- MERINO sheepskin lining offers all of the advantages of wool over synthetic fibers, providing efficient shock absorption and superior thermal comfort. Sheepskin contains lanolin, a natural substance, which soothes the horse's sensitive or inflamed skin. When sheepskin is set directly against the animal's body, it stimulates blood circulation and promotes a therapeutic effect.

- "Open-channel" design alleviates excessive pressure from the horse's spine and promotes increased air circulation.

- Two large pockets are designed specifically to ensure proper fit of the saddle and comfort for the horse by accommodating both specialized and custom-made shims.

- High Resiliency open-cell foam shims (included in the package) allow for the overall weight to be redistributed over a larger area, thus minimizing pressure points.

- Breathable 3-Dimensional Spacer fabric reduces heat build-up and provides excellent moisture vapor transfer.

- The Non-Slip mesh upper assures perfect grip and steadily secures the ComfortLUX Half-Pad under the saddle.

Sonata Vario and Sonata Memo acoustic absorbers installed within the dining room at Tong Moor Primary School in Bolton

Details on our range of acoustic absorbers can be found here: www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

Nike Air Force 1 High 07 LV8 Flax, Men’s Size 8.5, Wheat, Gum, 806403-200, Outdoor Green, Gum, UPC 00886915173516, ‘Flax’ collection, outdoor green accents, tonal flax Gum outsole, Flax nubuck upper, Gum Out Sole, Perforated detailing on the toe box, Perforations for breathability, Nike Swoosh on the sides, Ankle strap for security, Nubuck tongue with Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, Bruce Kilgore, basketball sneaker, NBA, AF1, Originally released in 1982, named after the aircraft that carries the President of the United States

A crane operator unloads some materials during the unloading of an absorption tower off of the ship Thorco Clairvaux at the France Road Wharf in New Orleans on Saturday, May 17, 2014. (Photo by Peter G. Forest)

Butterfly from the Taiwan (Graphium cloanthus kuge)Broadband Swallow tail butterfly in water absorption 寬帶青鳳蝶,寬青帶鳳蝶(Graphium cloanthus kuge)

i can't wait to get out of high school,

invisible from all this self judging and absorptions.fake friendship and hope.

feeling like everyday is the same.

away from thinking of whether you fit in or not, just away.

the one song that can describe completely how i feel about highschool is that one song from jimmy eat world which is work

im tired of feeling this, this responsibilities and expectations.

stuck in the same hell hole for 4 complete years had made me dry.

now the lyrics:

If you only once would let me

Only just one time

Then be happy with

the consequence

With whatever's gonna

happen tonight

Don't think we're not serious

When's it ever not

The love we make is

killing its take

A game to play along

this is one of the songs,i put on repeat for the pass 3 years.I told you i really do recycle my songs. I love this band only because of one song, nothing beats what they're trying to say.

i guess teenage years are the years you learn from everything. Trying to absorb and absorb your surrounding and being you in the end,i think thats the fuking point of it all.

some one important in my life once said 3 years ago:

Be yourself, don't take anyone's shit, and never let them take you alive...

thanks for changing my life,

and being the source of being true to myself throughout high school, i dont know how i had survived that long without being someone else.

:)

i want this to be a good closure of that chapter in my life.

tie all loose ends.

resolve all things unsaid and undone.

being inspired all the time just by passing through the same road.

not giving up with people.

not giving up with yourself.

love your family endlessly.

appriciate your friends.

walk this world and never feel alone.

and most importantly,

being thankful for all the second chances given.

Sonata Vario acoustic absorbers installed within the hall at Hazeltots Pre School to reduce noise and reverberation

This is a slightly worn fragment of iolite approximately 24 x 18 x 11 mm. This transmission spectrum is measured along an intermediate axis where the colour is a blueish-white. The absorption line positions are marked here from previous measurements.

The image is a 15 exposure focus-fused set taken with the camera - at f/13 - mounted on a mechanical track.

Iolite is sometimes known as 'water sapphire' for reasons that are apparent from this image.

Vibrational spectroscopy is an analytical technique that provides information about molecular structure, chemical bonding, and intermolecular interactions. Infrared absorption and Raman spectroscopies are well-known examples of this widely used form of spectroscopy. VISION uses neutrons rather than photons as a probe of molecular vibrations. This approach has several advantages over optical spectroscopy, including high sensitivity to hydrogen, absence of selection rules, ease of computation of the vibrational spectrum, isotopic sensitivity, no energy deposition in sample, and high neutron penetrability through bulky sample environment.

Applications

VISION can be used for leading-edge studies in disciplines such as nanotechnology, catalysis, chemistry, biochemistry, geochemistry, and condensed/soft-matter science. Contemporary popular themes comprise hydrogen storage, hydrogen bonding, molecules adsorbed on surfaces and porous materials, thermoelectric and photovoltaic materials, hydrous minerals, metal-organic frameworks, drugs and pharmaceuticals, polymers, proteins, catalysis, and batteries.

More information: neutrons.ornl.gov/vision

Image credit: Genevieve Martin/ORNL

A particularly colorful case is the star forming region SH2-29 (Simeis 188) which houses an unusual and bright cloud arc cataloged as NGC 6559. Visible above are red glowing emission nebulas of hydrogen, blue reflection nebulas of dust, dark absorption nebulas of dust, and the stars that formed from them. The first massive stars formed from the dense gas will emit energetic light and winds that erode, fragment, and sculpt their birthplace. And then they explode. The resulting morass can be as beautiful as it is complex. After tens of millions of years, the dust boils away, the gas gets swept away, and all that is left is a naked open cluster of stars. SH2-29 is located about 4,000 light years away and can be found about one degree northeast of M8, the Lagoon Nebula.

At the center of the image placed IC 4685 nebula. Black "worms" over it are dust nebulae B 302 and B 303. NGC 6559 is slightly to the right of the center and “separated” by an arch from IC 4685. Two spherical clumps just below the center are IC 1274 and IC 1275 (SH2-32 and SH2-31 respectively), separated by the dusty nebula B 91.

On the left side of the frame there is a small reflection nebula IC4678, and on the bottom of the frame - IC 4684. In the bottom left corner is the open cluster NGC 6546.

In the upper left corner in the frame is the northeastern part of the Lagoon (M8). Interestingly, against the background of SH2-29 nebula, just above the center, the planetary nebula Minkovsky M1-41 is present.

Own remote observatory, 50 km from Kiev, Bortle 4 zone. Imaged during Sep 2019 - Jan 2020. AZ-EQ6 mount, ED80 (520mm at 1/6.5), Atik383L+. Guide - OAG with SX Lodestar X2 camera.

Baader L: 85 x 180s;

Baader R: 60 x 180s;

Baader G: 49 x 180s;

Baader B: 60 x 180s;

Baader Ha: 78 x 300s;

Total exposure - 19 hr.

Captured in SGP, processed in Pixinsight.

Process of nutrient absorption in soil. It illustrates the roles of organic matter, microbes, insects and show how they balance the soil environment as a whole.

The scattered white light was measured perpendicular to the boule axis at distances of 15 (near) and 70mm (far) from the illuminated end. Note that this plot has a logarithmic intensity scale and the two spectra were scaled to match at 800nm.

AirDrain Agronomic Natural Grass Drainage at the Chesapeake Energy Roof Top Sports Field

74,000 sqft. Natural Grass Field

Benefits of AirDrain in a green roofing system include:

AirDrain creates and helps maintain a constant Gmax for artificial turf (See below)

Thickness and resin consistency of AirDrain provides uniform shock absorbency

Shock absorption reduces the strain on joints and ligaments

AirDrain is only limited by the drainage capacity of the profile above it

Installation time measured in days instead of weeks

AirDrain can be reused when the artificial turf must be replaced

Water harvesting reclamation and reuse

Helps qualify for LEED and other green building credits

A smaller carbon and development footprint with reduced site disturbance

100% vertical drainage under the entire field surface

Minimizes water related injuries / Less infill migration due to superior drainage

AirDrain is a 100% recycled product

Less infill migration due to superior drainage

GMAX Information Existing Conditions for Testing

Turf - 2 1/2” Slit Film, in filled with 50% Green Rubber Infill and 50% Silica Sand.

The drainage/shock pad and turf underlying substrate consists of a concrete deck/rooftop, coated with a waterproof membrane and 10 ounce 100% recycled polyester geo-textile filter fabric.

The Standard Test Method for Shock-Absorbing Properties of Playing Surface Systems and Materials (ASTM F1936-98 American Football Field) testing locations and procedure were preformed. The tests were performed using a Triax 2000 A-1 Missile, tripod mounted Gmax registration unit(www.triax2000.com). This report presents background information on the test procedures, existing conditions, test results and observations in football, baseball, softball, soccer, lacrosse, and field hockey artificial sports fields.

The environmental impact of a green roof is undenyable, and adds significantly to the LEED Point system designed by the USGC in all five major areas: sustainable site development, water savings, energy efficiency, materials selection, and indoor environmental quality. Green roofing replaces the green space displaced by a building, prevents excess storm water drainage, reduces the temperature of a building and the urban heat island effect, protects and extends the useful life of a roof, and reduce energy demands.

What's more, a green roof incorporating AirDrain means your design includes renewable, recycled, and locally obtained materials. We know you have a choice in designing a green roof, and we hope you consider the many benefits of AirDrain.

A typical AirDrain green roof

Line graph showing the relative amounts of light absorption at different light wavelengths by the photosynthetic pigment family known as the Phototropins. Feel Free to use the photo but please don't forget to give credit to www.ledgrowlightshq.co.uk.Thanks!

Spectra of cooked purple potato: greenish-blue flesh (blue line); blue-purple flesh (red line); cooking water (green line); fluorescence with 404nm laser excitation - observed through a yellow filter (black line). The absorption features longward of 700nm are due to water vibrational transitions.

Sonata Vario acoustic absorbers suspended from the ceiling within Bolton Villas United Reformed Church, Bradford. The introduction of the absorbers dramatically reduced the reverberation within the church

www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

Nike Air Force 1 High GS, Wheat, Size 4.5Y, Flax, Green, Gum, 807617-200, UPC 00888410372173, 2015, Women’s size 6, Big Kids High Top shoe, Nubuck leather upper, Gum Out Sole, Perforated detailing on the toe box, Perforations for breathability, gum midsole, dark green Nike branding on the tongue, heel, and outsole, Nike Swoosh on the sides, Ankle strap for security, Polyester tongue, Nike Air branding, Midsole Air-sole for impact absorption, Nike Air branding on the heel, Rubber outsole for increased traction, originally released in 1982, named after the aircraft that carries the President of the United States, redd3413

Oil pastel (also called wax oil crayon) is a painting and drawing medium with characteristics similar to pastels and wax crayons. Unlike "soft" or "Japanese" pastel sticks, which are made with a gum or methyl cellulose binder, oil pastels consist of pigment mixed with a non-drying oil and wax binder. The surface of an oil pastel painting is therefore less powdery, but more difficult to protect with a fixative. Oil pastels provide a harder edge than "soft" or "French" pastels but are more difficult to blend.

At the end of World War I, Kanae Yamamoto proposed an overhaul of the Japanese education system. He thought that it had been geared too much towards uncritical absorption of information by imitation and wanted to promote a less restraining system, a vision he expounded in his book Theory of self-expression which described the Jiyu-ga method, "learning without a teacher". Teachers Rinzo Satake and his brother-in-law Shuku Sasaki read Yamamoto's work and became fanatical supporters. They became keen to implement his ideas by replacing the many hours Japanese children had to spend drawing ideograms with black Indian ink with free drawing hours, filled with as much color as possible. For this, they decided to produce an improved wax crayon and in 1921 founded the Sakura Cray-Pas Company and began production. The new product wasn't completely satisfactory, pigment concentration was low and blending or impasto was impossible, so in 1924 they decided to develop a high viscosity crayon: the oil pastel. This used a mixture of mashed paraffin, stearic acid and coconut oil as a binder. Designed as a relatively cheap, easily applied, colorful medium, oil pastels granted younger artists and students a greater freedom of expression than the expensive chalk-like pastels normally associated with the fine arts. Until the addition of a stabiliser in 1927, oil pastels came in two types: winter pastels with additional oil to prevent hardening and summer pastels with little oil to avoid melting. State schools simply couldn't afford the medium and, suspicious of the very idea of "self-expression" in general, favoured the coloured pencil, a cheaper German invention then widely promoted in Europe as a means to instill work discipline in young children.

Oil pastels were an immediate commercial success and other manufacturers were quick to take up the idea, such as Dutch company Talens, who began to produce Panda Pastels in 1930. However, none of these were comparable to the professional quality oil pastels produced today. These early products were intended to introduce western art education to Japanese children, and not as a fine arts medium, although Sakura managed to persuade some avant-garde artists to acquaint themselves with the technique, among them Pablo Picasso. In 1947 Picasso, who for many years had been unable to procure oil pastels because of the war conditions, convinced Henri Sennelier, a French manufacturer who specialized in high quality art products, to develop a fine arts version. In 1949 Sennelier produced the first oil pastels intended for professionals and experienced artists. These were superior in wax viscosity, texture and pigment quality and capable of producing more consistent and attractive work. The Japanese Holbein brand of oil pastel appeared in the mid-1980s with both student and professional grades; the latter with a range of 225 colours. Another brand, Caran d'Ache, introduced Neocolor wax crayons onto the market in 1965, using a patented polyethylene wax with superior lubrication; in the nineties these were developed into an oil pastel, Neopastel.

Oil pastels can be used directly in dry form; when done lightly, the resulting effects are similar to oil paints. Heavy build-ups can create an almost impasto effect. Once applied to a surface, the oil pastel pigment can be manipulated with a brush moistened in white spirit, turpentine, linseed oil, or another type of vegetable oil or solvent. Alternatively, the drawing surface can be oiled before drawing or the pastel itself can be dipped in oil. Some of these solvents pose serious health concerns[citation needed].

Oil pastels are considered a fast medium because they are easy to paint with and convenient to carry; for this reason they are often used for sketching, but can also be used for sustained works. Because oil pastels never dry out completely, they need to be protected somehow, often by applying a special fixative to the painting or placing the painting in a sleeve and then inside a frame. There are some known durability problems: firstly, as the oil doesn't dry it keeps permeating the paper. This process degrades both the paper and the colour layer as it reduces the flexibility of the latter. A second problem is that the stearic acid makes the paper brittle. Lastly both the stearic acid and the wax will be prone to efflorescence or "wax bloom", the building-up of fatty acids and wax on the surface into an opaque white layer. This is easily made transparent again by gentle polishing with a woolen cloth; but the three effects together result in a colour layer consisting mainly of brittle stearic acid on top of brittle paper, a combination that will crumble easily. A long term concern is simple evaporation: palmitic acid is often present and half of it will have evaporated within forty years; within 140 years half of the stearic acid will have disappeared. Impregnation of the entire art work by beeswax has been evaluated as a conservation measure.

The surface chosen for oil pastels can have a very dramatic effect on the final painting. Paper is a common surface but this medium can be used on other surfaces including wood, metal, hardboard (often known as "masonite"), MDF, canvas and glass. Many companies make papers specifically for pastels that are suitable for use with oil pastels.

Building up layers of color with the oil pastel, called layering, is a very common technique. Other techniques include underpainting and scraping down or sgraffito. Turpentine, or similar liquids such as mineral spirits, are often used as a blending tool to create a wash effect similar to some watercolor paintings. Commercially available oil sketching papers are preferred for such technique.

There are a number of types of oil pastels, each of which can be classified as either scholastic, student or professional grade.

Scholastic grade, for example the Loew Cornell brand, is the lowest grade: generally the oil pastels are harder and less vibrant than higher grades. It is generally meant for children or people starting out with oil pastels, and is fairly cheap compared to other grades, often about US$5 for a large box. The middle grade, student grade, is meant for art students and can be much more expensive but softer and more vibrant than scholastic grade. They are usually more expensive and cost around $1 to $2 each. An example of a student grade oil pastel is Van Gogh, manufactured by Talens. Professional grade is the highest grade of oil pastel and can be very expensive, often costing $3 to $5 per oil pastel, but are also the softest and most vibrant. Professional quality brands of oil pastel include Sennelier, Holbein, Garich, and Sakura Specialist..

Sonata Vario acoustic absorbers installed within the hall at Cumwhinton Primary School to reduce noise and reverberation

Sonata Vario acoustic absorption panels installed to the ceiling of the new Menai Bridge Scout & Guide Hall

“What a difference a few square boards can make, the noise levels as so much better, no more gritting my teeth when the Rainbows scream.”

We are all in agreement that the panels have made a big difference to the noise levels and therefore to our enjoyment of using the new Hall. They also look really good."

www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

Sonata Aurio and Vario acoustic absorbers installed within the newly built Thornham village hall to reduce reverberation and echo during use

Sonata Vario acoustic absorbers installed within the music room at Belper School in Derbyshire

Details on Sonata Vario can be viewed here: www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

The Aerosol Observing System (AOS) measures aerosol absorption and scattering coefficients as a function of the particle size and radiation wavelength.

The Two-Column Aerosol Project (TCAP) was conducted from June 2012 through June 2013, and included the deployment of both the first ARM Mobile Facility (AMF1) and ARM Aerial Facility (AAF) to Cape Cod and Hyannis, Massachusetts, respectively. The primary goal of TCAP was to investigate cloud-aerosol interactions.

Terms of Use: Our images are freely and publicly available for use with the credit line, “Image courtesy of the U.S. Department of Energy Atmospheric Radiation Measurement (ARM) user facility.”

This Free Renaissance Town Hall, made redundant by absorption into Islington, is now a dance school

Sonata Aurio and Vario Class A acoustic absorbers installed within Buckshaw Village Hall to reduce noise and reverberation

Timberland 6 Inch Premium Waterproof Boots, Menâs Size 12, Wide, Wheat, Nubuck, TB010061, 100613640, Premium leather uppers, waterproof construction, Leather lining for comfort and durability, Rustproof hardware, anti-fatigue technology, 400 grams of PrimaLoft® insulation, Padded collar for a comfortable fit around the ankle, Anti-fatigue midsole and removable footbed for all-day comfort, lightweight cushioning and shock absorption, Rubber lug outsole is made with 10% plant-based materials, reddealsonline, redd3413,

Contractor crews have finished installing about 350 of the noise-absorptive panels on the east side of the I-5 Ship Canal bridge.

The panels stretch about 500 feet on the south end of the structure. They are not over the travel lanes. Instead, they are securely fastened to the outside ceiling of the express lanes.

Learn more about this project: www.wsdot.wa.gov/projects/i5/shipcanalbridge/

For this gentle and relaxing photowalk in my district, Lyon, France, I brought along my French TLR SEMFLEX Standard 3.5 camera (see below for details) loaded with a never-tried yet film Svema FOTO 100 made in Ukraine. The backing paper is black with white numbering and signaling symbols are easy to read across the small red window of my SEMFLEX.

For all the frames, my SEMFLEX was equipped with the original SEMFLEX squared shade hood a SEMFLEX yellow filter x2. The film was exposed for 50 ISO to compensate the light absorption of the yellow filter. Metering was done using a Minolta Autometer III equipped with a 10° finder for selective measures privileging the shadow areas or an opale dome for incident light integration.

View n° 1: 1/100s f/8 focusing @ infinite, SEMFLEX Yellow filter x2

Panorama sur les Monts du Lyonnais (Cols de Malval et de la Luère)

Parc de la Cerisaie - Villa Gillet ***, May 10, 2025

69004 Lyon

France

___________

*** ** PARC DE LA CERISAIE, WHOSE NAME COMES FROM THE PRESENCE, OLD, OF A CHERRY ORCHARD ALREADY BELONGS TO THE CITY OF LYON: SINCE 1976.

Previously owned by the Gillet family, precursors of silk dyeing at the beginning of the 20th century, the park and the Villa built in 1911 by the architect Joseph Folléa communicated at the time directly with their factory installed on the banks of the Saône. In the 60s, their vast industrial empire merged with the Rhône-Poulenc group of which Renaud Gillet was president from 1973 to 1979.

Very quickly, the City of Lyon chose to open this park to the people of Lyon and to direct its vocation towards the Arts. Thus, during the 2nd and 3rd sculpture symposiums of 1980 and 1982 the park hosted many works. Some of them are still there.

The villa, renovated in 1986, also became a place dedicated to the Arts. Initially, it was the headquarters of the Fonds Régional d'Art Contemporain (FRAC), the organization supporting creation, before it was transferred to the Institut d'Art Contemporain de Villeurbanne.

Today, the villa houses three cultural institutions: La Villa Gillet, which defines itself as a Contemporary Research Unit and is interested in all forms of culture (literature, human, political and social sciences, history, or contemporary arts), the Agence Rhône-Alpes pour le Livre et la Documentation (ARALD) whose objective is to promote the culture of writing and activities related to books, and the Groupe Musiques Vivantes de Lyon which works for the creation and diffusion of acoustic music.

_______________

After the view #12 exposed, the film was fully rolled to the taking spool and was developed in a Paterson tank with a spiral adapted to the 120-format film. 500 mL of Adox Adonal (Agfa Rodinal) developer were prepared at the dilution 1+25 and the film processed for 7 min at 20°C. The first view was shifted by about two frames leading to only 10 views on the film. This is clearly due to a quality problem. The backing paper was improperly positioned during the spooling of the film.

Digitizing of the remaining 10 frames, was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta vertical macro stative device and adapted to a Minolta MD Macro lens 1:3.5 f=50mm. The light source was a LED panel (approx. 4x5') CineStill Cine-lite fitted with film holder "Lobster" to maintain flat the 70mm films.

The RAW files obtained were inverted within LR and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG together with some documentary smartphone pictures..

About the camera and lenses :

My French Semflex TLR year 1959-1960 is equipped with triplet 1/3.5 f=75mm SOM Berthiot lenses as descripted bellow.

The SEM company ("Société des Etablissements Modernes de Mécanique") was founded in France by Paul Royet in 1946, in the small city of Aurec near Saint-Etienne (Loire). The SEM camera's was known essentially for the TLR Semflex that were a great commercial success in France until the 70's. The camera's are constructed around an injected aluminum alloy chassis, very resistant and rigid permitting precise optical alignments. The focusing mechanism is made of a cam system like the Rolleiflex giving an accurate and smooth focusing. SEM constructed their own shutters called Orec with 5 leaves capable of the 1/400s to 1s with B.

Semflex received in majority French optics Berthiot with 3 or 4 lenses (Tessar type). Some camera's were also mounted with Angénieux lenses.

Semflex were trusted TLR camera's used by amateurs and for professional purposes. From 1949 to 1976, 171.000 Semflex were produced in many different types and versions.

My Semflex in a middle grade version Standard 3.5 type-10 (1959-1960). It was the last version mounted with the 3-lens SOM Berthiot 1:3.5 f=75mm. I got the camera with set of accessories and several documents including the user manual of the Semflex Standard 4.5 versions. The accessories include a leather SEM ever-ready bag, a Semflex push-on shade hood, a Semflex push-on yellow filter x2 in its original box, and close-focusing lenses. The 1D one is constructed with a prism for the finder lens that compensates the parallax in the zone 1m to 0.5m.

The decorative ring around each lenses can also receive push-on accessories in 36mm diameter as the FOCA or Leitz 36mm filter series. I adapted two protective lens caps from Kodak film canister snapped covers.

Sonata Vario acoustic absorption panels installed beneath the ceiling to reduce reverberation and noise

Sonata Vario acoustic absorbers suspended from the ceiling within Bolton Villas United Reformed Church, Bradford. The introduction of the absorbers dramatically reduced the reverberation within the church

www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

Sonata Vario acoustic absorbers installed within the hall at the Peter Street Centre, St Helens

Details on our range of acoustic absorbers can be found here: www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

I'm not sure if it's an advert for Tampax or a traffic pictogram saying "No way out"

The visible and NIR transmission spectrum of a path of approximately 3cm through a blue-green fluorite crystal from China. This shows a possible detection of a very small amount of water in the crystal: an equivalent depth of <3µm of liquid - by comparison with the standard water transmission spectrum (Segelstein - broad blue band).

A Fomapan Action 400 black-and-white film to test the effect a the special Foca filter "Dyma" produced in France in the 50's.

The filter is called "Dyma" due to the presence of neodymium in the glass giving an unusual absorption by bands in the visible spectrum. In particulier blue and yellow color ans more absorbed than the rest of the spectrum. The filter existed in two different versions with the coefficient x2.5 or 3.5. Here the 42mm push-on Foca Dyma filter used is a x 3.5.

As a consequence, I exposed the Foma 400 for 80 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. I used my FOCA camera PF2B year 1956 and its normal Oplar lens1:2.8 f=5cm equipped for all the views with the Dyma filter and a Genaco metal shade hood.

Typical settings during the session : 1/100s f/8 to f/11.

Place Chardonnet, May 29, 2023

69001 Lyon

France

After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 6 min.

The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.

All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.

About the camera and the lens:

The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France, in 1956 among a late series of the PF2B. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.

The camera is equipped with the collapsible OPLAR lens (a Tessar formula) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed basically for the FOCA PF3 and Foca Universel.

Union City, California

January 2013

Nike Air Force 1 High Dream Team, Size 5.5Y, White, Black, 653998-102, UPC 00885176668243, 2016, Women’s size 7, Kids High Top Basketball sneaker, "Dream Team" mini-collection, USA 1992 basketball Team, perforated white leather upper, rubber outsole, White midsole, Nike branding on the tongue, Nike Swoosh Branding on the sides, basketball logo at the heel counter, Ankle strap, Polyester tongue, Nike Air branding, Midsole Air-sole for impact absorption, basketball and five stars at the heel, 1992 scripted along the insole,

www.fature.net/release.php?id=21

The Faturenet collective have been working hard over the past few months. But not by having 2 Minute Masturbations. By creating 2 Minute Masterpieces...

These 27 tracks all lasting exactly 2 minutes in length will take you on a journey to some very special places.Some charming and characteristic, others for dirty minded music lovers.

Compiled by Fature, artwork by Almost Synthesis

01.Ambient Anonymous - Nociceptors

02.Sevish - Trapped in a Cycle

03.Fature - Maize for Men Wine for Women

04.Leithal - MW

05.Plutonium Telecom - Perfection Boredom

06.Zarathustra - Verbiage

07.Babungus - Knuckle Chunder

08.Almost Synthesis - Throw Some Dirt On It

09.Ambient Anonymous - Unexpected Item In Bagging Area

10.Eric Braham - Entropy and Lust

11.FLK - Twist

12.Benjaz - Flash Front

13.Drew Costigan - Razor

14.Waverine - Skateboard Race

15.ProVote - Two Minute Intro

16.PsychicEyeClix - Grill n Bass

17.ACL - Musoholic

18.FLK - Cloudchaser

19.Plutonium Telecom - Diamonds Delay BigFade

20.Ambient Anonymous - Archangel

21.Waverine - Morning

22.Leithal - Five

23.Plutonium Telecom - MeLeftNothing

24.FLK - Loko

25.Ambient Anonymous - Hive Mind

26.Leithal - 404 120

27.Delcraft - Feel the Meditation Shawshank

Released: 27th Feb 2011

Sonata Vario acoustic absorbers installed within the canteen at Telford Lawn Tennis Club in Wimbledon

Details on our range of acoustic absorbers can be found here: www.soundreduction.co.uk/Products/Sound-Absorption-Soluti...

This mushroom was found outside of friday hall on the UNCW campus on january 23 2017. I have identified it as American Caesar's Amanita (Amanita jacksonii) by using "The mushroom observer" and "mushroom appreciation". These mushrooms extend from eastern Quebec Canada to Mexico state of Hidalgo.

The ecological process comes from the type of mushroom, Mycorrhizal. This means they form symbiotic relationships with rootlets of surrounding trees. The mushroom covers the rootlets with a sheath and helps with nutrient and water absorption. The tree provides amino acids and sugars to the mushroom. The relationship is essential for both the tree and the mushrooms. mushrooms are unable to produce their own energy. They must rely on other organisms. (mushroom expert)

www.mushroomexpert.com/glossary.html#mycorrhizal

www.mushroom-appreciation.com/learning-about-mushrooms-in...

mushroomobserver.org/species_list/show_species_list/213