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MiG 29UB Fulcrum (Salon aéronautique du Bourget 1989)
KODACHROME 25
NIKON FM2 - 105mm
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The reproduction, publication, modification, transmission or exploitation of any work contained here in for any use, personal or commercial, without my prior written permission is strictly prohibited. All rights reserved."
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Le Grand Chœur de style gothique flamboyant 1545 - 1585, la statuaire polychrome qui le compose a été réalisée par les ateliers bourguignons de Cluny. Permettant de séparer les personnes religieuses du peuple, le jubé ou Grand Choeur est aujourd'hui le témoin des pratiques religieuses de l'époque. Puis par sa majestuosité, il est aussi le témoin de la richesse de l'Eglise CatholiqueLa statuaire de Ste Cécile forme un ensemble considérable, peut-être le plus important de la sculpture française de la fin du Moyen Age :
- 87 statues à la façade externe du jubé
- 33 personnages de l'Ancien Testament au pourtour du choeur
- 15 statues figurant l'Eglise à l'intérieur : (12 apôtres, la Vierge, St Jean-Baptiste et St Paul)
- 72 statues d'anges, Charlemagne et l'Empereur Constantin dominant les deux portes d'entrée de la clôture.
L'ensemble des statues a conservé leur polychromie d'origine. La couleur tend au naturalisme, chevelures, attitudes et costumes sont d'une variété admirable. Le style des barbes des visages, des drapés permet de distinguer trois familles qui pourraient être liées à l'art des grands imagiers français de la fin du XVème siècle : Antoine Le Moiturier et Michel Colombe.
Grand Choir Gothic style 1545 - 1585, polychrome sculpture which consists was conducted by the Burgundian workshops of Cluny. To separate the religious people of the people, the rood screen or Grand Choeur is now witness to the religious practices of the time. Then by its majesty, it is also a witness to the wealth of the Church of St. Cecilia CatholiqueLa statuary forms a considerable body, perhaps the most important of the French sculpture of the late Middle Ages:
- 87 statues on the external façade of the rood screen
- 33 characters of the Old Testament to the perimeter of the choir
- 15 statues representing the Church inside: (12 apostles, the Virgin, St John the Baptist and St Paul)
- 72 statues of angels, Charlemagne and the Emperor Constantine overlooking the two entrance doors of closing.
All the statues retained their original polychrome. The color tends to naturalism, hair, attitudes and costumes are an admirable variety. The style beards faces, draped distinguishes three families that could be related to the art of the great French sculptors of the late fifteenth century: Antoine Le Moiturier and Michel Colombe
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Wonderful sunset in Altnau at Lake Constance.
Taken during a Filter Workshop at Lake Constance with great guys from Switzerland and Germany.
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Near the hamlet of Ruderbaum, the remains of a Horgen culture settlement have been discovered. Below the Horgen site, there may be also be Pfyn culture site, but that is less certain.
The modern village of Altnau may be first first mentioned in 787 as Althinouva. In the 8th Century the Abbey of St. Gall owned most of the land in Altnau. In 1155, Emperor Friedrich Barbarossa confirmed that the Cathedral of Constance owned the church and church yard in the village. The vogt right over the church's farms belonged to the Freiherr of Altenklingen after 1300. During the Late Middle Ages, this right was given to several noble families from Constance; 1378 Schwarz, 1430 Tettikofen, 1468 Mangolte, and from 1471 until 1798 the city of Constance directly controlled the farms. In 1454 the villagers were represented in the Appenzell Landrecht, but following complaints from Constance they were forced to give up their membership. The rights of the village are first listed in the Gerichtsoffnung of 1468.
The right to administer the parish of Altnau went from the cathedral's provost to the cathedral's dean in 1347. After the Protestant Reformation in 1528, the few remaining Catholics were looked after by Constance and the village church became a shared church. This situation remained until 1810 when two churches were completed.
Until the 19th Century, most of the local economy revolved around three-field agriculture. About 1880 a dairy company was founded in the village, and livestock and cheese production became common. Viticulture was common from the middle ages until 1912. In 1840 the Seestrasse (Lake Road) was built, and in 1870, the Seetalbahn (railroad line) was added. However, neither the road or the railroad led to a boost in the local economy, as the station was too far away.
[Source: Wikipedia]
Canon EOS 60D
Canon EF-S 10-22mm f/3.5-4.5 USM
Aperture: f/4
Exposure time: 45s
Focal length: 11mm
ISO Speed: 100
Manfrotto Tripod 055XPROB with 410 Gear Head
B+W 110 ND Filter (10 Stops)
Processed with PS CS5
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Explore November 29, 2024 #3
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Inspired by Kelly's card here. Started with an idea and ended up with this! I just can't get enough of this butterfly stamp!
Also want to add that the flower button is a fimo button from Jane!
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Explore September 26, 2024 #6
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Explore March 7, 2025 #3
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Explore, Januari 17, 2025 #5
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