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Looking south across this small bay near the mouth of Sydney Harbour towards Doyles on the Beach seafood restaurant, and the Watsons Bay Hotel - a favourite spot for lunch, for more years than I care to remember.
With a CP driving car leading, a train of District line stock enters Ealing Common, on its way to Mansion House. 1974
NS Train D99 is knocking down the Clear signal and some lucky timing on this image shows the top head of the eastbound signal half green/half red.
-NS Train D99
-NS (ex-Wabash) St. Louis District, CP S16.9 Robertson
-Missouri Bottom Rd Overpass, Robertson, MO
-April 17, 2108
TT1_8309_edited-1
Another humorous aspect of life in Cambodia is the total disregard for safety. In the U.S. we bubble wrap our children to protect them from the world. In Cambodia, they hand their children sharp objects to entertain themselves. Don't worry, this kind woman was watching her every move and soon removed the peeler from her hands.
--
Photo By Alex Crook
I've been away for the weekend with my students on retreat to Nunraw Abbey. But it's not just talks and prayer during a Dominican retreat. We always make time for a walk to the local pub, which has this playground next to it!
© by Wil Wardle. Please do not use this or any of my images without my permission.
Please click "L" on your keyboard to view on Black, you know it looks better.
The doxa thus constitutes a set (a "network", a system) of values, maxims around some (all, but some more than others) aspects and elements of the reality meant. It is situated beyond language, but below the discourse on which it tacitly bases intercomprehension.
"Each object of the world can pass from a closed, silent existence to an oral state, open to the appropriation of society. "(Barthes 1957:216)
We can therefore describe a doxic system as an evolving hierarchical field, where different models follow one another in the centre. These models bring together one or more "ideologems" or presuppositions, all of which are defined on one or more axes and in one or more fields, and which are expressed in the discourse by a mythical image or set of images. All these models, by their hierarchical and oppositionary character, contribute to the realization and actualization of the basic ideological meaning that is the perpetuated existence of a hierarchical society, where the terms can change but the structure must remain immutable.
The Idols of the Tribe have their foundation in human nature itself, and in the tribe or race of men. For it is a false assertion that the sense of man is the measure of things. On the contrary, all perceptions as well of the sense as of the mind are according to the measure of the individual and not according to the measure of the universe. And the human understanding is like a false mirror, which, receiving rays irregularly, distorts and discolors the nature of things by mingling its own nature with it.
— Novum Organum, Aphorism XLI
The "ideologems", the units that make up the doxic system, are structured in two (diversified) dimensions. First, there are the axes or axiologies: bipolar lines whose ends are absolutely opposed notions, such as Bien-Mal, Order-Disorder.. The axes can be presented as continua, with "ambivalent" terms (e. g. unhappy love), but the two extremities always remain dominant and determine the final value. Still, one of the two opposing terms is evaluated positively and the other negatively. One axis can flow from another or materialize it.
Doxa (ancient Greek δόξα; from verb δοκεῖν dokein, "to appear", "to seem", "to think" and "to accept" is a Greek word meaning common belief or popular opinion. Used by the Greek rhetoricians as a tool for the formation of argument by using common opinions, the doxa was often manipulated by sophists to persuade the people, leading to Plato's condemnation of Athenian democracy.
The word doxa picked up a new meaning between the 3rd and 1st centuries BC when the Septuagint translated the Hebrew word for "glory" (כבוד, kavod) as doxa. This translation of the Hebrew Scriptures was used by the early church and is quoted frequently by the New Testament authors. The effects of this new meaning of doxa as "glory" is made evident by the ubiquitous use of the word throughout the New Testament and in the worship services of the Greek Orthodox Church, where the glorification of God in true worship is also seen as true belief. In that context, doxa reflects behavior or practice in worship, and the belief of the whole church rather than personal opinion. It is the unification of these multiple meanings of doxa that is reflected in the modern terms of orthodoxy and heterodoxy.This semantic merging in the word doxa is also seen in Russian word слава (slava), which means glory, but is used with the meaning of belief, opinion in words like православие (pravoslavie, meaning orthodoxy, or, literally, true belief)..
In Plato's Gorgias (dialogue), Plato presents the Sophists, rhetors who taught people how to speak for the promise of commercial success, as wordsmiths that ensnare and use the malleable doxa of the "multitude" to their advantage without shame. In this and other writings, Plato relegated doxa as being a belief, unrelated to reason, that resided in the unreasoning, lower-parts of the soul. This viewpoint extended into the concept of doxasta in Plato's Theory of Forms, which states that physical objects are manifestations of doxa and are thus not in their true form. Plato's framing of doxa as the opponent of knowledge led to the classical opposition of error to truth, which has since become a major concern in Western philosophy. (However, in the Theaetetus and in the Meno, Plato has Socrates suggest that knowledge is orthos doxa for which one can provide a logos, thus initiating the traditional definition of knowledge as "justified true belief".) Thus, error is considered in Occident as pure negativity, which can take various forms, among them the form of illusion. As such, doxa may ironically be defined as the "philosopher's sin". In classical rhetoric, it is contrasted with episteme.
Plato's student Aristotle objected to Plato's theory of doxa. Aristotle perceived that doxa's value was in practicality and common usage, in contrast with Plato's philosophical purity relegating doxa to deception. Further, Aristotle held doxa as the first step in finding knowledge, as doxa had found applications in the physical world and those who held it had great amount of tests done to prove it and thus reason to believe it.[Aristotle clarifies this by categorizing the accepted truths of the physical world that are passed down from generation to generation as endoxa. Endoxa is a more stable belief than doxa, because it has been "tested" in argumentative struggles in the Polis by prior interlocutors. The use of endoxa in the Stagirite's Organon can be found in Aristotle's Topics and Rhetoric.Trying to make a list of universal doxas is therefore considered utopian, and it is a good game to present the fruits of these attempts (let us think of the Declaration of Human Rights) as necessarily illegitimate since, precisely, being the expression of a dated and localized culture. On the other hand, from a descriptive (and not normative moral) eristic perspective, a list of doxas such as one encounters in a course of rhetoric, therefore having no claim to found an ideology, can be tinged with universality, in so far as it purports to account for human argumentative activity, regardless of cultural and social groups. The "universal doxas" (in the course of the Manual of Polemics, Muras devotes 130 pages out of 340) as rhetorical (and not philosophical and even less moral) objects, revived in ever new contexts, make it possible, as preliminary agreements (Perelman), to argue.ideology "cannot be considered as a monolithic system:" the ideological activity of a society presents itself as an ever complete and never successful approximation of a system of thought. "(Grivel 1980: d4)
On the other hand, he points out that the "universality rate" of text universals fluctuates (Grivel 1978:39) - meaning that the doxic system has centre-periphery movements and vice versa.
In any case, just like the language system as a system of potentialities, ideology continues to exist. Doxic language changes, language remains - or even: language changes so that language can perpetuate its existence. "The rule includes the novelty of its manifestation, which is its rule. "(Grivel 1973:63)
It is clear that the conversion of history into nature serves to prolong the current order of things: The present state is proclaimed nature, i. e. realization of the essence of the human being, thus morally good. History becomes Nature which becomes Moral: thus any attack on societal structures becomes immorality itself. (Cf. Barthes 1957:151.) In the final analysis, doxa, for Barthes, is the image that the bourgeoisie has of the world and imposes on the world. The bourgeois strategy is to fill the whole world with its culture and morality, making it forget its own status as a historical class:"The status of the bourgeoisie is peculiar, historical: the man whom it represents will be universal, eternal; (...) Finally, the first idea of the perfectible, mobile world will produce the overturned image of an immutable humanity, defined by an infinitely renewed identity. "(Barthes 1957:250-251)
Pierre Bourdieu, in his Outline of a Theory of Practice, used the term doxa to denote what is taken for granted in any particular society. The doxa, in his view, is the experience by which "the natural and social world appears as self-evident". It encompasses what falls within the limits of the thinkable and the sayable ("the universe of possible discourse"), that which "goes without saying because it comes without saying". The humanist instances of Bourdieu's application of notion of doxa are to be traced in Distinction where doxa sets limits on social mobility within the social space through limits imposed on the characteristic consumption of each social individual: certain cultural artifacts are recognized by doxa as being inappropriate to actual social position, hence doxa helps to petrify social limits, the "sense of one's place", and one's sense of belonging, which is closely connected with the idea that "this is not for us" (ce n'est pas pour nous). Thus individuals become voluntary subjects of those incorporated mental structures that deprive them of more deliberate consumption.
Doxa and opinion denote, respectively, a society's taken-for-granted, unquestioned truths, and the sphere of that which may be openly contested and discussed.
Bourdieu explains the term "doxa" in his interview with theorist Terry Eagleton. To explain the term, he uses an example about the common beliefs in school. He asked students what qualifies as achievement in school. In response, the students on the lower end of the academic spectrum viewed themselves as being inferior or not as smart as the students who excelled. The responses are where doxa comes into play, because that was the common belief and attitude that the students had based on what society pushed them to believe. Bourdieu believes that doxa derived from socialization, because socialization also deals with beliefs deriving from society, and as we grow up in the environment, we tend to believe what society tells us is correct.
It is a socially accepted misconception, that if you do not score as high as someone else then you are obviously not as smart as they are. Scores do not prove that one is smarter, because there are many different factors that play into what you score on a test. People may excel within a certain topic and fail at another. However, even though it is a misconception, people tend to partake in common practices to make themselves feel better. For example, the students who feel inferior due to popular belief that they are not as smart as the students who score higher than them, may experiment with drugs to ease the insecurities they face. Bourdieu believes that doxa is more than common belief. He believes that it also has the potential to give rise to common action.
While doxa is used as a tool for the formation of argument, it should be noted that it is also formed by argument. The former can be understood as told by James A. Herrick in The History and Theory of Rhetoric: An Introduction: "The Sophists in Gorgias hold that rhetoric creates truth that is useful for the moment out of doxa, or the opinions of the people, through the process of argument and counterargument. Socrates will have no part of this sort of 'truth' which, nevertheless, is essential to a democracy." Importantly noted, democracy, which by definition is the manifestation of public opinion, is dependent upon, and therefore also constrained by, the same limits imposed upon the individuals responsible for its establishment. Due to compromised opinions within a society, as well as opinions not counted for due to inaccessibility and apathy, doxa is not homogeneous, nor is it created agreeably. Rather, it is pliable and imperfect—the outcome of an ongoing power struggle between clashing "truths".
To expand upon the quote from his Outline of a Theory of Practice in the above section, "Use in sociology and anthropology", Bourdieu writes, "When there is a quasi-perfect correspondence between the objective order and the subjective principles of organization (as in ancient societies) the natural and social world appears as self-evident. This experience we shall call doxa". Adam Smith of the University of Chicago observes in his article "The limitations of doxa: agency and subjectivity from an archaeological point of view": "Bourdieu consigns the practices of the denizens of ancient societies to the realm of doxa, their lives cast as routines predicated upon the mis-recognition of social orders as natural ways of life, rather than political products."This calls to attention that the notion of social order as naturally occurring is misperceived, disregarding its creation by political argumentation.
Doxa, then, can be understood as created by argument as well as used in the formation of argument, essential for the establishment of democratic policies.
An aspect of industrial railways often ignored, mainly due to their inaccessability, were the coke ovens locomotives. This rather curious ex-works example was photographed in a siding at the Derwenthaugh Coking Plant near Blaydon on 24th August 1971. It was built by Robert Stephenson and Hawthorn Ltd, works number 7882, in 1957. Although an electric loco with overhead wire collection, it doesn't appear to have the pantograph fitted as yet and may be under test as there appears to be a cable running to it from the office window!
© Copyright Gordon Edgar - No unauthorised use
Aspect Travel, Newmains, Bova Futura AGZ 1482 in Llandudno on a Tartan tour, 6th July, 2022. it was new to Woods, Tillicoultry, as SN10 AUV.
Growing Mesocyclone SW Quadrant
I’m estimating this young developing Mesocyclone is 70 miles distant/ 50 miles wide. Relatively small for a Rotating mesocyclone. It was growing at the time. The sunset for that day is ongoing exactly behind me in about 15 minutes from this capture. There are just plain intense downpours under these storms sometimes. Depending on how fast they are moving makes you lucky or flooded locally lol. These only rain on a few percent of the ground area up here. Spotty! The ground under them becomes totally soaked if the storm doesn’t move.
We had a summer Mesocyclone years back that sat over us and dumped 4.5 inches of rain in 45 minutes. Water was sheet washing down the hill behind my home and skirting around the house. Almost nothing got in but that slope was angle deep in sheet wash. I have since re-landscapes using mounds to redirect any potential sheet wash off the long hill to our back. It’s only been a problem once in 20 years.
That was a rough storm. Tragically a local cowboy from a nearby ranch was killed in that storm. A truck full of locals went out to see what the 100 year water dump did, drove to one of their herds to check them, road was fine. Drove back the road had washed out. That cowboy was a passenger in that truck. County Emergency Management called me to close the road off from my side of the washout. The runoff went through a major country road that literal gully washer did. It was a major culvert to replace and a big job. We couldn’t get to the highway from that road for a while.
Location: Bliss Dinosaur Ranch, Wyoming/Montana borderlands.
Title: Growing Mesocyclone SW Quadrant
Important legal note.
All images are copyright and must not be re posted or water marks removed, anyone found reposting or removing water marks are liaIble to prosecution.
Many aspects of what was "normal life" are still on hold. From my point of view that includes the ability to watch professional sport. In Rugby League at this time of the year pre season friendly matches would have started in readiness for the 2021 season. Although the season is due to commence in March no friendly games are being held this year.
For that a reason I am delving back intro my archive to a game between Wakefield Trinity and Hull KR on 15th February 2015. The then Wakefield captain Danny Kirmond is seen setting a cracking example as he bursts through the line to score right by the sticks. This particular game turned in to a one sided affair with Wakefield running out emphatic winners 48-18.
Aspectos de la victoria del América 2-1 sobre los Pumas de la UNAM en el Apertura 2017, con goles de Oribe Peralta y Cecilio Domínguez, este último anotando a lo Panenka.
realDonaldTrump TorF: we could actually rebuild without panic - without loss - and thrive like never before
Ponder Israel / numerology based aspects / globally ralien .the group who dressed like shiny aliens and announced cloning success / how
has Israel been infiltrating Iran. How did they infiltrate and sabotage Germany after WWII? How they using media..so on.
determine who has motive / while keeping in mind nasa is being used to manipulate Egypt. Egypt ALLOW e others in all important areas after
WWII. Anonymous confrontation with a lone Nazi/ scientology was scripted. Tor F anon provided communication backbone during Arab spring
Anonymous = outside tactic. Not trustworthy. Rooted in politics money and prsm related. Locate successful cloning scientist some say
Left usa with threats, insults and even a bit whiney. TorF the ralien woman (sp?) Is from Iran. Their group. Mentioned Michael Jackson
How dangerous are cults who worship cloning..science.. so on. Who has motive to use religion as a mask and mock. Locate: man in Russia who
Says he's jesus. Odessa celebrates April fools. John.from cargo cults. The Odessa lady who showed the process of cultural manipulation
Are we certain Simon Wiesenthal did his job correctly? Where did ALL abducted babies and children go. Where is DNA being stored?
Who counts bodies after war? Tor f all religions are infiltrated and used as masks. Tor F Savile = likely worked w communists/other.
CompAre: Michael Jackson skin bleaching and skin bleaching in.China. CompAre: Timing of race card / Obama / tg / children's puberty
Being stopped so the children can decide if m or f then go through with transgender operation. Ponder. Premature puberty = intentional
Mad In America @Mad_In_America · 6h6 hours ago
Air Pollution Exposure During Pregnancy Linked to Emotional and Behavioral Problems in Childhood
#pollution #adhd
NASA @NASA · 6h6 hours ago
Possible former lake on Pluto spotted by @NASANewHorizons. Take a look: go.nasa.gov/1T82PvN
@NASA @NASANewHorizons how many in nasa = vaccinated. What is nasa doing about increasing autism and more? Are we funding crimes?
Shut em up. Shut em out. Void patents nullify copyrights of genetic trespassers. Then.. do it right
keep in mind : EU = corrupt and used said nets / similar do prepare for what we see today. even if j sav = setup. the massive nets = present
also - look back at media / news history books. .how many mentioned communists and others were operating in Europe?
keep in mind - proof exists showing sav / similar = in usa. possibly connected to one area where a baby furnace was built.
remember - to see news during war as accurate during war = illogical. panic = a tool. effective. we don't know anything.
no idea who owns the page. new find.-Wait until 1 out of 3 are born autistic and communists . others manipulate them
Say No to the TPP @kencampbell66 University president says SJW students scared & in pain after 'Trump 2016' written on campus
www.dailymail.co.uk/news/article-3506491/Emory-presiden …
swear. media grinders are becoming dumber. anyone else notice? btw : those who helped Savile in Europe - legalized child porn in japan
if you can handle it - look into laws that exist from the cold war - mental health. they still stalk all. "colors"
TorF: citizens could manage everything better than how we now see it.
let us try . give us use of special forces. har har..
did you know - there is video of thousands of them singing in the open.. Why can we not use harp in combo with audio software to locate
so, when they sing.. the sky can be opened.. and say bye bye puppet dummies. TorF: harp can be used to boil brains in skulls.
say T. no working model... however there are no laws of physics = say it's impossible.
Harvard University @Harvard · 4h4 hours ago
It's hard to get your hands around the past. So why not put the past around your neck? hvrd.me/Z4Lkp
@Harvard and why not mention why it is? Even forensic archive investigators are educated incomplete /.sabotaged archives
"put the past around your neck like a noose" .. is more accurate... EurROPE
@WestPoint_USMA @Harvard are you taught to protect our DNA? if not. .why not?
@NSACareers TorF: as there=seemingly endless list of crimes against US citizens. does it make sense to allow USDA/APA to reach out2TheWorld
@WestPoint_USMA @Harvard are you taught to protect our DNA? if not. .why not?
=================================================
Harvard and why not mention why it is? Even forensic archive investigators are educated incomplete /.sabotaged archives
@NSACareers TorF: as there=seemingly endless list of crimes against US citizens. does it make sense to allow USDA/APA to reach out2TheWorld
@DeptofDefense @usairforce TorF: archeological dig sites = altered and used for political advantage.
@DeptofDefense @usairforce TorF: there is reason to suspect DNA rape test kits = misused in many ways.
IBM Watson Analytics @EasyAnalytics1
Visualizing network data to illustrate airline delays w/ #WatsonAnalytics ibm.co/22nzboz #datavisualization
@EasyAnalytics1 if we applied this to protecting DNA we would be better off. does IBM say autism = genetically predisposed?
---------------------------------------
@NSACareers working on anything to protect citizens DNA? FDA said they can not do their job.. never have been able to
@the_hindu is china behind the sterilization in india with others? population control has always been a mask for murder always will be
@DeptofDefense @usairforce true a woman was arrested for using her cadaver dog as she planted evidence?Also she was called to chkMassGraves
---------------------------------------------------------
US Charges Iranians With Coordinated Cyber Attacks on Banks, Companies
motherboard.vice.com/read/us-charges-iranians-with-coordi... … via @motherboard
@kencampbell66 @motherboard that's prob communists or others using them too. and who rooted in Egypt after WWII?
if you can handle it - look into laws that exist from the cold war - mental health. they still stalk all. "colors"
TorF: citizens could manage everything better than how we now see it.
let us try . give us use of special forces. har har..
@THEHermanCain did you know - puppet Nazis were used in Germany as a smoke screen to hide executive / political activity - recently?
did you know - there is video of thousands of them singing in the open.. Why can we not use harp in combo with audio software to locate
NatsOFlow1 @NathansOverflo1 · 35m35 minutes ago
so, when they sing.. the sky can be opened.. and say bye bye puppet dummies. TorF: harp can be used to boil brains in skulls.
say T. no working model... however there are no laws of physics = say it's impossible.
"put the past around your neck like a noose" .. is more accurate... EurROPE
@THEHermanCain TorF: Putin said %20 of one region in his country is occupied by Nazi's <what.. he can't handle them? or are they a mask
@GeorgeTakei not if it's money or politics. the stage is allll fake. nothing real.
@AllenWest conservatives. you go home and do other things. why can't the president? why is that man hugging him?
Allen West @AllenWest · 11h11 hours ago
REPULSIVE: Look what Obama was doing in Argentina while the world burns www.allenbwest.com/2016/03/repulsive-look-what-obama-was-... …
@AllenWest and what is the consensus regarding who is funding isis? I can think of a few
Terrifying: Brussels bombers actually had MUCH BIGGER plans...http://www.allenbwest.com/2016/03/terrifying-brussels-bombers-actually-had
-much-bigger-plans/ …
nWest prove they were his plans and not placed there by some in Europe who protected j Savile networks and similar.
@GeorgeTakei why we should this. .why we should that. geez.
remember - to see news during war as accurate during war = illogical. panic = a tool. effective. we don't know anything.
NatsOFlow1 @NathansOverflo1 · 2h2 hours ago
@realDonaldTrump TorF: we could actually rebuild without panic - without loss - and thrive like never before
keep in mind - proof exists showing sav / similar = in usa. possibly connected to one area where a baby furnace was built.
keep in mind : EU = corrupt and used said nets / similar do prepare for what we see today. even if j sav = setup. the massive nets = present
also - look back at media / news history books. .how many mentioned communists and others were operating in Europe?
@Wikipedia your page is a disgrace. is it there to help incorrect and misleading info? en.wikipedia.org/wiki/Jimmy_Savile_sexual_abuse_scandal … i
================================================================
Mad In America @Mad_In_America · 6h6 hours ago
Air Pollution Exposure During Pregnancy Linked to Emotional and Behavioral Problems in Childhood
#pollution #adhd
@NathansOverflo1
@Mad_In_America compare:: those who profit from legal marijuana = those who lied about nutrition and meds ..knowingly a way that = war
How dangerous are cults who worship cloning..science.. so on. Who has motive to use religion as a mask and mock. Locate: man in Russia who
Ponder Israel / numerology based aspects / globally ralien .the group who dressed like shiny aliens and announced cloning success / how
Israel been infiltrating Iran. How did they infiltrate and sabotage Germany after WWII? How they using media..so on.
determine who has motive / while keeping in mind nasa is being used to manipulate Egypt. Egypt ALLOW e others in all important areas after
WWII. Anonymous confrontation with a lone Nazi/ scientology was scripted. Tor F anon provided communication backbone during Arab spring
Anonymous = outside tactic. Not trustworthy. Rooted in politics money and prsm related. Locate successful cloning scientist some say
Left usa with threats, insults and even a bit whiney. TorF the ralien woman (sp?) Is from Iran. Their group. Mentioned Michael Jackson
How dangerous are cults who worship cloning..science.. so on. Who has motive to use religion as a mask and mock. Locate: man in Russia who
=====================================================================================
@the_hindu is china behind the sterilization in india with others? population control has always been a mask for murder always will be
@DeptofDefense @usairforce true a woman was arrested for using her cadaver dog as she planted evidence?Also she was called to chkMassGraves
Say No to the TPP @kencampbell66 · 48m48 minutes ago
US Charges Iranians With Coordinated Cyber Attacks on Banks, Companies
ttps://motherboard.vice.com/read/us-charges-iranians-with-coordinated-cyber-attacks-on-banks-companies … via @motherboard
@kencampbell66 @motherboard that's prob communists or others using them too. and who rooted in Egypt after WWII?
----------------------------------------------------------------------------------------
@THEHermanCain did you know - puppet Nazis were used in Germany as a smoke screen to hide executive / political activity - recently?
@THEHermanCain TorF: Putin said %20 of one region in his country is occupied by Nazi's a holpsy is to take all into consideration
2> I am in an area many don't understand
3> I can see how to modernize areas - though
complicated becaues various problems among
all.. myself included from time to time = interacting
starts off great. gradually parts will disentegrate in a
community effort to improve health
each person = a unique equations from equations that are nobody elses equations
in the manner I present for sake of smooth conversation
a bridge of oppurtunity - not of a financial manner. yet.. benefits said.
I get it.. pipe dream accusations.. delusional.. eternal illogical optimist..
unrealistic.. well.. if we thought that way as a whole this entire time, where would we be?
t or f : a divide exists among some professionals when it comes to those in demographics they would
prefer to not be. as in - economically speaking.
SOME professors.. not all. seem to show signs of dysfunction and unrealistice views pertaining to that which
can be shown to be true within their own families too. sadness.. depression.. distancing - judging - shame -
superior mindsets set into motion in a mold of boring and old primitive stage tactics as applied to the modern
world. how embassing is that?
"he can write!!" hehehe ooh ooh ooh ah ah ah - rattle it goot.
=======================================
seen today. as in - delayed introduction of food safety laws - some say for as long as 70 years or more.
this impacted everyone.. not this "Group" not that "group" .. everyone.
as people were filled with crap that made their bodies and brains not funciton correctly the problems were used
justified primitive muddy mucky oozing ways.
good people are ALWAYS taken advantage of. the slaves who came from africa were not the ones ones in chains!!
the white people who came here were seen as sheep... tell me.. .what religion = those who came? Who taught them..
show me EXACTLY what they were taught on a dialy basis. then.. prove your information is accurate. then..
you have to prove their source = accurate. and you CAN'T.. because who educated the forensic arvhive investigators?
who what kind of army does not prepare to protect food / meds / so on.. during WAR.. the cold war came with a body count. .why
could secret service or military NOT intervene and STOP THE @#$#@ SLAUGHTER? How were all laws so manipulated ..
can be shown.. and it will be.
note : I can no longer talk to any family outside immediate. If one day one relative isn't misreading me.. then it's
me misreading them and something always going wrong. I have so much in my head.. I can't have normal conversation and I forget
not everyone can handle it. However. Now I Can walk away and not allow it to go on as we tend to feed into energy. extensively
as that's how close we are.. make sense? I knew I should not be the one to talk. I knew it. I knew it.
and more. it's umbearable to know.. more so when someone who lived through those times are in their final years.
and had the same problems I found the world over. and the same tactics were used to silence their familes too.
it's a never ending chain of primitive.. in modern times.. still.
interesting. let it rain song came on - performed by a lady who could have been misused several ways as she is an important
pawn to those who wanted to use people to connected with. . at times sincere. sincere efforts were twisted and turned. old tactics
can NOT work in the time of mass data / AI / networking
Those who sell pills = helping the network of 70,000 + pedophiles. A group nested across dunlawton bridge in a hotel.
Seaton Delaval Hall, Blyth, Northumberland, England, UK.
Seaton Delaval Hall The Delaval family came over from Normandy in 1066. They soon became rich by royal patronage and plundering prize ships. During Queen Anne's reign, the family engaged John Vanbrugh to design a new family seat. The present buildings were finished in 1728, after both the architect and his patron had died.
The style is English Baroque based on Palladian. There is a central block, with a grand state room leading to a ballroom, with further rooms on two storeys above. Two low rise wings are attached either side of the main building. The east wing houses the stables, whilst the west wing housed the service accommodation. There is a large courtyard between the two wings.
The hall and ballroom were the location of many fine and licentious parties laid on by the now rich Delaval family. The wealth came from coal mining, glass manufacture, and speculation in the Industrial Revolution. However, as soon as the sensible side of the family amassed the riches, the profligate side spent it all.
In 1822 a fire engulfed the grand hall and part of the east wing. The place became abandoned for forty years until John Dobson was engaged to shore up the remains A wooden roof was installed.
The most recent residents, Lord and Lady Hastings, lived in the converted service block from the 1950s. The main hall remains a ruin, although now no longer in danger of collapse. The Hastings died in 2007. With unpayable death duties levied by the government, the family had no alternative to selling. Thanks to a well subscribed appeal and sponsorship, the National Trust was able to purchase the estate in 2009.
The Southern Aspect The Ballroom leads out down the steps into the grounds. An enclosed paddock was provided in which the Delaval children could play. The youthful screams and abandon would not disturb the delicate adult heads, suffering from the previous night's excess.
Photographic Information
Taken on 26th March, 2018 at 1252hrs with a Canon EOS 650D digital still camera, through a Canon EF-S 18-55mm (29-88mm in 35mm terms) ƒ/3.5-5.6 zoom lens, post processed with Adobe Photoshop CS5.
© Timothy Pickford-Jones 2018
One of the things I like in art is simple form...shapes against what could be a solid or colorful background. Or just dark shapes against a lighter background to make a statement on the beauty of uncomplicated silhouetted form.
In art, sometimes "less" is "more".
One interesting aspect of these Jewel stores is that they are putting vintage photos of old Jewel scenes around the perimeter of the store, instead of Acme, which tends to use local landmarks and points of interest. In another Chicago-area store, I got some photos of the pictures. (Coming later in the week)
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While working in Chicago earlier this year, I decided to check out the local retail grocery situation. There is a lot of change going on here—former market leader Dominick’s is gone after a long decline under Safeway’s shlocky leadership and Central Grocer’s Strack & Van Til and Ultra Foods stores, which also dot the Chicago landscape are closing or being sold. Walmart had just closed a much-heralded urban Neighborhood Market in a new downtown development after only 6 years (similar to this one in CT), and I was starting to see a lot more Kroger-owned Mariano’s popping up. In addition, Kmart had 3 of its 4 K-Fresh prototypes in the Chicago market (one of which was closed by the time I got there)
Then there is Jewel-Osco, always my favorite because of the way my friend’s mom pronounces “Jewel-Osco” in her Chicago accent. It seems to be the only hometown store still standing.
In Des Plaines, IL, a sparkling new Mariano’s was opening and this meant that a few of the Jewel-Osco stores in the area had received refreshes. I decided to check them out to see what the new interiors looked like. I was wondering if Safeway-Albertsons was making them closer to the new Safeway stores in Florida or the Acme stores at home. This store seemed to have a lot of elements of the refreshed Acme stores back home.
A sculpture from 1972 by Thomas Ronald Irvine situated between Main Street and Harbour Road entitled, Aspect One.
Kit: X-Pro1, XF 14mm lens, faux-colour infrared.
Exif: 14 seconds @ F16, ISO 400
Tachybaptus ruficollis
Familia: Podicipédidos – Podicipedidae
Aspecto: Es un zampullín muy pequeño, aproximadamente del tamaño de un patito, de cuello corto y pico recto y corto, y su cuerpo tiene forma redondeada y regordeta.
Tamaño: Largo 23-29 cm, envergadura alar 40-45 cm, peso 150-200 g.
Nido: Nido flotante que construye cerca de la línea costera, adherido a plantas acuáticas o ramas de arbustos ribereños. Está hecho de material vegetal en descomposición, que al principio tiñe de marrón los huevos blancos del ave.
Reproducción: 4 a 6 huevos que pone en mayo, incubados por ambos padres durante 19 a 20 días. Las aves jóvenes pueden volar entre los 44 y los 48 días.
Distribución: Se reproduce poco en Finlandia; se lo puede encontrar alrededor de lagos y estanques con mucha vegetación acuática, principalmente en el sur. Es una especie fuerte; algunas veces también se lo puede encontrar en pequeños tramos de aguas abiertas durante el invierno. La población se estima en menos de 25 parejas.
Migración: Nocturna. Las aves abandonan Finlandia en octubre y regresan en abril. Pasa el invierno en el oeste de Europa.
Alimentación: Peces pequeños, insectos, crustáceos, mariscos y moluscos. Busca alimentos sumergiéndose o chapoteando.
Sonidos: Un “viht-viht” como un silbido.
El zampullín común está clasificado como especie vulnerable en Finlandia. Es un ave difícil de detectar porque pasa mucho tiempo oculto en la vegetación.
Las aves adultas son de color más oscuro en la cabeza, la nuca, el pecho y el dorso. Sus mejillas, garganta y cuello son de color marrón rojizo y sus flancos son de color marrón oscuro. Se destaca mucho una pequeña mancha amarilla en la base del pico. Aparte de eso, su pico es negro con punta clara. Las patas son muy grandes, de color verdoso oscuro y el iris es rojizo.
Las aves jóvenes son de tono más claro que los adultos, con coloración oscura en el capuchón, la nuca y el dorso, mejillas de color marrón amarillento, los lados del cuello y los flancos, y de color marrón rojizo en la parte inferior del cuello y el pecho. El diseño de manchas más oscuras y más claras sigue siendo visible en su cabeza hasta el primer invierno.
In every breath, a universe unfolds,
Each atom a testament, ancient and bold.
In rivers that flow, in mountains that rise,
The divine essence, a silent guise.
From the flutter of wings to the stars' dance above,
All intertwined in a tapestry of love.
— ChatGPT
Many thanks for your visits, faves and comments. Cheers.
Brisbane from 1 William Street tower.
© Chris Burns 2017
__________________________________________
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
Aspecto de la Plaza de la Virgen , cuatro días después de la ofrenda de flores que hacen las falleras a la Virgen de los Desamparados, patrona de Valencia.
One aspect of astrophotography we don't normally see is how we get the most from our data. It doesn't matter how clean you think you're keeping your optics or how level the response of your sensor is - there are always variations introduced from both. There's also vignetting towards the corners of the frame. Thankfully, software can correct this, if you give it the right information.
Here I have an LED sketch pad for tracing on top of the Celestron C14 in our observatory at Cerritos College. It was a humid night, and I wrapped up before that impacted imaging. I took multiple short exposures with each filter used to apply later in processing.
Plus I just liked the color scheme of how this looked.
Carton art work 2019 by Thierry Geoffroy / periode Venice Biennale
www.emergencyrooms.org/biennalist.html
www.emergencyrooms.org/formats.html
more here about the Biennale :
Ralph Rugoff has declared: «May You Live in Interesting Times will no doubt include artworks that reflect upon precarious aspects of existence today, including different threats to key traditions, institutions and relationships of the “post-war order.” But let us acknowledge at the outset that art does not exercise its forces in the domain of politics. Art cannot stem the rise of nationalist movements and authoritarian governments in different parts of the world, for instance, nor can it alleviate the tragic fate of displaced peoples across the globe (whose numbers now represent almost one percent of the world’s entire population).»
ALBANIA
Maybe the cosmos is not so extraordinary
Commissioner: Ministry of Culture Republic of Albania. Curator: Alicia Knock.
Exhibitor: Driant Zeneli.
ALGERIA***
Time to shine bright
Commissioner/Curator: Hellal Mahmoud Zoubir, National Council of Arts and Letters Ministry of Culture. Exhibitors: Rachida Azdaou, Hamza Bounoua, Amina Zoubir, Mourad Krinah, Oussama Tabti.
Venue: Fondamenta S. Giuseppe, 925
ANDORRA
The Future is Now / El futur és ara
Commissioner: Eva Martínez, “Zoe”. Curators: Ivan Sansa, Paolo De Grandis.
Exhibitor: Philippe Shangti.
Venue: Istituto Santa Maria della Pietà, Castello 3701
ANTIGUA & BARBUDA
Find Yourself: Carnival and Resistance
Commissioner: Daryll Matthew, Minister of Sports, Culture, National Festivals and the Arts. Curator: Barbara Paca with Nina Khrushcheva. Exhibitors: Timothy Payne, Sir Gerald Price, Joseph Seton, and Frank Walter; Intangible Cultural, Heritage Artisans and Mas Troup.
Venue: Centro Culturale Don Orione Artigianelli, Dorsoduro 919
ARGENTINA
El nombre de un país / The name of a country
Commissioner: Sergio Alberto Baur Ambasciatore. Curator: Florencia Battiti. Exhibitor: Mariana Telleria.
Venue: Arsenale
ARMENIA (Republic of)
Revolutionary Sensorium
Commissioner: Nazenie Garibian, Deputy Minister. Curator: Susanna Gyulamiryan.
Exhibitors: "ArtlabYerevan" Artistic Group (Gagik Charchyan, Hovhannes Margaryan, Arthur Petrosyan, Vardan Jaloyan) and Narine Arakelian.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
AUSTRALIA
ASSEMBLY
Commissioner: Australia Council for the Arts. Curator: Juliana Engberg. Exhibitor: Angelica Mesiti.
Venue: Giardini
AUSTRIA
Discordo Ergo Sum
Commissioner: Arts and Culture Division of the Federal Chancellery of Austria.
Curator: Felicitas Thun-Hohenstein. Exhibitor: Renate Bertlmann.
Venue: Giardini
AZERBAIJAN (Republic of )
Virtual Reality
Commissioner: Mammad Ahmadzada, Ambassador of the Republic of Azerbaijan.
Curators: Gianni Mercurio, Emin Mammadov. Exhibitors: Zeigam Azizov, Orkhan Mammadov, Zarnishan Yusifova, Kanan Aliyev, Ulviyya Aliyeva.
Venue: Palazzo Lezze, Campo S. Stefano, San Marco 2949
BANGLADESH (People’s Republic of)
Thirst
Commissioner: Liaquat Ali Lucky. Curators: Mokhlesur Rahman, Viviana Vannucci.
Exhibitors: Bishwajit Goswami, Dilara Begum Jolly, Heidi Fosli, Nafis Ahmed Gazi, Franco Marrocco, Domenico Pellegrino, Preema Nazia Andaleeb, Ra Kajol, Uttam Kumar karmaker.
Venue: Palazzo Zenobio – Collegio Armeno Moorat-Raphael, Dorsoduro 2596
BELARUS (Republic of)
Exit / Uscita
Commissioner: Siarhey Kryshtapovich. Curator: Olga Rybchinskaya. Exhibitor: Konstantin Selikhanov.
Venue: Spazio Liquido, Sestiere Castello 103, Salizada Streta
BELGIUM
Mondo Cane
Commissioner: Fédération Wallonie-Bruxelles. Curator: Anne-Claire Schmitz.
Exhibitor: Jos de Gruyter & Harald Thys.
Venue: Giardini
BOSNIA and HERZEGOVINA
ZENICA-TRILOGY
Commissioner: Senka Ibrišimbegović, Ars Aevi Museum for Contemporary Art Sarajevo.
Curators: Anja Bogojević, Amila Puzić, Claudia Zini. Exhibitor: Danica Dakić.
Venue: Palazzo Francesco Molon Ca’ Bernardo, San Polo 2184/A
BRAZIL
Swinguerra
Commissioner: José Olympio da Veiga Pereira, Fundação Bienal de São Paulo.
Curator: Gabriel Pérez-Barreiro. Exhibitor: Bárbara Wagner & Benjamin de Burca.
Venue: Giardini
BULGARIA
How We Live
Commissioner: Iaroslava Boubnova, National Gallery in Sofia. Curator: Vera Mlechevska.
Exhibitors: Rada Boukova , Lazar Lyutakov.
Venue: Palazzo Giustinian Lolin, San Marco 2893
CANADA
ISUMA
Commissioner: National Gallery of Canada. Curators: Asinnajaq, Catherine Crowston, Josée Drouin-Brisebois, Barbara Fischer, Candice Hopkins. Exhibitors: Isuma (Zacharias Kunuk, Norman Cohn, Paul Apak, Pauloosie Qulitalik).
Venue: Giardini
CHILE
Altered Views
Commissioner: Varinia Brodsky, Ministry of Cultures, Arts and Heritage.
Curator: Agustín Pérez. Rubio. Exhibitor: Voluspa Jarpa.
Venue: Arsenale
CHINA (People’s Republic of)
Re-睿
Commissioner: China Arts and Entertainment Group Ltd. (CAEG).
Curator: Wu Hongliang. Exhibitors: Chen Qi, Fei Jun, He Xiangyu, Geng Xue.
Venue: Arsenale
CROATIA
Traces of Disappearing (In Three Acts)
Commissioner: Ministry of Culture of the Republic of Croatia. Curator: Katerina Gregos.
Exhibitor: Igor Grubić.
Venue: Calle Corner, Santa Croce 2258
CUBA
Entorno aleccionador (A Cautionary Environment)
Commissioner: Norma Rodríguez Derivet, Consejo Nacional de Artes Plásticas.
Curator: Margarita Sanchez Prieto. Exhibitors: Alejandro Campins, Alex Hérnandez, Ariamna Contino and Eugenio Tibaldi. Venue: Isola di San Servolo
CYPRUS (Republic of)
Christoforos Savva: Untimely, Again
Commissioner: Louli Michaelidou. Curator: Jacopo Crivelli Visconti. Exhibitor: Christoforos Savva.
Venue: Associazione Culturale Spiazzi, Castello 3865
CZECH (Republic) and SLOVAK (Republic)
Stanislav Kolíbal. Former Uncertain Indicated
Commissioner: Adam Budak, National Gallery Prague. Curator: Dieter Bogner.
Exhibitor: Stanislav Kolibal.
Venue: Giardini
DOMINICAN (Republic) *
Naturaleza y biodiversidad en la República Dominicana
Commissioner: Eduardo Selman, Minister of Culture. Curators: Marianne de Tolentino, Simone Pieralice, Giovanni Verza. Exhibitors: Dario Oleaga, Ezequiel Taveras, Hulda Guzmán, Julio Valdez, Miguel Ramirez, Rita Bertrecchi, Nicola Pica, Marraffa & Casciotti.
Venue: Palazzo Albrizzi Capello, Cannaregio 4118 – Sala della Pace
EGYPT
khnum across times witness
Commissioner: Ministry of Culture. Curator: Ahmed Chiha.
Exhibitors: Islam Abdullah, Ahmed Chiha, Ahmed Abdel Karim.
Venue: Giardini
ESTONIA
Birth V
Commissioner: Maria Arusoo, Centre of Contemporary Arts of Estonia. Curators: Andrew Berardini, Irene Campolmi, Sarah Lucas, Tamara Luuk. Exhibitor: Kris Lemsalu.
Venue: c/o Legno & Legno, Giudecca 211
FINLAND (Alvar Aalto Pavilion)
A Greater Miracle of Perception
Commissioner: Raija Koli, Director Frame Contemporary Art Finland.
Curators: Giovanna Esposito Yussif, Bonaventure Soh Bejeng Ndikung, Christopher Wessels. Exhibitors: Miracle Workers Collective (Maryan Abdulkarim, Khadar Ahmed, Hassan Blasim, Giovanna Esposito Yussif, Sonya Lindfors, Bonaventure Soh Bejeng Ndikung, Outi Pieski, Leena Pukki, Lorenzo Sandoval, Martta Tuomaala, Christopher L. Thomas, Christopher Wessels, Suvi West).
Venue: Giardini
FRANCE
Deep see blue surrounding you / Vois ce bleu profond te fondre
Commissioner: Institut français with the Ministry for Europe and Foreign Affairs and the Ministry of Culture. Curator: Martha Kirszenbaum. Exhibitor: Laure Prouvost.
Venue: Giardini
GEORGIA
REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation
Commissioner: Ana Riaboshenko. Curator: Margot Norton. Exhibitor: Anna K.E.
Venue: Arsenale
GERMANY
Commissioner: ifa (Institut für Auslandsbeziehungen) on behalf of the Federal Foreign Office, Germany. Curator: Franciska Zólyom. Exhibitor: Natascha Süder Happelmann.
Venue: Giardini
GHANA ***
Ghana Freedom
Commissioner: Ministry of Tourism, Arts and Culture. Curator: Nana Oforiatta Ayim.
Exhibitors: Felicia Abban, John Akomfrah, El Anatsui, Lynette Yiadom Boakye, Ibrahim Mahama, Selasi Awusi Sosu.
Venue: Arsenale
GREAT BRITAIN
Cathy Wilkes
Commissioner: Emma Dexter. Curator: Zoe Whitley. Exhibitor: Cathy Wilkes.
Venue: Giardini
GREECE
Mr Stigl
Commissioner: Syrago Tsiara (Deputy Director of the Contemporary Art Museum - Metropolitan Organization of Museums of Visual Arts of Thessaloniki - MOMus).
Curator: Katerina Tselou. Exhibitors: Panos Charalambous, Eva Stefani, Zafos Xagoraris.
Venue: Giardini
GRENADA
Epic Memory
Commissioner: Susan Mains. Curator: Daniele Radini Tedeschi.
Exhibitors: Amy Cannestra, Billy Gerard Frank, Dave Lewis, Shervone Neckles, Franco Rota Candiani, Roberto Miniati, CRS avant-garde.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
GUATEMALA
Interesting State
Commissioner: Elder de Jesús Súchite Vargas, Minister of Culture and Sports of Guatemala. Curator: Stefania Pieralice. Exhibitors: Elsie Wunderlich, Marco Manzo.
Venue: Palazzo Albrizzi-Capello (first floor), Cannaregio 4118
HAITI
THE SPECTACLE OF TRAGEDY
Commissioner: Ministry of Culture and Communication.
Curator: Giscard Bouchotte. Exhibitor: Jean Ulrick Désert.
Venue: Circolo Ufficiali Marina, Calle Seconda de la Fava, Castello 2168
HUNGARY
Imaginary Cameras
Commissioner: Julia Fabényi, Museo Ludwig – Museo d’arte contemporanea, Budapest.
Curator: Zsuzsanna Szegedy-Maszák. Exhibitor: Tamás Waliczky.
Venue: Giardini
ICELAND
Chromo Sapiens – Hrafnhildur Arnardóttir / Shoplifter
Commissioner: Eiríkur Þorláksson, Icelandic Ministry of Education, Science and Culture.
Curator: Birta Gudjónsdóttir. Exhibitor: Hrafnhildur Arnardóttir / Shoplifter.
Venue: Spazio Punch, Giudecca 800
INDIA
Our time for a future caring
Commissioner: Adwaita Gadanayak National Gallery of Modern Art.
Curator: Roobina Karode, Director & Chief Curator, Kiran Nadar Museum of Art. Exhibitors: Atul Dodiya, Ashim Purkayastha, GR Iranna, Jitish Kallat, Nandalal Bose, Rummana Hussain, Shakuntala Kulkarni.
Venue: Arsenale
INDONESIA
Lost Verses
Commissioner: Ricky Pesik & Diana Nazir, Indonesian Agency for Creative Economy.
Curator: Asmudjo Jono Irianto. Exhibitors: Handiwirman Saputra and Syagini Ratna Wulan.
Venue: Arsenale
IRAN (Islamic Republic of)
of being and singing
Commissioner: Hadi Mozafari, General Manager of Visual Arts Administration of Islamic Republic of Iran. Curator: Ali Bakhtiari.
Exhibitors: Reza Lavassani, Samira Alikhanzadeh, Ali Meer Azimi.
Venue: Fondaco Marcello, San Marco 3415
IRAQ
Fatherland
Commissioner: Fondazione Ruya. Curators: Tamara Chalabi, Paolo Colombo.
Exhibitor: Serwan Baran.
Venue: Ca’ del Duca, Corte del Duca Sforza, San Marco 3052
IRELAND
The Shrinking Universe
Commissioner: Culture Ireland. Curator: Mary Cremin. Exhibitor: Eva Rothschild.
Venue: Arsenale
ISRAEL
Field Hospital X
Commissioner: Michael Gov, Arad Turgeman. Curator: Avi Lubin. Exhibitor: Aya Ben Ron.
Venue: Giardini
ITALY
Commissioner: Federica Galloni, Direttore Generale Arte e Architettura Contemporanee e Periferie Urbane, Ministero dei Beni e delle Attività Culturali. Curator: Milovan Farronato.
Exhibitors: Enrico David, Liliana Moro, Chiara Fumai.
Venue: Padiglione Italia, Tese delle Vergini, Arsenale
IVORY COAST
The Open Shadows of Memory
Commissioner: Henri Nkoumo. Curator: Massimo Scaringella. Exhibitors: Ernest Dükü, Ananias Leki Dago, Valérie Oka, Tong Yanrunan.
Venue: Castello Gallery, Castello 1636/A
JAPAN
Cosmo-Eggs
Commissioner: The Japan Foundation. Curator: Hiroyuki Hattori. Exhibitors: Motoyuki Shitamichi, Taro Yasuno, Toshiaki Ishikura, Fuminori Nousaku.
Venue: Giardini
KIRIBATI
Pacific Time - Time Flies
Commissioner: Pelea Tehumu, Ministry of Internal Affairs. Curators: Kautu Tabaka, Nina Tepes. Exhibitors: Kaeka Michael Betero, Daniela Danica Tepes, Kairaken Betio Group; Teroloang Borouea, Neneia Takoikoi, Tineta Timirau, Teeti Aaloa, Kenneth Ioane, Kaumai Kaoma, Runita Rabwaa, Obeta Taia, Tiribo Kobaua, Tamuera Tebebe, Rairauea Rue, Teuea Kabunare, Tokintekai Ekentetake, Katanuti Francis, Mikaere Tebwebwe, Terita Itinikarawa, Kaeua Kobaua, Raatu Tiuteke, Kaeriti Baanga, Ioanna Francis, Temarewe Banaan, Aanamaria Toom, Einako Temewi, Nimei Itinikarawa, Teniteiti Mikaere, Aanibo Bwatanita, Arin Tikiraua.
Venue: European Cultural Centre, Palazzo Mora, Strada Nuova 3659
KOREA (Republic of)
History Has Failed Us, but No Matter
Commissioner: Arts Council Korea. Curator: Hyunjin Kim. Exhibitors: Hwayeon Nam, siren eun young jung, Jane Jin Kaisen.
Venue: Giardini
KOSOVO (Republic of)
Family Album
Commissioner: Arta Agani. Curator: Vincent Honore. Exhibitor: Alban Muja.
Venue: Arsenale
LATVIA
Saules Suns
Commissioner: Dace Vilsone. Curators: Valentinas Klimašauskas, Inga Lāce.
Exhibitor: Daiga Grantiņa.
Venue: Arsenale
LITHUANIA
Sun & Sea (Marina)
Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Exhibitors: Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c
LUXEMBOURG (Grand Duchy of)
Written by Water
Commissioner: Ministry of Culture of Luxembourg.
Curator: Kevin Muhlen. Exhibitor: Marco Godinho.
Venue: Arsenale
NORTH MACEDONIA (Republic of )
Subversion to Red
Commissioner: Mira Gakina. Curator: Jovanka Popova. Exhibitor: Nada Prlja.
Venue: Palazzo Rota Ivancich, Castello 4421
MADAGASCAR ***
I have forgotten the night
Commissioner: Ministry of Communication and Culture of the Republic of Madagascar. Curators: Rina Ralay Ranaivo, Emmanuel Daydé.
Exhibitor: Joël Andrianomearisoa.
Venue: Arsenale
MALAYSIA ***
Holding Up a Mirror
Commissioner: Professor Dato’ Dr. Mohamed Najib Dawa, Director General of Balai Seni Negara (National Art Gallery of Malaysia), Ministry of Tourism, Arts and Culture of Malaysia. Curator: Lim Wei-Ling. Exhibitors: Anurendra Jegadeva, H.H.Lim, Ivan Lam, Zulkifli Yusoff.
Venue: Palazzo Malipiero, San Marco 3198
MALTA
Maleth / Haven / Port - Heterotopias of Evocation
Commissioner: Arts Council Malta. Curator: Hesperia Iliadou Suppiej. Exhibitors: Vince Briffa, Klitsa Antoniou, Trevor Borg.
Venue: Arsenale
MEXICO
Actos de Dios / Acts of God
Commissioner: Gabriela Gil Verenzuela. Curator: Magalí Arriola. Exhibitor: Pablo Vargas Lugo.
Venue: Arsenale
MONGOLIA
A Temporality
Commissioner: The Ministry of Education, Culture, Science and Sports of Mongolia.
Curator: Gantuya Badamgarav. Exhibitor: Jantsankhorol Erdenebayar with the participation of traditional Mongolian throat singers and Carsten Nicolai (Alva Noto).
Venue: Bruchium Fermentum, Calle del Forno, Castello 2093-2090
MONTENEGRO
Odiseja / An Odyssey
Commissioner: Nenad Šoškić. Curator: Petrica Duletić. Exhibitor: Vesko Gagović.
Venue: Palazzo Malipiero (piano terra), San Marco 3078-3079/A, Ramo Malipiero
MOZAMBIQUE (Republic of)
The Past, the Present and The in Between
Commissioner: Domingos do Rosário Artur. Curator: Lidija K. Khachatourian.
Exhibitors: Gonçalo Mabunda, Mauro Pinto, Filipe Branquinho.
Venue: Palazzo Mora, Strada Nova, 3659
NETHERLANDS (The)
The Measurement of Presence
Commissioner: Mondriaan Fund. Curator: Benno Tempel. Exhibitors: Iris Kensmil, Remy Jungerman. Venue: Giardini
NEW ZEALAND
Post hoc
Commissioner: Dame Jenny Gibbs. Curators: Zara Stanhope and Chris Sharp.
Exhibitor: Dane Mitchell.
Venue: Palazzina Canonica, Riva Sette Martiri
NORDIC COUNTRIES (FINLAND - NORWAY - SWEDEN)
Weather Report: Forecasting Future
Commissioner: Leevi Haapala / Museum of Contemporary Art Kiasma / Finnish National Gallery, Katya García-Antón / Office for Contemporary Art Norway (OCA), Ann-Sofi Noring / Moderna Museet. Curators: Leevi Haapala, Piia Oksanen. Exhibitors: Ane Graff, Ingela Ihrman, nabbteeri.
Venue: Giardini
PAKISTAN ***
Manora Field Notes
Commissioner: Syed Jamal Shah, Pakistan National Council of the Arts, PNCA.
Curator: Zahra Khan. Exhibitor: Naiza Khan.
Venue: Tanarte, Castello 2109/A and Spazio Tana, Castello 2110-2111
PERU
“Indios Antropófagos”. A butterfly Garden in the (Urban) Jungle
Commissioner: Armando Andrade de Lucio. Curator: Gustavo Buntinx. Exhibitors: Christian Bendayán, Otto Michael (1859-1934), Manuel Rodríguez Lira (1874-1933), Segundo Candiño Rodríguez, Anonymous popular artificer.
Venue: Arsenale
PHILIPPINES
Island Weather
Commissioner: National Commission for Culture and the Arts (NCCA) / Virgilio S. Almario.
Curator: Tessa Maria T. Guazon. Exhibitor: Mark O. Justiniani.
Venue: Arsenale
POLAND
Flight
Commissioner: Hanna Wroblewska. Curators: Łukasz Mojsak, Łukasz Ronduda.
Exhibitor: Roman Stańczak.
Venue: Giardini
PORTUGAL
a seam, a surface, a hinge or a knot
Commissioner: Directorate-General for the Arts. Curator: João Ribas. Exhibitor: Leonor Antunes.
Venue: Fondazione Ugo e Olga Levi Onlus, Palazzo Giustinian Lolin, San Marco 2893
ROMANIA
Unfinished Conversations on the Weight of Absence
Commissioner: Attila Kim. Curator: Cristian Nae. Exhibitor: Belu-Simion Făinaru, Dan Mihălțianu, Miklós Onucsán.
Venues: Giardini and New Gallery of the Romanian Institute for Culture and Humanistic Research (Campo Santa Fosca, Palazzo Correr, Cannaregio 2214)
RUSSIA
Lc 15:11-32
Commissioner: Semyon Mikhailovsky. Curator: Mikhail Piotrovsky. Exhibitors: Alexander Sokurov, Alexander Shishkin-Hokusai.
Venue: Giardini
SAN MARINO (Republic of)
Friendship Project International
Commissioner: Vito Giuseppe Testaj. Curator: Vincenzo Sanfo. Exhibitors: Gisella Battistini, Martina Conti, Gabriele Gambuti, Giovanna Fra, Thea Tini, Chen Chengwei, Li Geng, Dario Ortiz, Tang Shuangning, Jens W. Beyrich, Xing Junqin, Xu de Qi, Sebastián.
Venue: Palazzo Bollani, Castello 3647; Complesso dell’Ospedaletto, Castello 6691
SAUDI ARABIA
After Illusion بعد توهم
Commissioner: Misk Art Insitute. Curator: Eiman Elgibreen. Exhibitor: Zahrah Al Ghamdi.
Venue: Arsenale
SERBIA
Regaining Memory Loss
Commissioner: Vladislav Scepanovic. Curator: Nicoletta Lambertucci. Exhibitor: Djordje Ozbolt.
Venue: Giardini
SEYCHELLES (Republic of)
Drift
Commissioner: Galen Bresson. Curator: Martin Kennedy.
Exhibitors: George Camille and Daniel Dodin.
Venue: Palazzo Mora, Strada Nova, 3659
SINGAPORE
Music For Everyone: Variations on a Theme
Commissioner: Rosa Daniel, Chief Executive Officer, National Arts Council (NAC).
Curator: Michelle Ho. Exhibitor: Song-Ming Ang.
Venue: Arsenale
SLOVENIA (Republic of)
Here we go again... SYSTEM 317
A situation of the resolution series
Commissioner: Zdenka Badovinac, Director Moderna galerija / Museum of Modern Art, Ljubljana. Curator: Igor Španjol. Exhibitor: Marko Peljhan.
Venue: Arsenale
SOUTH AFRICA (Republic of)
The stronger we become
Commissioner: Titi Nxumalo, Console Generale. Curators: Nkule Mabaso, Nomusa Makhubu. Exhibitors: Dineo Seshee Bopape, Tracey Rose, Mawande Ka Zenzile.
Venue: Arsenale
SPAIN
Perforated by Itziar Okariz and Sergio Prego
Commissioner: AECID Agencia Espanola de Cooperacion Internacional Para El Desarrollo. Ministerio de Asuntos Exteriores, Union Europea y Cooperacion. Curator: Peio Aguirre.
Exhibitors: Itziar Okariz, Sergio Prego.
Venue: Giardini
SWITZERLAND
Moving Backwards
Commissioner: Swiss Arts Council Pro-Helvetia: Marianne Burki, Sandi Paucic, Rachele Giudici Legittimo. Curator: Charlotte Laubard. Exhibitors: Pauline Boudry/Renate Lorenz.
Venue: Giardini
SYRIAN ARAB (Republic)
Syrian Civilization is still alive
Commissioner/Curator: Emad Kashout. Exhibitors: Abdalah Abouassali, Giacomo Braglia, Ibrahim Al Hamid, Chen Huasha, Saed Salloum, Xie Tian, Saad Yagan, Primo Vanadia, Giuseppe Biasio.
Venue: Isola di San Servolo; Chiesetta della Misericordia, Campo dell'Abbazia, Cannaregio
THAILAND
The Revolving World
Commissioner: Vimolluck Chuchat, Office of Contemporary Art and Culture, Ministry of Culture, Thailand. Curator: Tawatchai Somkong. Exhibitors: Somsak Chowtadapong, Panya Vijinthanasarn, Krit Ngamsom.
Venue: In Paradiso 1260, Castello
TURKEY
We, Elsewhere
Commissioner: IKSV. Curator: Zeynep Öz. Exhibitor: İnci Eviner.
Venue: Arsenale
UKRAINE
The Shadow of Dream cast upon Giardini della Biennale
Commissioner: Svitlana Fomenko, First Deputy Minister of Culture. Curators: Open group (Yurii Biley, Pavlo Kovach, Stanislav Turina, Anton Varga). Exhibitors: all artists of Ukraine.
Venue: Arsenale
UNITED ARAB EMIRATES
Nujoom Alghanem: Passage
Commissioner: Salama bint Hamdan Al Nahyan Foundation.
Curators: Sam Bardaouil and Till Fellrath. Exhibitor: Nujoom Alghanem.
Venue: Arsenale
UNITED STATES OF AMERICA
Martin Puryear: Liberty
Commissioner/Curator: Brooke Kamin Rapaport. Exhibitor: Martin Puryear.
Venue: Giardini
URUGUAY
“La casa empática”
Commissioner: Alejandro Denes. Curators: David Armengol, Patricia Bentancur.
Exhibitor: Yamandú Canosa.
Venue: Giardini
VENEZUELA (Bolivarian Republic of)
Metaphore of three windows
Venezuela: identity in time and space
Commissioner/Curator: Oscar Sottillo Meneses. Exhibitors: Natalie Rocha Capiello, Ricardo García, Gabriel López, Nelson Rangelosky.
Venue: Giardini
ZIMBABWE (Republic of)
Soko Risina Musoro (The Tale without a Head)
Commissioner: Doreen Sibanda, National Gallery of Zimbabwe. Curator: Raphael Chikukwa. Exhibitors: Georgina Maxim, Neville Starling , Cosmas Shiridzinomwa, Kudzanai Violet Hwami.
Venue: Istituto Provinciale per L’infanzia “Santa Maria Della Pietà”. Calle della Pietà Castello n. 3701 (ground floor)
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invited artist :
Lawrence Abu Hamdan (Jordan / Beirut)
Njideka Akunyili Crosby (Nigeria / USA),Halil Altındere (Turkey),Michael Armitage (Kenya / UK),Korakrit Arunanondchai (Thailand / USA),Alex Gvojic (USA),Ed Atkins (UK / Germany / Denmark),Tarek Atoui (Lebanon / France),
Darren Bader (USA),Nairy Baghramian (Iran / Germany,
Neïl Beloufa (France),Alexandra Bircken (Germany),Carol Bove (Switzerland / USA,
Christoph Büchel (Switzerland / Iceland,
Ludovica Carbotta (Italy / Barcelona),Antoine Catala (France / USA),Ian Cheng (USA),George Condo (USA
Alex Da Corte (USA),Jesse Darling (UK / Germany),Stan Douglas (Canada),Jimmie Durham (USA / Germany),Nicole Eisenman (France / USA,
Haris Epaminonda (Cyprus / Germany),Lara Favaretto (Italy),Cyprien Gaillard (France / Germany), Gill (India),Dominique Gonzalez-Foerster (France),Shilpa Gupta (India),Soham Gupta (India),Martine Gutierrez (USA),Rula Halawani (Palestine),Anthea Hamilton (UK),Jeppe Hein (Denmark / Germany),Anthony Hernandez (USA),Ryoji Ikeda (Japan / France),Arthur Jafa (USA),Cameron Jamie (USA / France / Germany),Kahlil Joseph (USA),Zhanna Kadyrova (Ukraine),Suki Seokyeong Kang (South Korea),Mari Katayama (Japan),Lee Bul (South Korea),Liu Wei (China),Maria Loboda (Poland / Germany),Andreas Lolis (Albania / Greece),Christian Marclay (USA / London),Teresa Margolles (Mexico / Spain),Julie Mehretu (Ethiopia / USA),Ad Minoliti (Argentina),Jean-Luc Moulène (France),Zanele Muholi (South Africa),Jill Mulleady (Uruguay / USA),Ulrike Müller (Austria / USA),Nabuqi (China),Otobong Nkanga (Nigeria / Belgium),Khyentse Norbu (Bhutan / India),Frida Orupabo (Norway),Jon Rafman (Canada).Gabriel Rico (Mexico),Handiwirman Saputra (Indonesia),Tomás Saraceno (Argentina / Germany),Augustas Serapinas (Lithuania),Avery Singer (USA),Slavs and Tatars (Germany),Michael E. Smith (USA),Hito Steyerl (Germany),Tavares Strachan (Bahamas / USA),Sun Yuan and Peng Yu (China),Henry Taylor (USA),Rosemarie Trockel (Germany),Kaari Upson (USA),Andra Ursuţa (Romania),Danh Vō (Vietnam / Mexico),Kemang Wa Lehulere (South Africa),Apichatpong Weerasethakul (Thailand) and Tsuyoshi Hisakado (Japan),Margaret Wertheim and Christine Wertheim (Australia / USA) ,Anicka Yi (South Korea/ USA),Yin Xiuzhen (China),Yu Ji (China / Austria)
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other Biennale :(Biennials ) :Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale
Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art
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