-1/200 and B, in manual mode.
It's motorised allowing single shot or continuous 2 fps.
AE lock, DX coding and includes, in the back door a panorama adapter, the problem is that if installed the all roll is going to be panorama style.
AF power zoom 28-70mm 1:3.5-4.5, with three speed levels, depending on the force applied, slow, medium and fast, with manual override.
Made in Japan by Kiocera
Set of photos taken with this camera
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia. em português
Rats, the camera autofocus selected on the girl with the pretty Cannondale, instead of on the Jamis I was shooting.
I set the Jamis up to take photos then afterwards this woman showed up, looked right at me with my camera, parked herself right behind my bike, and studiously pretended to ignore me.
Caltrain Diridon Station in San Jose, waiting for the late train. That's an Amtrak Capital Corridor train to the right on track #4.
Olympus IS-10 (1994)
Specifications from the user manual
Type: Fully automatic 35mm autofocus single-lens reflex camera with built-in 28mm ~ 110mm zoom lens.
Film format: 35mm standard DX-coded film (24 x 36mm).
Lens: Olympus lens (filter available, 52mm filter diameter) 28mm ~ 110mm F4.5 ~ 5.6, 11 elements in 9 groups (5-group zoom construction).
Shutter: Electronic control system vertical focal plane shutter. Shutter speed 1/2000-sec. ~ 2-sec.
Focusing: TTL phase-difference detection system autofocus with focus lock. Auxiliary flash activation in low light. Autofocus beep available. Focusing range — 0.75 m (2.5 ft) ~∞
Viewfinder: Single-lens reflex system, magnification ratio 0.72 (at 50mm). Finder view-field — 85% of actual view-field.
Viewfinder information: Autofocus frame, spot frame, autofocus indicator, flash indicator (to be used as flash warning), overexposure/underexposure indicator. Diopter adjustment: -2 ~ +1.
Light metering system: TTL light metering system — Fuzzy logic ESP light metering, center-weighted average light metering, spot metering.
Exposure modes: (1) Program AE (Full-Auto, Stop Action, Portrait, Night Scene, Landscape), (2) Aperture-preferred AE.
Exposure counter: Progressive type, displayed on LCD panel.
Film speed range: Automatic setting with DX-coded film (ISO 25, 32, 50, 64, 100, 125, 200, 250, 400, 500, 800, 1000, 1600, 2000, 3200. Other intermediate film speeds will be automatically set for next lower speed).
Film loading: Automatic loading (automatically advances to first frame when camera back is closed).
Film advance: Automatic film winding.
Film rewind: Automatic film rewind (automatic rewind activated at end of film, automatic rewind stop). Rewind is possible at any point with rewind button.
Selftimer: Electronic selftimer with 12-sec. delay. Remote control (optional): Infrared remote control unit, 3-sec delay.
Flash: Built-in IVP (Intelligent Variable-Power) flash system. Manual activating system, 54 recycling time of about 0.2 ~ 3.5 sec. (at normal temperature).
Flash range: Wide — 0.75~4.3 m (2.5~14.1 ft), Tele — 0.75~3.5 m (2.5~11.5 ft) with ISO 100 negative color film); Wide — 0.75~8.6 m (2.5~28.2 ft), Tele — 0.75~7.0 m (2.5~23.0 ft) with ISO 400 negative color film.
Flash modes: A u t o (automatic f l a s h activation in low-light), Auto-S (red-eye reducing, same as Auto otherwise), Fill-in (forced activation), OFF (when flash is retracted).
Battery check: Displayed on LCD panel.
Power source: Two 3V lithium batteries (CR123A or DL123A) (replaceable).
Dimensions: 123(W) X 88(H) X 110(D) mm (4.8 X 3.5 X 4.3 in) (excluding protrusions). Weight: 615 g (21.7 oz) (without batteries)
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia.
Nikon F-501/N2020
Integral-motor autofocus 35mm single lens reflex.
Picture Format 24 x 36mm DX coded 35mm (135) film format
Dual autofocus modes (Single servo and Continuous servo) focus assist and manual focusing.
Autofocus Lock Single Servo AF
Focus Assist Available in manual focus mode with an AF Nikkor, Nikkor or Series E lens with a maximum aperture of f:4.5 or faster
Exposure Metering Light intensity feedback measurement (for P DUAL, P HI and A), TTL full aperture centerweighted measurement (for manual exposure) employs one silicone photo diode (SPD).
Metering Range (at ISO 100 with f/1.4 lens) EV 1 to EV19
Exposure Modes Three Programs (dual, normal and high speed) auto exposure modes, Auto, Aperture-Priority Auto and Manual
Shutter Electromagnetically controlled vertical-travel focal-plane shutter
Electromagnetic shutter Release.
Shutter Speeds Stepless from 1/2000 to 1 sec. in P DUAL, P, P HI and A auto exposure modes. Lithium niobate oscillator-controlled speeds from 1/2000 to 1 sec on manual; electromagnetically controlled Bulb setting is provided
Viewfinder Fixed eyelevel pentaprism high-eyepoint type; 0.85X magnification with 50mm lens set at infinity; approx. 92% frame coverage
Focusing Screen Nikon type B clear matte with central focus brackets, 12 mm circle denotes centre weighted metering area; changeable with type E or J focusing screens.
Film Speed Range ISO 25 to 5000 for DX-coded film; ISO 12 to 3200 can be manually set for non-DX coded film.
Motorised film advance, with automatic film loading and rewind
Frame Counter Additive type; counts back while film is being rewound
Self-timer Electronically controlled 10 sec. delay.
Reflex Mirror Automatic, instant-return type
Data Back MF-19.
Flash Synchronization Up to 1/125 sec.
Power source: Nikon AA battery holder MB-3, f4 1.5V AA batteries
Dimensions (W x H x D) 15 x 10 x 5 cm.
Weight (without batteries) Approx. 600g
I invite you to visit my camera site at Classic Cameras in english.
Convido-os a visitar o minha página Câmaras & Cia. em português
Simulated view of the Canon 7D Mark II Viewfinder, showing the location of the 65 autofocus AF Points.
Example image from Canon 7D Mark II Experience guide to the 7DII
Van's US Open 2014 Huntington Beach with pro surfers Alana Blanhard, Lakey Peterson, Laura Enever, Sally Fitzgibbons, Coco Ho, Stephanie Gilmore, newcomers Nikki Van Dijk and Tatiana Weston-Web, and more!
The new Nikon D810 rocks for sports photography! New Instagram!
Goddess videos! vimeo.com/45surf
Nikon D810 Photos Pro Women's Surfing Van's US Open Sports Photography Tamron SP 150-600mm F/5-6.3 Di VC USD !
I shot in DX mode which crops away the extra pixels and takes me 1.5X closer while allowing for up to 7 FPS with the Nikon D810's Nikon MB-D12 Battery Grip using the 8 AA battery option! 8 Duracles took me through around 3,000 shots no problem--maybe more! I was shooting at the equivalent of 900mm with the 1.5x crop factor! Pretty close! Had I gone with the Nikon D4s, I would have gotten 12 fps, but no DX crop factor, as the sensor has only around 14mp, compared to the d810's 36 megapixels! Sure the larger pixel size on the Nikon D4s full frame sensor comes in handy indoors or at night, but in the brigth sun, there's more than enough light for the smaller pixels in crop mode! Sure we lose some pixels from the outer edges when shooting in DX crop mode, but most of those pixels would be cropped away in lightroom anyway. And the smaller files make the memory cards last longer, while also upping the FPS to 7 shots per second! Not quite 12 FPS< but still awesome and enough I felt!
What a beautiful way to test the Nikon D810 and Tamron 150-600mm zoom lens for sports photography!
Athletic graceful girl goddesses! Tall, thin, fit and in shape! Pro women's surfers form the van's us open wearing both long wetsuits and bikini bottoms with shorty wetsuit tops/summer wetsuits. Sexy, beautiful beach babes and water goddesses all! Many are professional swimsuit bikini / surf lifestyle models too!
Tamron SP 150-600mm F/5-6.3 Di VC USD Autofocus lens for Nikon AF-D Cameras.
The new Nikon D810 rocks for sports photography New Instagram!