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Boulevard Adolphe Max
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: carbon print
Size: 7 1/2 in x 5 in
Location: France
Object No. 2023.394
Shelf: N-28
Publication:
Other Collections:
Provenance:
Notes:
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Four Favorites / Heft-Reihe
> The Raven
Script: ?
art: Adolphe Barreaux
Ace Magazines / USA 1941
Reprint / Comic-Club NK 2010
ex libris MTP
Maker: Adolphe Braun (French, 1812 - 1877)
Title: Suisse et Savoie, Au Appareil Panoramique Breveté de Johnson Brandon & Braun (Switzerland and Savoy, From the Panoramic Camera of Johnson Brandon & Braun)
Date: 1860's
Medium: Albumen print on card
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
River and State was commissioned by the ICOA Chamber Orchestra, Daniel Feng, Conductor, as part of their New World/New Music series. The piece is in honor of the 125th anniversary of Antonin Dvorak's 9th Symphony, From the New World, and was premiered at the Bohemian National Hall in NYC. The accompanying composition is Dvorshock by Bruce Adolphe - also commissioned by the ICOA. The premiere of River and State featured a live performer, Laura King-Pazuchowski, on stage with the orchestra, interacting with the VR environment we developed. This video was captured from within the VR environment used during the performance. The music is a live recording of Dvorshock.
Our concept for this virtual cinema performance is about the promise of a new world, its unlimited potentials, personal freedoms and inevitable progress, and how technology has always played a role in these fantasies.
Our performer, Laura King-Pazuchowski traversed the membrane of our shared environment of lived experience and the fantasy of virtual, illimitable, dream-space.
The VR environment features renderings of Lower Manhattan, Inwood Hill Park, Ellis Island, and an amalgam of different Subway stations. The piece is also inspired by observing flash floods on certain Manhattan streets built above drained streams. whose resulting chaos suggest the transposed, consistent presence of foundational forces occluded by the trappings of contemporary material culture.
The Tulips are a reference to the Tulip tree of Inwood Hill Park where the initial meeting, and subsequent purchase of Manhattan from the Native population occurred. The tree died in the 1933. The sculpture of the Tulips encountered during the capsule scene is a rendering of a currently infamous Jeff Koons sculpture that has a connection to the Statue of Liberty.
The metronome seen at the beginning on the shore returns in the final scene as a monument sized rendering of Man Ray's "Indestructible Object". The character in front of the metronome in the final scene is a rendering of the performance artist.
video and additional information on mayarouvelle.com
It's a rainy day.
Rue Adolphe Jullien is a street in the 1 st arrondissement of Paris. The street was opened in 1886 by the City of Paris, to serve as access to trading. It is named after Adolphe Jullien (1803-1873), engineer, director of the Compagnie des Chemins de fer de l'Ouest, a leading proponent of railways in France.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Organized by the LVI on February 24, 2014 to protest the lack of cycling infrastructure on the Adolphe Bridge
Organized by the LVI on February 24, 2014 to protest the lack of cycling infrastructure on the Adolphe Bridge
Two statues on the side of the Hôtel de Ville, Paris, France. The Hôtel de Ville is Paris's city hall, and houses the city's local administration. One of the statues is of Jean Bullant (1515–1578), a French architect and sculptor who built the tombs of Anne de Montmorency, Grand Connétable of France, Henri II, and Catherine de' Medici. He also worked on the Tuileries, the Louvre, and the Château d'Écouen. The other statue depicts Achille de Harlay (1536-1616), the first president of the Parliament of Paris (1582-1611). The statues are by the sculptor Adolphe Martial Thabard.
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134v
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134ae
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Paeonia 'Adolphe Rousseau', 2019 photo, Common Name: (3-DB-RD) lactiflora cultivar Peony, Size: 36", Tall Height, Double, Red shaded maroon, early midseason bloomer, Breeder: (Dessert & Mechin, 1890), USDA Hardiness Zone 4, Michigan Bloom Month 6a, In Garden Bed N2.08.1 for 0 DAYS (Wild). Planted in 2019.
APS Registration: ADOLPHE ROUSSEAU (Dessert & Mechin, 1890) - Double - Red - Early - Midseason. Tall. Moderate fragrance, but disagreeable. Dark, lustrous red shaded maroon, showing yellow stamens and light red stigmas in center; odor somewhat disagreeable. Tall; floriferous; stems very strong. Foliage dark, tinged red.
#Paeonia #Peony