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Street art in Bootle Liverpool, I've passed these many times & never took the time to photogragh them, glad I did
Photo Courtesy of Dennis Wood. For an entire selection of event photos, please visit: www.flickr.com/photos/denniswood_sd/sets/72157630042936843/
A Good Egg by Nate Clark
For the last three years I have been trying to create my own visual language. I started by figuring out which type of marks are my favorites. These marks come mostly from written language or symbols, often times from other painters. I began by combining these elements in black and white, simply to see how they interacted. This is the base of all my current painting. My visual vocabulary continues to grow as I test out new relationships between marks.
The paintings I make are considered abstract. I don’t fully agree with the term, because they are about language and its fragments. After modernism ended, critical theory claimed that painting was dead. New ideas do not happen quickly in painting, it is a slow language with a long history. Kandinsky saw painting as music, and I can’t help but feel the same. Each time I paint I revel in the fact that anything could happen. A new rhythm or relationship could grow and form.
A lot of my paintings over the last three years have been painstakingly repetitive and formulaic. These works help to balance me out, slow me down, and let me think elsewhere. I had intended to make a large-scale work like this for the Holland Project, but the formula can be a crutch. I want to make a piece that could fall flat or could find a new rhythm. I want the possibilities to be endless when I begin this project.
For three weeks I will be working on a series of paintings that embrace the physical layout of the gallery. I will be working during all gallery hours. The aim is to engage with people about the process of my paintings. I have a few ideas about what I want to see happen in these paintings, but I can honestly say I don’t know what they will end up looking like. I’m going to let my entire visual language spill out into the Holland Project.
With 6394 on borrowed time, I've made it a goal to capture it's movements as much as I can before my exams start. I was able to find it in downtown working the yard just after sundown on a hot, May evening.
Two people working on the upper roof structure of the Art Science Museum at Marina Bay. I was taking photos of a sailing competition on the bay when I noticed two dark specks at the top of the museum. I took a closer look through my 180 mm telephoto lens and saw these two working high above the ground.
© 2011 CP Cheah. All rights reserved.
The Mighty Mississippi River, as seen from the dock at the Chalmette Battlefield where the Creole Queen had parked. This is looking downtream, in that zone where the river barges mix with the big sea freighters, and it's probably stressful as Hell for anybody driving anything on the water. There's a freighter port on either side of the battlefield, and several of the big ships passed while we were there, but they timed themselves so that none of them passed when we were on the levy, so I can't do that thing where I take a picture of a ship and track where it is now. I could track that tug, I suppose, but that's obviously a harbor tug moving barges around the local pilings, so it probably doesn't go anywhere other than where it is.
GFF18: Working Girl - Another Day at the Office.
Special Event at Glasgow Former College of Building & Printing.
Photo by Ingrid Mur