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i did a bit of animation to test the rig and painting weights for the lab coat is so annoying and always end up going wrong so ive added a new rig just for the coat using the same spline setup for the face, this way the coat appears more dynamic and deforms more realistically but still allows the animator full control :D it might seem more complicated but when it comes to animation it allows for easy deformation and less hassle.
Animation link: www.youtube.com/watch?v=ulrVQ-ICaos
Olympus E-3
Leica D Summilux 25mm f/1.4 ASPH
Aperture Priority Mode
f/1.4
25mm
ISO 800
1/20
Metering: Center Weighted Average
White Balance: Fluorescent
B+W UV MRC filter
Added green to the mix, still within the duvet's colours. It's a lot of cushions, but I think it looks nice.
30" x 40"
acrylic and photoluminescent (glow in the dark fun) pigment on recycled tea- dyed canvas, deconstructed and reconstructed with glass seed beads. Now with new layer of glow in the dark goodness!
Removing props prompts a slight script change and another opportunity for slapstick.
Taken by Charley Stamp.
Four years ago, this man tortured us in our sleep offering his tamales with his creepy recorded robot voice. We found him again on the last night!