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Escolhi este esmalte para o Tema do Mês Lilás, mas enquanto usei fiquei na dúvida. Ele seca mais escuro nas unhas e é super mutante: dependendo da iluminação ele fica mais pra roxo do que pra lilás, como saiu na foto. E fica mais azulado na maioria das iluminações artificiais. Provavelmente nem vou mandar pro blog essa foto ~duvidosa. XD #fail

 

Ainda não tinha usado um YSL e o pincel é puro amor <3, fechei com duas camadas. Masss devido à quentura pipocaram umas bolinhas :~ passei Seche Vite, mas encolheu um pouco o esmalte...

ENGLISH :

We'll head for the exit along the section of cacti.

Photographed at the Virginia Museum of Fine Arts, Richmond, Virginia, USA. From the Yves Saint Laurent Perfection of Style exhibition.

Pour Jean Felix : www.youtube.com/watch?v=M3fpCztWWug

 

ENGLISH :

Botanic lover, he created his Islamic-inspired botanical garden with the lush of tropical gardens around his house, an "impressionist garden", "a cathedral of shapes and colors," structured around a long central basin .

Encore une photo prise dans le jardin de majorelle au Maroc,je ne pouvais pas revenir du Maroc sans avoir été voir ce fabuleux jardin au dominante bleu, ici une photo très graphique en contre-plongé!! :)

 

merci d'avance pour vos commentaires! :)))

27 July 2021 - A group of protesters demonstrates outside of Yves St. Laurent in Chicago’s Oak Street shopping district

27 July 2021 - A group of protesters demonstrates outside of Yves St. Laurent in Chicago’s Oak Street shopping district

Models wear creations of French and Italian Designers for Fall / Winter 1964.In order:creation of Pierre Balmain,Valentino, Yves Saint Laurent,model Julie Christine that is wearing a Pink coat creation of Givenchy,the background model that is wearing Irene Galitzine and Jacques Heim creation.

Italian Fashion Magazine:Amica.September 1964.

In the summer of 2017, Virginia Museum of Fine Arts (VMFA) hosted an Yves Saint Laurent exhibit. The exhibit included 100 examples of haute couture and ready-to-wear garments — some never shown publicly before.

 

A long evening ensemble was in the spring–summer 1980 haute couture collection. It included a black gazar jacket with gold embroidery and a black and gold lace dress. The model was ordered by Diana Vreeland.

 

Stefano Pilati

Interview Magazine

September

2008

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And why would I not show you this yellow jar before the Berber Museum, eh?

Model by Yves Saint Laurent Collection of 1967, inspired in Africa.

ENGLISH :

At the other end of the garden is this overgrown pergola...

Not Monet and not Giverny, yet it calls both to mind.

Center

 

Yves Saint Laurent French ( born Algeria) 1936-2008

 

Cocktail Dress , Fall/Winter 1959-60

Designed for Christian Dior , Paris, founded 1946

 

Silk taffeta

 

Yves Saint Laurent showed this dress in July 1959 as part of his bombshell collection dubbed the “new, new look” (in comparison to the famous New Look that Christian Dior debuted in 1947). He made skirts a focal point—and the shortest in Paris (to the knee or just above). This one is made of four bands of doubled ruffles with fringed edges. The torso is swathed diagonally in taffeta that is tacked to the underdress over a layer of organza, giving the dress what Vogue magazine praised as a “light, supple young look.” Perhaps not surprising, since Saint Laurent—already the house of Dior’s designer for two years—was just twenty-three years old.

 

Gift of the Friends of the Philadelphia Museum of Art, 1997-52-1a

 

From the Placard: The Philadelphia Museum of Art, PA

www.philamuseum.org/exhibitions/873.html

 

www.ysl.com/us

en.wikipedia.org/wiki/Yves_Saint_Laurent_(designer)

 

.....

 

Cristóbal Balenciaga Spanish (active Spain and France), 1895-1972

 

Cocktail Dress , Winter 1958

 

Silk machine-made lace over silk chiffon backed by silk plain weave, rayon satin ribbon

 

Cristóbal Balenciaga’s “baby-doll” dresses of 1957 and 1958 illustrate his experiments with abstraction and exaggeration of form. A see-through lace dress swings from the shoulders, revealing a slim sheath beneath. The loose overdress, slightly shorter in front, is held away from the body by deep, layered ruffles around the bottom. To ensure the ruffles spring outward, they are tightly gathered and supported underneath by stiff gathered net and openwork bands of nylon horsehair.

 

Gift of Mrs. T. Charlton Henry, 1975-100-2

 

From the Placard: The Philadelphia Museum of Art, PA

www.philamuseum.org/exhibitions/873.html

 

www.balenciaga.com/us

en.wikipedia.org/wiki/Crist%c3%b3bal_Balenciaga

 

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