View allAll Photos Tagged zero
Ogni mattina a Zero National Park, come sorge il sole, una fotografa si sveglia e sa che dovrà correre più di Ansel Adams o verrà uccisa. Ogni mattina su flickr National Park , come sorge il sole, un fotoamatore si sveglia e con ancora le caccole negli occhi ; inciampa fratturandosi il mignolo, contro lo spigolo della porta .. e nonostante questo sa che se la gazzella non capisce le sue foto ,comunque non vanno spiegate ...
la colpa è della gazzella che non capisce un cazzo....
O_O!!?$%&£"🤔
A rather sad picture; part of the remaining facade of the Bank buildings in Belfast, which was completely gutted by fire a few days ago. It was originally built in 1785 and it’s one of the city’s oldest buildings. The section in the picture originally had a clock. It will be a sad, sad loss if the whole building has to be knocked down.
Final shot - closeup of the NY Crane with the American Flag viewed through the tunnel going to the overpass that crosses Ground Zero.
artist: Univers Zero
title: Ceux du Dehors
label: Recommended
country: UK
date: 1980
A mighty band somewhere in the regions of Magma and Art Zoyd.
Praça Rio Branco mais conhecida como Praça do Marco Zero em Recife - PB
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** Foto sem tratamento em Photoshop ou outros aplicativos, somente assinada. Uso de filtro UV
** Photo untreated into Photoshop or other applications, only signed. Use of UV filter
Another day, another Bat-variant.
So looking through Vlad Palych's photostream, I saw Zero Year Batman. I had meant to make him for a while, but it had slipped my mind. And so, here he is, along with a few others!
L to R: Red Hood, Batgirl, Batman, Nightwing.
Red Hood is totally purist, and I apologize for the out-of-focus shot of him.
Batgirl has the shirt under her armor, gloves, and boots made with tape.
Batman has backpack straps, sleeves, a belt, and boots made with tape, and a coil of rope made with thread.
Nightwing's mask and chest symbol are tape, and the coat is cut from leather. Not faux leather. Not pleather. Real leather.
So what are your favorites? Let me know!
Gravity is trumped by surface tension at this small scale. This is four dew drops on a single moss seed shoot. This is really small. The whole scene is less than an inch tall. Reversed 50mm lens in front of a 5MP Casio P&S.
If I knew how to focus stack I could have gotten the sharp refractions into this as well. I have several from this series at different focal points, one with really sharp refractions of the moss, but the seed shoot is badly out of focus. Minimal depth of field here, to say the least. However, I found the creamy, out-of-focus refraction looked nicer anyway. I'll leave the focus-stacking to Lord V.
When I was a kid, I'd be the first one on this ride. Now? Well, now I'm content in just taking a picture of it! Haha.
Cherry Valley Days in Cherry Valley Illinois.
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Herman de vries, detail of "ruimtelijke toevalsstructuur" at the exhibition "nul=O", Schiedam, Stedelijk Museum, 2011
My minibuild of a japanese zero. Yes I know the wings were round but I dont have white round wings only gray wings.
My reflection, dirty mirror
There's no connection to myself
I'm your lover, I'm your zero
I'm in the face of your dreams of glass
So save your prayers
For when we're really gonna need'em
Throw out your cares and fly
Wanna go for a ride?
She's the one for me
She's all I really need
Cause she's the one for me
Emptiness is loneliness, and loneliness is cleanliness
And cleanliness is godliness, and god is empty just like me
Intoxicated with the madness, I'm in love with my sadness
Bullshit fakers, enchanted kingdoms
The fasion victims chew their charcoal teeth
I never let on, that I was on a sinking ship
I never let on that I was down
You blame yourself, for what you can't ignore
You blame yourself for wanting more
She's the one for me
She's all I really need
She's the one for me
She's my one and only
Please view this picture large, by clicking the "L" key on your keyboard! No, i really mean it. Do it. Or click on the image. Same thing dude.
Before: i.imgur.com/6z8RG.jpg
There was a stool holding her up. And i composited in a different face.
Yay, another conceptual. But this one has a story behind it! Krisha hit me up on Thursday and asked me if we could hang out on friday or go on a date or something. And i said, "Yo babe, wanna run on some walls in a hotel hallway or something". I was thinking of the zero gravity fight scene in Inception, i guess that was the main inspiration for this conceptual. So i picked her up, and we put together her outfit. Something interesting, and originally went with the color palette. We got to the hotel, and we just walked in there like we knew what we were doing. Nobody bugged us, we went up to the last floor, found a spot we dug and got to work. For this shot i had krisha lay back down on a stool, then masked out the stool. Ill post the Before/After below. She nailed the pose after a few times then we went about the rest of our friday night with dinner and ice cream. I got home at about 9 or so and began editing. This was no doubt the worst few hours of my photography career. lol. I sat down and just couldnt stitch the image. This shot including compositing was like 10 images. Or at least it was planned to be. Because of the distortion on the 50mm i couldnt properly stitch the walls together, it was so damn frustrating. I couldnt align shit. Something would always be off. And no amount of skewing and rotating would fix it. I was so angry at myself for not using a telephoto lens. But at the time it seemed smart because i was short on room in the hallway. After a few hours of very stressful editing i gave up. I sent my girlfriend some very agitating texts about how her efforts were futile. Even Krisha was sad. It wasnt a good night for me. Then after a few more hours i was able to stitch this, it took a lot of masking, and i wasnt even really that happy with it initially until i gave it this composition. Originally it had a straight centered comp as opposed to this subject off the to left tilted composition. I then began processing. The image was much to warm, and then i made a black and white version. I had been editing for like almost 6 hours until i realized i couldnt really be a good judge of color theory because i had been staring at a single image for so long. So i had to seek help, my eyes become to accustomed. So i hit up my good friend and fellow brotographer Jack Strutz (profile shall be linked below!) He told me to ditch the BW and go with the colored one. But he told me to hold back on the yellows. Everybody should know that i really only posses the skill to edit warm. I dont know how to edit with cooler tones. So i did, then he told me, "Dude, no. Like go really cool. Im talking like eliminate the yellows completely." So then i ended up with this. Im actually really happy with it now. Its crazy how frustrated and angry i was with myself before i finished this. I wanted to quit photography, not really. But kinda haha. Sometimes i feel i set my standards to high for myself. Especially with this conceptual stuff because it really is hard, a new whole game im still not that familiar with. Either way. Im done typing. Enjoy.
Check out Jack here: www.flickr.com/photos/jackstrutz/ His work is incredible.
5D + 50mm.