View allAll Photos Tagged windowframe
Watching from an upstairs window in Nelson Street, Chinatown, Liverpool during Chinese New Year celebrations ; Year of the Horse:2014
Warm morning sunlight casts soft geometric shadows of a window frame onto a wall, creating a calm and minimalist atmosphere. Ideal as a background for design, branding, or conceptual use.
Another door (window frame) I found while strolling @ Oia, Santorini. This one, has closed the world inside it...
19.10.07 @ #471 on Explore!
2018 Round the World Trip - Australia Road Trip
Leica DC Vario-Elmarit 9.1-91mm f2.8-5.9 Asph
A large huntsman spider rests on a dark wooden window frame while overlooking a sunlit forest. Its long, spindly legs are spread wide against the black surface, highlighting its impressive size and texture. This encounter took place in Thredbo, New South Wales, where the spider remains perfectly still against the backdrop of the trees.
Although not famous for its Art Deco architecture, the provincial Victorian city of Ballarat, which was established between the 1860s and 1880s when the area was at the centre of a gold rush, does have some fine examples of interwar and post war architecture when the gold boom was replaced with wealth generated through grazing and agriculture.
"Drewan Court" is a wonderful set of Streamline Moderne red and brown brick flats built on the front of an old Gothic Victorian mansion in Lyons Street. With rounded balconies and Functonalist windowframes, "Drewan Court" achieve the refreshingly sleek style that was popular in the mid to late 1930s.
Unlike many Art Deco buildings which focussed on angular detail, Streamline Moderne buildings often placed emphasis on rounded edges, as though they were standing up against a great wind. The rounded concrete rendered windows are prime examples of such architectural features. Aside from these and a small amount of feature brickwork, the detail on these flats is minimal.
During 1916 the British born Australian architect Walter Richmond Butler (1864 – 1949) designed a new Anglican Mission to Seamen to be built on an oddly shaped triangular block of land at 717 Flinders Street on the outskirts of the Melbourne central city grid, to replace smaller premises located in adjoining Siddeley Street, which had been resumed by the Harbour Trust during wharf extensions.
The Missions to Seamen buildings, built on reinforced concrete footings, are in rendered brick with tiled roofs. Walter Butler designed the complex using an eclectic mixture of styles, one of which was the Spanish Mission Revival which had become a prevalent style on the west coast of America, especially in California and New Mexico during the 1890s. The style revived the architectural legacy of Spanish colonialism of the Eighteenth Century and the associated Franciscan missions. The revival of the style is explicit in the Mission’s small, yet charming chapel with its rough-hewn timber trusses, in the bell tower with its pinnacles and turret surmounted by a rustic cross and in the monastic-like courtyard, which today still provides a peaceful retreat from the noisy world just beyond the Missions to Seamen’s doorstep. The chapel also features many gifts donated by members of the Harbour Trust and Ladies’ Harbour Lights Guild, including an appropriately themed pulpit in the shape of a ship's prow and two sanctuary chairs decorated with carved Australian floral motifs. Some of the stained glass windows in the chapel depict stories and scenes associated with the sea intermixed with those Biblical scenes more commonly found in such places of worship.
The adjoining Mission to Seamen’s administration, residential and recreational building shows the influence of English domestic Arts and Crafts architecture, with its projecting gable, pepper pot chimneys and three adjoining oriel windows. The lobby, with its appropriately nautically inspired stained glass windows, features a large mariner's compass inlaid in the terrazzo floor. Built-in timber cupboards, wardrobes, paneling and studded doors throughout the buildings evoke a ship's cabin.
Walter Butler, architect to the Anglican Diocese in Melbourne, had come to Australia with an intimate knowledge and experience of the Arts and Crafts movement and continued to use the style in his residential designs of the 1920s. The main hall has a reinforced concrete vaulted ceiling. Lady Stanley, wife of the Mission's patron, Governor Sir Arthur Lyulph Stanley, laid the foundation stone of the complex in November 1916. The buildings were financed partly by a compensation payment from the Harbour Trust of £8,500.00 and £3,000.00 from local merchants and shipping firms. The Ladies' Harbour Lights Guild raised over £800.00 for the chapel. Most of the complex was completed by late 1917 whilst the Pantheon-like gymnasium with oculus was finished soon afterwards. The substantially intact interiors, including extensive use of wall paneling in Tasmanian hardwood, form an integral part of the overall design.
The Missions to Seamen buildings are architecturally significant as a milestone in the early introduction of the Spanish Mission style to Melbourne. The style was to later find widespread popularity in the suburbs of Melbourne. The choice of Spanish Mission directly refers to the Christian purpose of the complex. The Missions to Seamen buildings are unusual for combining two distinct architectural styles, for they also reflect the imitation of English domestic architecture, the Arts and Crafts movement. Walter Butler was one of the most prominent and progressive architects of the period and the complex is one of his most unusual and distinctive works.
The Missions to Seamen buildings have historical and social significance as tangible evidence of prevailing concerns for the religious, moral, and social welfare of seafarers throughout most of the Nineteenth and Twentieth Centuries. The complex has a long association with the Missions to Seamen, an organisation formed to look after the welfare of seafarers, both officers and sailors, men "of all nationalities". It had its origins in Bristol, England when a Seamen's Mission was formed in 1837. The first Australian branch was started in 1856 by the Reverend Kerr Johnston, a Church of England clergyman, and operated from a hulk moored in Hobsons Bay; later the Mission occupied buildings in Williamstown and Port Melbourne. In 1905 the Reverend Alfred Gurney Goldsmith arrived at the behest of the London Seamen's Mission to establish a city mission for sailors working on the river wharves and docks. The building reflects the diverse role played by the Mission with its chapel, hall and stage, billiards room, reading room, dining room, officers' and men’s quarters, chaplain's residence, and gymnasium. It is still in use to this day under the jurisdiction of a small, but passionate group of workers, providing a welcome place of refuge to seamen visiting the Port of Melbourne.
Walter Butler was considered an architect of great talent, and many of his clients were wealthy pastoralists and businessmen. His country-house designs are numerous and include “Blackwood” (1891) near Penshurst, for R. B. Ritchie, “Wangarella” (1894) near Deniliquin, New South Wales, for Thomas Millear, and “Newminster Park” (1901) near Camperdown, for A. S. Chirnside. Equally distinguished large houses were designed for the newly established Melbourne suburbs: “Warrawee” (1906) in Toorak, for A. Rutter Clark; “Thanes” (1907) in Kooyong, for F. Wallach; “Kamillaroi” (1907) for Baron Clive Baillieu, and extensions to “Edzell” (1917) for George Russell, both in St Georges Road, Toorak. These are all fine examples of picturesque gabled houses in the domestic Queen Anne Revival genre. Walter Butler was also involved with domestic designs using a modified classical vocabulary, as in his remodelling of “Billilla” (1905) in Brighton, for W. Weatherley, which incorporates panels of flat-leafed foliage. Walter Butler also regarded himself as a garden architect.
As architect to the diocese of Melbourne from 1895, he designed the extensions to “Bishopscourt” (1902) in East Melbourne. His other church work includes St Albans (1899) in Armadale, the Wangaratta Cathedral (1907), and the colourful porch and tower to Christ Church (c.1910) in Benalla. For the Union Bank of Australia he designed many branch banks and was also associated with several tall city buildings in the heart of Melbourne’s central business district such as Collins House (1910) and the exceptionally fine Queensland Insurance Building (1911). For Dame Nellie Melba Butler designed the Italianate lodge and gatehouse at “Coombe Cottage” (1925) at Coldstream.
Located in the exclusive Melbourne suburb of Toorak, Graeme Mansion, built in 1910 by Melbourne architect P. G. Fick (18?? - 1940) is a Grande Dame of Melbourne's glittering turn-of-the-century past.
Built in elegant Art Nouveau style, Graeme Mansion, made of grey stone, is an imposing building which shuns the world beyond the high fence that protects it from the noise of busy Williams Road which it faces onto, and the railway line which it is situated next to. The mansion's name plaque is situated above the front door, below a fan window, and two sets of bay windows with Art Nouveau stained glass panels feature to either side of the front door.
Graeme Mansion was built for and named by Ballarat born physician Dr. Francis Armand Nyulasy (1862 - 1934). Sadly, Dr. Nyulasy married late in life and had no children, so his beloved home fell into disrepair and was neglected for a long time. Today it has a new lease of life and a new name, "Toorak Manor", as a quality boutique hotel as such a building at such an address deserves to be.
P. G. Fick also designed the All Saints Anglican Church, hall and vicarage on Chapel Street, East St Kilda in 1908.
Vision looks inward and becomes duty.Vision looks outward and becomes aspiration.Vision looks upward and becomes faith.
The Korumburra Comfort Station for Women was designed and constructed in 1944 by the Public Works Department. Located at 3 Radovick Street Korumburra, the Women’s Comfort Station is on one of Korumburra's main commercial streets.
Aesthetically, the Women’s Comfort Station is very Art Deco in style. Built of smart clinker brick, it is a well resolved interwar public building, which is notable as a locally rare example that features progressive Streamline Moderne influences such as the stepped pylon at the south west corner. The rounded verandah of corrugated iron with wooden supports is a much later edition, introduced when Korumburra became known for its fine Victorian buildings during the 1980s.
The quality of the design and prominent location of the facility illustrates prevailing attitudes to the provision of separate public conveniences for women in the pre-Second World War period.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
Sony a600_E-mount_mirrorless_55/210 telephoto lens.
Delivered 6 hours ago and not tested outdoors or elsewhere yet.
Built between 1908 and 1912 to house workers in the backyard of their place of employment – the large smoke-churning Wieczorek (formerly ‘Giesche’) coal mine – the enclosed residential complex of Nikiszowiec is composed of six compact four-sided three-storey blocks with inner courtyards. Distinguished by its uniformity of style – red brick buildings accented with red-painted windowframing, and narrow streets joined by handsome arcades – the neighbourhood was designed by Georg and Emil Zillman of Berlin-Charlottenburg to be a completely self-sufficient community for 1,000 workers with a school, hospital, police station, post office, swimming pool, bakery and church. Thanks to WWI and the subsequent Silesian Uprisings – during which time Nikiszowiec saw fierce fighting, and was afterwards incorporated into Poland – St. Anne’s Church (Pl. Wyzwolenia 21) wasn’t able to be finished until 1927, but became the crowning glory of the neighbourhood as soon as it was. A welcome diversion from the smokestacks dominating the roofline of the district’s other side, this magnificent building incorporates Baroque design with two belltowers and a timepieced steeple, while blending into its surroundings without any of the ghastly and gratuitous exterior decoration associated with the style; make sure you take a stroll down ul. Św. Anny for the most photogenic views. If you’re lucky enough to get inside, take notice of the amazing 5,350 pipe organ and highly ornate Zillman chandelier. Though it would ironically seem be a socialist planners’ wet dream, Nikiszowiec actually makes a happy, handsome departure from the communist botch-job of downtown Katowice and has become a prized location for amateur photographers and budding filmmakers due to the fact that it has remained virtually unchanged since the Second World War. City marketers have also recognised the district’s uniqueness with increasing efforts to draw tourist attention to the area and a campaign afoot to fasten Nikiszowiec to the UNESCO Heritage List.
Originally opened in 1912, the Leongatha Masonic Hall on the corner of Bruce Street and Masonic Lane has served the local community for one hundred years.
The current building of clinker and brown brick is a more recent construction, enveloping the original 1912 hall with a new facade and adding to the lodge in the 1930s. Low slung and minimal in detail, the Leongatha Masonic Hall is typical of architecture of the Streamline Moderne movement. Unlike many Art Deco buildings which focussed on a vertical emphasis, Streamline Moderne buildings often featured horizontal emphasis. This is evident in the wide entranceway to the lodge on Bruce Street. This section, constructed in the 1930s also features a flat roof which is another common feature of Streamline Moderne buildings. The gable on the left hand corner of the Bruce Street facade is in fact the original 1912 lodge with a more modern facade. The Functionalist metal windows installed beneath the gable are accentuated by the addition of ornamental buttresses which are capped with neat stone carvings. The entrance itself is flanked by classically inspired columns with Ionic capitals.
Leongatha is a town in the foothills of the Strzelecki Ranges, South Gippsland Shire, Victoria, Australia, located 135 kilometres south-east of Melbourne. The town is the civic, commercial, industrial, religious, educational and sporting centre of the region. The Murray Goulburn Co-operative Co. Limited, is a farmers' co-operative which trades in Australia under the Devondale label, and has a dairy processing plant just north of the town producing milk-based products for Australian and overseas markets. First settlement of the area by Europeans occurred in 1845. The Post Office opened as Koorooman on 1 October 1887 and renamed Leongatha in 1891 when a township was established on the arrival of the railway. The Daffodil Festival is held annually in September. Competitions are held and many daffodil varieties are on display. A garden competition is also held and there are many beautiful examples throughout the provincial town. The South Gippsland Railway runs historical diesel locomotives and railcars between the market and dairy towns of Nyora and Leongatha, passing through Korumburra.
Korumburra Primary School is State School number 3077. Located on a gently rolling hillside on the corner of Mine Road and John Street, the primary school is just outside of the main commercial centre of Korumburra.
The original Nineteenth Century school, a weatherboard, corrugated iron roofed single room structure is still located on the school’s grounds hedging Wrenchs Lane, but with the growth of Korumburra in the late 1890s, the population of students soon outgrew the building, and a new red brick school was built in the early 1900s. Like many other schools built in the first decade of the Twentieth Century, it has an Arts and Crafts Movement inspired uniformity in style to identify it as a State School. It features tall, narrow windows in blocks of two or four, which flood the classrooms with light, stone horizontal banding to break up the red brick facades, Art Nouveau styled air vents and hipped roofs with tall chimneys. Unlike many schools of a similar age in Melbourne, the Korumburra Primary School does not feature a terracotta tiled roof, but rather a corrugated iron one like its predecessor. Corrugated iron would have been easier to make locally or transport from Melbourne, some 120 kilometres, and several days journey away. An old oak tree planted when the new school was established still survives in the grounds today, in spite of the harsh Australian summers and several years of drought.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
Near Renfrew in Ontario, Canada, there is a ghost town named Balaclava. It use to be a saw-mill town. We decided to visit the place and take a few shots. I got myself shooting mostly windows and old wood and paint textures.
Unfortunately, one of the buildings has a sign on it saying that a permit was requested to destroy the general store building to transform it into a commercial lot.
Most of the shots got re-worked with Topaz Adjust 3 to enhance the colors and contrast.
Enjoy,
we moved this past weekend, and now we're starting to get settled. Of course, all the rooms are works in progress but it's starting to feel like a home.
I love all the light and the hardwood floors.
Built in the 1920s this old stone building with its Funtionalist Moderne windows and ornamental Mock Tudor gables used to be a restaurant.
Located in the Victorian country town of Korumburra, the former restaurant has long since closed and where once ladies sat taking tea at intimately grouped tables there now lies the burnt out remains of the interior, which is slowly being reclaimed by nature. Sadly, all the stylish Functionalist Moderne windows have had their panes smashed, but the frames, rusty and still held in their closed position as they were left, give an idea of how the restaurant must once have looked. The building features a typically picturesque high gabled roof line and ornamental fretwork on the boards beneath the eaves to give it that Tudorbethan style, so popular across Britain and her dominions. The whole building was once painted white and the struts on the fretwork picked out in black to give it the Olde English look that would have made this a delightful place to be.
In spite of its dereliction, there is still beauty to be found in this building. Not only is the stylish skeleton still standing proud, but in the light that fills the building's interior through the broken skeletal panes of the windows and clusters of brightly coloured nasturtiums (a remnant of the former cottage garden about the restaurant) that still spring up from amongst the grass.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
Korumburra Primary School is State School number 3077. Located on a gently rolling hillside on the corner of Mine Road and John Street, the primary school is just outside of the main commercial centre of Korumburra.
The original Nineteenth Century school, a weatherboard, corrugated iron roofed single room structure is still located on the school’s grounds hedging Wrenchs Lane, but with the growth of Korumburra in the late 1890s, the population of students soon outgrew the building, and a new red brick school was built in the early 1900s. Like many other schools built in the first decade of the Twentieth Century, it has an Arts and Crafts Movement inspired uniformity in style to identify it as a State School. It features tall, narrow windows in blocks of two or four, which flood the classrooms with light, stone horizontal banding to break up the red brick facades, Art Nouveau styled air vents and hipped roofs with tall chimneys. Unlike many schools of a similar age in Melbourne, the Korumburra Primary School does not feature a terracotta tiled roof, but rather a corrugated iron one like its predecessor. Corrugated iron would have been easier to make locally or transport from Melbourne, some 120 kilometres, and several days journey away. An old oak tree planted when the new school was established still survives in the grounds today, in spite of the harsh Australian summers and several years of drought.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
Korumburra Primary School is State School number 3077. Located on a gently rolling hillside on the corner of Mine Road and John Street, the primary school is just outside of the main commercial centre of Korumburra.
The original Nineteenth Century school, a weatherboard, corrugated iron roofed single room structure is still located on the school’s grounds hedging Wrenchs Lane, but with the growth of Korumburra in the late 1890s, the population of students soon outgrew the building, and a new red brick school was built in the early 1900s. Like many other schools built in the first decade of the Twentieth Century, it has an Arts and Crafts Movement inspired uniformity in style to identify it as a State School. It features tall, narrow windows in blocks of two or four, which flood the classrooms with light, stone horizontal banding to break up the red brick facades, Art Nouveau styled air vents and hipped roofs with tall chimneys. Unlike many schools of a similar age in Melbourne, the Korumburra Primary School does not feature a terracotta tiled roof, but rather a corrugated iron one like its predecessor. Corrugated iron would have been easier to make locally or transport from Melbourne, some 120 kilometres, and several days journey away. An old oak tree planted when the new school was established still survives in the grounds today, in spite of the harsh Australian summers and several years of drought.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
The Korumburra Comfort Station for Women was designed and constructed in 1944 by the Public Works Department. Located at 3 Radovick Street Korumburra, the Women’s Comfort Station is on one of Korumburra's main commercial streets.
Aesthetically, the Women’s Comfort Station is very Art Deco in style. Built of smart clinker brick, it is a well resolved interwar public building, which is notable as a locally rare example that features progressive Streamline Moderne influences such as the stepped pylon at the south west corner. The rounded verandah of corrugated iron with wooden supports is a much later edition, introduced when Korumburra became known for its fine Victorian buildings during the 1980s.
The quality of the design and prominent location of the facility illustrates prevailing attitudes to the provision of separate public conveniences for women in the pre-Second World War period.
Korumburra is a medium-sized dairy and farming town in country Victoria, located on the South Gippsland Highway, 120 kilometres south-east of Melbourne. Surrounded by rolling green hills, the town has a population of a little over 4,000 people. Korumburra has built itself on coal mining (after the discovery of a coal seam in 1870), local forestry and dairy farming. Whilst the coal seam has been used up, farming in the area still thrives and a great deal of dairy produce is created from the area. The post office in the area opened on the 1st of September in 1884, and moved to the township on the railway survey line on the 1st of November 1889, the existing office being renamed Glentress. The steam railway connecting it with Melbourne arrived in 1891. Whilst the train line has long since operating commercially, it has found a new life as the popular tourist railway the South Gippsland Railway which operates a heritage railway service between the major country centre of Leongatha and the small market town of Nyora.
Nails, that have rusted over last 37 years, these nails were in a front window frame, and had been painted over.
Still they cannot escape the rust from the salt air at the beach
Duration: 1 minute 27 seconds
Speeded up view of clouds over Whitehawk Hill (East Brighton, East Sussex, England) streaming past the silhouette of my window at sunset, fading to dusk. (Late afternoon in wintertime.) The time lapse effect is the result of 24 minutes of video speeded up about 16 times to last only one and a half minutes in duration.
A hint of rose light from the setting sun briefly illuminates the clouds. The wind is (the prevailing) south westerly, fresh off the nearby North Atlantic coast.
Part of a house plant's leaves can be seen, as well as smudges in the dirty window pane.
A dissolve has been used to hide a moment of camera wobble a tenth of the way through.
My first flickr video. (Oh well, there goes the neighborhood...)