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The 2019 National Veterans Creative Arts Festival was held Oct. 28- Nov 3 in Kalamazoo, Michigan. Nearly 120 Veterans from across the country participated displaying their talents in performing and visual arts, and creative writing. (Jennifer Roy, US DEPARTMENT OF VETERANS AFFAIRS)
Turkey - Autumn 2018 - Day - 3
Various pics of the day 3 in Turkey (Kamelya Resort) with no particular subject
Diverses photos prisent en Turquie (Kamelya Resort) (jour : 3) sans sujet reel.
( Days off in Turkey in 2018 )
Graco Nautilus 3-in-1 Car Seat
Product Features
Color: Matrix
* 3-in-1 multi-mode Car Seat for longer use 20 pounds to 100 pounds
* Extended 5-point harness for children 20-65 pounds
* Converts to High-back belt positioning booster for child 30 pounds to 100 pounds
* Converts to backless booster for child 40 pounds to 100 pounds
* Steel reinforced frame for durability
See more details at Graco Nautilus 3-in-1 Car Seat
Mexico - Winter 2017 - Divers Day - 3
Divers Photo of the day 3 in Mexico (Ocean Riviera Paradise) with no particular subject
Diverses photos prisent au Mexiques (Ocean Riviera Paradise) (jour : 3) sans sujet reel.
( Vacances d'hivers 2017 au Mexique (Playa del carmen) )
Yes you may have seen this buoy appear before but at least the sky is different. Along with his green cousin further along the beach this is fast becoming the most photographed buoy on IOM.
Dillenia_excelsa, collected from plot 3 in the Danau Girang Field Centre by J.M, J.LR, H.S, T.G, N.P and J.W on 14/09/14.
Plot 3 contains semi-inundated forest, GPS position 5,245233 ; 118,022547. Semi-inundated forest tends to have low tree diversity with little undergrowth however lianas are often abundant. This forest type is characterized by periods of inundation between 3 and 6 months.
The Family Dilleniaceae contains 13 genera and 300 species indigenous to the tropics and warm climates, especially Australasia. Trees to sub-shrubs or herbs or lianas, many with apparently primitive features e.g. conduplicate carpels. Examples: Dillenia-cultural, ornamental, edible fruit, timbers (Mabberley, 2008).
Plots: 2-young KOCP (riparian Kinabtangan edge), 4-3 KOCP (riparian Kinabtangan edge), 6-6 KOCP (dry lowland), 7-7 KOCP (dry lowland), 8-9 KOCP (riparain Kinabatangan edge), 9-10 KOCP (riparain Kinabatangan edge), 10-11 KOCP (dry lowland), 11-1 DG (riparian oxbow edge), 12-2 DG (semi-inundated), 13-3 DG (semi-inundated), 14-4 DG (riparian oxbow edge), 15-5 DG (riparian next to oil palm), 17-7 DG (semi-inundated), 19-9 DG (semi-inundated), 20-10 DG (semi-inundated oxbow edge).
Found: Peninsula Thailand and Malaysia, Sumatra, Bangka, W. Java, Borneo, Philippines.
Description: Tree up to 40m high with 20m clean trunk, 75cm diam, gray to brown bark. Flower petals bright yellow (Slik, 2009).
Ecology: In undisturbed and secondary mixed dipterocarp forest up to 700m alt. Mostly on alluvial sites (swamps, riversides, periodically inundated) but also found on hillsides and ridges. Also on sandy to clayey soils and limestone (Slik, 2009).
Uses: Timber is used for house building (Slik, 2009).
Synonyms: Capallia multiflora, Capellia pauciflora, D. excelsa var. borneensis, D. excelsa var. pubescens, D. excelsa var. tomentella, D. glabra, D. magnoliifolia, D. magnoliaefolia, D. mattanensis, D. oblonga, D. pauciflora, D. secunda, D. tomentella, Wormia excelsa, W. excelsa forma grandifolia, W. excelsa var. borneensis, W. excelsa var. pubescens, W. excelsa var. tomentella, W. grandifolia, W. oblonga, W. pauciflora, W. tomentella (Plant List, 2010; Slik, 2009)
Saturday at Wild Wild West Con 3 in Tucson, AZ
Held at Old Tucson Studios
Leather Goggle Make-and-Take
Feel free to share, but please do not remove the watermarks!
And links back to here would be greatly appreciated!
More info at: www.TaoPhotoAZ.com
Cast your vote of support at ideas.lego.com/projects/9d05e07c-9a39-4fe0-ab29-053467156a5b
Prince. Innovator, cultural icon, and uncompromising pioneer of musical freedom and creativity, Prince sold over 100 million albums worldwide in his 39-year career. Perhaps no single person defines music as much as this first-ballot Rock n' Roll Hall of Fame inductee. Incomparable singer and multi-instrumentalist in the studio, the phrase "produced, arranged, composed and performed by Prince" appeared on 39 ground-breaking albums during his lifetime, including Purple Rain, 1999, Diamonds And Pearls, Musicology and many more. At the same time, he contributed songwriting and musical performances - often uncredited - to dozens of albums by other artists. But Prince was also a live act like no other. With bands including the Revolution, the New Power Generation, and 3rdEyeGirl, Prince toured worldwide from 1979-2016, playing intense high energy arena shows, often followed by lengthy spontaneous small club 'aftershows.'
Ever an uncompromising visionary, Prince used an unpronounceable symbol as an album title in 1992 before taking it as his own name from 1993-2000. The symbol became as synonymous with Prince as the swoosh is with Nike. A Prince symbol LEGO set will allow fans around the world to honor the music and legacy of Prince while finding inspiration and drive for their own creative passions.
This set represents three forms of Prince's symbol, affording a multitude of display and play opportunities:
Wall Art. Using the new LEGO Art hanging system, Prince's symbol makes the perfect conversation piece on the wall of any living room, office, or music space. Let Prince's music and creative freedom inspire you on a daily basis in whatever you are building in your life. This 16.4" x 14.1" model includes 654 pieces.
Concert Stage. For his legendary Super Bowl XVI Half-Time Show in 2007, Prince performed on a stage in the shape of his symbol for the first time, before using the same stage design over the next several years - often using a gold stage, as on his record-breaking sold-out 21 Nights in London residency at the O2 Arena, the Welcome 2 America and Welcome 2 Australia tours, and his 21 Nights in Los Angeles residency. The set includes a full live line-up based on various eras of his New Power Generation band - including Prince in his trademark purple.* Also included are some stage props and anachronistic additions that provide fun nods to his full career - including a crystal ball, from his 1987 Sign O' The Times tour, and a dove symbolizing his #1 song When Doves Cry. Included with the purple piano, which Prince used for DJ-like 'sampler sets,' and which also represents his final one-man Piano & A Microphone Tour, is a tile printed with the phrase "2 many hits..." - a phrase concert-goers heard Prince say almost every night. A variety of Prince's many guitars and other instruments are also included in this 16.4" x 14.1" 948-piece model.
Symbol Guitar. Built by luthier Jerry Auerswald in 1993, the symbol guitar turned Prince's iconic name into the instrument he used the most. Also built in white and black versions, as well as in his trademark purple (an instrument he named "Habibi"), the gold version represented here is the only one to survive Prince's climactic guitar-flips as he threw the instrument to his guitar technician at the end of a show-stopping solo. The gold symbol guitar is now on display in Prince's musical home turned inspirational museum, Paisley Park Studios, in Chanhassen, Minnesota. This 19" x 14.1" 870-piece LEGO recreation is a perfect piece to display or to hold and 'play' using the variety of printed guitar picks as you listen to Prince's vast catalogue.
The symbol is synonymous with Prince and his inspiration of others. Get inspired to find your own muse and explore your own creativity with the Prince Symbol 3-in-1 set! After all, what could better symbolize music in a LEGO form?
*Please note that Prince's hair and clothing styles changed regularly, and there are several iconic looks that could be used in this set, including the Afro hairstyle that bookended his career; additional hairpieces and/or torsos could be included in the set to represent different eras.
Antidesma thwaitesianum, collected from plot 3 in the Danau Girang Field Centre by J.M, J.LR, H.S, T.G, N.P and J.W on 14/09/14.
Plot 3 contains semi-inundated forest, GPS position 5,245233 ; 118,022547. Semi-inundated forest tends to have low tree diversity with little undergrowth however lianas are often abundant. This forest type is characterized by periods of inundation between 3 and 6 months.
The Family Phyllanthaceae, formerly a subfamily of the Euphorbiaceae, contains 58 genera and 2,099 species. The family is found mostly in the tropics but also in temperate zones. Most species have alternate, simple, eglandular leaves with pinnate venation and entire margins, simple indumentum, and small actinomorphic flowers. Examples: Andrachne, Leptopus, Phyllanthopsis and Baccaurea – wood used in ikat dyeing in Bali. (Mabberly, 2008), (Vorontsova et al, 2007).
Plots: 11-1 DG (riparian oxbow edge), 12-2 DG (semi-inundated), 13-3 DG (semi-inundated), 14-4 DG (riparian oxbow edge), 18-8 DG (riparian).
Synonyms: A. bunius var. thwaitesianum, A. thwaitesianum (Plant List, 2010)
editorial board (which changed personnel over the years). complete collection (3 in facsimile) of the 18 regular-issue catalogues issued from Toronto &, later, Saskatoon, 1979-1996, edited & assembled by various members of the editorial board (& contributed to by all), most especially Paul Dutton, bpNichol, Steven Smith & Richard Truhlar (who was wholly responsible for the Audiographic lists & the run in bright colours). most are 3-1/2 x 8-1/2, 8-panel leaflets, all printed offset (exceptions noted below) in editions of 1ooo copies, with brief descriptions of new titles (mainly written by the titles' editors), some illustrative excerpts & a "Still Available" backlist. the set consists of:
i) presenting... UNDERWHICH EDITIONS. may 1979. 6 pp/5 printed. the first 7 titles. illus: Jackson MacLow.
ii) UNDERWHICH EDITIONS New for 1980. summer 198o. 12 new titles. illuss: Brian Dedora, Ray DiPalma, Steven Smith. facsimile colour copy.
iii) UNDERWHICH EDITIONS New for Fall 1981. december 1981. with pastel holograph addition to cover. 1o new titles (of which one was never published). illuss: jwcurry, Michael Dean, bpNichol (whose contribution remains unpublished elsewhere).
iv) presenting... UNDERWHICH UNDERLINES. january 1983. 6 pp printed. 29 titles published by others distributed by Underwhich. no illuss.
v) UNDERWHICH EDITIONS New for 1983. june 1983. with 2-3/4 x 8-1/2 "Still Available" broadside laid in. 15 new titles. illuss: Claude Dupuis, Andre Kertesz.
vi) UNDERWHICH EDITIONS New for 1984. april 1984. 9 new titles. illuss: Joe Brouillette, Marilyn Westlake. facsimile colour copy.
vii) UNDERWHICH EDITIONS AUDIOGRAPHICS New for 1985. september 1985. 8 new titles. illuss: Richard Truhlar.
viii) UNDERWHICH EDITIONS NEW IN PRINT FOR 1985. september 1985. 9 new titles. illuss: P.C.Fencott, John Riddell, Richard Truhlar.
ix) UNDERWHICH EDITIONS AUDIOGRAPHICS New for Spring 1986. may 1986. 4 pp printed. 4 new titles. iilus: Richard Truhlar.
x) UNDERWHICH UNDERLINES NEW FOR 1986. may 1986. 3 new titles. no illuss. b&w facsimile on colour stock.
xi) UNDERWHICH EDITIONS NEW BOOKS SPRING 1986. may 1986. 6 new titles. illuss: David Botta, Rosalind Goss.
xii) UNDERWHICH EDITIONS AUDIOGRAPHICS New for 1987. september 1987. 12 pp printed, stapled selfwrappers. 6 new titles. illuss: Four Horsemen, Robert Hindley-Smith, Richard Truhlar, Larry Wendt.
xiii) UNDERWHICH EDITIONS NEW IN PRINT FOR 1987. september 1987. with 3-1/2 x 8-1/2 "Late Breaking News" broadsheet laid in. 17 new titles. illuss: Brian Henderson, John Riddell, Steven Smith, Richard Truhlar.
xiv) UNDERWHICH EDITIONS NEW RELEASES: 1989-90. 11 new titles. no illus. the 1st list to display the new logotype designed by jwcurry.
xv) UNDERWHICH EDITIONS 1990. april 199o. with 3-3/4 x 8-1/2 "Advance Notice" broadside laid in. 1o new titles (of which 2 were never published). iiluss: David Bolduc, David UU.
xvi) UNDERWHICH EDITIONS Always New! Releases: Winter 91-92. 12 pp printed, stapled selfwrappers. 6 new titles. illuss: Robert Hindley-Smith, Sam Kanga, John Riddell, Ann Rosenberg, Steven Smith, Richard Truhlar.
xvii) UNDERWHICH EDITIONS Always A Rush! Releases: 1994. 6 pp, with 4 pp lasered "Price List 1993-94 All Available Titles" laid in. 3 new titles. illuss: Paul Dutton Gerry Gilbert, Glenn Goluska, Rosalind Goss, Brian Henderson.
xviii) UNDERWHICH EDITIONS Catalogue 1996. with 5-1/2 x 4 offset "Please keep me on the Underwhich Mailing Lit!" postcard laid in. 5 new titles. illus: Gerry Shikatani.
with a 9-1/2 x 4-3/16 offset Underwhich mailing envelope these generally went out in.
for fuller descriptions of the individual items, see the separate listings preceding this.
all in very fine shape except for the mailing envelope, which is slightly browned...
125.oo
Perhaps the best way for 3 in 1 sets is to buy three sets and build three versions without having to destroy one already built unless I do only have one set and have lots of time. However, I love biplane so I don’t think I will ever bother to do the other versions. Well, yes I am lazy!
"Die Zeit Reisen" Two Neoplan Cityliner carried 50 Germen tourists travelling from Hamburg to Shanghai in 52 days.The Great Transcontinental Tour is very interesting and attracted many Chinese people to learn the new type of travel.
America’s Most Liked Wrestling made their High Point, NC debut at the Southside Recreation Center on Saturday, August 29, 2015. Here are the official results:
“The Son of the South” Kevin Phoenix pinned Rob Killjoy.
El Blanco Gordito defeated “Manscout” Jake Manning by pinfall after a Gory Bomb. El Blanco Gordito remains undefeated in the United States.
In ladies’ action, Amanda Rodriguez defeated the debuting Rachel Freeman by pinfall.
Chris Lea, Aaron Biggs, and George South, Jr. beat the George South Guys (Zane Dawson, Baron Bullard, and Dee Mack) in a six-man tag team match when Lea pinned Bullard after an assisted diving splash (off the shoulders of Biggs).
In a conventional tag team match, Team Fearless (Lodi and Brady Pierce, replacing the injured Scotty Matthews) bested the Geordie Bulldogs (Sean Denny and Mark Denny) by pinfall.
The Heatseekers (Matt Sigmon and Elliot Russell) beat Air America (Skyler Kruze and Gavin Daring) when Sigmon pinned Daring after a falling headbutt.
In Match 2 of their best-of-five series for the #1 contendorship to the AML Wrestling Championship, Vordell Walker pinned King Shane Williams after a piledriver (!). This evens the series at one match apiece, effectively turning the series into a best 2 out of 3.
In the main event, Gunner beat Chance Prophet, pinning him after a powerbomb, to win a Carolina Street Fight.
Officials: Senior Official James Hunter and Jeff Bunton
Announcer: Chris Shore
All matches sanctioned by America’s Most-Liked Wrestling, a division of Wrestlecade Entertainment.
For more information about AML Wrestling, visit www.AMLWrestling.com
Chris Brown Property Auctionin Bristol Indiana to be held on Tuesday, June 1, 2015Brown Property Auction to be June 9, 2015A legendary property will pass unto new hands next week, when the auction of the real estate and personal property of Chris Brown and her deceased husband, Glenn Brown will be held at noon on June 9.The large 6-bedroom home and out buildings were open for a tour on Wed., May 27. A number of people took the tour not only interested in attending the later auction, but anxious to share the memories of what the Brown family has meant to the Bristol Community and this piece of property that they owned since 1976. Although her husband died in 1995, Chris Brown continued to be the gracious hostess for a Coffee Group and Lunch Crowd at the home. She kept the promise she had made to Glenn when he put the ring on her finger: “Nobody ever comes to our house without being fed.” The gatherings began shortly after they were married in 1942, living in downtown Bristol across from their business, then know as Bristol Trailer Plumbing, and later Bristol Pipe. Now, living with her daughter in Florida, Chris made the difficult decision to sell the property that held so many memories. Read the story of the Browns from 2000 here:http://www.bristolsun.net/images/Browns2000.pdf Just the Facts: Chris Brown began the Bristol Alumni Association in the 1950s. and organized the first meeting. She was made an honorary Pirate when Howard Rush donated the old high school building to be the History Museum. Her 3 daughters, Donna, Barb and Candace all graduated from Bristol High School.Although she had received a number of awards in her long history of community service, she is proudest of receiving Indiana’s highest honor: the Sagamore of the Wabash.
Chris Jones #3 in action for the University of Louisville Cardinals vs UL-Lafayette Cajuns in KFC Yum Center, Louisville, KY, 12/7/2013 photo by CardFoto
This 3-in-1 ratchet-style crimp tool cuts, strips, and crimps modular plugs on either round or flat cables. The parallel action design maintains accurate alignment of the die with the plug for a precision crimp every time. The PT-908 comes with a padded carrying case which includes a storage compartment for carrying spare dies, replacement stripper blades, and modular plugs, and will attach to a technician’s belt.
Crimp tool with built-in round cable cutter/stripper,
8-position die set and padded nylon carrying case
!958/59/60.Oil on canvas, 66 x 66 cm.
Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer.
Bill was born in Winterthur. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich.
After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg. From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists.
Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work. His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions. Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element or a side table. Although the stool was a creation of Bill and Ulm school designer Hans Gugelot, it is often called "Bill Hocker" because the first sketch on a cocktail napkin was Bill's work.
As a designer and artist, Bill sought to create forms which visually represent the New Physics of the early 20th century. He sought to create objects so that the new science of form could be understood by the senses: that is as a concrete art. Thus Bill is not a rationalist -as is typically thought- but rather a phenomenologist. One who understands embodiment as the ultimate expression of a concrete art. In this way he is not some much extending as re-interpreting Bauhaus theory. Yet curiously Bill's critical interpreters have not really grasped this fundamental issue. He made spare geometric paintings and spherical sculptures, some based on the Möbius strip, in stone, wood, metal and plaster. His architectural work included an office building in Germany, a radio studio in Zurich, and a bridge in eastern Switzerland.
He continued to produce architectural designs, such as those for a museum of contemporary art (1981) in Florence and for the Bauhaus Archive (1987) in Berlin. In 1982 he also entered a competition for an addition to the Neue Nationalgalerie in Berlin, built to a design by Mies van der Rohe. Pavillon-Skulptur (1979–83), a large granite sculpture, was installed adjacent to the Bahnhofstrasse, Zürich in 1983. As is often the case with modern art in public places, the installation generated some controversy. Endlose Treppe (1991), a sculpture made of North American granite, was designed for the philosopher Ernst Bloch.
In 1944, Bill became a professor at the school of arts in Zurich. In 1953, alongside Inge Aicher-Scholl and Otl Aicher, he founded the Ulm School of Design (German: Hochschule für Gestaltung - HfG Ulm) in Ulm, Germany, a design school initially created in the tradition of the Bauhaus and which later developed a new design education approach integrating art and science. The school was notable for its inclusion of semiotics as a field of study. The school closed in 1968. Faculty and students included Tomás Maldonado, Otl Aicher, Joseph Albers, Johannes Itten, John Lottes, Walter Zeischegg, and Peter Seitz.
Bill was a professor at the Staatliche Hochschule für Bildende Künste Hamburg and chair of Environmental Design from 1967 to 1974. In 1973 he became an associate member of the Royal Flemish Academy of Science, Literature and Fine Art in Brussels. In 1976 he became a member of the Berlin Academy of Arts. In addition to his teaching, Bill wrote and lectured extensively on art, architecture and design, appearing at symposiums and design conferences around the world. In particular, he wrote books about Le Corbusier, Kandinsky, Ludwig Mies van der Rohe, and artistic theory. (Wikipedia)
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Max Bill / MOMA
www.moma.org/collection/artist.php?artist_id=559
Swiss architect, sculptor, painter, industrial designer, graphic designer and writer. He attended silversmithing classes at the Kunstgewerbeschule in Zurich from 1924 to 1927. Then, inspired by the Exposition Internationale des Arts Décoratifs et Industriels Modernes (1925), Paris, by the works of Le Corbusier and by a competition entry (1927) for the Palace of the League of Nations, Geneva, by Hannes Meyer and Hans Wittwer (1894–1952), he decided to become an architect and enrolled in the Bauhaus, Dessau, in 1927. He studied there for two years as a pupil of Josef Albers, László Moholy-Nagy, Paul Klee and Vasily Kandinsky, mainly in the field of ‘free art’. In 1929 he returned to Zurich. After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg; although this adheres to the principles of the new architecture, it retains echoes of the traditional, for example in the gently sloping saddle roof.
In his studio Bill first made pictures and sculptures intended as ‘laboratory pieces’, preparing the way for the design of utilitarian objects, sometimes even of buildings. In 1932 he became a member of the Abstraction–Création artists’ association in Paris, where he first exhibited his work. As a theorist and a painter he was an important exponent of art based on rational principles with reference to mathematics; building on the ideas of Theo van Doesburg, who died in 1931, Bill narrowed down the concept of Concrete Art in 1936, becoming a protagonist of the Zürcher Konkreten art group. But whereas van Doesburg spoke only of the elements of Concrete art, Bill explicitly included the relationships between them. In 1936 he designed the Swiss pavilion at the Triennale in Milan, where the principles of Concrete art were extended for the first time to architectonic design. During this period he also took part in several architectural competitions held by the city of Zurich, and he became a member of CIAM in 1938.
After World War II Bill worked increasingly in the field of applied art. This is also reflected in his writings, especially the essay ‘Schönheit aus Funktion und als Funktion’ (1949), which introduced ideas that were further detailed in his exhibition Die gute Form (1949) at the Swiss Industries Fair, Basle, as well as in the book Form (1952): the aesthetic component of an object was defined not only as arising from a function but as being the actual function of form. The concept of ‘good form’ was substantially adopted by the Deutscher Werkbund and similar movements in different countries. Through his personal contacts with the circle around Otl Aicher (1922–91) and Inge Scholl, Bill collaborated in founding the Hochschule für Gestaltung in Ulm. He designed its buildings on a hillside in Ulm in 1950 and set up the curriculum for a school of creative design that was intended to link up with the work of the Bauhaus and pursue similar objectives. The buildings for the Hochschule (1950–55) were his most important architectural works, and his design is based on complex relationships between a number of unobtrusive, geometrically elegant structures. Seen from outside, the buildings are embedded in the sloping site; in the interior, however, individual units or ‘containers’ are grouped around two central areas. This is similar to Bill’s competition entry for the monument to the Unknown Political Prisoner (1953; unexecuted), London. Bill was principal of the Hochschule until 1955 and head of the departments of architecture and industrial design. Internal tensions forced him to resign and to leave the college in 1957.
There followed a period when Bill was able to realize most of his architectural projects, working in collaboration with others; examples include the Cinevox cinema and residential complex (1957–8) at Neuhausen, near Schaffhausen; two detached houses near Cologne, the Lichtdruck factory at Dielsdorf, near Zurich, and the Imbau administration building in Leverkusen (all in 1960–61). He designed several major exhibition displays and in 1960 he was awarded the important commission to design the pavilion for the Bilden und Gestalten sector of the Swiss National Exhibition held in Lausanne in 1964. This building, now mostly dismantled, consisted of a group of modules spread over a large area; two elements, the box with the theatre and the square with the ‘Hof der Künste’, stood out of this carpet of modules, forming a contrast of ‘solid’ and ‘void’ in a neutral grid. Bill was also commissioned to extend the radio studio in Zurich (1964–74); he worked on the design for the bridge over the Lavina-Tobel (1966–7; with Aschwanden & Speck) near Tamins, and in 1967–8 he built a second house and studio for himself at Zumikon.
In 1968 Bill was awarded the city of Zurich art prize and elected a member of the Swiss Federal Parliament. He held the chair of environmental design at the Hochschule für Bildende Künste in Hamburg from 1967 to 1974 as well as several other public appointments. He was a prolific writer on art, architecture and design, producing several books and exhibition catalogues, as well as numerous contributions to art and architecture journals around the world. He continued to produce architectural designs, such as those for a museum of contemporary art (1981; unexecuted) in Florence and for the Bauhaus archive (1987; unexecuted) in Berlin. In 1982 he also entered a competition for an addition to the Neue Nationalgalerie in Berlin, built to a design by Mies van der Rohe. In the 1980s Bill was able to realize two of his most important, constantly recurring ideas in the field of sculpture on a large scale. The Pavillon-Skulptur (1979–83) in Bahnhofstrasse, Zurich, goes back to a prototype made in 1968 and consists of 64 parallelepipedals out of polished granite, which are arranged together to create a three-dimensional meander. For Kontinuität (1983–6), on the square in front of the Deutsche Bank in Frankfurt am Main, he reverts to the theme of the Möbius-strip in the Unendliche Schleife (‘unending loop’; 1935), giving it a new interpretation: there are two strips of granite that as a result of several turns become entwined with one another. Bill’s work was exhibited regularly at museums and galleries all over Europe and in the USA; however, his influence as an architect, as opposed to an artist, was limited, perhaps due to the subtlety of the design principles behind his simple architectural forms.
Hans Frei - From Grove Art Online
© 2009 Oxford University Press
Nach Abschluss des Erweiterungsbaus- mit Neubau Zeifachsporthalle sowie Generalinstandsetzung des Bestandsgebäudes. Eröffnungsfeier am Freitag, 22. Juni 2012.
Metzger
Calais, (France) 1939; (33-3).
In 1978, while on vacation in England, I purchased 500 35 mm slides at a flea-market. Most of the slides are glass mounted and all came in fitted wooden boxes with dove-tailed joints. Each slide has a brief hand-written description (usually the location) and the year taken.
See further description under "Salisbury Slide Collection", found slide.
(+3 in comments)
i couldn't decide between the two pictures so i uploaded both. just an idea, my dad got the bikes out and i saw my moms bike.
ps. i know i've kinda been in a rut with the bamboo, this weeks gonna be a bit crazy with graduation, so i'm pretty busy.
Dylan Stewart: Ranked #3 in his class, is a 2020 Ready Graduate, recipient of RSCC Foundation scholarship ($500), and Schubert's Funeral Home scholarship ($500).
During excavations at Søborg castle a number of swords have been unearthed. Many of these are preserved in the National Museum in Copenhagen. One of them (inventory number D 8801) is an especially fine example of a long bladed knightly sword from the high medieval period. The original sword is featured as XI.3 in Oakeshott's "Records of the Medieval Sword."
Albion's Museum Line recreation of this sword from Peter's detailed documentation is exact in every detail to the original sword.
The North Face designed this 3-in-1 jacket to be worn multiple ways-the shell alone the liner alone and both the shell and liner together HyVent 2L waterproof breathable membrane keeps out water so you stay dry in case you go down in the snow or get dripped on by the lift. Heatseeker insulation holds in the heat to keep you toasty when the mercury drops.
www.womengoretexjacket.com/the-north-face-gore-tex-3-in-1...
Metra F40PH-3 No. 104 leads an outbound train through the Grand/Cicero station in the Chicago Suburbs.
New York Yankees defeat the Cleveland Indians 7-3 at the New Yankee Stadium on Sunday, April 19th. The game is highlighted by Jorge Posada's controversial pinch-hit home run that put the Yankees up 4-3 in the 7th inning.
Rafael Nadal defeated Kei Nishikori 6-4, 6-3 in a men's quarterfinal at the 2016 BNP Paribas Open in Indian Wells, California.
Taken on 10/3 in Central Area, Central, using Canon EOS 5D Mark IV and EOS 80D with EF 50mm 1.8 STM and Tokina AT-X 11-20mm F2.8 PRO DX.