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Big monstroctopus custom. :D Can’t really tell by this photo but he’s a big one. About 2 1/2 feet antler to antler.

I have been on a knitting kick lately. The project in purple is a linen sweater inspired by a Nicky Epstein design and the neutral garment in back is a finished dress inspired by a Lily Chin design.

 

We recently had our departmental holiday luncheon with Secret Santa gift giving. I'm fortunate to work with a really nice group. The pottery yarn bowl was the gift I was given - how thoughtful and beautiful! I'd not used one before. Now, I can't imagine knitting without it. It holds my yarn in place, and I now longer have to chase my yarn out from under my desk after it falls when I'm unraveling more yarn.

 

For those of my "crafty" friends who are interested, the yarn bowl comes from Ning's Pottery.

 

Best wishes for the holiday season and the New Year!

For this gallery thing or something (?)

Waited all day for the dishwasher repair man to call, so I had lots of time on my hands. Windows completed and front steps installed.

Taken in Rome,Italy.

 

Absolutely best seen large!!

Blogged

 

Inspired by old, patched work quilts.

Maker: George Seeley (1880-1955)

Born: USA

Active: USA

Medium: photogravure

Size: 8 in x 6 1/4 in

Location: USA

 

Object No. 2010.160

Shelf: A-7

 

Publication: Camera Work, XXIX, January, 1910

Photography:the first eighty years, Colnaghi, London, 1976, pg 223

Robert Doty, Photo-Secession, Stieglitz and the Fine-Art Movement in Photography,

Camera Work, The Complete Illustrations 1903-1917, Taschen, 1997 pg 491

Camera Work, A Pictorial Guide, Dover, 1978, pg 76

Robert Doty, Photography as a Fine Art, George Eastman House, Rochester, 1960, pl XXI

 

Other Collections:

 

Notes: George Seeley was a student of painting and drawing in Boston when he met Fred Holland Day, who introduced him to the pictorial possibilities of photography. His debut came in 1904, when Seeley exhibited fourteen photographs in the First American Photographic Salon in New York. A reviewer enthused: "Mr. Seeley is the new man for whom we are always on the lookout, and his advent among pictorialists will be the sensation of the year." The statement proved true. Critical of the exhibition but supportive of Seeley's work, Alfred Stieglitz invited Seeley to join the Photo-Secession, with which he remained for six years, exhibiting and publishing his photographs. After the break with Stieglitz's group, declining interest in the Pictorialist aesthetic and the increasing unavailability of platinum paper after World War I contributed to the demise of Seeley's photographic career. He continued to exhibit his work into the 1930s, although he had practically ceased to make new work. An amateur ornithologist who was active in his church, Seeley took up oil painting in his later years and was a correspondent for the local Stockbridge, Massachusetts, newspaper. (Source: The Getty Museum)

 

To view our archive organized by Collections, visit: OUR COLLECTIONS

 

For information about reproducing this image, visit: THE HISTORY OF PHOTOGRAPHY ARCHIVE

altered book with crocheted lines

 

verändertes Buch mit gehäkelten Zeilen

Fresque en cours à la galerie Mathgoth ...

Commision work for Kuranosuke

head: NYX Doll Limos

taken by: Sony Xperia Z

I'm doing full service, from skin color matching since it's a hybrid doll, blushing and face up removing, nails painting, face up, and extra scars on his back <3

Sometimes, in my work, I discover places that inspire me. This is only an auxiliar light in a building under construction but I love how light wash the concrete wall. Color is caused by an oversight in white balance of my camera but i love it.

 

A veces, en mi trabajo descubro lugares que me inspiran. Esta es sólo una luz auxiliar en un edificio en construcción, pero me encanta cómo la luz baña el muro de hormigón. El color se debe a un olvido mio en el balace de blancos de mi camara, pero me gusta como ha quedado.

Some shots I took this summer

Another bridge repair site

 

(ADAD 2015 July - 9: Work)

While the three patrons were immersed in their after office work, the people on the ad poster above them appear to be having a fun time.

 

This was taken with my large "compact" camera, the Canon PowerShot G1X (the first model).

Oh, you know. The Graflex :-)

 

I'm getting MUCH more consistent results with this revised version of the PX 100. Too bad my rollers on the SX70 crapped out and screwed up 5 of the 8 pieces of film. I think I have one shot left.

Sand sculptures created for the Summer Festival of 2018

Commemorating the centenary of WW1 , taking a theme of

LAND: The Redcar Tank

By Jan Zelinka

The notice reads:

"Many towns in the UK were presented with tanks at the end of WW1. Redcar was one of them. It was placed and moved approximately 3 times during its time here. Notably at the train station and at the end of the High Street. At some point it was apparently moved to the corner of Lilac Grove and Coast Road where the British Legion seating exists today, but as was the fate with the majority of these tanks, they were used for scrap in WW2."

Thank you my friends for passing by , fave and kind comment :))

 

I wish you have a nice day !!

—

Fujinon XF 27mm f/2.8 II + Fujifilm X-T2.

Only for SHDP3

中袖連衣裙x1

半身蓬蓬裙x1

洋帽x1

襪子x1

4 weeks with ZERO days off.....The weekend is hereeeeeee finally

Ready for dirty work

Dentist and her assistant (my cousin) that made me fearless to teeth treatment. This shot stays for how I saw them during their work.

A little nest furnishing by this female Osprey.

Ponete a trabajar, Perra!

Hola a todos! Aqui les dejo este nuevo Blend de Britney Spears.

Espero que les guste!.

Saludos!

 

* NiiRiera

* Nico Riera Díaz

も・・・もう少しだーーっ!!

(編集の関係で秒数が増えたw

 前回3:18で終わるはずが3:40にww)

 

終盤に用意する小道具と

ロケ地とセットでつまづかないことを願うw

これはGW明けくらいに完成かなーorz

仕事さえなければー くそーっ

 

A little more in the finished~~!!

a work sheet from the football comicsworkshop. the kids had to fill in the missing text in the speech balloons.

primeira tentativa de ilustração em tecido.

 

first attempt to make a cloth illustration

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