View allAll Photos Tagged Adolphe
Cover of an old vinyl Classical music series (Classics For Pleasure) sponsored by the tobacco firm Lambert & Butler; this particular record being Edward Elgar’s Symphony No.1, by the London Philharmonic Orchestra under Vernon Handley, recorded at Abbey Road Studios, London, in 1979.
Pierre Adolphe Valette 1876–1942, French Impressionist painter now remembered as L. S. Lowry’s tutor.
The remains of the "Adolphe", which was wrecked in 1904. It now forms part of the Stockton breakwater, Newcastle, Australia
bit.ly/3oOl3YL moviesteve.com/wp-content/uploads/2022/02/Tall-Target-1.jpg A director on his way up meets a star on his way down in The Tall Target, a 1951 B movie about a plot to assassinate president-elect Abraham Lincoln in 1861, the year the American Civil War broke out. Anthony Mann directs, one year on from his breakthrough into the big time with the western … Read more
Просмотреть все фото Серия из 7 эротических офортов "Порка" (La Flagellation). Художник Адольф Лалуз (Adolphe Lalauze). Франция, 1898 год можно по ссылке: bit.ly/1FFnxJP
Обзор Антиквариат, Заказать , Фото Серия, Заказать Серия из, Заказать Серия из 7
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Boulevard Adolphe Max
I went on a couple great rides at Ste. Adolphe D'Howard during our stay at the cottage. See the geotag for the trailhead. It is a XC ski trail that seems like it would go on for 2+ hours all the way to Ste Agathe. It is fairly technical, and averages uphill on the way out but quite ridable (so coming home is better). Don't be put off by the killer uphill to start. The best ride I have had in ages...
Maker: André Adolphe Eugène Disdéri (1819-1889)
Born: France
Active: France
Medium: albumen print
Size: 2 1/16 in x 3 3/8 in
Location: France
Object No. 2024.1134b
Shelf: J-5.5
Publication:
Other Collections:
Provenance: Catawiki
Rank:
Notes: According to McCauley Galerie des contemporains could either be purchased in volumes of 25 biographies or assembled by subscribers. Disdéri reached an agreement with the editor Zacharias Dollingen in which Dollingen hired journalists to provide the biographical notices which would accompany Disdéri's photographs.
André-Adolphe-Eugène Disdéri (1819 - 1889) a self-taught daguerreotypist, researched and improved upon the existing collodion-on-glass negative process, which he outlined in his first publication, Manuel Opératoire de Photographie sur Collodion Instantané, 1853. That same year, he returned to Paris and opened the largest studio in Paris, which spread across two floors. It was there that he introduced his carte-de-visite portraits which were a great financial success. For the 1855 Paris Exposition Universelle, he formed the Société du Palais de l'Industrie and obtained the rights to photograph all the products and works of art exhibited at the Exposition. Eder writes "Disdéri was considered the outstanding portrait photographer of his time in Paris. Napoleon III appointed him court photographer. In 1861, he instructed French officers in photography under orders from the minister of war. Disdéri's popularity is best shown by the fact that his character was introduced in 1861 as a star attraction on the stage of a small vaudeville theater in Paris by a realistic representation featuring his bald head and tremendous beard."
(Source: Andrew. Cahan)
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Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: carbon print
Size: 11 7/8 in x 9 3/8 in
Location: France
Object No. 2023.867
Shelf: N-36
Publication:
Other Collections:
Provenance: Adolphe Braun studio viaConsigned.IT, Asta di Fotografia Le Cose, July 22, 2023, Lot 8
Rank: 150
Notes: TBAL
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For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
1. Adolphe Niel
2. Christophe Léon Louis Juchault de Lamoricière
3. Boniface de Castellane
4. Aimable Pélissier
5. General Ney
6. Napoleonic Wars: Marshal Michel Ney
7. François Certain Canrobert
8.Patrice de Mac-Mahon, Duke of Magenta ???
9. Thomas Robert Bugeaud
Maker: Adolphe Braun (French, 1812 - 1877)
Title: Pie IX (Pope Pius IX)
Date: May 13, 1875
Medium: Carbon print on card
Jules Marinier 1866
Publisher(s): BK - Adolphe Block (1829-1915) Number of views: 12 Creation/legal deposit BnF:
JM - Jules Alexandre Marinier (1823-1896) Number of views: 12? Creation/legal deposit BnF: May 12, 1866, nº 809.
S: www.backto3d.com/page8.php?view=thumbnailList&categor...
Site still essential (www.backto3d.com)
Submitted by a Lamiche it is B.K who will ultimately exploit this series...
A first and last collaboration on the same series by the two sculptors Pierre Adolf Henetier & Louis Alfred Harbert.
Two completely different styles; one is quite “brittle” with lots of straight lines, which gives these sculptures quite a hard effect.
While Harbert is the opposite, all rounded and curved, which gives the opposite effect to Henetier; a certain tranquility and benevolence, even when sculpting devils and skeletons, I also find him more meticulous in the details without weighing down these works…
It's a bit of a fair here and a big mess! Who, what to watch?
Fortunately, the holes and openings (to which you are not allowed, impossible to reproduce!) give a side that is not unpleasant for the eye, without being the ultimate diorama to absolutely have...
We will notice the surveyor's tool pointed at a target, (white and black square) the target seems to be walking freely in the atmosphere.
Like in a fairy tale...
Jules Marinier 1866
Éditeur (s) : BK - Adolphe Block (1829-1915) Nombre de vues : 12 Création/dépôt légal BnF:
JM - Jules Alexandre Marinier (1823-1896) Nombre de vues : 12 ? Création/dépôt légal BnF: 12 mai 1866, nº 809.
S : www.backto3d.com/page8.php?view=thumbnailList&categor...
Site toujours aussi indispensable (www.backto3d.com)
Déposé par un Lamiche c'est B.K qui finalement exploitera cette série...
Une première et une dernière collaboration sur une même série des deux sculpteurs Pierre Adolf Henetier & Louis Alfred Harbert.
Deux styles complètement différents ; l'un est assez « cassant » avec beaucoup de lignes droites ce qui donne à ces sculptures un effet assez dur.
Alors que Harbert est l'inverse, tout en arrondit et courbe, ce qui donne l'effet inverse de Henetier ;une certaine quiétude et bienveillance, même en sculptant des diables et squelettes, je le trouve aussi plus minutieux dans les détails sans alourdir ces œuvres…
Ici, c'est un peu la foire et gros fouillis ! Qui, que regarder ?
Heureusement que les perçages et ouvertures (auquel vous n'avez pas le droit, impossible à reproduire !) donne un côté pas désagréable pour l’œil, sans être le diorama ultime à avoir absolument...
On remarquera l'outil du géomètre pointé sur une cible, (carré blanc et noir) la cible a l'air de promener en toute liberté dans l’atmosphère.
Comme dans un conte de fée...
Giselle - Ballett von Ricardo Fernando - Theater Hagen Großes Haus - Musik von Adolphe Adam - Musikalische Leitung: Gwennole Rufet - Inszenierung: Ricardo Fernando - Ausstattung: Dorin Gal
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection..
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Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us..
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Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded..
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You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund..
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These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/ .
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If you have any further information on the photographs, please leave a comment.
Created for:
Photoshop Contest ~ Week 1054 ~ Maidenhair
and
MMM Masterpieces ~ Play to Game challenge~ William Adolphe Bouguereau
Thanks to:
Jaci XIII for the starter image
Janeyism for the sunset
William-Adolphe Bouguereau for the The broken jug, 1891
Paeonia 'Adolphe Rousseau' 6/2021 Lactiflora- (Dessert & Mechin, 1890) (3-DB-RD) Lactiflora Cultivar Peony, Mature size: 36", Tall Height, Double, Red shaded maroon, early midseason bloomer, USDA Hardiness Zone 3-8, Michigan Bloom Month 6a, In Garden Bed N2,08,1 for 25 MONTHS (Wild). Planted in 2019.
APS Registration: ADOLPHE ROUSSEAU (Dessert & Mechin, 1890) - Double - Red - Early - Midseason. Tall. Moderate fragrance, but disagreeable. Dark, lustrous red shaded maroon, showing yellow stamens and light red stigmas in center; odor somewhat disagreeable. Tall; floriferous; stems very strong. Foliage dark, tinged red.
Bloomed in 2021, not true to name.
Photo by F.D.Richards, SE Michigan. Additional photos of this plant from 2019, 21:
This image forms part of the digitised photographs of the Ross and Pat Craig Collection. Ross Craig (1926-2012) was a local historian born in Stockton and dedicated much of his life promoting and conserving the history of Stockton, NSW. He possessed a wealth of knowledge about the suburb and was a founding member of the Stockton Historical Society and co-editor of its magazine. Pat Craig supported her husband’s passion for history, and together they made a great contribution to the Stockton and Newcastle communities. We thank the Craig Family and Stockton Historical Society who have kindly given Cultural Collections at the University of Newcastle, NSW, Australia, access to the collection and allowed us to publish the images. Thanks also to Vera Deacon for her liaison in attaining this important collection.
Please contact Cultural Collections at the University of Newcastle, NSW, Australia, if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
Some of the images were scanned from original photographs in the collection held at Cultural Collections, other images were already digitised with no provenance recorded.
You are welcome to freely use the images for study and personal research purposes. Please acknowledge as “Courtesy of the Ross and Pat Craig Collection, University of Newcastle (Australia)" For commercial requests please consider making a donation to the Vera Deacon Regional History Fund.
These images are provided free of charge to the global community thanks to the generosity of the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: uoncc.wordpress.com/vera-deacon-fund/
If you have any further information on the photographs, please leave a comment.
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Boulevard Adolphe Max
Maker: Adolphe Braun (1812-1877)
Born: France
Active: France
Medium: carbon print
Size: 7 1/2 in x 5 in
Location: France
Object No. 2023.394
Shelf: N-28
Publication:
Other Collections:
Provenance:
Notes:
To view our archive organized by Collections, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE