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My new website is up! www.missmonster.com/ it was designed and made by www.the-medium.net/ I love it!!
Website: |Bruce Wayne Photography|
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Another shot from the same location. This was also taken from my camera phone. I thought I'd try and experiment a bit with some of the settings.
About the Photo:
Shot was taken in Center City Philly. Processing was done on the phone with a photoshop app. Tilt-shift applied.
***All Rights are Reserved***
My new website is finally up, so feel free to check it out at:
The site was designed by Jose Gonzales from Virtual Touch Media.
Our newest website design is a car and automotive tuning website design. This template has been created using XML technology and has all of the special effects that makes Flash so popular.
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Website:
en.wikipedia.org/wiki/Strasbourg
english
Strasbourg is the capital and principal city of the Alsace region in northeastern France and is the official seat of the European Parliament. Located close to the border with Germany, it is the capital of the Bas-Rhin département. The city and the region of Alsace are historically German-speaking, explaining the city's Germanic name. In 2006, the city proper had 272,975 inhabitants and its urban community 467,375 inhabitants. With 638,670 inhabitants in 2006, Strasbourg's metropolitan area (aire urbaine) (only the part of the metropolitan area on French territory) is the ninth largest in France. The transnational Eurodistrict Strasbourg-Ortenau has a population of 884,988 inhabitants.
Strasbourg is the seat of several European institutions, such as the Council of Europe (with its European Court of Human Rights, its European Directorate for the Quality of Medicines and its European Audiovisual Observatory) and the Eurocorps, as well as the European Parliament and the European Ombudsman of the European Union. The city is the seat of the Central Commission for Navigation on the Rhine.
Strasbourg's historic city centre, the Grande Île (Grand Island), was classified a World Heritage site by UNESCO in 1988, the first time such an honour was placed on an entire city centre. Strasbourg is fused into the Franco-German culture and although violently disputed throughout history, has been a bridge of unity between France and Germany for centuries, especially through the University of Strasbourg, currently the largest in France, and the coexistence of Catholic and Protestant culture.
Economically, Strasbourg is an important centre of manufacturing and engineering, as well as of road, rail, and river communications. The port of Strasbourg is the second largest on the Rhine after Duisburg, Germany. In terms of city rankings, Strasbourg has been ranked third in France and 18th globally for innovation.
Português
pt.wikipedia.org/wiki/Estrasburgo
Estrasburgo (em francês Strasbourg, em alemão Straßburg, pronúncia em alsaciano Strossburi) é uma comuna situada no leste da França, na margem esquerda do Rio Reno. É a capital da região administrativa da Alsácia e do département (departamento) do Bas-Rhin (Baixo-Reno).
A aglomeração urbana prolonga-se até a Alemanha, à cidade de Kehl, que é o espelho geográfico de Estrasburgo do lado oposto do Reno.
História
Estrasburgo, conhecida pelos romanos como Argentoratum, foi fundada em 12 a.C. Era então um campo militar fortificado posicionado sobre o limes (fronteira do Império Romano) do Reno. Um canabae (aglomeração de habitações civis) desenvolveu-se ao redor do campo e em direção ao oeste, prelúdio ao desenvolvimento futuro da cidade.
Estrasburgo foi incorporada ao Império franco no século V. Em 842, a cidade foi palco dos Juramentos de Estrasburgo, mais antiga testemunha escrita das línguas francesa e alemã.
A catedral de Estrasburgo foi terminada em 1439, tornando-se o mais alto edifício do mundo entre 1625 a 1874, e permaneceu como a mais alta igreja do mundo até 1880, quando foi ultrapassada pela Catedral de Colônia, na Alemanha. Hoje é a quarta igreja mais alta do mundo. Durante a década de 1520, a a cidade abraçou as teses religiosas de Martinho Lutero, cujos adeptos estabeleceram uma universidade no século seguinte.
Cidade livre e autônoma do Sacro Império Romano-Germânico, Estrasburgo foi anexada à França somente em 1681, estatuto confirmado pelo Tratado de Ryswick (1697). Louis XIV mandou destruir simbolicamente parte das fortificações da cidade. Isso cria uma abertura pela qual ele entra em Estrasburgo, marcando assim a submissão da cidade ao poder real. Mandado pelo rei, Jacques François Blondel desenhou um plano de embelezamento de Estrasburgo que, por falta de financiamento, foi realizado apenas parcialmente. Estrasburgo deve a Blondel principalmente a construção da Aubette na praça Kléber e a reforma da praça Marché-Gaillot. Diversos edifícios clássicos foram construídos, o primeiro dos quais foi o Palácio Rohan, habitação de príncipes construída às margens do rio Ill, face às habitações burguesas. Mas foram principalmente as fortificações de Vauban que marcaram este período, com a construção de uma proteção sobre o Ill, face às Pontes Cobertas (Ponts Couverts), e a de uma imponente cidadela ao sudeste, situada face à Alemanha. Com o crescimento da indústria e do comércio, a população triplicou no século XIX, passando a 150 000 habitantes.
Estrasburgo foi anexada ao recém estabelecido Império Alemão como capital do Reichsland da Alsácia-Lorena (Alsace-Lorraine) em 1871, após a Guerra franco-prussiana (Tratado de Frankfurt). Este período marcou o apogeu da dominação política e territorial de Estrasburgo. Beneficiou-se igualmente da intenção alemã de transformar a cidade na vitrine da cultura alemã, visando a atrair as populações locais e a mostrar ao mundo e à França a superioridade da cultura germânica. Estrasburgo recebeu então inúmeros edifícios públicos, entre os quais o Palácio do Imperador (atualmente Palácio do Reno), o parlamento da Alsácia-Lorena e o Palácio Universitário. A mais importante extensão urbana de Estrasburgo foi então planificada, tendo como resultado a duplicação da superfície da zona urbana em trinta anos.
A cidade voltou à França após a Primeira Guerra Mundial em 1919, pelo Tratado de Versalhes. Tornou-se novamente parte da Alemanha durante a Segunda Guerra Mundial, de 1940 a 1945, para retornar à França no final da guerra.
Além disso, vale lembrar que Estrasburgo possui uma das melhores bolachas amanteigadas. A cidade possui essas bolachas como um símbolo da região, o que atrai muitos turistas e curiosos, para degustar esta iguaria.
This card was inspired by the gorgeous colours on Leslie Lightfoot's card here: www.heroarts.com/cardmaking/cardIdea.cfm?cardID=3632&...
The deer I coloured with Copics after watching Lisa's video several weeks ago.
PP is October Afternoon, Cosmo Cricket, and Bo Bunny.
All gems are HA. Martha Stewart butterfly punch.
It's a birthday card for my dear friend!!!
Mẫu giao diện Web nhà cung cấp, bán buôn máy móc, thiết bị và phụ tùng máy thiết bị Y Tế
Liên hệ: Ms.Thu 0985299707
Mẫu giao diện website Dược phẩm và Thiết bị y tế Việt Đức có thể cho phép khách hàng tự tối ưu hóa các thẻ SEO cho toàn bộ website, cho từng trang hay cho từng sản phẩm hoặc từng mục tin trên website của mình.
Tính năng của mẫu web này
- Giao diện tùy biến (Responsive) hiển thị trên mọi thiết bị: Máy tính; Máy tính bảng; Điện thoại di động.
- Hiệu ứng đẹp mắt, nhẹ và hiện đại
- Cho phép đăng bài Giới thiệu - All sản phẩm - Thương hiệu - Dịch vụ - Hỏi đáp - Dự án - Tài liệu - Hệ thống phân phối - Tin tức - Liên hệ.
- Ngôn ngữ Tiếng Việt.
- Tích hợp Album ảnh và Video Clips. (Có thể mở rộng thêm tính năng khác).
- Hỗ trợ nhập khoảng 100 bài viết.
- Module quản lý và đăng các sản phẩm.
- Tính năng Zoom, lật ảnh.
- Tính năng giảm giá theo % hoặc theo đơn giá.
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- Đăng kí thành viên.
- Quảng cáo Sale.
- Hỗ trợ tối đa cho việc chăm sóc khách hàng.
- MIỄN PHÍ Tích hợp công cụ chat trực tuyến Facebook / Zalo.
- Hỗ trợ đổi màu chủ đạo miễn phí
- Hỗ trợ tối đa cho việc chăm sóc khách hàng.
- Thiết kế web chuẩn SEO, đầy đủ các công cụ hỗ trợ SEO.
+ URL Thân thiện
+ Thẻ meta chung cho website
+ Thẻ meta cho từng sản phẩm, tin tức
+ Thẻ tags cho từng sản phẩm, tin tức
- Hệ thống quản trị đẹp mắt, thân thiện và dễ sử dụng.
+ CMS quản trị sản phẩm
+ Sửa nhanh/ Tạm ẩn/ Xóa/ Khôi phục sản phẩm
+ Công cụ quản lý đơn hàng
+ Công cụ quản lý khách hàng
+ Tùy chọn cho sản phẩm
+ Thuộc tính cho sản phẩm
+ Báo cáo / nhật ký hoạt động
- Thiết kế web Bắc Việt hỗ trợ nhập 100 bài viết sản phẩm/ Tin tức.
- Hỗ trợ design Banner/ Logo...
- Cung cấp tài liệu hướng dẫn kèm hình ảnh chi tiết.
- Hỗ trợ kỹ thuật trọn đời qua Zalo, Facebook, Máy tính - TeamView...
Follow us on twitter BLCHonduras
Brighter Lives Football giveaway to the poor kids of Choluteca.In celebration of the national team being in the world cup finals. For more information, please visit our website thank you ! This stream is dedicated to the resilient people of Honduras, especially the children, who endure a daily life of poverty and hardship, which in turn only presents them with an uncertain future and limited hope of opportunity to advance in life.
As a Honduran citizen, I can't help but feel hopeless to see so much need around me. To see children working from an early age, without ever having the chance to go to school, due to parental poverty ,and never receive an education that they and every child in the world truly deserves, really breaks my heart. Home is often of a makeshift construction, resulting in what can only be described as little more than a shack. A meal, often the cheapest foods available and lacking in the nutrients to sustain a healthy life, is all that awaits them at the end of the day.
The knowledge that 65% of Honduran people live like this, in extreme poverty weighs heavily within me.
As a Honduran photographer, I feel I must do something. Through the links provided below, I feel I can give these anonymous faces a voice, especially the children who are our future. Thank you so much for your visit and for reading a little about poverty in Honduras.
Honduras is also a land full of diverse culture and beauty....
I really feel that there is hope for Honduras
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Esta galería está dedicada a todas las personas Hondureñas especialmente a los niños quienes atraviesan una vida de pobreza y escasez, lo que significa un futuro incierto, y esperanza limitadas de oportunidades para salir adelante en la vida. Como ciudadana Hondureña siento impotencia al ver tanta necesidad a mi alrededor. El ver estos niños trabajar desde temprana edad, sin ninguna oportunidad de asistir a la escuela ya que sus padres son extremadamente pobres sin recibir la educación que todo niño en el mundo merece, eso rompe mi corazón. Sus hogares a veces son pequeñas chozas. Sus alimentos muchas veces lo más barato y disponible aunque carezcan de nutrientes para tener una vida saludable, eso es lo que les espera al final del día. Siento mucha pena al saber que el 65% de la población Hondureña vive en extrema pobreza. Como fotógrafa Hondureña siento que debo hacer algo. Además de darles los enlaces abajo, siento que debo darles una voz esos niños anónimos, a estos niños que son nuestro futuro, nuestra esperanza. Muchas gracias por su visita y por tomarse el tiempo de leer un poco de la pobreza en Honduras.
Honduras es también un país lleno de diversidad cultural y belleza.
Realmente siento que hay Esperanza para Honduras.
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Website:
english
The Royal Museum for Central Africa (RMCA) is an ethnographical and natural history museum in Tervuren, just outside Brussels, Belgium. It was first built to show off King Leopold II's Congo Free State for the 1897 World Exhibition. It focuses mainly on Congo, Belgium's former colony. The sphere of influence however (especially regarding to biological research) extends to the whole Congo River basin, Middle Africa, East Africa and West Africa, but tries to integrate Africa as a whole. First purely intended as a colonial museum, after 1960 it became more focused on ethnography and anthropology. Like in most museums, there is a research department and a public exhibit department. Not all research is pertaining to Africa, for example the research on the archaeozoology of Sagalassos. Some researchers have strong ties with the Royal Belgian Institute of Natural Sciences.
History
After the Congo Free State was recognized by the Berlin Conference of 1884-1885, King Léopold II decided he had to show the potential of the country in an exhibition. Economic investors had to be attracted and the public had to know this faraway country better. After considering other places, the king decided to have the exhibition in his royal estate at Tervuren. When the 1897 International Exposition was held in Brussels, a colonial section was built in Tervuren with two new transport connections to Brussels city centre, the Avenue de Tervuren and the tramway line. The 44 tram line (Brussels-Tervuren) was built at the same time as the original museum by King Leopold II of Belgium to bring the visitors from the 1897 World Exhibition to the exhibition of the Congo in Tervuren. The colonial section was hosted in the Palace of the Colonies (although there was only the one colony). It was designed by the Belgian architect Albert-Philippe Aldophe. In the main hall Georges Hobé designed a distinctive wooden Art Nouveau structure to evoke the forest, using Bilinga wood, an African tree. The exhibition displayed ethnographic objects, stuffed animals and in the "Hall of the Great Cultures" Congo's most important export products were displayed: coffee, cacao and tobacco. In the park, a copy of an African village was built, in which 60 Africans lived. The exposition was a huge success.
In 1898 the Palace of the Colonies became the Musée du Congo, and now the exhibits became permanent. It was then that the scientific research really took off. But due to the avid collecting of the scientists, the collection soon grew too large for the museum and enlargement was needed. Léopold II saw it big: he wanted not only an Africa Museum but also Chinese and Japanese pavilions, a congress centre, a World School and so forth. Tervuren became a rich suburb of Brussels. The new museum started construction in 1904 by the French architect Charles Girault in neoclassical "palace" architecture, reminiscent of Petit Palais, with large gardens extending into the Tervuren Forest, a part of the Sonian Forest. It was officially opened by King Albert I in 1910 and named The Museum of the Belgian Congo. In 1952 the adjective "Royal" was added. In 1957, for Expo '58, a large building was constructed to receive African personnel: the Centre d'Accueil du Personnel Africain (CAPA). In 1960 the museum had its name changed to The Royal Museum for Central Africa.
At present, the RMCA is struggling with modernisation. Some call it "a museum of a museum", as it shows how a museum looked like in the mid-twentieth century. For example, Expo '58 still showed a harmonious Belgian-Congolese relationship, while the country stood on the brink of independence. A more modern exhibition "The Memory of Congo" (February 4, 2005 - October 9, 2005), tried to tell the whole truth of what happened in the Congo Free State before it became Belgium's colony, a very sensitive subject in Belgium. It was put on after The Guardian reported in July 2002 that, after initial outrage by Belgian historians over King Leopold's Ghost by Adam Hochschild, the state-funded museum would finance an investigation into Hochschild's allegations. The investigatory panel, headed by Professor Jean-Luc Vellut, reported its findings in 2004. The exhibit based on them was set up the following year.
Critical of the museum was Adam Hochschild again, author of King Leopold's Ghost, who wrote an article for the New York Review of Books purporting to show 'distortions and evasions' in the special 2005 exhibition.
Collections
10,000,000 animals
250,000 rock samples
120,000 ethnographic objects
20,000 maps
56,000 wood samples
8,000 musical instruments
350 archives, including some of Henry Morton Stanley's journals
The herbarium collection of the Congo Museum was transferred to that of the National Botanic Garden of Belgium in 1934.
Português
Museu Real da África Central (RMCA) é um museu de história natural e etnografia, localizado em Tervuren, Bélgica. É especializado no conhecimento do antigo Congo Belga, ex-colônia que corresponde hoje à República Democrática do Congo.
Foi fundado a partir da Exposição Internacional de 1897. No ano seguinte, passou a ser chamado de "Museu do Congo", sendo posto a serviço do rei Leopoldo II, que foi proprietário particular do Estado Livre do Congo até 1908.
Special Thanks to my Friend & brother : Majed AL-Sultan
for giving me the chance to develop a logo for one of his websites
i would like to introduce u to the website that was made by him
welcome to www.Jan6ety.com
& i hope you like it
Website
Like me on Facebook
Follow me on Twitter
Email me: tomscottphotography@hotmail.com
All rights reserved, permission must be granted for any use (including website posting)
Website
Like me on Facebook
Follow me on Twitter
Email me: tomscottphotography@hotmail.com
All rights reserved, permission must be granted for any use (including website posting)
Printable sign for Creative Commons bulletin board set. See a photo of this bulletin board set in use here.
Valencia March 2009 L'Ofrenda floral. This is what is known as the "Ofrenda de Flores a la Virgen de los Desamparados", a floral offering to the Kingdom of Valencia's patron saint, Our Lady of the Forsaken. All the Fallas Committees take part in this event, decked out in their finest, to present their bouquets of flowers to the enormous image of the Virgin which stands in the centre of the plaza named after her, overlooked by her Basilica.
This occurs all day on their days of March 17th and March 18th. The virgin's body is then constructed with these flowers. The Falles (in Valencian) are a Valencian traditional celebration in praise of Saint Joseph in Valencia, Spain. The term Falles refers to both the celebration and the monuments created during the celebration.
Each neighbourhood of the city has an organized group of people, the Casal faller, that works all year long holding fundraising parties and dinners, usually featuring the famous speciality paella. Each casal faller produces a construction known as a falla which is eventually burnt. A casal faller is also known as a comissió fallera.
The name of the festival is thus the plural of falla. The word's derivation is as follows:
falla ← Vulgar Latin *facla ← Latin facula (diminutive) ← Latin fax, "torch". There are a few different theories regarding the origin of the Falles festival. One theory suggests that the Falles started in the Middle Ages, when artisans put out their broken artifacts and pieces of wood that they sorted during the winter then burnt them to celebrate the spring equinox. Valencian carpenters used planks of wood to hang their candles on. These planks were known as parots. During the winter, these were needed to provide light for the carpenters to work by. With the coming of the Spring, they were no longer necessary, so they were burned. With time, and the intervention of the Church, the date of the burning of these parots was made to coincide with the celebration of the festival of Saint Joseph, the patron saint of the carpenters.
This tradition continued to change. The parot was given clothing so that it looked like a person. Features identifiable with some well-known person from the neighborhood were added as well. To collect these materials, children went from house to house asking for Una estoreta velleta (An old rug) to add to the parot. This became a popular song that the children sang to gather all sorts of old flammable furniture and utensils to burn in the bonfire with the parot. These parots were the first ninots. With time, people of the neighborhoods organized the process of the creation of the Falles and monuments including various figures were born.
Until the beginning of the twentieth century, the Falles were tall boxes with three or four wax dolls dressed in cloth clothing. This changed when the creators began to use cardboard. The creation of the Falle continues to evolve in modern day, when largest monuments are made of polyurethane and soft cork easily molded with hot saws. These techniques have allowed Falles to be created in excess of 30 meters.
Website : lvalenciaphoto.wordpress.com/
Canon 5d mark 2
Canon 24-105 mm
Magic lantern dual iso 100-800
Developped with CR2HDR-20bit (2014-03-27) by a1ex
harvestcreative.com | Fully responsive website. Head by there and give it a twirl.
Marketing/Design Firm: Harvest Creative
Owner/Partners : Daniel Brown & Andrew Holliday
Design/Illustration/Concept/Programming : Michael J. Hildebrand
Copy Writing: Andrew Holliday & Hunter Mitchell
Photography: Mike Force & Bob Bayne
Featured on DesignWorkLife: www.designworklife.com/2013/02/12/harvest-creative-website/
The website's last update that time was 5 months ago (July 2008).
Taken from web.archive.org/web/20081217235513/http://sulpiciolines.com/
I'm pleased to announce that my new photography website is now up and running. Check it out.
I enjoyed putting it together and hope you enjoy viewing it. If you have any questions, comments, critiques, or would like a print or license, please go to the Contact page on the website and leave your contact information and a message. I'll let you know whenever I make major updates to this website or have an exhibition coming up.