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Nate celebrates his first successful climb of the day. 朋友從剛才攀過的岩壁頂端揮手慶祝當日第一個成功征服的攀岩路線.
Zeiss Ikon Super Ikonta 532/16 + Kodak Ektar
A long, long time ago, Mark Hill leaned into a brisk winter wind on his way up to attempt Chockstone Gully on the Cobbler (Ben Arthur) in the Arrochar Alps of the Southern Highlands. But we failed due to lean conditions. It was a grand walk though...
(Originally taken with an Olympus OM-1n, Kodachrome 64).
One of my favorites from my first day attempting smoke photos. It was a lot more work than I expected to get the lighting and air currents right for these shots!
These images have been created for the exhibition 'North Lyell Mining Disaster,' from the original archive image below.
Tasmanian Archive and Heritage Office: NS3245/1/288
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DRS Class 88s nos. 88009 'Diana' and 88004 'Pandora' are seen powering through Scout Green on the long, arduous climb up to Shap summit, working 4S43 the 06:25 Daventry to Mossend liner, fortuitously (for us at least) running about an hour late!
Light was in a very awkward place (though we only realised that once we were committed to the location) but happy with this one regardless.
An automatic staircase in the main station of Leipzig/Germany.
The building of the main station also houses a mall with 142 shops, making it one of the most visited spots in Leipzig.
FG-1D Corsair taking of from the Military Aviation Museum.
To view a hi-res version and for more information visit my website: Warbirds Over the Beach 2014
I took two copies of "Mysterious Stairs" from the book Pop Up Gift Cards by Masahiro Chatani and combined them, using Illustrator CS2, to form a S form. Here the S is vertical.
The first of the scanned Provia 100 slides. Best viewed huge, I left this at full resolution (which comes in around 19 megapixels) for anyone that wants to see all the detail. For a sense of scale, notice the fly that helpfully landed between the two figures on the right. These are not large figures, about 6-7" tall (15cm for those of you whose system of measurement isn't still stuck in the 17th century).
I think I've said before that you can usually tell when someone has pushed color contrast too far in a BCS panel by when the figures start to turn purple -- auto color routines tend to do that. I haven't gone completely overboard here, but further than I usually would, because when I did I noticed the faded snake with arms on the left, above the faded sheep. Hmmm.