View allAll Photos Tagged Answers
I know I do not the girls in my circle I did something to piss them
off. I know I say what i think.And CD are not to forgiving .
I know I am not perfect would not like to bee. Most people
are out of my friend group. just had too get this out .
I was enjoying myself snapping away at our local high street before getting stopped by community support officers. Whats strange is you can clearly see a subtle smile there before I was told to stop and answer questions which you all are familiar if you have been stopped before ;)
Taken in manual focus using 85mm 1.8D @ F3.5 1/2000
A full interview with the Israeli painter Raphael Perez (in Hebrew Rafi Peretz) about the ideas behind the naive painting, resume, personal biography and CV
Question: Raphael Perez Tell us about your work process as a naive painter?
Answer: I choose the most iconic and famous buildings in every city and town that are architecturally interesting and have a special shape and place the iconic buildings on boulevards full of trees, bushes, vegetation, flowers.
Question: How do you give depth in your naive paintings?
Answer: To give depth to the painting, I build the painting with layers of vegetation, after those low famous buildings, followed by a tall avenue of trees, and behind them towers and skyscrapers, in the sky I sometimes put innocent signs of balloons, kites.
A recurring motif in some of my paintings is the figure of the painter who is in the center of the boulevard and paints the entire scene unfolding in front of him, also there are two kindergarten teachers who are walking with the kindergarten children with the state flags that I paint, and loving couples hugging and kissing and family paintings of mother, father and child walking in harmony on the boulevard.
Question: Raphael Perez What characterizes your naive painting?
Answer: Most naive paintings have the same characteristics
(Definition as it appears in Wikipedia)
• Tells a simple story to absorb from everyday life, usually with humans.
• The representation of the painter's idealization to reality - the mapping of reality.
• Failure to maintain perspective - especially details even in distant details.
• Extensive use of repeating patterns - many details.
• Warm and bright colors.
• Sometimes the emphasis is on outlines.
• Most of the characters are flat, lack volume
• No interest in texture, expression, correct proportions
• No interest in anatomy.
• There is not much use of light and shadow, the colors create a three-dimensional effect.
I find these definitions to be valid for all my naive paintings
Question: Raphael Perez Why do you mainly choose the city of Tel Aviv?
Answer: I was born in Jerusalem, the capital city which I love very much and also paint,
I love the special Bauhaus buildings in Tel Aviv, the ornamental buildings that were built a century ago in the 1920s and 1930s, the beautiful boulevards, towers and modern skyscrapers give you the feeling of the hustle and bustle of a large metropolis and there are quite a few low and tall buildings that are architecturally fascinating in their form the special one
Also, the move to Tel Aviv, which is the capital of culture, freedom, and secularism, allowed me to live my life as I chose, to live in a relationship with a man, Jerusalem, which is a traditional city, it is more complicated to live a homosexual life, also, the art world takes place mainly in the city of Tel Aviv, and it is possible that from a professional point of view, this allows I can support myself better in Tel Aviv than in any other city in Israel.
Question: raphael perez are the paintings of the city of Tel Aviv different from the paintings of the city of Jerusalem
Answer: Most of the paintings of Jerusalem have an emphasis on the color yellow, gold, the color of the old city walls, the subjects I painted in Jerusalem are mainly a type of idealization of a peaceful life between Jews and Arabs and paintings that deal with the Jewish religious world, a number of paintings depict all shades of the currents of Judaism of today
In contrast, the Tel Aviv paintings are more colorful, with skyscrapers, the sea, balloons and more secular motifs
Question: Raphael Perez Tell us about which buildings and their architects you usually choose in your city paintings
Answer: My favorite buildings are those that have a special shape that anyone can recognize and are the symbols of the city and you will give several examples:
In the city of Tel Aviv, my favorite buildings are: the opera building with its unusual geometric shape, the Yisrotel tower with its special head, the Hail Bo Shalom tower that for years was the symbol of the tallest building in Tel Aviv, the Levin house that looks like a Japanese pagoda, the burgundy-colored Nordeau hotel with the special dome at the end of the building, A pair of Alon towers with the special structure of the sea, Bauhaus buildings typical of Tel Aviv with the special balconies and the special staircase, the Yaakov Agam fountain in Dizengoff square appears in a large part of the paintings, many towers that are in the stock exchange complex, the Aviv towers and other tall buildings on Ayalon, in some of the paintings I took plans An outline of future buildings that need to be built in the city and I drew them even before they were built in reality,
In the paintings of Jerusalem, I mainly chose the area of the Old City and East Jerusalem, a painting of the walls of the Old City, the Western Wall, the Church of the Holy Sepulcher, the El Akchea Mosque, the Tower of David, most of the famous churches in the city, the right hand of Moses, in most of the paintings the Jew is wearing a blue shirt with a red male cord I was in the youth movement and the Arab with a galabia, and in the paintings of the religious public then, Jews with black suits and white shirts, tallitas, kippahs, special hats, synagogues and more
I also created three paintings of the city of Haifa and one painting of Safed
In the Haifa paintings I drew the university, the Technion, the famous Egged Tower, the Sail Tower, well-known hotels, of course the Baha'i Gardens and the Baha'i Temple, Haifa Port and the boats and other famous buildings in the city
Question: Have you created series of other cities from around the world?
Answer: I created series of New York City with all the iconic and famous buildings such as: the Guggenheim Museum, the famous skyscrapers - the Chrysler Building, the Empire State Building, Lincoln Center, the famous synagogue in the city, the Statue of Liberty, the flags of the United States and other famous buildings
Two paintings of London and all its famous sites, Big Ben, famous monuments, the Ferris wheel, Queen Elizabeth and her family, the double bus, the famous public telephone, palaces, famous churches, well-known monuments
I created 4 naive paintings of cities in China, a painting of Shanghai, two paintings of the city of Suzhou and a painting of the World Park in the city of Beijing... I chose the famous skyline of Shanghai with all the famous towers, the famous promenade, temples and old buildings, two Paintings of the city of Suzhou with the famous canals, bridges, special gardens, towers and skyscrapers of the city
Tang Jie served the Lord zealously for nearly forty years and expected the return of the Lord Jesus eagerly all the time. Having given up her family and her career, she established many house meeting places. As the work of the Holy Spirit shifted, the church became desolate gradually. She tried every possible way to revive it, but in vain. During this process, God’s gospel of the last days came upon her church. To “defend the Lord’s way,” she wrote a pamphlet to fabricate rumors against, slander, and attack Almighty God’s work of the last days, and sealed her church to hinder the believers from listening to the messages. However, increasingly more believers returned to Almighty God. At the end of her tether, Tang Jie fell into misery, confusion, and helplessness….
The answer, my friend, is blowin’ in the wind.
Bob Dylan pondered many questions in that iconic song. And of course, there answers were, well, blowin’ in the wind. And that in turn conjures up images of things blowing in the wind, and what better thing to represent that than a simple reed?
We hum (or sing if we are so inclined) that song quite a lot, but often, with a surprisingly cheery lilt. Yet, when it comes down to it, the song isn’t really about cheery things at all, and the questions it asks are not easy ones to ask or answer. Mountains washing to the sea? Cannon balls flying? Doves “sleeping” in the sand?
This tune was indeed running through my head as I was composing this shot. I didn’t, and don’t, have any answers, but it seemed to me that this shot represented the song quite well. The wind for me continues to blow: perhaps one day it will carry to me the answers.
NAVAL BASE GUAM (March 2, 2022) Capt. Amy Bauernschmidt, commanding officer of Nimitz-class aircraft carrier USS Abraham Lincoln (CVN 72), answers questions during a press conference. Lincoln is moored at Naval Base Guam for a regularly scheduled port visit. Abraham Lincoln Strike Group is on a scheduled deployment in U.S. 7th Fleet to enhance interoperability through alliances and partnerships while serving as a ready-response force in support of a free and open Indo-Pacific region. (U.S. Navy photo by Mass Communication Specialist 3rd Class Javier Reyes)
A number of times, while spending $2 bills, I will be asked - "where do you get these two dollar bills?" :-)
Spay & Neuter or answer to the Green Spooter...
Next installment of my:
"Learn Dogmototive Photography in a Flash" project.
kelbyone.com/course/twallace_onelightcars/
Strobist:
1) Black Beauty shot at "Hot Rod City" Movie Car Museum, Las Vegas utilizing the Tim Wallace One Flash-Multi Exposure Five Point Palm Exploding Heart Technique.
www.hotrodcitylasvegas.com/fired with Phottix Odins.
2) Green Spooter & Kato shot in my car in the garage, one speedlight on front seat, another in Westcott strip box CR. Odins.
3) Gotham, shot cruising Las Vegas Blvd one Saturday afternoon.
4) Super Moon shot a couple of super moons ago...
Phlearn, Glyn Dewis, Topaz, Repeat....
and BTW, THIS is what we're talking about...I just got this email from Animal Network Las Vegas:
"Ellis Is An Owner Surrender Senior Dog That is Looking For A Forever Home or Foster
What a sad situation for Ellie. Her owner is terminally ill, so she wanted to make sure her three babies, Rebel, Shooter and Ellie were taken care of before she passes on.
They were her life, and she wants whats best for them, so she is sending them off to find a new, safe and secure home where they will be loved as much as she loved them..If you would like to meet this sweet girl, then please email AdoptMeTodayAN@aol.com. "
www.petfinder.com/petdetail/31331518/
Don't Shop - Adopt.
& Spay Neuter.
Nikon N80, Nikkor 28-80mm lens, Ilford Delta 3200 film.
Thank you for all your kind comments, awards, and invites, much appreciated!
If you're looking for the answers at the bottom of the bottle you might find one, but it's always the wrong one...
Some of you may have noticed that, unfortunately, owing to the fact that a certain person who sells truck photos on eBay commercially has been lifting my images from this album and selling them I have had to remove 2300 photos that didn't have a watermark. I have now run around 1700 through Lightroom and added a watermark with the intention of bulk uploading them again. Rather than watermark the existing (hidden) files in Flickr one at a time it will be easier to do it this way. I definitely won’t be adding individual tags with the make and model of each vehicle I will just add generic transport tags. Each photo is named after the vehicle and reg in any case. For anyone new to these images there is a chapter and verse explanation below. It is staggering how many times I get asked questions that a quick scan would answer or just as likely I can’t possibly answer – I didn’t take them, but, just to clarify-I do own the copyright- and I do pursue copyright theft.
This is a collection of scanned prints from a collection of photographs taken by the late Jim Taylor A number of years ago I was offered a large number of photographs taken by Jim Taylor, a transport photographer based in Huddersfield. The collection, 30,000 prints, 20,000 negatives – and copyright! – had been offered to me and one of the national transport magazines previously by a friend of Jim's, on behalf of Jim's wife. I initially turned them down, already having over 30,000 of my own prints filed away and taking space up. Several months later the prints were still for sale – at what was, apparently, the going rate. It was a lot of money and I deliberated for quite a while before deciding to buy them. I did however buy them directly from Jim’s wife and she delivered them personally – just to quash the occasional rumour from people who can’t mind their own business. Although some prints were sold elsewhere, particularly the popular big fleet stuff, I should have the negatives, unfortunately they came to me in a random mix, 1200 to a box, without any sort of indexing and as such it would be impossible to match negatives to prints, or, to even find a print of any particular vehicle. I have only ever looked at a handful myself unless I am scanning them. The prints are generally in excellent condition and I initially stored them in a bedroom without ever looking at any of them. In 2006 I built an extension and they had to be well protected from dust and moved a few times. Ultimately my former 6x7 box room office has become their (and my own work’s) permanent home.
I hope to avoid posting images that Jim had not taken his self, however should I inadvertently infringe another photographers copyright, please inform me by email and I will resolve the issue immediately. There are copyright issues with some of the photographs that were sold to me. A Flickr member from Scotland drew my attention to some of his own work amongst the first uploads of Jim’s work. I had a quick look through some of the 30 boxes of prints and decided that for the time being the safest thing for me to do was withdraw the majority of the earlier uploaded scans and deal with the problem – which I did. whilst the vast majority of the prints are Jims, there is a problem defining copyright of some of them, this is something that the seller did not make clear at the time. I am reasonably confident that I have since been successful in identifying Jims own work. His early work consists of many thousands of lustre 6x4 prints which are difficult to scan well, later work is almost entirely 7x5 glossy, much easier to scan. Not all of the prints are pin sharp but I can generally print successfully to A4 from a scan.
You may notice photographs being duplicated in this Album, unfortunately there are multiple copies of many prints (for swapping) and as I have to have a system of archiving and backing up I can only guess - using memory - if I have scanned a print before. The bigger fleets have so many similar vehicles and registration numbers that it is impossible to get it right all of the time. It is easier to scan and process a print than check my files - on three different PC’s - for duplicates. There has not been, nor will there ever be, any intention to knowingly breach anyone else's copyright. I have presented the Jim Taylor collection as exactly that-The Jim Taylor Collection- his work not mine, my own work is quite obviously mine.
Unfortunately, many truck spotters have swapped and traded their work without copyright marking it as theirs. These people never anticipated the ease with which images would be shared online in the future. I would guess that having swapped and traded photos for many years that it is almost impossible to control their future use. Anyone wanting to control the future use of their work would have been well advised to copyright mark their work (as many did) and would be well advised not to post them on photo sharing sites without a watermark as the whole point of these sites is to share the image, it is very easy for those that wish, to lift any image, despite security settings, indeed, Flickr itself, warns you that this is the case. It was this abuse and theft of my material that led me to watermark all of my later uploads. I may yet withdraw non-watermarked photos, I haven’t decided yet. (I did in the end)
To anyone reading the above it will be quite obvious that I can’t provide information regarding specific photos or potential future uploads – I didn’t take them! There are many vehicles that were well known to me as Jim only lived down the road from me (although I didn’t know him), however scanning, titling, tagging and uploading is laborious and time consuming enough, I do however provide a fair amount of information with my own transport (and other) photos. I am aware that there are requests from other Flickr users that are unanswered, I stumble across them months or years after they were posted, this isn’t deliberate. Some weekends one or two “enthusiasts” can add many hundreds of photos as favourites, this pushes requests that are in the comments section ten or twenty pages out of sight and I miss them. I also have notifications switched off, I receive around 50 emails a day through work and I don’t want even more from Flickr. Other requests, like many other things, I just plain forget – no excuses! Uploads of Jim’s photos will be infrequent as it is a boring pastime and I would much rather work on my own output.
/
Don’t wait for the phone to ring. If it's important pick up the phone and call.
I saw this box of tissues and mobile phone lying on someone’s floor - I wondered what the story was. This scene was something I just couldn’t pass up.
/
Am very much impressed that some of you managed to guessed who she is correctly!
:)
Few facts I learn on that evening.
She's from Osaka.
She debuted just a few days before Yaemi.
She's (16 < x < 19) years old this year.
My intention is never to hurt or harm, but I am not a mind reader. I don't have all the answers, but if you want to know something, ask the source, open your mouth and communicate. If you feel something, let it be known. Silence gets people nowhere.
Lovely friend Rochelle Hewston asked in my previous set of pics if I was wearing an apron or if it was part of the skirt? It's actually a Mini Dress and is now shown sans apron!
The question:
New Zealand is in the unenviable position of having one of the highest drowning rates per capita in the OECD, approximately twice that of Australia. Why are there far fewer drownings (per capita) in Australia than in New Zealand?
Radio News was an American monthly technology magazine published from 1919 to 1971.
The magazine was started by Hugo Gernsback as a magazine for amateur radio enthusiasts,
but it evolved to cover all the technical aspects to radio and electronics,
-- Wikipedia
Pencil & digital work
2011/8/8
I really try very hard to answer the questions, but it's still all in a mess.
I cannot but to suppose it's due to the bad questions.
I hope that rather than good-record students, the teacher would like the one who can express free.
2011/8/8 作答
我真的很拼命的在寫答案,結果錯得亂七八糟。
我也忍不住會想是題目出得不好,但我希望比起考高分,老師更喜歡自由發揮的學生。
沒有被當的話,我願意繼續寫考卷。
Answers come in many forms. One, most recently, came to me when Andrew, our 14 year old, nearly died. It was a close call and long experience. It started the day before school began here. Rushing him into emergency, where they removed his appendix. Unfortunately, they were wrong. Andrew instantly got worse. They sent him home anyway. I watched and called the doctors. Andrew started slipping through my fingertips. Pain. Pain. Pain. Weak. Weak. Weak. Fever. Fever. Fever. Unable to keep anything down. Pain. My baby in such pain.
Finally, the doctor listened. Almost too late. Andrew had a very rare disorder, which ended up bursting inside of him - expelling stomach acid and over a pints worth of pus. Second surgery lasted three hours.
Nearly four weeks later. I stand here staring out the window, knowing all I need are my kids, husband and those who love us for us - truly - unconditionally. My little family is what I value. And if anyone can't see that, well, then....their loss.
I can't even begin to express the gratitude in this experience. Just when you think life can't get any harder you come seconds away from losing a child. So many people are not as lucky. I count my blessings.....1...2...3...4 + Me + those of you who honestly love us = LOVE.
oxox