View allAll Photos Tagged 3-In
SBB Lokomotive Re 4/4 II 11288 bzw. 420 288 - 3 in Cargo Farben mit automatischer Kupplung und Werbung Vorwärts ( Hersteller SLM Nr. 4934 - BBC MFO SAAS - Baujahr 1973 - Elektrolokomotive Triebfahrzeug Bo'Bo' ) am Bahnhof Thun im Berner Oberland im Kanton Bern der Schweiz
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Unterwegs bei Bern am Mittwoch den 17. Juni 2020
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Hurni200617 KantonBern
E - Mail : chrigu.hurni@bluemail.ch
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Letzte Aktualisierung - Ergänzung des Textes : 170620
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NIF
Peyton Siva #3 in action for the University of Louisville Cardinals vs USF Bulls in KFC Yum Center, Louisville, KY, 1/12/2013 photo by CardFoto
An Alaskan Brown bear which had just silently walked out of the background undergrowth, just sat down and had a good old scratch. Observed near Haines, Alaska.
Maker: Will A. Cadby
Born: UK
Active: UK
Medium: photogravure
Size: 3 in x 8 1/2 in
Location:
Object No. 2024.987p
Shelf: M-18
Publication: Photo-Club de Paris - Deuxieme Exposition d'Art Photographique, 1895, planche XV
Other Collections: MET
Provenance: Rare Books, Manuscripts, Maps & Photographs, Lyon & Turnbull, Edinburgh, June 19, 2024, Lot 210
Notes: Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality.
To view our archive organized by themes and subjects, visit: OUR COLLECTIONS
For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE
Op sneltramlijn 3 in Kiev zijn 4 van deze K1M8-rijtuigen onderweg, genummerd vanaf 500.
Foto: René van Lier, 21-05-2013.
Boa Vista - Cap-Vert - January 2020 - Day 3
Various pics of the day 3 in Boa Vista with no particular subject
Diverses photos prisent a Boa Vista (jour : 3) sans sujet reel.
( Holiday Boa Vista - Cap-Vert
Pourquoi Boa Vista?
x Une mer cristalline et des plages d'un blanc eclatant dignes des Caraibes
x L'ile des dunes mobiles, un superbe spectacle, surtout au Deserto de Viana
x Sal Rei, une localite paisible a l'atmosphere calme et exotique
x Une destination ensoleillee et un mode de vie africain tranquille
L'exotisme a quelques heures de vol a peine. Le Cap-Vert, c'est la destination coup de coeur des fanas de la plage. Car tout y invite a de longues heures de farniente absolu. En approchant le Riu Touareg, vous aurez l'impression de voir un 'fata morgana' dans un paysage inaltere. )
383 064-3 in Bahnhof Hamburg-Altona, die Lok fuhr im Dienste der ČD Cargo. In Anschluss nach dem Foto fuhr die Lok in die Abstellung.
The MPLAB PICkit 3 allows debugging and programming of PIC and dsPIC Flash microcontrollers at a most affordable price point using the powerful graphical user interface of the MPLAB Integrated Development Environment (IDE). The MPLAB PICkit 3 is connected to the design engineer's PC using a full speed USB interface and can be connected to the target via an Microchip debug (RJ-11) connector (compatible with MPLAB ICD 2, MPLAB ICD 3 and MPLAB REAL ICE). The connector uses two device I/O pins and the reset line to implement in-circuit debugging and In-Circuit Serial Programming.
ERIC VEGA PRODUCTIONS FASHION SHOW AT SKYROOM PENTHOUSE WITH DJ DAVID S FROM 92.3 IN TIMES SQUARE NYC
Knotting cards #3
In 2009, Hermès edited the third set of the famous "Knotting cards", showing many more ways "How to tie a scarf".
Around the neck or over the hair, around the waist or over the shoulders, as a sexy silky top or dress, or even as a bag, there are so many ways to tie the iconic Hermès silk square scarves... either small, large or extra large.
The MPLAB PICkit 3 allows debugging and programming of PIC and dsPIC Flash microcontrollers at a most affordable price point using the powerful graphical user interface of the MPLAB Integrated Development Environment (IDE). The MPLAB PICkit 3 is connected to the design engineer's PC using a full speed USB interface and can be connected to the target via an Microchip debug (RJ-11) connector (compatible with MPLAB ICD 2, MPLAB ICD 3 and MPLAB REAL ICE). The connector uses two device I/O pins and the reset line to implement in-circuit debugging and In-Circuit Serial Programming.
Shuko Aoyama gives a speech after losing to Barbora Krejcikova and Katerina Siniakova of Czech Republic in the match against Shuko Aoyama and Ena Shibahara of Japan 6-4 6-3 in Women’s Doubles Final match, Day 14 at the Australian Open Tennis 2023 at Rod Laver Arena, Melbourne, Australia on 29 January 2023. Photo by Peter Dovgan.
Editorial use only, license required for commercial use. No use in betting, games or a single club/league/player publications.
Somewhere in France
"This picture is #3 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at www.100Strangers.com"
* We shared a coach journey together which broke down. We had to stay in the coach overnight until a replacement drove to us so we could change over.
In the morning, the local garage, offered us all hot coffee & croissants. I snapped this shot just as we were bleary eyed and queuing up to fill our cups.
Pack of Brand New Nescafe 3-In-1 Low Fat Coffee With Collagen,
with 20 sachet.
- Expiry - 18 Sept 2010.
- Retail Price - $6.95
Description:
Collagen is a protein in connective tissues found in skin, bones and
muscles.
Boa Vista - Cap-Vert - January 2020 - Day 3
Various pics of the day 3 in Boa Vista with no particular subject
Diverses photos prisent a Boa Vista (jour : 3) sans sujet reel.
( Holiday Boa Vista - Cap-Vert
Pourquoi Boa Vista?
x Une mer cristalline et des plages d'un blanc eclatant dignes des Caraibes
x L'ile des dunes mobiles, un superbe spectacle, surtout au Deserto de Viana
x Sal Rei, une localite paisible a l'atmosphere calme et exotique
x Une destination ensoleillee et un mode de vie africain tranquille
L'exotisme a quelques heures de vol a peine. Le Cap-Vert, c'est la destination coup de coeur des fanas de la plage. Car tout y invite a de longues heures de farniente absolu. En approchant le Riu Touareg, vous aurez l'impression de voir un 'fata morgana' dans un paysage inaltere. )
Meet Ron. He is number 3 in my100 strangers. Ron lives in Marshfield and loves green. His buddies say he is from Mars. You be the judge. I spotted Ron while I was riding down the road on my Harley and I had to turn around and go back and introduce my self to him and learn a few things about him. He has a big GREEN van. Ron also has a flickr photostream The old hippie 1954
Find out more about the project and see pictures taken by other photographers at www.100Strangers.com"
Preservationists, Elected Officials, & East Villagers Protest Trend of City Allowing Demolition of “landmark eligible” Buildings, Call for Preservation of 264 East 7th Street and “Political Row”
For the second time in two months, the City has reversed a prior determination and refused to protect a historic East Village site
FOR IMMEDIATE RELEASE
Contact: Andrew Berman, Executive Director Andrew@gvshp.org, 917-533-1767
New York – A powerful convergence of groups joined together today to protest the city’s refusal to landmark an East 7th Street building built in circa 1842-3 in the middle of the last remaining row of intact homes of that important era.
These five buildings were ruled “landmark-eligible” by the city in 2008, and yet when they faced the threat of demolition and GVSHP urged they be protected, the city refused, claiming they no longer qualified for landmark status.
What changed? Nothing about the buildings – the only difference is who the Mayor is and the direction of the Landmarks Preservation Commission.
“The Landmarks Preservation Commission is allowing the demolition of a rare, beloved, and utterly surprising piece of our city’s history – a piece they themselves deemed worthy of landmark protection just eight years ago. It is outrageous that the city would allow this wonderful link to 19th century New York be destroyed, and doubly outrageous that they would go back on their word and their own evaluation. All they have to do is give these buildings their day in court, and hold a hearing on considering them for landmark district designation. We are confident that if they did the full Commission would vote to protect them. But the Chair, appointed by the Mayor, is refusing to do even that,” said Andrew Berman GVSHP Executive Director.
In September, GVSHP and allied groups reached out the city’s Landmarks Preservation Commission to urge them to landmark 264 East 7th Street, and the adjacent houses at 258, 260, 262, and 266 East 7th Street. Once part of what was known as “Political Row”, these five ca. 1842 houses, located between Avenues C and D, have rare and beautiful intact Greek Revival ornament, and are linked to the history of the early development of New York’s waterfront and to critical political figures of the 19th and early 20th century in New York.
In spite of this fact, the Landmarks Preservation Commission recently responded saying they did not consider the buildings worthy of landmark designation. The LPC did admit that the buildings are “similar in age and style to those found in the Greenwich Village Historic District, East Village Historic District and others.”
The LPC offered a specious excuse that it’s rare to designate a historic district covering just one side of the street, which is easily proven false. At the rally it was pointed out again that at least eight others are designated on one side of the street, with one, the East 10th Street Historic District, just a few blocks away. The examples given are in three different boroughs: East 17th/Irving Place, East 10th Street, Lamartine Place, Hardenburgh/Rhinelander, Henderson Place all in Manhattan, Perry Avenue in the Bronx and Ocean on the Park and Park Place Historic Districts in Brooklyn.
At the rally it was pointed out that this was sadly not the first such failure by the agency that earlier this year also refused to landmark five 19th-century Beaux Arts tenements at 112-120 East 11th Street, between 3rd and 4th Avenues.
Richard D. Moses, President of the Lower East Side Preservation Initiative said, “This historic building, in the middle of a wonderful and intact row of mid-19th century structures, are clearly deserving of landmark protection. It’s time that the city puts its residents, community history, and architectural treasures above developers’ profits, and step up to protect these and other unprotected historic buildings in the East Village now!” More of their work here www.lespi-nyc.org
One small positive note was mentioned: due to the 2008 East Village rezoning which GVSHP and other groups fought for, the height of any new development on this block of East 7th Street is limited to 75 feet in height after setbacks. Previously there were NO height limits for new development on this block, a significant community victory achieved in the Bloomerg era.
GVSHP was also joined by representatives of East Village Community Coalition www.evccnyc.org
Before and at the rally the public was urged to write to the Mayor at a convenient webpage: www.gvshp.org/7thstreet with hundreds already sent.
Ciclotimici presenta "3 in 1", spettacolo con tre atti unici di Luigi Pirandello: "L'uomo dal fiore in bocca", "La patente" e "Cecè". Regia di Simão Do Vale e con Alessandra Deffacis, Anna Fantozzi, Nicolò Prestigiacomo e Simão Do Vale. “Ma dimmi un po’, non è uno strazio pensare che tu vivi sparpagliato in centomila?” Le opere teatrali di Pirandello, spesso intese dai suoi contemporanei come filosofiche si presentano oggi a noi con una (apparente) chiarezza che si dissolve velocemente nella complessità umana dei personaggi, nelle loro sfumature intense e nelle ragnatele disegnate dalle loro coscienze. L’autore stesso rinnegava un’eventuale responsabilità filosofica, affermando d’aver: “Inteso sempre e soltanto di fare arte, secondo le mie possibilità e non filosofia”. Una forma di modestia molto particolare per un autore che aveva il totale dominio degli strumenti teatrali: un uomo che riconosceva in vita che “La grandezza del mio lavoro, la potenza dell’opera mia, da tutti in segreto e con dispetto riconosciuta, liberata dagli odii del tempo sarà proclamata e rifulgerà come un sole” quando “Il sole io non lo vedrò più, e non udrò più nulla, e avrò la bocca piena di terra, che sarà peggio di questo veleno di cui me la riempiono oggi”. Non è solo la filosofia pirandelliana a incuriosirci, ma anche l’abilità dell’autore nell’usare il teatro, i suoi spazi e i suoi corpi per mettere dinanzi ai nostri occhi oggetti artistici che sono molto di più della semplice necessità di sopravvivenza dei suoi personaggi. L’uomo dal fiore in bocca, Rosario Chiàrchiaro e Cecè rappresentano tre esistenze che cercano di sopravvivere oltrepassando i limiti dei loro naturali modi d’agire, che vanno in cerca di un’integrità che ci si presenta continuamente minacciata di distruzione (sia dal suo stesso potere, sia dall’ambiente circostante). Ognuno di loro tre, però, cerca la sua particolare via d’uscita. Quattro attori in cerca di tre atti unici, in uno spettacolo, il loro primo allestimento. Siamo inevitabilmente davanti a una necessità imposta (o auto-imposta?) di traslocare costantemente, di proteggere la nostra casetta, come una chiocciola, di farci avvolgere da un materiale che protegga dallo shock e di “fare per non smettere di pensare”. È solo una condizione che si accetta... e si rinnega. Si rinnega e si accetta, in una ciclotimia dell’abitare. Luigi Pirandello ci offre la possibilità di addentrarci in delle complesse concatenazioni di significati, di verità e bugie, di allegrie e tristezze, di catene sociali e libertà individuali, di serietà e follia. È un gioco perenne tra dramma e commedia, che confonde quasi sempre i limiti dell’uno e dell’altra. “L’uomo dal fiore in bocca”, “La patente” e “Cecè” ci hanno messo davanti alla possibilità di analizzare temi tanto diversi quanto l’imminenza della morte e i piccoli piaceri che ci tengono vivi, la disgrazia di una famiglia vittima della superstizione e i movimenti di sopravvivenza di qualcuno imprigionato dal proprio modo di vivere e di essere.
The House Sparrow (Passer domesticus) is a bird of the sparrow family Passeridae, found in most parts of the world. A small bird, it has a typical length of 16 cm (6.3 in) and a weight of 24–39.5 g (0.85–1.39 oz). Females and young birds are coloured pale brown and grey, and males have brighter black, white, and brown markings. One of about 25 species in the genus Passer, the House Sparrow is native to most of Europe, the Mediterranean region, and much of Asia. Its intentional or accidental introductions to many regions, including parts of Australia, Africa, and the Americas, make it the most widely distributed wild bird.
The House Sparrow is strongly associated with human habitations, and can live in urban or rural settings. Though found in widely varied habitats and climates, it typically avoids extensive woodlands, grasslands, and deserts away from human development. It feeds mostly on the seeds of grains and weeds, but it is an opportunistic eater and commonly eats insects and many other foods. Its predators include domestic cats, hawks, owls, and many other predatory birds and mammals.
Because of its numbers, ubiquity and association with human settlements, the sparrow is culturally prominent. It is extensively, and usually unsuccessfully, persecuted as an agricultural pest, but it has also often been kept as a pet as well as being a food item and a symbol of lust and sexual potency, as well as of commonness and vulgarity. Though it is widespread and abundant, its numbers have declined in some areas. The animal's conservation status is listed as Least Concern on the IUCN Red List.
(+3 in comments)
So I haven't had my own car for about 2 months until now. I was finally able to pick up my friends bmw that I've been waiting for for awhile.
It was well worth the wait, I got the car for an amazing price because it had some minor annoying electrical issues and needed some work under the hood. Was still a reliable car, but spent my left over money doing the repairs that were recommended for the car.
Can't wait to get this car up in great running condition and slowly change it up. I can finally go on long drives again and shoot more adventurous photos and landscapes :)
D70 1.8 vs D80 1.4
sitting up at like 3 in the morning being camera nerds comparing my d70 50mm 1.8 to his d80 and his 50mm 1.4 ...
*strobist* sb600 triggered in commander mode sitting camera left behind Jon on the counter top through my super sweet diffuser empty easymac container :-)
on camera flash turned down -3
on the large...you can actually see his image sensor inside the lens www.flickr.com/photos/eme2/2449979023/sizes/l/