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U.S. Secretary of State Hillary Rodham Clinton and U.S. Secretary of the Interior Ken Salazar arrive for the U.S.-Mexico Transboundary Hydrocarbons Agreement in Los Cabos, Mexico, February 20, 2012. [State Department photo/ Public Domain]
John Swinney MSP pictured with Mayor Young-gil Song at signing ceremony for the MoU between Scottish Development International and Incheon Metropolitan City.
A view of the podium (platform) and the Capitolium* of ancient Signia (now Segni). The podium is made of polygonal masonry (dated to the fifth century B.C., but note that dating of the present structure is problematic, e.g., A. Lake: "The temple as we know see it is to be dated to the II. century [BCE], to which period belong the very large revetments of the entablature and pediment" p. 111).
The interior of the podium is built with cross walls placed where it was necessary to support walls and columns of the tetrastyle superstructure, the rest was simply filled with packed earth.
Note that the walls of the podium were built up in two steps. The lower of the two is 1.18 m high, and the upper is 1.82 m high (thus total height = 3 m). The dimensions of the upper wall are 23.91 m across and 40.27 long.
The cella wall of the temple, partially preserved and now incorporated within the Church of S. Pietro, is constructed of tufa (tuff) ashlars. The back (north) wall of the central cella is visible here.
*identification as the Capitolium: is based upon the prominent location and the triple-cella of the shrine. Votive offerings at the site have confirmed the worship of the goddess Juno, but it is possible that the goddess alone was honored here without her counterparts Jupiter and Minerva (cf. Lake 111).
A. G. Lake "Archaeological Evidence for the 'Tuscan Temple'" MAAR 12 (1935) 89-150.
photo taken in 1974.
In the course of Deep Space LIVE, world-famous artist Hermann Nitsch, founder of the Viennese Actionism, presented some of his works in 16x9 m format. With his actionsism and paintings, Nitsch has been causing international stirs for decades.
Photo showing Hermann Nitsch (AT) signing autographs.
credit: Tom Mesic
To view more of my images, of Birds of Prey, please click "here" !
The Red Kite (Milvus milvus) is a medium-large bird of prey in the family Accipitridae, which also includes many other diurnal raptors such as eagles, buzzards, and harriers. The species is currently endemic to the Western Palearctic region in Europe and northwest Africa, though formerly also occurred just outside in northern Iran. It is resident in the milder parts of its range in western Europe and northwest Africa, but birds from northeastern and central Europe winter further south and west, reaching south to Turkey. Vagrants have reached north to Finland and south to Israel, Libya and Gambia. Red kites are 60 to 70 cm long with a 175–179 cm wingspan; males weigh 800–1,200 g, and females 1,000–1,300 g. It is an elegant bird, soaring on long wings held at a dihedral, and long forked tail, twisting as it changes direction. The body, upper tail and wing coverts are rufous. The white primary flight feathers contrast with the black wing tips and dark secondaries. Apart from the weight difference, the sexes are similar, but juveniles have a buff breast and belly. Its call is a thin piping sound, similar to but less mewling than the common buzzard. There is a rare white leucistic form accounting for approximately 1% of hatchlings in the Welsh population but is at a disadvantage in the survival stakes The red kite's diet consists mainly of small mammals such as mice, voles, shrews, young hares and rabbits. It feeds on a wide variety of carrion including sheep carcasses and dead game birds. Live birds are also taken and occasionally reptiles and amphibians. Earthworms form an important part of the diet, especially in spring. As scavengers, red kites are particularly susceptible to poisoning. Illegal poison baits set for foxes or crows are indiscriminate and kill protected birds and other animals. There have also been a number of incidents of red kites and other raptors being targeted by wildlife criminals. Although adult red kites are sedentary birds, occupying their breeding home range all year in most cases, populations from Central and Northern Europe—although not the United Kingdom—may migrate south to areas such as Spain and the Iberian peninsula during colder winters. Each nesting territory can contain up to five nest sites. Both male and female birds build the nest on a main fork or a limb high in a tree, 12–20 m above the ground. The nest is made of twigs and lined with grass or other vegetation and sheep’s wool. At signs of danger, a mother will signal the young who will "play dead" when a predator is near. Red kites inhabit broadleaf woodlands, valleys and wetland edges, to 800 metres. They are endemic to the western Palearctic, with the European population of 19,000–25,000 pairs encompassing 95% of its global breeding range. It breeds from Spain and Portugal east into central Europe and Ukraine, north to southern Sweden, Latvia and the UK, and south to southern Italy. There is a population in northern Morocco. Northern birds move south in winter, mostly staying in the west of the breeding range, but also to eastern Turkey, northern Tunisia and Algeria. The three largest populations (in Germany, France and Spain, which together hold more than 75% of the global population) declined between 1990 and 2000, and overall the species declined by almost 20% over the ten years. The main threats to red kites are poisoning, through illegal direct poisoning and indirect poisoning from pesticides, particularly in the wintering ranges in France and Spain, and changes in agricultural practices causing a reduction in food resources. Other threats include electrocution, hunting and trapping, deforestation, egg-collection (on a local scale) and possibly competition with the generally more successful black kite M. migrans.
One of the Esso Road Maps, produced for the then Anglo-American Oil Company by Stanford's. This sheet, No. 4, covering Wales and the Midlands is nicely anonymous as it does not carry either a date nor an attribution for the front cover. Given the lack of any motorway (such as the early M45 or M50) it's likely to be mid-late 1950s.
Anyhow, all is well with the world; on the cover there's a pipe clenched between the teeth so its British and masculine. Equally, the happy motorist in the car in this cartoon is additionally wearing tweed. Not signed this cartoon is by, I am sure, Russell Partridge Brockbank, a well knwon British cartoonist and artist who specialised in motoring and aviation work.
U2 by U2 author signing at the Barnes & Noble store in Union Square, New York City - Tuesday, September 26, 2006. Photo (c) Phil Romans/atu2 (@U2)
----Image from the H. Edwin Morrow Collection. Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
Chris Smith from Walsall College sticks a sign on car on the Have a Go at Sign Making stand at The Skills Show 2013, NEC Birmingham. Credit: Professional Images/@ProfImages
ראש הממשלה בנימין נתניהו בטקס לציון חתימת הסכם פיתוח כוללני בעין מאהל.
צילום: עמוס בן גרשום לע"מ
Prime Minister Benjamin Netanyahu at a ceremony marking the signing of a comprehensive development agreement at Nazareth Illit
Photo: Amos Ben Gershom, GPO
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/4934017866
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Light painting with a blue sparkler.
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
Join ITS Tactical as we look at Sign Cutting and Tracking Methods Employed by the US Border Patrol. Read the article here: itstac.tc/HNFneX
Visit the website at www.vettamarketing.com/emailmarketing.php and get the details.
Close up of at sign key on computer keyboard.
As I had said “literary” could imply/require a narrative pursuit and that may limit me or demand a purpose or some kind of accountability. I do not really want to have a way through this or an idea of a way. I feel adrift a bit lost and I am looking for and at signs. I do not want to frustrate the viewer. I am searching for empathy.
The thought of see-through jerseys, gun barrels and bodies has returned yet again. The Baldheaded jersey man operates associatively like some kind of distorted Papa Bois in the ideological forest. There was a temptation to go into the public archives to find that image of the shot young woman but its fluidity in memory seemed to be more capable in some way of saying something as well. It could become a way of owning that memory or feeling that I observed in those a little older than myself, then, of youthful dreams - that “Third-World-ism” of the era and in which the term “political disturbance” was used as if what is going around you – the stagnation was a normal or an acceptable or given political operation.
Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.
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Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.
©Matt Baron/BEImages/BEIMAGES/MAXPPP - Frank Lampard
Chelsea Football Club players and coaches made an exclusive team appearance at the adidas Sports Performance store in Santa Monica for a public greeting and autograph session on July 15, 2007 .
Santa Monica, California
Photo © Matt Baron/BEImages
*** Local Caption ***
ca. 1972
H36133/623
Author/Creator: K. J. Halla photographer.
Between William and St. James Streets: Looking up at signs suspended from shop fronts.
Visit our catalogue to download a hi-res copy or find out more about this image: handle.slv.vic.gov.au/10381/49764
Want to find more pictures from the State Library of Victoria's collections? guides.slv.vic.gov.au/pictures
Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.
Not sure if its a game, or superstition or what. Many of the riders would arrive at sign on, then check the number on the back of their jersey before signing on.
Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.
For more info, visit bit.ly/bamboodu-info
Photo by Phyllis Florin.
Behold the Bamboodu Theater, my new puppet stage for political events and art shows.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
We premiered Bamboodu Theater at ‘Signs of Hope’, a special exhibit at Art Works Downtown in San Rafael. Over a hundred folks came to the opening celebration on April 14th, attracting creative minds of all ages and backgrounds.
I created this interactive theater experience to engage people of all ages to change the world through creativity and civic action. Folks seem to respond to this early work in progress.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.
Thanks as well to all my friends who took some of the photos featured in this album, including Phyllis Florin, Ahmed Kabil, Steve Katz, Suz Lipman, Tim Pozar and Howard Rheingold, to name but a few.
For more info, visit bit.ly/bamboodu-info
Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.