View allAll Photos Tagged Adolphe
Randomly Generated #baseArt #1848 by Isaac Levitan, John Ruskin, Titian, Nicholas Roerich, Xu Beihong, William-Adolphe Bouguereau #nftArt #pixelArt #randomPainting
on the dark horse: sculptor Beniamino Bufano
1936 Works Progress Administration murals by Lucien Adolphe Labaudt
Beach Chalet, Golden Gate park at the Great Highway, San Francisco
2018-05-30_01-05-32
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Winter in St-Adolphe - December 2005
(These are colour photos!)
Hiver à St-Adolphe - décembre 2005
(Se sont des photos couleurs!)
The SS Adolphe ran aground in Newcastle harbour in 1904. The Stockton breakwall later incorporated it in its construction.
A etching by artist Adolphe Pierre Riffaut, after the painter François Clouet, of Charlotte De Tremouille, Princess of Condé, mother of Henry II. This is an original etching and aquatint, printed in Paris 1840. The Printer N. Rémond had a shop at 65 Rue des Nayers in Paris. The print image is in excellent condition, however there is discoloration and slight foxing on the outer edges of the paper, these are easily hidden upon framing. A Beautiful one of a kind print in a series by this artist and publisher, depicting french aristocracy and regents. More of Riffaut's work can be found at the Harvard Library, the Met and the National Portrait Gallery.
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: albumen print
Size: 3.5" x 7"
Location:
Object No. 2022.031b
Shelf: E-14-BRAU
Publication:
Other Collections:
Provenance:
Notes: No 1885
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IPC athletics; world Championships; Lyon 2013. ADOLPHE Timothee, Guide FELIP Cedric, laurent bagnis;
Die Adolphe-Brücke überquert das Petruss-Tal in Luxemburg. Sie verbindet die Altstadt mit dem Bahnhofsviertel.
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Adolphe Bridge is an arch bridge in Luxembourg City. The bridge takes road traffic across the Pétrusse, connecting Boulevard Royal, in Ville Haute, to Avenue de la Liberté, in Gare. At 17.2 m wide, it carries four lanes of road traffic, three to Gare and a bus lane to Ville Haute, and has two footpaths for pedestrians.
Photographer: Adolphe Zimmermans.
Date: 18th of March 1891 (Following her father's death)
Place: La Haye - Netherlands.
Format: Cabinet Photo.
Acquired in September 2022.
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Les Bretonnes au Pardon
Pascal-Adolphe-Jean Dagnan-Bouveret (1852-1929)
France, 1887
Oil on canvas
In the late 1880s, naturalism reached the height of its popularity. The interest surrounding themes associated with the detailed depiction of the rural world explains the enormous success achieved by this objective composition at the 1889 Salon, where it received an award.
An ethnographic representation of pious customs, the painting evokes the ceremony of the Pardon, an indulgence granted by the Church to the faithful, and serves as a pretext for casting an analytical gaze at a world struggling to resist the changes of the end of the century. At the time, Brittany was the focus of particular attention from artists working in various movements and one of the most stimulating counterpoints to this painting was created by Gauguin.
Photographs taken by Dagnan-Bouveret in Rumengol and successive attempts at creating portraits of isolated models contributed to the end result of the painting. The final work, brought together by the painter in his studio, is therefore the result of a considerable amount of prior effort and a complex process of scenic arrangement.
Museu e Fundação Calouste Gulbenkian ● Museu Calouste Gulbenkian ● Calouste Gulbenkian Museum
Lisbon, Portugal
20171112_083040
I was walking through the biggest cemetery in Ottawa, Canada, and saw this mausoleum of a local business man, Albert Adolphe Fournier, 1862-1927, who had a big department store which was in operation for over 40 years. I noticed a coloured gleam coming from inside and got a closer look. Behind the iron doors that were chained shut, was this incredible stain glass window backlit by the sunlight..
Nikon D3400 50mm f:/1.8 lens
Stain glass f:/3.2 ISO 100 1/100sec
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
Albert Jean Adolphé (American, Pa., 1865-1940)
Untitled [Portrait of a Father and Son, after painting by Anthony van Dyke in the collection of the Louvre Museum, Paris]
Oil on panel
14 1/8 x 9 3/8 inches
Painted in Paris, at the Louvre, c. 1897-1901
Signed and inscribed, recto, upper right: "Albt. Jean Adolphé, Paris"
Notes:
In her essay in the catalogue accompanying the 2001 exhibition, "To Paris and Back: Albert Jean Adolphé -- An Artist's Journey" at the Berman Museum of Art, Ursinus College, Pamela Potter-Hennessey notes that Albert Jean Adolphé was born "Albert John Adolph" in Philadelphia in February 1865, and except for a brief period of study in Europe at the turn of the century (c.1897-1901), he lived and worked in Philadelphia his entire life. This painting is one of the rare surviving works from his years in Paris. It is a copy Adolphé' made of a painting by Anthony van Dyck, "Portrait of a Father With His Son (also called Portrait of Guillaume Richardot and His Son," located in the Louvre Museum.
Potter-Hennessey explains the raison d'être of the practice of replicating the Old Masters: "Through the controlled process of copying directly from the paintings, Adolphé and thousands of others learned from the masters of the past, while dreaming that their own works might one day be hung for inspection by a new generation."