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Glitter balls and Mistletoe in Covent Garden this Christmas
Handheld, infinity, no flash
Lomo Instant Wide, Fuji Instax Film
They made not a sound for six hours. Nothing. 'This is the worst,' they murmured to one another in sign language.
-- Donald Barthelme
Copyright © 2013 OffdaLipp Images
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After the second week of working on the 4x10 camera I am building, it is finally starting to look like a camera. I still have a ton of work to do, including the fabrication of the bellows, but at least I am sure that the concept works.
FYI, the focusing rails and front standard are from a Fuji GX680, the ground glass back has been made by splitting an 8x10 Kodak Century back in half. The camera has been set up to accommodate lenses from 120mm to 240mm, but 210mm is going to be the optimal lens.
© 2013 Daniel Novak Photo, Buffalo Landscapes & Cityscapes | Blog | Google+ | 1x | NG My Shot
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Being outdoors is the best part of landscape photography for me. Whether it's at sunrise or sunset, day or night, summer or winter, it's always great to be there and witness whatever Mother Nature prepared for the occasion. That sentiment often leads to photos piling up on the hard drive without seeing the light of the day. So, once in a while, processing, printing, posting, sharing, or other forms of presentation are necessary. And not only necessary, it is the essential final step that allows photographers to share their vision with the rest of the world.
As far as post-processing goes, technology is wonderful and allows for things that would otherwise be pretty difficult and expensive. Digital sensors are getting better every year and capture a great deal of dynamic range in noise free high resolution in all kinds of light. And then software in post processing gives you the freedom to take the possibilities even further. HDR allows to further expand the already great dynamic range, focus stacking makes it possible to inject a depth of field otherwise possible only with view cameras or tilt-shift lenses, and finally, stitching multiple images makes it possible to capture extremely wide panoramas, like here.
This photo was created from 10 vertical photos ...
Freewell UV and CPL filters.
The Zeiss Biogon 38mm f/4.5 on this camera is a 20mm equivalent when shooting 6x6, it becomes a 30mm when mounted in front of the CFV II 50C digital back.
Taken at 7am, low light, 04/12/15. Normal setting, no flash, hand held.
Lomo Instant Wide, Fuji Instax Wide Film
Hooker Valley and Mueller and Hooker Glacier terminal lakes. Mount Sefton (centre) and Aoraki Mount Cook (right) dominate the skyline. Aoraki Mount Cook National Park, New Zealand
Amazing but challenging hike up Mount Ngauruhoe in Tongariro National park New Zealand. Stupidly busy however. The views were worth the walk!! This is Mount Doom to us hobbit fans! :-)
Taken with GoPro Hero 3+
An old traditional spanish tile roof in Santa Cruz, CA
Fuji GFX 50s, 180mm ED Nikkor
ISO 400, f/8 at 1/210 second
Taken with the Polaroid Spectra & IP Color Spectra 3.0 (12/16)
#Polaroid #PolaroidSX70 #SX70 #SX70600 #Conversion #600Conversion #Flora #Flowers #Yellow #Pink #Impossible #ImpossibleProject #Instant #Spectra #WideFormat #Image #Image1200 #InstantPhotography #Winter #Film #FilmWins #IBelieveInFilm #SnapItSeeIt #NoFilter #TheNetherlands #Wierden
Taken just before the sun broke the horizon, as seen from Foggy Bottom.
Leica M240, 50mm Summicron
ISO 400, f/6.8 at 1/125 sec.
One of the most beautiful libraries in the city, second to the Harold Washington downtown, the Independence Park branch is a modern beauty inside and out.
Another pinhole image to finish up this series. I’m eager make some more images with this camera.
Holga 120 WPC
Fuji Neopan Acros 100
6 Seconds
A lifelike young woman emerging from a shop-window mannequin idea — reimagined as a sympathetic, modern studio portrait.
Set against a neutral light-gray exposed-concrete backdrop, the scene plays with the thin line between fashion display, memory, and familiarity: the kind of face that makes you think, I’ve seen her somewhere before...
AI-assisted image creation.
Crossing the river Jeker in nature reserve De Kevie in Tongeren.
2020, photo by fraganda, free to use under Creative Commons license CC BY-SA 4.0
After nearly a year in the shop, my beloved Noblex is back home. Noblex are great cameras, but temperamental, and it's getting very hard to find replacement parts should something go wrong. I understand that Precision Camera Works had to use parts from two other Noblex just to get mine back into shape. It was worth the wait time and cost (not cheap!) to get this wonderful tool back in my hands.
Leica M 240, 50mm Summicron
2 Elinchrom Ranger X strobes.
Chimera Medium softbox, Elinchrom spot grid
Taken at Aomori JR train station following an overnight storm.
Fuji GFX 50s, 63mm Fujinon
ISO100, f/8 at 1/250 second
new pinhole camera test. 35cmX45cm. bad leak & lens came loose when I pulled the black tape shutter off.
Taken at a very low angle, nearly in the grass, just a few feet from the closest grave. I used a Noblex Pro 150UX medium format swing lens panoramic camera, which produces a nearly 6x12 image.
Noblex Pro 150UX, 50mm Rotar lens. f/16 at 1/125 sec.
Fuji Acros film, developed in Xtoll 1:1 using a Jobo Processor