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The Majorelle Gardens in Marrakesh were created by the French painter Jacques Majorelle and later purchased by Yves Saint Laurent.
Morriiiiiiiiiiiiiiiiiiiiiiiiiii
Olha que coincidiu esse belo presente do meu irmĂŁo com o outubro rosa! aim que amor de esmalte tou atĂ© sem palavras para descrever essa maravilha! a esmaltação foi mega fĂĄcil parecia que tava esmaltando com agua! fĂĄcil de limpar! nĂŁo fica nem com um risquinho do pincel! uma maravilha sĂł viu? e secou na hora! deixei sem top coat porque nem tenho um tc digno dessa beleza! rsrsrs e a cor? que que isso! ele fica bem rosa no sol e mais para cereja na sombra, uma lindeza sĂł hahaha a primeira foto dos coments Ă© no sol. Beijosssssssss adoro vocĂȘs! =**
1x Fortalecedor 283 - Dote
2x Fuchsia - YSL
In the summer of 2017, Virginia Museum of Fine Arts (VMFA) hosted an Yves Saint Laurent exhibit. The exhibit included 100 examples of haute couture and ready-to-wear garments â some never shown publicly before.
Homage to Tom Wesselmann evening gown - The purple wool jersey dress with pink wool jersey piecing was in the autumnâwinter 1966 haute couture collection.
In the absence of anything better to do, tonight I sorted out my make-up box. I LOVE cosmetics. Paradoxically, I tend to wear very little on a daily basis (too lazy) but it's nice to play with.... and get glammed up for special occasions.
In questa foto c'Ăš tanto di mia madre.
La sua mano, il suo profumo preferito, quello che le conosco da quando sono bambina, Paris.
Ma poi c'Ú tutto il resto a fare la differenza in quest'atmosfera intima. La sua pazienza nell'assecondarmi quando vedo proprio quella luce che mi piace ed ho bisogno di una mano (a volte persino letteralmente, come in questo caso!), l'attesa mentre studio la foto che ho in mente, e sposta il cartoncino del cuki e prendi quello nero, e muovi la base dorata della confezione del salmone e tieni il lenzuolo tirato per non fare le pieghe. Io, gran rompiballe, a volte alzo anche la voce perché mi innervosisco ché la luce non aspetta me. Lei che un po' sbuffa e un po' scoppia a ridere dandomi della matta e allora inizio a ridere anche io. A volte facciamo scintille, a volte me la spupazzo e lei, timida, ride. Se sapesse di queste dichiarazioni pubbliche prima se la prenderebbe, poi si commuoverebbe. E' una dolce guerriera e ora la sto imbarazzando oltre ogni limite.
(pazienza per la pubblicitĂ semi-involontaria al profumo)
Mes divers sites : Instagram / DeviantArt / Google+
plus.google.com/u/0/+YannKopf/posts
Site officiel du film : www.facebook.com/YvesSaintLaurentFilm
Réalisation personnelle datant de février 2014.
Dessin réalisé aux crayons sur papier Layout au format A4, à partir d'une photo (trouvée sur internet) extraite du film actuellement à l'affiche : "Yves Saint Laurent".
Pierre Niney dans le rĂŽle d'Yves Saint Laurent.
Charlotte Le Bon dans le rĂŽle de Victoire Doutreleau (son site de photos et d''illustrations) : www.lebonlebon.com/
Françoise Hardy photographed by Richard Avedon in 1965.
Photo used on the cover of Album:"Chansons".
Model and photographer outside the Richard Robinson Academy of Fashion Design in Ottawa, Ontario, Canada.
Robinson entered the fashion business by working for Christian Dior and Yves Saint Laurent in their Paris ateliers. In 1969 he started his own fashion company in Ottawa.
In 1972, Robinson opened the Richard Robinson Fashion Design Academy. Each year in May the Academy mounts a fashion show to display the work of both Robinson and his students.
As well as ready-to wear clothing lines and his haute couture collections, Robinson has designed clothing for various celebrities, including the wives of at least three Prime Ministers.
Yup, the white streaks are actually snowflakes! Crazy weather these days, with only 9 days to go before the start of Ottawa's annual Tulip Festival!
Tom Ford for Yves Saint Laurent
Autumn/Winter 2004-5
Chinese Woman's Semiformal Robe, c19th
Taken in the 'China: Through the Looking Glass' exhibition (May-September 2015).
This exhibition explores the impact of Chinese aesthetics on Western fashion and how China has fueled the fashionable imagination for centuries. In this collaboration between The Costume Institute and the Department of Asian Art, high fashion is juxtaposed with Chinese costumes, paintings, porcelains, and other art, including films, to reveal enchanting reflections of Chinese imagery.
From the earliest period of European contact with China in the sixteenth century, the West has been enchanted with enigmatic objects and imagery from the East, providing inspiration for fashion designers from Paul Poiret to Yves Saint Laurent, whose fashions are infused at every turn with romance, nostalgia, and make-believe. Through the looking glass of fashion, designers conjoin disparate stylistic references into a pastiche of Chinese aesthetic and cultural traditions.
The exhibition features more than 140 examples of haute couture and avant-garde ready-to-wear alongside Chinese art. Filmic representations of China are incorporated throughout to reveal how our visions of China are framed by narratives that draw upon popular culture, and also to recognize the importance of cinema as a medium through which to understand the richness of Chinese history.
[Exhibition description]
In the Metropolitan Museum of Art, 5th Avenue, New York
ENGLISH :
The ceramic jars painted in all the colors have the most beautiful effect along the paths among the cacti, yuccas, water lilies, lotus, lily, jasmine, bougainvillea, palm trees, coconuts, bananas, etc..
Salle "Hommage Ă Christian Dior"
Créations d'Yves Saint Laurent
Ă gauche, au premier plan :
Robe de mariée
Collection haute couture automne-hiver 1984
Prototype-Atelier Felisa
Robe de crĂȘpe imprimĂ© (maison Abraham)
au centre :
Robe du soir
Collection haute couture printemps-été 2000
Prototype-Atelier Colette
Robe de crĂȘpe de soie imprimĂ© (maison Abraham)
au fond, Ă gauche :
Robe du soir
Collection haute couture printemps-été 1990
Prototype-Atelier Catherine
Robe de crĂȘpe de soie (maison Abraham)
au fond, Ă droite :
Robe Dahlia
Christian Dior par Yves Saint Laurent
Collection haute couture printemps-été 1959
ligne "longue"
Robe et noeud de taffetas de soie imprimé sur chaßne
Ă droite, au premier plan :
Robe du soir
Collection haute couture printemps-été 2001
Prototype-Atelier Colette
Robe d'organdi de soie (maison Rodolphe Simon)
broderie (maison Lesage)
sur la droite, cachée par la robe précédente :
Robe du soir Louis XV
"Hommage Ă Christian Dior"
Collection haute couture printemps-été 1990
Robe de taffetas imprimé (maison Abraham)
Exposition "Les Fleurs d'Yves Saint Laurent"
Musée Yves Saint Laurent Paris
...PrĂ©sentĂ©es dans lâexposition, une trentaine de silhouettes textiles et des dessins mettent en lumiĂšre cette symbiose entre lâĆuvre dâYves Saint Laurent, la nature et la littĂ©rature.... (Extrait du site de l'exposition)
museeyslparis.com/expositions/les-fleurs-dyves-saint-laurent