View allAll Photos Tagged wideformat

Escape the city

To explore the hidden treats

Carved by a glacier

Velvia 50 film converted to Black and White

Normal lens, distance infinity, tripod, no flash

 

Lomography Instant Wide, Fuji Instax Wide

1641_1648_Panorama1. 1st attempt. It’s quite a challenge trying to photograph the Aurora from a moving boat with the Aurora itself moving as well. Factor in a long enough exposure to attempt to capture the starfield, and multiple shots to achieve a panorama and this is the result.

Taken with the Polaroid Spectra & IP Color Spectra 3.0 (12/16)

 

#Polaroid #PolaroidSX70 #SX70 #SX70600 #Conversion #600Conversion #Flora #Flowers #Yellow #Pink #Impossible #ImpossibleProject #Instant #Spectra #WideFormat #Image #Image1200 #InstantPhotography #Winter #Film #FilmWins #IBelieveInFilm #SnapItSeeIt #NoFilter #TheNetherlands #Wierden

In all of my travels I have been able

to make these memories quit,

but tonight I clearly recall

every little bit.

--Patty Griffin

Fifteen-second blasts:

People driving to and fro

To be home at last.

Taken with a Polaroid 1200i camera on Spectra Image film that expired in Sept 2007, for the "'Roid Week" pool, April 2026.

 

Taken by Cory Funk

Along I90 Near Moorcroft Wyoming

Finally headed home. We take the team to the gates and wait patiently.

Today's work complete

"Gas'r up for tomorrow"

Off to bed go I

Now that we're in the gray and wet of Oregon winter, I find myself dreaming of the gorgeous mountains. Next summer???

The weather has been all over the place today, from isolated rain showers (literally one square block and nowhere else) to extreme sunshine late in the day. Is Mother Nature having a crisis?

Taken with the Polaroid Spectra & IP Color Spectra 3.0 (12/16)

 

#Polaroid #PolaroidSX70 #SX70 #SX70600 #Conversion #600Conversion #Flora #Flowers #Yellow #Pink #Impossible #ImpossibleProject #Instant #Spectra #WideFormat #Image #Image1200 #InstantPhotography #Winter #Film #FilmWins #IBelieveInFilm #SnapItSeeIt #NoFilter #TheNetherlands #Wierden

View Large On White

 

I loved how the sun set right in the mesa cut like in old western movies, heh. And I also enjoy how theres one cloud looking like a rocket ship blasting across the sky.

I like to plan the location and mentally prepare myself for an image before I going out but every once in a while a plan doesn't work out or I get side tracked and shoot something spontaneously based on the encountered conditions.

 

"MISTY MOON OWLS"

 

This beautiful panorama needs to be seen large to fully grasp all of the elements that came together during this encounter. I originally set out to capture a long exposure of star trails and was using the trees to set my focus (in the dark) when I noticed an owl sitting near the treetop. I adjusted my plan and had high hopes that I might be able to capture a number of images and prepare a panoramic of the calm lake, starry night sky and the islands that have been beautifully laminated by the mist and moonlight.

 

In the end I feel it was a tremendous success. While reviewing the combined image at full scale I discovered that a little luck had been with me and I was fortunate enough to photograph a second owl that I could hear but not find.

 

I would be honored if you would share and comment on this image.

 

Limited Edition Print

© Stephen Hancock 2012

 

Prints are available up to 44"x168" (not a misprint)

Contact Steve at the gallery

(250-462-0376) or via email for more information

Steve(at)UniqueCaptures(dot)com

 

Spin, spin, spin dryer

Evaporate moisture please

I want to go home

I reworked this photo a little for Dave & Dave.

 

"Widescreen - Create an image fit for the theater (or your new HDTV). All images must be WIDE. At a minimum, they must have a 1.78:1 aspect ratio (that's HDTV-style), but you can go as wide as 2.35:1 (a common movie format). In case this makes no sense, here are two examples:"

Reflection of the Lincoln Memorial.

 

Fuji TX2 (Xpan II), 45mm Fujinon

Fuji Neopan 400 ay ISO 400

F/8 at 1/125 sec

Developed in Kodak Xtol 1:1 using a Jobo Processor.

When I needed some quiet focus time, I would head to a coffee shop to be alone with others. Today I had a very productive 90 minutes in a space where only staff had masks.

We are grateful to our school to partner with a local clinic to do jabs in our community.

Just a pair of sneaker hanging out.

a collection of photograms made on fuji instax wide-format film, idea from jefftolentino...(I'm a luddite - how do I attach a link to his account?)

Enjoying a beautiful sunset at a new park.

For a few minutes, a broad bank of clouds held the fading light, shifting from coral and rose into soft lavender against the cooling blue sky.

649_663 Montage_Panorama1

We have a picnic

A swimming dips into the lake

Temp is 44

Mist blankets the grass

You can easily forget

You're in a the city.

A new series from one of my frequently visited photo locations. Baker’s Lake was draped in a thick blanket of fog on the morning I made these photos. I love the feel of these images.

 

Holga 120 WPC

Kodak Ektar 100

 

www.jwbeatty.wordpress.com

 

It's sorta perfect these two storefronts are next to each other.

Giver of light, timely, smart, and wrapped in Swede.

I have always wanted to see if the 24mm fisheye lens from the Mamiya 645 would work on the Xpan. I found a lens at a good price on Ebay and bought it just for this purpose. I also bought Mamiya 645 to Nikon and Nikon to Xpan adapters. When the lens came I checked the circle of coverage on ground glass of my view camera to confirm that the lens would cover the Xpan format. It does, barely... When I mounted the lens on the camera, I found that there was a significant amount of vignetting caused by the light baffles and the Nikon to Nikon lens mount in-between the two adapters as well as the internal light baffles on the camera. An afternoon spent in the workshop, and I removed the baffles and mounts from the adapters, and mated them together permanently, this helped tremendously, though there is still a bit of vignetting from the camera's internal baffle, perhaps 1/2 cm on each side. The Mamiya mount is just to far forward for the lens to avoid the camera's baffles. I have shot comparison images from the 45mm, the 35mm PC Nikkor (my go-to lens for this camera) and the 24mm. I should have the up shortly...

Soft shadows from the setting moon fall across Aoraki Mount Cook while pre dawn light from the east brings a unique half light, Aoraki Mount Cook National Park, New Zealand

stock.highlux.photo

1 3 5 6 7 ••• 53 54