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Logo animation for the production company, Planted Seeds Productions. For the movie "Play in the Gray"
(With audio) Animation made during my time at UCA for my FMP. The project was called 'Seedlings' and was about how young children view and explore the world. This video is made up from hand painted ink drawings, based off stills from videos I took of a toddler I look after. All videos (including the synced audio) were taken while we were playing on Whitstable beach.
Monsters University football stadium concept sketch, Robert Kondo, digital 2012.
Courtesy of Pixar Animation Studios © 2013 Disney•Pixar.
A little animation I did a while ago. Quality is crappy but really it´s much better. But the file size of the good quality video is too much for flickr.
Animation commercial for Luminarc.
Realised by Günther Gheeraert.
Music by Matthieu Ouaki.
Sound design by Fabrice Levasseur.
An animation for the association and group "26"
Design and illustration: Romina MartÃ
Animator: Gemma Martà O'Toole
Editor: Toby Falconer
Writer/Edith: Sarah McCartney
Irish Independant Animation panel in Pictureville for BAF 2014, From left to right, Mark Cumerton, Gary Timpson, Paul O'Flanagan and Sharon Campbell.
Animation Designer Malaysia
Animation And Game Design Programs Create Exciting Careers
Summary:
The animation and game design world is a multi-billion dollar industry. And it continues to grow. Experts predict that this trend will continue for a great number of years as people of all ages become more and more interested in this exciting field.
Since the demand for these types of services is continuously growing, there are a number of job opportunities for those individuals who possess the creativity and the drive that is needed to succeed.
This world is ever-chang…
Article Body:
The animation and game design world is a multi-billion dollar industry. And it continues to grow. Experts predict that this trend will continue for a great number of years as people of all ages become more and more interested in this exciting field.
Since the demand for these types of services is continuously growing, there are a number of job opport
A cloud formation taken from the office window, it reminded me of something you might see in a Pixar movie - it has plenty of shape spotting potential.
I made this animation for This is Pacificaâ„¢ my work was in design, illustration and animation.
Art direction . Pacificaâ„¢
Animation . PCZâ„¢
Illustration . PCZâ„¢, Filipe Alves, Filipe Mesquita
Sound . Gustavo Bucelas
Script . SÃlvia Alves
Disneyland Resort.
January 2015.
Visit our website www.charactercentral.net for loads of Disney Character pictures and information!
Just testing out a new GIMP script I'm working on. Click on the All Sizes link above to be "mesmerized" by all the "blobby" goodness! Oh, so gooey.....
File size is a little over 1 mB so be patient while it loads.
Art
So I have worked so, so, so hard on my animation project that i definately thought it was worth a picture. A picture to remind myself of the commitment put into it. A commitment were i put aside: Food shopping! Friday & Saturday Nights out! Sleep!
I have enjoyed it so far and am looking forward to the final outcome!
Right. I'm going for a beer in Shoreditch.
Photography: Matt Evans
Editing: Matt Evans
Seamlessly Looping Background Animation Of Sphere and Abstract Space Mini-Packs. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
here is another animation showing the models and some minifigs, this time using the tile floor, it's not too bad the light is flickering... again, must remember to cache the bloody radiosity and caustics next time, got another idea for the next animation/render, will see how I go... please leave me some feedback, anything to help me get better!
MICA 2D Character Animation Assignment: Animate a character in an environment consisting of 3 boxes, a board, and a ball. The character uses these items to reach and turn off a fan. Also try to move the camera, maybe with zooming and panning.
I had a lot of fun experimenting with this one. I decided to make a miniature set and to animate my character over it, and I am really happy with the way it turned out.
From my Stop Motion Animation class at MICA. This was a fantastically fun group project. I can't even begin to describe how excellent the experience was.
We built the set together, each made our own characters (mine is Gunther, the bartender), and had a great time shooting and editing. Our teacher, Juliette Marchand, was amazing, and it was a great pleasure working with my classmates, with especial thanks to Harold Brenkus, Anya Ewing (website), and Graham Wilson (website / blog). Thanks guys!
My character, Gunther, hails from the planet Slugulon, and is the bartender and owner of a great little place in outer space, the SPACE BAR, an Intergalactic Liquid and Comestible Consumption Center of Sector 7Z-5, Orbiting the 3rd Moon of Zentrilox 4, the Rogue Planet. And yes, we did enjoy coming up with that background information very much, thank you.
Blogged here and originally here.
Darter dragonfly animation. See original size here www.flickr.com/photos/lordv/7978857446/sizes/o/in/photost... for 3 shot animation
This is pretty rough, but I'm excited by this test. It demonstrates a method for doing 8 cell cycle animations with Brushes.
I actually attempted to do a walking cycle, but I'm such a poor animator my first try looked more like a dance. So I went with the flow.
By the way, the music (12th Street Rag) comes from an old cassette of me playing the piano way back in 1973. It seemed to fit the tempo of the video and it was copyright free.
Notes: The man, the woman, and the feet were done in separate Brushes files. I used the same procedure in each. I started with a white background and painted the figure in one stroke. Then I filled with an almost opaque white so I could barely see the figure (like using tracing paper). I then drew the next position of the figure and in the next stroke I used white to erase what was left of the previous frame. Each position required three frames - white, a single stroke drawing, and some erasing with white.
I exported each movie using the Brushes Viewer on my Macbook at 24 fps. This version looked like an old flickery movie because every third frame was white. It was a cool effect, but not what I wanted. So I exported each clean frame out of each movie as a numbered PICT file and made a new movie from the image sequences. I then copied and pasted the cycles to get the length right for each sequence. This was all done in Quicktime Pro along with adding the audio track which I had edited in Audacity and saved as an AIFF file.
Last night was the Animation Extravaganza, the annual screening completely devoted to animation. It's a part of the Atlanta Film Festival, one of the top 20 in the nation. We had a great line-up of animation, including John Canemaker's Oscar-winning film, THE MOON AND THE SON. The venue was at Lefont Garden Hills Cinema on Peachtree Road, Atlanta.
I did some emceeing for the night—being the screenings cooordinator for ASIFA-Atlanta, our organization helped with some of the selection process as well as volunteered for the evening. It was a big success!