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Featuring work by Brianna Lynn Hernández Baurichter, Emma Freeman, Chelsea Littman, Kassandra Palmer, and Nicole Shaver. Curated by Frank Juarez, Artdose Magazine
Center for the Visual Arts (CVA)
427 N. 4th Street
Wausau, Wisconsin 54403
July 23 - September 11, 2021
© 2021 Artdose Magazine
Zelda has just turned one and is both HD and AD clear, so we can finally start working out.
The photo is taken with my iPhone, which explains the bad quality. On the other hand its not that bad for a iPhone photo.
Let me just tell you how much of a warm, fuzzy feeling I get when I see a sign like this above an electronic door lock release at a secure chemical-biological processing facility. That's an engraved plate fastened to the wall, by the way, so the misspelling had to go through at least a few people. I know for a fact that it has been in place for a few months and is in a busy office hallway. /sigh /doublecheck-chemical-biological-emergency-suit
A thatcher at work (no, not Maggie!) in Carnwath, Lanarkshire. Unfortunately this roof caught fire not long after being thatched and had to be replaced by a slate one.
Emily Floyd
Painted aluminium sculpture, 2004
Waterview Walk, Docklands (Melway ref. 2E, H6)
Melbourne artist Emily Floyd’s Signature Work is a playful addition to the public art collection at Docklands. Resembling an abstracted toy rabbit, it is intended to amuse and confound passers-by. Standing nearly four metres high and coated in black Polyurethane paint, the aluminium-plate sculpture is also reminiscent of futuristic creations such as Darth Vader, or the menacing rabbit figure in the film Donny Darko. Planted in the urban landscape of Docklands, the presence of this giant rabbit is both cute and unsettling as it looms over the viewer.
Photograph by Louis Porter
Tu che dai luce al mio mondo.
Tu che colori le mie giornate.
Scegli se continuare a farlo, o no.
Uniti, dal nostro amore nascerà l'arcobaleno.