View allAll Photos Tagged Adolphe
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134e
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
The present work is one of the most extensive and elaborate of Lesrel's musical genre scenes. Around a large square table no less than seven musicians are depicted mid rehearsal, including two lute players, two violinists, a recorder player, a cellist and a soprano who stands while singing at the back. The scene is a symphony of colour and texture itself with multiple layers of decorative sophistication, from the pale green tapestries which line the walls to the rich, patterned carpet that leads up to the satin covered table. The lustrous sheen of the cavaliers' clothing, in red, purple, green and blue velvet as well as embroidered garments of pale blue and gold is also a focus.
Lesrel specialised in historical genre scenes and was greatly influenced by Dutch Old Masters of the seventeenth century in his dedicated attention to details of dress and decoration.
Source: Sotheby’s Catalogue Note
www.sothebys.com/en/auctions/ecatalogue/2012/19th-century...
The SS Adolphe ran aground in Newcastle harbour in 1904. The Stockton breakwall later incorporated it in its construction.
1936 Works Progress Administration murals by Lucien Adolphe Labaudt
Beach Chalet, Golden Gate park at the Great Highway, San Francisco
2018-05-30_01-08-07
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: cdv back
Size: 4.1" X 2.5"
Location: France
Object No. 2019.352b
Shelf: E-18-D
Publication:
Other Collections:
Notes: Marie Joseph Louis Adolphe Thiers (15 April 1797 – 3 September 1877) was a French statesman and historian. He was the second elected President of France, and the first President of the French Third Republic.
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Maker: Adolphe Anjoux
Born: France
Active: France
Medium: cdv back
Size: 2.25" x 4"
Location: France
Object No. 2015.907b
Shelf: E-17-A
Publication:
Other Collections:
Notes: TBAL
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 4.1" X 2.5"
Location: France
Object No. 2019.350b
Shelf: E-18-D
Publication:
Other Collections:
Notes: Marie Joseph Louis Adolphe Thiers (15 April 1797 – 3 September 1877) was a French statesman and historian. He was the second elected President of France, and the first President of the French Third Republic.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Val de Petrusse from Pont Adolphe on the morning after the snow storm of 8 December. 3-frame panorama stiched together with Hugin.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134h
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
The penguin mascot belonging to famous French aviator Adolphe Célestin Pégoud on display at the military museum Les Invalides, Paris. Pégoud was killed in August 1915, shot down in aerial combat and his mascot was found with him.
Maker: Adolphe Anjoux
Born: France
Active: France
Medium: studio label
Size: 3" x 2.4"
Location: France
Object No. 2011.232b
Shelf: F-2
Publication:
Provenience: Millon auction, Paris 11/10/11
Other Collections:
Notes: . Anjoux was a daguerreotypist located 270 rue St Honore, Paris from 1850 to 1880
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134k
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Compositeur français, membre de l’Institut, il fut l’un des fondateurs de l’opérette, genre léger qu’il préféra à l’opéra. Ses partitions ne sont plus guère jouées, mais il demeure connu pour quelques unes de ses œuvres, en particulier son ballet Giselle et surtout son cantique, le très célèbre Minuit chrétien (sur un poème de Placide Cappeau).
Le buste qui orne sa tombe, œuvre de Duret, fut très détérioré lors de la tempête de 1999 : totalement enfoncé, il offre un visage grotesque qui n’est pas sans rappeler les masques antiques du théâtre grec. Il repose auprès de son père, Johann-Ludwig Adam (1758-1848) qui fut le fondateur de l’école française de piano.
He served as the fifth Premier of the Canadian province of Quebec, federal Cabinet minister, and the seventh Lieutenant Governor of Quebec. Notre Dame des Neiges Cemetery, Montreal, Quebec.
Pont Adolphe seen from the Place de la Constitution, Luxembourg.
It's too blown up. I have to study the new camera controls and shoot it again.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134ad
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134s
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Photos courtesy of Mert Erdem and Michael Wilson —
River and State was commissioned by the ICOA Chamber Orchestra, Daniel Feng, Conductor, as part of their New World/New Music series. The piece is in honor of the 125th anniversary of Antonin Dvorak's 9th Symphony, From the New World, and was premiered at the Bohemian National Hall in NYC. The accompanying composition is Dvorshock by Bruce Adolphe - also commissioned by the ICOA. The premiere of River and State featured a live performer, Laura King-Pazuchowski, on stage with the orchestra, interacting with the VR environment we developed. This video was captured from within the VR environment used during the performance. The music is a live recording of Dvorshock.
Our concept for this virtual cinema performance is about the promise of a new world, its unlimited potentials, personal freedoms and inevitable progress, and how technology has always played a role in these fantasies.
Our performer, Laura King-Pazuchowski traversed the membrane of our shared environment of lived experience and the fantasy of virtual, illimitable, dream-space.
The VR environment features renderings of Lower Manhattan, Inwood Hill Park, Ellis Island, and an amalgam of different Subway stations. The piece is also inspired by observing flash floods on certain Manhattan streets built above drained streams. whose resulting chaos suggest the transposed, consistent presence of foundational forces occluded by the trappings of contemporary material culture.
The Tulips are a reference to the Tulip tree of Inwood Hill Park where the initial meeting, and subsequent purchase of Manhattan from the Native population occurred. The tree died in the 1933. The sculpture of the Tulips encountered during the capsule scene is a rendering of a currently infamous Jeff Koons sculpture that has a connection to the Statue of Liberty.
The metronome seen at the beginning on the shore returns in the final scene as a monument sized rendering of Man Ray's "Indestructible Object". The character in front of the metronome in the final scene is a rendering of the performance artist.
video and additional information on mayarouvelle.com