View allAll Photos Tagged Adolphe
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
July 29/22
22-628875
Europe2022Trip
Belgium
Brussels/Bruxelles Belgium
Europe Catch All
Europe Street View
Europe Heritage Structure
A View Heritage Structures Lining Boulevard Adolphe Max Being Gutted With The Building Façade Being Save
Adolphe Célestin Pégoud was a French aviator and flight instructor who became the first fighter ace in history during World War I. Using a sacrifice aircraft, Pégoud was the first pilot to make a parachute jump from an airplane. During the first jump, observing the unexpected path of the plane and particularly a loop-like trajectory, he was convinced he could reproduce and control the same in flight. After landing, Pégoud addressed reporters: "I've seen him, alone, looping the loop. So, you see that this is possible. Also, I will try!"
1936 Works Progress Administration murals by Lucien Adolphe Labaudt
Beach Chalet, Golden Gate park at the Great Highway, San Francisco
2018-05-30_01-08-45
Architect - Adolphe Staatje Date - 1933
fr.wikipedia.org/wiki/Adolphe_Staatje
Not sure how reliable this info is as there is no source reference for it on the wikipedia page
Organized by the LVI on February 24, 2014 to protest the lack of cycling infrastructure on the Adolphe Bridge
Maker: Adolphe Godard (1817-1883)
Born: France
Active: Italy/France
Medium: albumen print
Size: 2 1/4 in x 4 in
Location:
Object No. 2024.1258a
Shelf: E-17-G
Publication:
Other Collections:
Provenance:
Notes: Adolphe Godard (1817-1883) was born in Bernay and began photographing in the French Pyrenees in the mid-1850s. The first landscape photographer to work in Isère, he also took views of Grenoble and Uriage. He became a member of the Société Française de Photographie in 1854. He opened a studio in Genoa in 1856, deposited a series of views of Genoa and Pisa at the Bibliothèque Nationale of Paris in 1857, and exhibited at the 1861 exhibition of the Société Française de Photographie . He produced large format views, stereoscopic views and carte d’vistes of Italian cities including Genoa, Pisa, Rome and Naples, some published with an editorial label "I travel to Italy". In 1862 he was commissioned to document the zinc and lead mines of Monteponi. Between 1860 and 1866 he worked in partnership with the Genoese photographer Giovanni Battista Caorsi (1829- 1900) and continued activity in Genoa as the Etablissement Photographique Adolphe Godard until 1871. By 1880 Godard was living in Aix-en-Provence.
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Organized by the LVI on February 24, 2014 to protest the lack of cycling infrastructure on the Adolphe Bridge
Photos courtesy of Mert Erdem and Michael Wilson —
River and State was commissioned by the ICOA Chamber Orchestra, Daniel Feng, Conductor, as part of their New World/New Music series. The piece is in honor of the 125th anniversary of Antonin Dvorak's 9th Symphony, From the New World, and was premiered at the Bohemian National Hall in NYC. The accompanying composition is Dvorshock by Bruce Adolphe - also commissioned by the ICOA. The premiere of River and State featured a live performer, Laura King-Pazuchowski, on stage with the orchestra, interacting with the VR environment we developed. This video was captured from within the VR environment used during the performance. The music is a live recording of Dvorshock.
Our concept for this virtual cinema performance is about the promise of a new world, its unlimited potentials, personal freedoms and inevitable progress, and how technology has always played a role in these fantasies.
Our performer, Laura King-Pazuchowski traversed the membrane of our shared environment of lived experience and the fantasy of virtual, illimitable, dream-space.
The VR environment features renderings of Lower Manhattan, Inwood Hill Park, Ellis Island, and an amalgam of different Subway stations. The piece is also inspired by observing flash floods on certain Manhattan streets built above drained streams. whose resulting chaos suggest the transposed, consistent presence of foundational forces occluded by the trappings of contemporary material culture.
The Tulips are a reference to the Tulip tree of Inwood Hill Park where the initial meeting, and subsequent purchase of Manhattan from the Native population occurred. The tree died in the 1933. The sculpture of the Tulips encountered during the capsule scene is a rendering of a currently infamous Jeff Koons sculpture that has a connection to the Statue of Liberty.
The metronome seen at the beginning on the shore returns in the final scene as a monument sized rendering of Man Ray's "Indestructible Object". The character in front of the metronome in the final scene is a rendering of the performance artist.
video and additional information on mayarouvelle.com
Paeonia 'Adolphe Rousseau' 6/2021 Lactiflora- (Dessert & Mechin, 1890) (3-DB-RD) Lactiflora Cultivar Peony, Mature size: 36", Tall Height, Double, Red shaded maroon, early midseason bloomer, USDA Hardiness Zone 3-8, Michigan Bloom Month 6a, In Garden Bed N2,08,1 for 25 MONTHS (Wild). Planted in 2019.
APS Registration: ADOLPHE ROUSSEAU (Dessert & Mechin, 1890) - Double - Red - Early - Midseason. Tall. Moderate fragrance, but disagreeable. Dark, lustrous red shaded maroon, showing yellow stamens and light red stigmas in center; odor somewhat disagreeable. Tall; floriferous; stems very strong. Foliage dark, tinged red.
Bloomed in 2021, not true to name.
Photo by F.D.Richards, SE Michigan. Additional photos of this plant from 2019, 21:
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
(C.japonica)
McIlhenny, 1941, 700 Varieties of Camellias, p.1; Over- look Nursery Catalogue, 1943-1944 as 'Adolphe Audusson Var.': Very large semi-double flower resembling 'Nagasaki', (Mikenjaku). Deep red, marbled white. Blooms mid-season. Orthographic error: 'Adolph Audusson Var.'. Synonyms: 'Adolphe Audusson Variant', 'Adolphe Audusson (Blotched)'. Originated by F.M. Uyematsu, California, USA. Colour illustrations: Nuccio's Catalogues, 1948 to 1953; American Camellia Yearbook, 1955, facing p.146. Awards: William E. Woodroof, Hall of Fame Award, 1978. Chinese synonym: 'Fuse Daadaofu'.
Paeonia 'Adolphe Rousseau' 6/2021 Lactiflora- (Dessert & Mechin, 1890) (3-DB-RD) Lactiflora Cultivar Peony, Mature size: 36", Tall Height, Double, Red shaded maroon, early midseason bloomer, USDA Hardiness Zone 3-8, Michigan Bloom Month 6a, In Garden Bed N2,08,1 for 25 MONTHS (Wild). Planted in 2019.
APS Registration: ADOLPHE ROUSSEAU (Dessert & Mechin, 1890) - Double - Red - Early - Midseason. Tall. Moderate fragrance, but disagreeable. Dark, lustrous red shaded maroon, showing yellow stamens and light red stigmas in center; odor somewhat disagreeable. Tall; floriferous; stems very strong. Foliage dark, tinged red.
Bloomed in 2021, not true to name.
Photo by F.D.Richards, SE Michigan. Additional photos of this plant from 2019, 21:
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
The SS Adolphe ran aground in Newcastle harbour in 1904. The Stockton breakwall later incorporated it in its construction.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Miss Cara Burch (1878-1961) - 1888
John Singer Sargent (1856 - 1925)
Born in Florence, Italy, to Philadelphia physician FitzWilliam Sargent and his wife, Mary Newbold Singer, John Singer Sargent enjoyed a childhood marked by extensive travel on the Continent. By the time he was eighteen he had studied with German-American landscapist Carl Welsch, English portraitist Joseph Farquarson, and at the Accademia della Belle Arti, Florence. In 1874 he went to Paris and trained under Adolphe Yvon at the Ecole des Beaux-Arts and in the ateliers of Léon Bonnat and of Charles-Emile Auguste Durand (called Carolus-Duran), who is accorded the greatest credit in shaping Sargent’s early style. In Paris, Sargent became familiar with both academic tradition and emerging avant-garde styles. His social milieu encompassed friendships with a number of American art students, including J. Carroll Beckwith and J. Alden Weir, and with such illustrious international figures as James McNeill Whistler, Giovanni Boldini, Henry James, and Claude Monet.
Sargent made his first trip to the United States in 1876. Although he staunchly maintained an American identity throughout his life, he continued to reside abroad, exerting his presence in America mainly through exhibitions of his work and intermittent trips to fulfill commissions. By the late 1870s Sargent was exhibiting at most major venues, including the Paris Salon, the London Royal Academy, and the National Academy of Design, New York. He also showed with such liberal organizations as the Society of American Arts and the New English Art Club.
In the wake of critical turmoil surrounding the exhibition of “Madame X (Madame Pierre Gautreau)” (1884; Metropolitan Museum of Art, New York) at the 1884 Paris Salon, Sargent spent considerable time in England, where he ultimately established residence in 1886. In the mid- to late 1880s he summered in various rural English villages, among them Broadway, Worcestershire, home to an art colony that included Americans Frank Millet and Edwin Austin Abbey and was frequently visited by Lawrence Alma-Tadema and Henry James. These summers marked Sargent’s first intensive exploration of plein-air painting, resulting in some of his best-known canvases: “Carnation, Lily, Lily, Rose” (1885-86; Tate Gallery, London) and “An Out-of-Doors Study” (“Paul Helleu Sketching with His Wife”) (1889; Brooklyn Museum of Art).
By 1893 Sargent had become one of the most highly acclaimed society portraitists in England and America. Yet in spite of the demand for his portraits, he dedicated considerable time to landscape subjects and complex decorative projects, mainly murals for the Boston Public Library (commissioned in 1890, the last panels installed in 1916) and for the Museum of Fine Arts, Boston, commissions he researched in Palestine and North Africa. An inveterate traveler, Sargent apparently never set down his brush, as witnessed by the significant body of watercolors and oils stemming from tours that took him throughout Europe, the Near East, and North America.
About 1907 he began to curtail his activity in commissioned portraiture in favor of work that gave him greater personal pleasure and to devote more time to his mural commissions. The 1909 exhibition of eighty-six of his watercolors at M. Knoedler Galleries in New York and the Brooklyn Museum’s purchase of eighty-three of these focused American attention on that aspect of his art.
Sargent worked as an official war artist for Britain during World War I. “Gassed” (1918-19; Imperial War Museum, London) is a monumental canvas documenting the events he witnessed close to the battle lines in France. Shortly after his death from degenerative heart disease, Sargent was honored with large memorial exhibitions at the Metropolitan Museum of Art, New York, and at the Royal Academy of Arts, London.
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"Acknowledged as the first museum in the world dedicated solely to collecting American art, the NBMAA is renowned for its preeminent collection spanning three centuries of American history. The award-winning Chase Family Building, which opened in 2006 to critical and public acclaim, features 15 spacious galleries which showcase the permanent collection and upwards of 25 special exhibitions a year featuring American masters, emerging artists and private collections. Education and community outreach programs for all ages include docent-led school and adult tours, teacher services, studio classes and vacation programs, Art Happy Hour gallery talks, lectures, symposia, concerts, film, monthly First Friday jazz evenings, quarterly Museum After Dark parties for young professionals, and the annual Juneteenth celebration. Enjoy Café on the Park for a light lunch prepared by “Best Caterer in Connecticut” Jordan Caterers. Visit the Museum Shop for unique gifts. Drop by the “ArtLab” learning gallery with your little ones. Gems not to be missed include Thomas Hart Benton’s murals “The Arts of Life in America,” “The Cycle of Terror and Tragedy, September 11, 2001” by Graydon Parrish,” and Dale Chihuly’s “Blue and Beyond Blue” spectacular chandelier. Called “a destination for art lovers everywhere,” “first-class,” “a full-size, transparent temple of art, mixing New York ambience with Yankee ingenuity and all-American beauty,” the NBMAA is not to be missed."
www.tripadvisor.com/Attraction_Review-g33847-d106105-Revi...
www.nbmaa.org/permanent-collection
The NBMAA collection represents the major artists and movements of American art. Today it numbers about 8,274 paintings, works on paper, sculptures, and photographs, including the Sanford B.D. Low Illustration Collection, which features important works by illustrators such as Norman Rockwell, Howard Pyle, and Maxfield Parrish.
Among collection highlights are colonial and federal portraits, with examples by John Smibert, John Trumbull, John Singleton Copley, Gilbert Stuart, and the Peale family. The Hudson River School features landscapes by Thomas Cole, Asher B. Durand, Martin Johnson Heade, John Kensett, Albert Bierstadt, and Frederic Church. Still life painters range from Raphaelle Peale, Severin Roesen, William Harnett, John Peto, John Haberle, and John La Farge. American genre painting is represented by John Quidor, William Sidney Mount, and Lilly Martin Spencer. Post-Civil War examples include works by Winslow Homer, Thomas Eakins, John Singer Sargent, George de Forest Brush, and William Paxton, and 19 plasters and bronzes by Solon Borglum. American Impressionists include Mary Cassatt, Theodore Robinson, John Henry Twachtman, J. Alden Weir, Willard Metcalf, and Childe Hassam, the last represented by eleven oils. Later Impressionist paintings include those by Ernest Lawson, Frederck Frieseke, Louis Ritman, Robert Miller, and Maurice Prendergast.
Other strengths of the twentieth-century collection include: sixty works by members of the Ash Can School; significant representation by early modernists such as Alfred Maurer, Marsden Hartley, John Marin, Georgia O’Keeffe, and Max Weber; important examples by the Precisionists Charles Demuth, Charles Sheeler, Preston Dickinson, and Ralston Crawford; a broad spectrum of work by the Social Realists Ben Shahn, Romare Bearden, Jacob Lawrence, and Jack Levine; and ambitious examples of Regionalist painting by Grant Wood, John Steuart Curry, and Thomas Hart Benton, notably the latter’s celebrated five-panel mural, The Arts of Life in America (1932).
Works by the American Abstract Artist group (Stuart Davis, Ilya Bolotowsky, Esphyr Slobodkina, Balcomb Greene, and Milton Avery) give twentieth-century abstraction its place in the collection, as do later examples of Surrealism by artists Kay Sage and George Tooker; Abstract Expressionism (Lee Krasner, Giorgio Cavallon, Morris Graves, Robert Motherwell, Sam Francis, Cleve Gray), Pop and Op art (Andy Warhol, Larry Rivers, Robert Indiana, Tom Wesselman, Jim Dine), Conceptual (Christo, Sol LeWitt), and Photo-Realism (Robert Cottingham). Examples of twentieth-century sculpture include Harriet Frishmuth, Paul Manship, Isamu Noguchi, George Segal, and Stephen DeStaebler. We continue to acquire contemporary works by notable artists, in order to best represent the dynamic and evolving narrative of American art.
Organized by the LVI on February 24, 2014 to protest the lack of cycling infrastructure on the Adolphe Bridge
Maker: Pierre Adolphe Hennetier [Sculptor] (French, 1828 - 1888) and Adolphe Block [Publisher] (French, 1829 - 1903)
Title: Les Pompiers de L'Enfer (The Firemen of Hell), Detail, Number 54 from the series Les Diableries
Date: ca. 1860
Medium: Hand-colored stereoview
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Tuesday January 3
We started school and started up a new subject called decimels. I did not catch on to division of decimels at first but are easy after the teacher explained it more.
Wednesday January 4
I was glad Toots was home so I wouldn't have to tend to the market. I went to club and we decided to do more for the club and bring back the members that left. And we are going to have teams blue & white.
Thursday January 5
Thursday we had silent reading so we had two written tests and one story. I went to the movies to see Adolpe Menjou in Ladies to Serve. Staid for the second show with my mother and father.
Friday January 6
We didn't have penmanship we had English instead. I was glad school was closed for a while. As I had a bad headache. My mother was sick in bed with a headache too.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.