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blouse: vintage Pierre Cardin (hand-me-down from Grandma
skirt: Anthropologie
tights: Hue
shoes: Anthropologie
My desk at work. Left some notes to explain. I have a Dell computer setup to the left out of the frame. Best part: This was shot with my new Tokina 12-24 lens at 1/20 hand-held after some tips from award-winning phtographer Dale Omori. LARGE
Well, kind of...this is the building I've worked in for just over nine years, in November we moved just over the road to a fab old terraced house.
This weekend, we replaced segments of track at Gun Hill Rd on the 2 (and 5) Line in the Bronx.
This photo shows an old panel ready for removal.
Photo: MTA New York City Transit / Leonard Wiggins.
эта девочка из вологды выиграла какой-то там конкурс имени киры пластининой. ей лет 12, кажется. такое, очень невинное порно.
Title: Work Table
Artist: attributed to Duncan Phyfe
Date: c. 1810
Acquisition Date: 1971
Image by Bruce White for the White House Historical Association.
#8
I found images 8 and 9 on the Oregon Sports Hall of Fame Facebook page. I had heard the Mavericks were being inducted on October 3rd and found these photos when researching details for attending. For purposes of viewing, look beyond the people to the artwork behind them. My dad hand painted those images. It was highly technical and skilled work.
Facebook page: www.facebook.com/OregonSportsHallofFame
Nick Krupke (KPTV) coverage:
This is what my desk looked like when I came back from a long weekend. My team thinks, since I play a Tauren druid in WoW, I should have some mates around me during the day.
Check out my Apple sticker on my glass - drives our IT people crazy!
(one of them even has a Powerbook Laptop!)
Santhi working at the quarry. She is married and has two children. We are working to provide education for the children and better health and social support for the family.
One video still from each "Life is Drag" video portrait (performance documentation).
lifeisdrag.com
ARTIST STATEMENT:
I create bodies of work that explore subjects such as gender, artifice, and spectacle. Utilizing processes ranging from directorial to curatorial to anthropological, I showcase exuberantly irrepressible personalities who revel in challenging clichés associated with constructs such "masculinity" and "femininity". A sampling of subjects include Girls Girls Girls (the world's first and only all-female Mötley Crüe tribute band), Tazzie Colomb (the world's longest competing female bodybuilder), and LACTIC Incorporated (an avant-garde clothing brand that takes the detritus of corporate life and reinterprets it into one-of-a-kind structural garments that challenge the polarization of gender).
With this current and ongoing project "Life is Drag", I am documenting the most innovative and singular performers of the currently exploding international alt-drag and neo-burlesque scenes. I am 3 years into this project, and so far have created 250+ portraits. These are created in my studio as well as during residencies - in New York City (The Cell Theater, Bushwig), Pittsburgh (The Kelly Strayhorn Theater, Blue Moon Bar, Bloomfield Garden Club), and New England (3S Artspace).
This project began in early 2019 in my studio in Brooklyn, when I collaborated with a local visual artist by the name of Untitled Queen - a deeply beloved, highly respected, and uniquely visionary performer and conduit within the NYC drag scene who uses drag as a part and extension of her artistic process. I then worked with selected performers from Ohio and Kentucky in conjunction with a mid-career retrospective in my hometown of Cincinnati in the spring of 2019, and in January and February of 2020, I worked with 20+ New England-based drag artists as part of a residency and exhibition at 3S Artspace in Portsmouth, New Hampshire.
From the autumn of 2020 until the summer of 2021, I was an artist in residence at The Cell Theatre in the Chelsea neighborhood of NYC, where I expanded the project in the midst of the pandemic to also include neo-burlesque performers and performance artists whose work deals specifically with gender performativity. Most recently was a residency in my hometown of Cincinnati, Ohio - which included creating video portraits of performers from the drag haus ODD Presents, members of the neo-burlesque troop Smoke & Queers, and other alt-drag and burlesque artists from the tri-state area. This residency also included an exhibition featuring this ever-growing archive, as well as multiple live performance events.
My long-term goal is to continue to do a series of such residencies nationally and internationally, which will allow me to create a comprehensive archive of video portraits of drag, burlesque and performance artists from a wide range of locations, backgrounds, cultures, and ages. Each portrait includes video of the artist performing (lip-synching, singing, telling stories, reciting monologues, dancing, etc.) in addition to interview documentation, and will live online as well as in galleries and unexpected places in between. "Life is Drag" has so far been exhibited at such venues as the the Carnegie Museum of Art and Bunker Projects (PA), Satellite Art Club, Bushwig and The Cell (NYC), 3S Artspace (NH), and the Weston Art Gallery (OH).
I believe this project is innovative and important in that it is treating and respecting "drag" (defined as broadly and inclusively as possible) as a proper art form – recognizing it as an extremely vital and valid style of performance art, and every bit as deserving of the deference reserved for more traditional classical art forms like painting and sculpture. Drag is painting and sculpture and performance all at once - and quite often also activism, education, protest, therapy, resistance, catharsis, comedy, tragedy, enlightenment, inspiration - or some combination of the above - to those who practice it, and also to those who experience it as an observer. This project is about celebrating this experimental and expansive form of art and its wide range of practitioners and manifestations. It is about creating a record - an archive - of these brilliant but ephemeral performances, from dive bars to art galleries, city streets to grand theater stages. It is about trying to properly document and share these wildly diverse acts and profound stories that will surely open minds and capture hearts.