Vietnam in Black and White
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B52 - Love Shack
www.youtube.com/watch?v=9SOryJvTAGs
If you see a faded sign at the side of the road that says
"15 miles to the Love Shack"
Love Shack, yeah, yeah
I'm heading down the Atlanta highway
Looking for the love getaway
Headed for the love getaway
I got me a car, it's as big as a whale
And we're headin' on down to the Love Shack
I got me a Chrysler, it seats about 20
So hurry up and bring your jukebox money
The love shack is a little old place where
We can get together
Love Shack, baby (the Love Shack, baby)
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Sign says (woo), "Stay away, fools"
'Cause love rules at the Love Shack
Well, it's set way back in the middle of a field
Just a funky old shack and I gotta get back
Glitter on the mattress
Glitter on the highway
Glitter on the front porch
Glitter on the highway
The Love Shack is a little old place where
We can get together
Love Shack, baby (Love Shack, baby)
Love Shack, that's where it's at
Love Shack, that's where it's at
Hugging and a-kissing
Dancing and a-loving
Wearing next to nothing 'cause it's hot as an oven
The whole shack shimmies
Yeah, the whole shack shimmies
The whole shack shimmies when everybody's moving around
And around and around and around
Everybody's moving, everybody's grooving, baby
Folks linin' up outside just to get down
Everybody's moving, everybody's grooving, baby
Funky little shack
Funky little shack!
Hop in my Chrysler
It's as big as a whale and it's about to set sail
I got me a car, it seats about 20
So come on and bring your jukebox money
The Love Shack is a little old place where
We can get together
Love Shack, baby (the Love Shack, baby)
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (love, baby, that's where it's at, yeah)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Bang, bang, bang, on the door, baby
Knock a little louder, baby
Bang, bang, bang, on the door, baby
I can't hear you
Bang, bang, bang, on the door, baby
Knock a little louder, sugar
Bang, bang, bang, on the door, baby
I can't hear you
Bang, bang, bang, on the door, baby (knock a little louder)
Bang, bang, bang, on the door, baby (knock a little louder)
Bang, bang (on the door, baby)
Bang, bang (on the door)
Everybody's moving, everybody's grooving, baby
Bang, bang
You're what?
Tin roof, rusted
Love Shack, baby, Love Shack
Love Shack, baby, Love Shack (love, baby, that's where it's at, yeah)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
Love Shack, baby, Love Shack (love, baby, that's where it's at)
At the Love Shack
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Self-portrait At Ocotillo Moons
(November 7th, 2020)
Terlingua, Texas, U.S.A.
After the first encounter last year, I returned there again. I had to because it was love at first sight. The desert is not a landscape that shouts. It whispers, inviting you to look closer. I think I found my place on Earth. The Chihuahuan desert, the largest desert in North America and the third most diverse in the world, is where I went for a 10-day road trip in November. It was a peak season, but I was able to find my solitude, rebuild harmony, and feed my soul. Aride and alive, the fascinating paradox about the Chihuahuan could be the metaphor of my poor existence in this world.
I took this mirrored self-portrait at my new place called 'Ocotillo Moons' where I moved to for next four days. It was a secluded luxuary barn sitting on 40 acres of beautiful desert landscape. It made me really sad seeing quite a comfortable lodging that I didn't expect with a spacious bathroom, a separate bedroom, a well equipped kitchen, a little rest area and an incredible covered patio. Even the refrigerator was giving natural water after pressing a proper button, or if you wanted potable water with glace straight to your cup! Gosh! All this made me feel bad and guilty. I started missing my Ghost Town Ruin where I stayed for the first three days, and all the hard work I had to do in order to wash dirty dishes, get potable water or a cup of tea. Such life makes you humble, and only this way you start understanding better the desert. Well, in fact, it was at Ocotillo Moons where I took two showers, my only ones during a 10-day road trip. Still, there was no a bathub, and everywhere I looked at, signs with conserving water, so I thought quite a bit before I decided to use it.
After a day or so of my stay there, I started slowly liking this place more and more. It's because I figured out its name, and fell in love with a new desert plant: ocotillo. It was so amazing looking at so many flourishing ocotillos surrounding the barn. To me they were like a synonyme of the essence of the Chihuahuan desert aride and alive. For most of the year the ocotillo appears devoid of life, but its dry, woody, thorny stems sprout small green leaves in spring and after heavy rains, followed by a cluster of bright red flowers.
I was able to take some self-portraits only twice at this place. First photoshoot was focused on ocotillos of course (sadly, I lost my mind dancing at the Golden Hour in the desert, and completely forgot to take a mirrored self-portrait for my project), the second one- on yucca trees. All these belong to the project "My Life Is a Picture" documenting my life.
---
About the project:
I wish to look at myself in all reflected streets and places I will be passing by. These self-portraits are inspired by Vivian Maier's self-portraiture: www.vivianmaier.com
Tomb of Nefertari, burial chamber: East wall, fifth portal
The eastern walls portrays Chapter 146 of the Book of the Dead. This is Nefertari's passage through twenty-one portals (each guarded by a single keeper) of the domain of Osiris. Each of the portals is represented in the same way, a simple door frame topped with a uraeus frieze. Inside each is the keeper, sitting on a green dais in the form of a Ma'at sign, holding a knife to his knees.
The doorkeeper of the fifth portal is a strange figure of a naked child with a malformed head. Unlike the other keepers, he does not hold a knife on her knees, but holds two (one in each hand) across her chest.
tokyo, japan
1973
the city at night
part of an archival project, featuring the photographs of nick dewolf
© the Nick DeWolf Foundation
Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com
Redline Buses MK63 XAS is seen at Signs Express having its Green Route 4 branding added. Redline Buses take over the route on the 2nd September 2013 from Arriva the Shires.
Shot a young teenage singer for your her try at signing with a music label
davidyoung-wolff.blogspot.com/
© 2012 David Young-Wolff
Beautiful stained glass windows at The Aachen Cathedral the Aachener Dom , Dom Zu Aachen , West Germany , Martin’s photographs , June 9. 2019
Statue
Clock tower
Clock tower of the Aachen Dom
Trees
Mistletoes
Etalage
Un - und verkauf store
Buy and sell store
Old street light
Domed ceiling
Beautiful stained glass windows
Clock tower
Arched walk way
Arches
Pillars
Pillar lined cobble stone street
Star of David
Penny Farthing
Penny Farthing bicycle
Rod iron fence
Rod iron gate
A statue
Wiederherstellung des Munsters
brash plaque with diagram of Aachen Cathedral
Monumental brash plaque with diagram
Sign with Fur die Wiederherstellung des Munsters
Sign
Dom
Germany
Aachen
The Aachen Cathedral
the Aachener Dom ,
Dom Zu Aachen
West Germany
Martin’s photographs
June 2019
Favourites
Stained glass
Stained glass windows
iPhone 7
iPhone 6
A statue of a guard dog at the entrance to the Aachen Cathedral
A statue of a guard dog
a guard dog at the entrance to the Aachen Cathedral
guard dog
Monumental brash plaque with diagram of the Aachen Dom on the ground
Monumental brash plaque with diagram of the Dom
Monumental brash plaque
brash plaque
Cobble stone street
Cobble stone Square
-this FILM photograph is a 3-photo stitched together to create the panoramic
- I'm sorry but i do not remember which film camera I used to take this photo. If I was to guess it was my Canon A-1 Film SLR.
- this stadium, the Original Yankee Stadium was demolished in 2010.
-i kind of like how the exposure is slightly different in each three exposures
-if you look at sign on the upper right of stadium it is announcing an upcoming World Series game.
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
A return to St Dunstan, but on another dull and overcast day, many shots did not come out, so a third visit is required, this time with self timer and a tripod. However, it is still glorious.
-------------------------------------------------------------
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Church Today
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
www.stdunstaninthewest.org/history
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
St Dunstan-in-the-West is the only church in England to share its building with the Romanian Orthodox community. The chapel to the left of the main altar is closed off by an iconostasis, formerly from Antim Monastery in Bucharest, dedicated in 1966.
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
A return to St Dunstan, but on another dull and overcast day, many shots did not come out, so a third visit is required, this time with self timer and a tripod. However, it is still glorious.
-------------------------------------------------------------
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Church Today
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
www.stdunstaninthewest.org/history
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
St Dunstan-in-the-West is the only church in England to share its building with the Romanian Orthodox community. The chapel to the left of the main altar is closed off by an iconostasis, formerly from Antim Monastery in Bucharest, dedicated in 1966.
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Whenever we have tried to see inside St Dunstan's in the past, always on a Saturday, there has been a christening taking place, or some other service, which means I have only glimpsed inside before we had to leave as the stares were quite hard from people attending the service.
I left St Spelchure, intending to walk straight to St Magnus, as that was the one church I wanted to visit. I turned of Holborn, thinking I knew the directions, ending up on Fleet Street in the end after all, with the clock of St Dunstan's just a few hundred yards away.
With the rain falling ever harder, I walk past ambling tourists and find my way into the church.
Sadly, I underestimated the darkness inside, and not may shots came out, but we can always go back.
-------------------------------------------------------
"St Dunstan in the West, the church of, is situated on the north side of the west end of Fleet Street, where it has been long known as a grievous incumbrance to Hackney and stage coachmen, drivers of omnibuses, and country females. But as it is about to be taken down, to the infinite regret of the city pickpockets, any description of it is unnecessary. It, however, unfortunately for the public, narrowly escaped destruction by the great fire of 1666, the flames having been stopped within three houses of its walls. It has been several times repaired, but it will, ere long,...be removed. It is a church of very ancient foundation, in the gift of the abott and convent of Westminster, who in 1237 gave it to Henry III towards the maintenance of the foundation of the house called the Rolls, for the reception of converted Jews. It was afterwards conveyed to the abbot and convent of Alnwick, in Northumberland, in whom it continued till the dissolution of the religious houses by Henry VIII. Edward VI granted the advowson of this church under the name of a vicarage to Lord Dudley. Soon after this, the rectory and vicarage were granted to Sir Richard Sackville, and the impropriation has ever since remained in private hands.
familysearch.org/learn/wiki/en/St_Dunstan_in_the_West
The Guild Church of St Dunstan-in-the-West is in Fleet Street in the City of London, England. It is dedicated to a former Bishop of London and Archbishop of Canterbury. The church is of medieval origin, although the present building, with an octagonal nave, was constructed in the 1830s to the designs of John Shaw.
First founded between AD 988 and 1070, there is a possibility that a church on this site was one of the Lundenwic strand settlement churches, like St Martin in the Fields, the first St Mary le Strand, St Clement Danes and St Brides. These churches may pre-date any within the walls of the city . It is not known exactly when the original church was built, but it was possibly erected by Saint Dunstan himself, or priests who knew him well. It was first mentioned in written records in 1185.[2] King Henry III gained possession of it and its endowments from Westminster Abbey by 1237 and then granted these and the advowson to the "House of Converts" i.e. of the converted Jews, which led to its neglect of its parochial responsibilities. This institution was eventually transformed into the Court of the Master of the Rolls.
The medieval church underwent many alterations before its demolition in the early 19th century. Small shops were built against its walls, St Dunstan's Churchyard becoming a centre for bookselling and publishing.[3] Later repairs were carried out in an Italianate style: rusticated stonework was used, and some of the Gothic windows were replaced with round headed ones, resulting in what George Godwin called "a most heterogeneous appearance".[3] In 1701 the church's old vaulted roof was replaced with a flat ceiling, ornamented with recessed panels.[3]
The Worshipful Company of Cordwainers has been associated with the church since the 15th century. The company holds an annual service of commemoration to honour two of its benefactors, John Fisher and Richard Minge, after which children were traditionally given a penny for each time they ran around the church.
William Tyndale, the celebrated translator of the Bible, was a lecturer at the church and sermons were given by the poet John Donne. Samuel Pepys mentions the church in his diary.[4] The church narrowly escaped the Great Fire of London in 1666. The Dean of Westminster roused 40 scholars from Westminster School in the middle of the night, who formed a fire brigade which extinguished the flames with buckets of water to only three doors away.
In the early 19th century the medieval church of St Dunstan was removed to allow the widening of Fleet Street and a new church was built on its burial ground. An Act of Parliament was obtained authorising the demolition of the church in July 1829 and trustees were appointed to carry it into effect. In December 1829 and September 1830 there were auctions of some of the materials of the old church. The first stone of the new building, to the design of John Shaw, Sr. (1776–1832), was laid in July 1831 and construction proceeded rapidly. In August 1832 the last part of the old church, which had been left as a screen between Fleet Street and the new work, was removed.[3]
Shaw dealt with the restricted site by designing a church with an octagonal central space. Seven of the eight sides open into arched recesses, the northern one containing the altar. The eighth side opens into a short corridor, leading beneath the organ to the lowest stage of the tower, which serves as an entrance porch. Above the recesses Shaw designed a clerestory, and above that a groined ceiling. The tower is square in plan, with an octagonal lantern, resembling those of St Botolph, Boston, and St Helen's York. George Godwin Jr suggested that the form of the lantern might have been immediately inspired by that of St George's church in Ramsgate ( where Shaw was architect to the docks), built in 1825 to the designs of H.E. Kendall.[3] John Shaw Sr. died in 1833, before the church was completed, leaving it in the hands of his son John Shaw Jr (1803–1870).
The communion rail is a survivor of the old church, having been carved by Grinling Gibbons during the period when John Donne served as vicar (1624–1631). Some of the monuments from the medieval building were reinstituted in the new church and a fragment of the old churchyard remains between Clifford's Inn and Bream's Buildings.
Apart from losing its stained glass, the church survived the London Blitz largely intact, though bombs did damage the open-work lantern tower.[6] The building was largely restored in 1950. An appeal to raise money to install a new ring of bells in the tower, replacing those removed in 1969, was successfully completed in 2012 with the dedication and hanging of 10 new bells.[7]
The church was designated a Grade I listed building on 4 January 1950.
On the façade is a chiming clock, with figures of giants, perhaps representing Gog and Magog, who strike the bells with their clubs. It was installed on the previous church in 1671, perhaps commissioned to celebrate its escape from destruction by the Great Fire of 1666. It was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Thomas Hughes' Tom Brown's Schooldays, Oliver Goldsmith’s The Vicar of Wakefield, David Copperfield by Charles Dickens, David Lyddal's The Prompter (1810)[9] and a poem by William Cowper. In 1828, when the medieval church was demolished, the clock was removed by art collector Francis Seymour-Conway, 3rd Marquess of Hertford to his mansion in Regent's Park; during World War I, a new charity for blinded soldiers was lent the house, and took the name St Dunstan's from the clock.[10] It was returned by Lord Rothermere in 1935 to mark the Silver Jubilee of King George V.
Above the entrance to the old parochial school is a statue of Queen Elizabeth I, taken from the old Ludgate, which was demolished in 1760. This statue, dating from 1586, is contemporaneous with its subject and thought to be the oldest outdoor statue in London. In the porch below are three statues of ancient Britons also from the gate, probably meant to represent King Lud and his two sons.
Adjacent to Queen Elizabeth is a bust of Lord Northcliffe, the newspaper proprietor, co-founder of the Daily Mail and the Daily Mirror. Next to Lord Northcliffe is a memorial tablet to James Louis Garvin, another pioneering British journalist.
en.wikipedia.org/wiki/St_Dunstan-in-the-West
St.Dunstan-in-the-West has a long and illustrious history. Visitors are often struck by how St. Dunstan’s differs in appearance and style to other Anglican churches. The church looks traditionally Neo-Gothic on the outside, yet is octagonal inside.
Saint Dunstan
Dunstan was one of the foremost saints of Anglo-Saxon England: he was also one of the most venerated before the cult of St Thomas Becket took hold of the popular imagination. He was born in 909 A.D. and was taught by Irish monks at Glastonbury Abbey, Somerset, where he developed a reputation as a formidable scholar. He also learnt metalworking, and was later adopted as the patron saint of Goldsmiths. Dunstan became a companion to King Aethelstan’s stepbrothers, Edmund and Eadred, although he was banished after the king died in 939. He then lived at Glastonbury as a hermit, before being appointed Abbot there in 945. He was appointed as the Bishop of Worcester and then the Bishop of London, before being elected Archbishop of Canterbury in 960. Dunstan sought peace with the Danes and promoted monastic living, as well as establishing the library at Canterbury Cathedral, where he was buried in 988. St Dunstan’s feast day is the 19th May and is still celebrated at this church: in 2013 our Patronal Festival will be held on Saturday 18 May.
The Original Church
The original St Dunstan-in-the-West stood on the same site as today, spilling in the past onto what is now the tarmac of Fleet Street. It is not known exactly when the original church was built, but it was between 988 and 1070 AD. It is not impossible that St Dunstan himself, or priests who knew him well, decreed that a church was needed here. The church narrowly escaped the Great Fire of London in 1666. The quick thinking of the Dean of Westminster saved the church: he roused forty scholars from Westminster School in the middle of the night, who extinguished the flames with buckets of water.
The Church is Rebuilt
The wear and tear of time took its toll, however, and St Dunstan’s was rebuilt in 1831. The architect, John Shaw, died in 1832, leaving his son, who bore the same name, to complete the task. The tower was badly damaged by German bombers in 1944, and was rebuilt in 1950 through the generosity of newspaper magnate Viscount Camrose. In 1952, St Dunstan-in-the-West became a Guild Church, dedicating its ministry to the daytime working population around Fleet Street.
The Clock and Giants
St Dunstan-in-the-West was a well-known landmark in previous centuries because of its magnificent clock. This dates from 1671, and was the first public clock in London to have a minute hand. The figures of the two giants strike the hours and quarters, and turn their heads. There are numerous literary references to the clock, including in Tom Brown’s Schooldays, the Vicar of Wakefield and a poem by William Cowper (1782):
When labour and when dullness, club in hand,
Like the two figures at St. Dunstan’s stand,
Beating alternately in measured time
The clockwork tintinnabulum of rhyme,
Exact and regular the sounds will be,
But such mere quarter-strokes are not for me.
The courtyard also contains statues of King Lud, the mythical sovereign, and his sons and Queen Elizabeth I, all of which originally stood in Ludgate. The statue of Queen Elizabeth I dates from 1586 and is the only one known to have been carved during her reign. (Please note: we regret that, due to building works, the statue of Queen Elizabeth I is not on view until the autumn of 2013.)
Inside the Church
Much of the internal fabric pre-dates the rebuilding of the church in the 1830s. The high altar and reredos are Flemish woodwork dating from the seventeenth century. There are also a large number of monuments from the original
church. Some of the earliest are two bronze figures thought to date from 1530.
The Organ
The original church has an organ dating from 1674-75 made by Renatus Harris. However, none of the original parts are likely to have remained as over the years it has had to be entirely rebuilt. Much of the present organ dates from 1834, when a Joseph Robson organ was bought at the same time as the Church was being rebuilt. Many distinguished organists have played here, including John Reading, the composer of Adeste Fideles, who died in 1764. Handel was even invited to play here, although whether the great composer ever accepted the invitation remains unknown.
The Romanian Orthodox Church
As well as being an Anglican church, the building of St Dunstan’s is home to the Romanian Orthodox Church in London. The beautiful iconostasis (altar screen) was brought here from a monastery in Bucharest in 1966.
St Dunstan-in-the-West is home to the Anglican and Eastern Churches Association, and is a centre of prayer for Christian Unity. It is therefore appropriate that the side chapels contain altars dedicated to various traditions, including the Lutheran Church in Berlin (EKD). There is also an altar of the Oriental Churches (Armenian, Coptic, Ethiopian, Syrian, Syro-Indian) and a shrine of the Lutheran and Reformed Churches. St Dunstan’s continues in its special role of promoting good relations with Churches outside the Anglican Communion, including through its role as the Diocese of London’s Church for Europe.
Other Famous Connections
The poet John Donne held the benefice here from 1624-31, while he was Dean of St Paul’s. William Tyndale, who pioneered the translation of the Bible into English, was a lecturer here. The famous diarist Samuel Pepys worshipped here a number of times. Lord Baltimore, who founded the State of Maryland in the USA, was buried here in 1632, as was his son. The church has been associated with the Worshipful Company of Cordwainers (old English for shoemakers) since the fifteenth century. Once a year the company holds a service here to commemorate the benefactors John Fisher and Richard Minge, after which children used to be given a penny for each time they ran around the church!
The Hoare Bank
The church has long had an association with C. Hoare and Co., whose bank has been situated opposite the church since 1690. The Hoare family donated the four stained glass windows behind the high altar and the carved canopies of the altar-piece. The windows show Archbishop Lanfrance; St Dunstan beside a roaring furnace into which he has thrust his pincers ready to pull a devil’s nose; St. Anselm and Archbishop Langton with King John at the signing of the Magna Carta. Members of the Hoare family, as well as being generous benefactors, have maintained a tradition of service as churchwardens over the centuries. Two have been Lord Mayors of London and a family vault still lies in the church crypt.
The staple of Victorian penny shockers, the story of Sweeney Todd, the Demon Barber of Fleet Street, stalks the no-man’s land between urban myth and historical fact. According to some sources, Todd, a barber, tooth-puller and surgeon, did actually exist, and in 1785 set up shop at 186 Fleet Street. It is claimed that he murdered over 100 of his clients, before selling their flesh on to Margery Lovett, who owned a pie shop in nearby Bell Yard!
Mario Cuevas Zamora, consul of Mexico and Cal State Fullerton President President Mildred García at signing ceremony for a partnership and scholarship donation to benefit the Abrego Future Scholars Program.
Whilst Christopher Columbus was discovering Jamaica, an agreement dated 1st March 1494 was signed and sealed whereby the rents of certain properties which he had in the district of Colchester were assigned to Thomas Jopson (Jobson), one of the representatives of the town of Colchester in payment of arrears due for his expenses, namely 6.14s. Amongst the charges specified was the sum of 3d, then a respectable amount, payable annually for the George. There was a further 4d per year for the standard for carrying the sign of the George, no doubt an encroachment on the path or highway. Thomas Jopson lived in St. Runwald’s parish not far from the George.
The central portion of the building is part of a 15th century house which was built some time before 1494. There are still parts of the original George which Thomas Jopson owned in 1494. On the second floor of the hotel there is an original hinge post with remarkable embattled capital which is now incorporated into a wall and can be partially seen at the top of the stairs towards the 300 and 400 bedrooms. This was part of the middle truss of the hall of the original house. On that same staircase there is also a section of the wattle and daub wall dating from the 14th century.
The extensive cellars are also medieval, probably dating from 1450. Some of the niches in the brickwork in these cellars are later, about 1520. Preserved behind a glass wall can be seen several layers of soil which show the old roman street level. One layer, darker than the others, is purported to be ashes left by the fires which raged in the town when Queen Boadecia/Boudicca, ransacked it in AD60.
In room 503 a corbel can be seen, carved in the form of a bearded head; this was once to be found in the original kitchens. In the roof there is an early 16th century beam carved with foliage and figures, and this is no later than the reign of Henry VIII. Many other features have probably been concealed by modernisation and in 1984 a very well preserved section of a wall painting was discovered and put on display near room 201. It is thought to be early 15th century.
The George was remodelled and enlarged during the reign of Charles 1st, and most of the timbers date from this period. The plain old fashioned front hides behind its centuries old traditions of true English Hospitality.
A century or more before the stage coaches began to link up one end of the country with the other, great clumsily built wagons had appeared on the highways of England for the transport of merchandise and those travellers who, by reason of infirmities could not ride, or through poverty could not afford to hire saddle horses. These vehicles, drawn by at least eight horses, made their way along roads in easy stages, stopping each night at such inns as the George until they reached their journeys end. Before the Year 1740 there is record of a wagon plying between Ipswich and Colchester once weekly, the huge vehicle lumbering into the inns yard through the great archway in George Street on Mondays and leaving the following day. A few years later, in addition to this service, a tilted carriage from Ipswich, owned by Thomas shave, stopped at the George every Friday on its way up to London, where it was due on Saturday; passengers being promised “very good and easy places, warm and dry at reasonable rates.” The old archway has since been bricked up but the original frame is still very much in evidence.
During the 1700’s, the George was kept by an innkeeper by the name of Abraham Moor. An innkeeper was a man of position and influence in those days and was regarded as such by his fellow townsman. Abraham died in 1778 after a tenancy of more than thirty years and was succeeded by his wife, Sarah. Upon Sarah’s death three years after her husband, ‘that old good accustomed inn, known by the sign of the George’ was advertised to be let with immediate occupation and was taken by Mr George Smith. During his tenancy the inn was burgled with an assortment of plated tankards, tea pots, teaspoons, pepper boxes and salt taken. Mr Smith died a year later in 1785 and his widow eventually married Peter Bains. In 1823 following the death of Mr and Mrs Baines, the management of the George went to a member of an old local family, Abednig Bland a former town councillor, who was in turn succeeded by John Smith the last of the landlords of the old coaching days.
When the railway reached Colchester in May 1843 it sounded a death knell for the stage-coaches and Mr Smith was quick to seize the opportunity placed before him; was among the first to supply horse-drawn omnibuses to meet the trains. He also ran a similar vehicle to Brightlingsea and one to Braintree called the Pilot. As Walton-on-the-Naze became more fashionable as a seaside resort, this was also served by coaches from the George during the summer months.
During the reign of Queen Victoria, the hotel was considered to be one of the ten superior inns and hotels in Colchester and several coaches inned there, amongst them: The Telegraph, a name first adopted by fast coaches and derived from the system of semaphore signalling of the same name, travelled between London and the sea ports and arrived every day at 1.45am on its journey from London to Yarmouth. At noon the Shannon, the famous Halesworth-London coach whose name recalled ‘Brave Broke’s’ gallant capture of the Chesapeake frigate in Boston harbour in June 1813, drew up on its way to London.
A quaint character at the inn during the latter part of the 18th century was John-Lyon, the ostler,‘ a singularly honest and upright man’, known and respected by all travellers by his frugality and industry. He saved sufficiently to spend his last years in retirement and at his death, in August 1800, aged 64, he left various charitable bequests. He attended the Methodist meeting house dressed in ‘an old drab coat’, which he possessed for more than half a century, with large silver buttons of which he was very proud and a ‘full bottomed wig' which from long service had obtained a yellow hue.
Until 1862 Colchester’s livestock market was held in the high Street and the small bar adjacent to the George was called the Market Tavern. When the Market moved however it became known by the locals as the George Tavern. In 1872 it was owned by Parks, then in 1884by Parks & Glover, from 1894 by E.S Beard. Daniels purchased it in 1910 who sold it to Truman’s in 1959. In 1982 Queens Moat Hotels bought it and sold it on to Mr Michael Slagle in 1994. Truman’s were taken over by Grand Metropolitan who converted the ballroom into bedrooms and created a carvery in the cellar around 1979.
The George was refurbished in 1995 and is now one of the most attractive buildings in the high street. The old bar was taken out to enlarge the entrance area and was repositioned in the lounge. During the building work experts were able to study the medieval framed structure and were able to say that its ground floor showed evidence of shop fronts both facing the high street and George Street, with the owner, presumably living on the first floor. They further noted that the building was originally only two stories, the present day third storey having been added at a later date, together with its Georgian front. This would explain the large timbers showing through the wall on the main staircase landing. They were presumably part of the original ceiling. An interesting display of photographs and other artefacts can be seen near the staircase. During this refurbishment a snack bar that was all that remained of the original carvery and known as 16 down, closed.
In 1996 or thereabouts the hotel, although still owned by Mr Slagle came under the auspicious Best Western Group solely for marketing purposes. He sold the George in 2002 to the London and Edinburgh Inns Group.
In the late 1800’s the George was the headquarters of the cyclists touring group and the Colchester Football Club. Over the years many institutions and local societies have enjoyed the hotel’s welcoming hospitality, good food, fine wines and friendly atmosphere all combining to ensure that the George’s well earned reputation for excellence is still as deserved as it was all those centuries ago when weary travellers broke their journeys at ‘the sign of The George.’
Acknowledgments - Gerald O Rickword, Jess A Jephcott and local studies section, Colchester Library, Resource centre, Colchester Museum Referenced and Compiled by Janet Lelltiott 2004
The American Made Car You've Always Wanted
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Get on the Internet Speedway at Jeff Gordon Chevrolet - www.youtube.com/watch?v=zEOTRqufydQ&list=FLrBj9MEuSdQ...
2012 CHEVROLET CRUZE w/2LS/MH8 - Low-Mileage Lease for Qualified Lessees $159/month 24 month lease. $1,879 due at signing (after all offers). Includes security deposit. Tax, title, license, dealer fees and optional equipment extra. Mileage charge of $0.20 /mile over 24,000 miles. Take delivery by July 2, 2012
15/11/2014 Birmingham UK.
Iulia Frasineanu, 15 has her picture taken on the Have a Go at Sign Making stand at The Skills Show 2014. Credit: Professional Images/@ProfImages
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U.S. Secretary of State Hillary Rodham Clinton and U.S. Secretary of the Interior Ken Salazar arrive for the U.S.-Mexico Transboundary Hydrocarbons Agreement in Los Cabos, Mexico, February 20, 2012. [State Department photo/ Public Domain]
dallas, texas
1977
the "pink thing" ("made famous at the fair")
midway, state fair
photograph by nick dewolf
www.flickr.com/photos/dboo/4709249025
#photography #film #color #35mm #dallas #texas #fair #statefair #fairpark #midway #cottoncandy #1970s
To view more of my images, of Birds of Prey, please click "here" !
The Red Kite (Milvus milvus) is a medium-large bird of prey in the family Accipitridae, which also includes many other diurnal raptors such as eagles, buzzards, and harriers. The species is currently endemic to the Western Palearctic region in Europe and northwest Africa, though formerly also occurred just outside in northern Iran. It is resident in the milder parts of its range in western Europe and northwest Africa, but birds from northeastern and central Europe winter further south and west, reaching south to Turkey. Vagrants have reached north to Finland and south to Israel, Libya and Gambia. Red kites are 60 to 70 cm long with a 175–179 cm wingspan; males weigh 800–1,200 g, and females 1,000–1,300 g. It is an elegant bird, soaring on long wings held at a dihedral, and long forked tail, twisting as it changes direction. The body, upper tail and wing coverts are rufous. The white primary flight feathers contrast with the black wing tips and dark secondaries. Apart from the weight difference, the sexes are similar, but juveniles have a buff breast and belly. Its call is a thin piping sound, similar to but less mewling than the common buzzard. There is a rare white leucistic form accounting for approximately 1% of hatchlings in the Welsh population but is at a disadvantage in the survival stakes The red kite's diet consists mainly of small mammals such as mice, voles, shrews, young hares and rabbits. It feeds on a wide variety of carrion including sheep carcasses and dead game birds. Live birds are also taken and occasionally reptiles and amphibians. Earthworms form an important part of the diet, especially in spring. As scavengers, red kites are particularly susceptible to poisoning. Illegal poison baits set for foxes or crows are indiscriminate and kill protected birds and other animals. There have also been a number of incidents of red kites and other raptors being targeted by wildlife criminals. Although adult red kites are sedentary birds, occupying their breeding home range all year in most cases, populations from Central and Northern Europe—although not the United Kingdom—may migrate south to areas such as Spain and the Iberian peninsula during colder winters. Each nesting territory can contain up to five nest sites. Both male and female birds build the nest on a main fork or a limb high in a tree, 12–20 m above the ground. The nest is made of twigs and lined with grass or other vegetation and sheep’s wool. At signs of danger, a mother will signal the young who will "play dead" when a predator is near. Red kites inhabit broadleaf woodlands, valleys and wetland edges, to 800 metres. They are endemic to the western Palearctic, with the European population of 19,000–25,000 pairs encompassing 95% of its global breeding range. It breeds from Spain and Portugal east into central Europe and Ukraine, north to southern Sweden, Latvia and the UK, and south to southern Italy. There is a population in northern Morocco. Northern birds move south in winter, mostly staying in the west of the breeding range, but also to eastern Turkey, northern Tunisia and Algeria. The three largest populations (in Germany, France and Spain, which together hold more than 75% of the global population) declined between 1990 and 2000, and overall the species declined by almost 20% over the ten years. The main threats to red kites are poisoning, through illegal direct poisoning and indirect poisoning from pesticides, particularly in the wintering ranges in France and Spain, and changes in agricultural practices causing a reduction in food resources. Other threats include electrocution, hunting and trapping, deforestation, egg-collection (on a local scale) and possibly competition with the generally more successful black kite M. migrans.
----Image from the H. Edwin Morrow Collection. Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
On Friday, Misty and I did some shooting in a favorite location of mine, an alley on Broad Street. I've shot there a couple of times before (see Kevin and Amber). Misty did a great job posing, and I really loved the intensity in her eyes. She's always a pleasure to shoot with.
strobist: 1 Vivitar 285HV, camera right, full power in a Westcott 28" Apollo softbox. 1 Vivitar 285HV, camera right, full power, pointed at sign, shot through a 1/8" Honl Speed Grid. Triggered via Cybersyncs. Setup shot here.
Chris Smith from Walsall College sticks a sign on car on the Have a Go at Sign Making stand at The Skills Show 2013, NEC Birmingham. Credit: Professional Images/@ProfImages
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/4934017866
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Light painting with a blue sparkler.
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Join ITS Tactical as we look at Sign Cutting and Tracking Methods Employed by the US Border Patrol. Read the article here: itstac.tc/HNFneX
October 23, 2008- Congressman Sires speaks at the “Signing Ceremony” for the Port Security New Jersey Emergency Medical Services (NJ EMS) Planning Initiative.
Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.
Doulton’s Clay Pit is located in Saltwells Nature Reserve. This is situated 4km south of Dudley. Proceed on A4036, turn left at Merry Hill traffic lights (signposted) and continue for half a mile along Coppice Lane. Turn left at sign for Saltwells Inn. Car parking free. Within the wood is Doulton's Claypit with spectacular cliffs showing a section through the rocks of the Middle and Lower Coal Measures. Abandoned in the 1940's, the claypit has been reclaimed by nature.
Doulton’s Claypit demonstrates a series of strata through the Middle Coal Measures laid down in the Upper Carboniferous period c. 310 million years ago. This is the best exposure of the Productive Coal Formation in the Midlands coalfield. It shows a sequence from near the base of the formation and includes over 30 metres of shales and sandstones laid down in the low-lying swamp environment of the Upper Carboniferous. There are also several coals, including the Thick Seam, which has been extensively worked in this coalfield, and the lower Heathen Seam. The clay pit was excavated for Carboniferous clay during the 19th Century and was the source of clay for Royal Doulton.
www.naturalengland.org.uk/ourwork/conservation/geodiversi...
Fire at sign shop, 1978. Another shot of the artists' colony up in smoke. An office building occupies the site, now.
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©Matt Baron/BEImages/BEIMAGES/MAXPPP - Frank Lampard
Chelsea Football Club players and coaches made an exclusive team appearance at the adidas Sports Performance store in Santa Monica for a public greeting and autograph session on July 15, 2007 .
Santa Monica, California
Photo © Matt Baron/BEImages
*** Local Caption ***
Behold the Bamboodu Theater -- a portable puppet show for political rallies, civic events and art shows.
I created this street theater experience to engage people of all ages to help change the world through civic action.
Our first scene features Lady Liberty and Mr. Trump, illustrating the eternal fight between hope and fear through animated puppets, visual gags, news tickers and music, powered by Arduino.
The Bamboodu Theater will be on exhibit at Artworks Downtown in San Rafael from April 14 to 28. We also plan to show it at the Tax March in San Francisco on April 15, at Marinovators in the College of Marin on April 22, at the Climate March on April 29 and the Mill Valley Memorial Day Parade on May 30.
I’m very grateful to all the gracious collaborators who helped me create the Bamboodu Theater: Edward Janne, Phyllis Florin, Mark Petrakis, Geo Monley, Jean Bolte and our friends at Pataphysical Studios. Special thanks to Angelique Benicio for inviting us to premiere it at Signs of Hope, her political art show at Artworks Downtown in San Rafael.