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COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
SampleBoard.com presents a new and innovative way to create and present your ideas and vision by using the web-based interactive editor. It enables designers from different design disciplines (graphic, web, interiors, landscape, fashion and wedding planning) and backgrounds to collaborate on design projects, share their creative portfolio online and get exposure for business opportunities through the public design directory.
The web editor allows you to quickly and easily pull together design trends, colour schemes, textures and products via a convenient drag-and-drop function, using the rich editing toolset with over 30,000 product images from the library or your own images uploaded onto the system from your personal profile.
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DLECTRICITY 2012 Installation, Artist: NBNY.
Nuit Blanche New York (NBNY) presents a curated collaborative response by artists, writers, architects, and urbanists to the multitude of visions of the new city. Through a unique online visual platform, participants in New York and Detroit visually interpreted a glossary of writing about Detroit as a collage of moving images, photographs and illustrations. These works have been facilitated by NBNY using an innovative new tool, ToBe– a web-based interface that allows users to collage media in a canvas where they can draw and modify a shared palette of shifting content. Juxtaposing outsiders and locals, the project takes inspiration from How to Recuperate an Urban Crisis, Andrew Herscher’s important new glossary of urban figurations on Detroit. “ToBe Detroit” illustrates the complication and conflict of perception and offers a platform for visual dialog as a means to explore community across geographic boundaries.
NY contributors include: Urtzi Grau, Cristina Goberna, Canyon Castator, Karen Wong, Cassim Shepard, Troy Conrad Theiren, Pedro Gadanho
Detroit contributors include: M Saffell Gardner, Dianetta Dye, Olayami Dabls, Brandon Walley, Glen Mannisto, Vince Carducci, Cedric Tai, Mo Will, Daniel Sperry
www.dlectricity.com/the-exhibition/projects/23-garfield-l...
It's time to start on the third edition of Web-Based Instruction. But I had to set up a work area conducive to productivity (not in my easy chair in front of the big screen TV).
Real Estate Industry bit.ly/sJHuTg - Increase company listings and sales by providing superior local marketing support.
Give your local offices and agents a simple yet powerful way to secure listings and showcase properties to the right target markets. SproutLoud, formerly known as RealMailers, gives real estate companies an easy to use web-based marketing toolkit to support the promotional activities in local markets where sales occur. Agents can select from pre-approved marketing programs you control and customize them for their properties or local offices. SproutLoud helps you manage programs over multiple marketing media - direct mail, e-mail, social and more. We can design programs and materials just for you. Our user friendly marketing toolkit maximizes agents’ efforts and resource, generating better field adoption. bit.ly/sJHuTg
A screen shot of the NASA Space Weather mobile application. Which features near real-time images of the sun.
Ideum, in partnership with Goddard Space Flight Center, was awarded a grant to extend the tremendously popular web-based Space Weather Media Viewer to the mobile platform.
A free, full-featured iOS native application is available for the iPhone, iPod Touch, and iPad. You can get the free application on the iTunes Apps Store. The free Android version is available in Google Android Market Place and the Amazon App Store.
The Space Weather Media Viewer features near-real-time imagery from a wide variety of NASA missions, NASA-created visualizations, and video interviews with prominent scientists about the causes of space phenomena. Exploration of solar imagery is intuitive and vivid due to the rich multitouch interaction enabled by the iPhone environment. With the production and availability of this content for mobile platforms, we extend the audience for the Space Weather Media Viewer and make this valuable tool more accessible in classroom environments.
Real Estate Local Marketing Automation,Distributed Marketing,Marketing Resource Management,Co-Op Funds Management
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Increase company listings and sales by providing superior local marketing support.
Give your local offices and agents a simple yet powerful way to secure listings and showcase properties to the right target markets. SproutLoud, formerly known as RealMailers, gives real estate companies an easy to use web-based marketing toolkit to support the promotional activities in local markets where sales occur. Agents can select from pre-approved marketing programs you control and customize them for their properties or local offices. SproutLoud helps you manage programs over multiple marketing media - direct mail, e-mail, social and more. We can design programs and materials just for you. Our user friendly marketing toolkit maximizes agents’ efforts and resource, generating better field adoption.
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Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
Key elements of the new Just-In-Time web based toolkit that helps managers better provide reasonable accommodations and disability inclusiveness at the U.S. Department of Agriculture (USDA), on Tuesday, May 5, 2015, in Washington, D.C. The class covered a wide range of topics, from proper verbal labels, and best strategies for various work place scenarios, to applicable laws, to name a few. The class provided knowledge for employees at all levels. The web-based toolkit was made in collaboration with Cornell University. USDA Photo by Lance Cheung.
We would like to thank the people of Pacific Palisades, California as well as the members of the PAPA - Pacific Palisades Americanism Parade Association and the Will Rogers 5k/10k run committee for their cooperation and enthusiastic support of the day of LIVE programming from Pacific Palisades on July 4, 2012.
Join us on July 4, Thursday, 2013 on station KVMD- TV Channel 23, from 8 am to 5 for the 36th Annual Will Rogers State Park 5k/10k run event and for the 65th Annual Pacific Palisades Americanism Parade as the anchor events for the Los Angeles Regional 4th of July LIVE Day of Celebration.
The show was groundbreaking and a first! Overall, a huge undertaking and we welcome your comments to make the shows better at this email: Reports@LARegional4th (dot) com.
We are working to bring you a recording of the day's activities, either web based or on DVD, as dictated by technical parameters.
Best wishes to you, and thanks for helping make the show better and more complete in 2013.
Tim Greenwood
Producer and Host
Los Angeles Regional 4th of July Live Televised Celebration
LARegional4th.com
Northern Virginia Farmer and Professor of Applied Agriculture Ellen Polishuk (second from right), listens to Agriculture Deputy Secretary Kathleen Merrigan, White House Personal Chef and Food Policy Advisor Sam Kass and White House Office of Public Engagement Director Jon Carson speak at a Know Your Farmer Compass event that utilized twitter social media to continues the National Conversation on Local and Regional Food projects and how they offer economic opportunities to local farmers, ranchers and food entrepreneurs. Using the new web-based Know Your Food Compass, the conversation covered many aspects about food, such as infrastructure, stewardship, local meat and poultry, Healthy food access, careers in agriculture and local food knowledge. The virtual conversation took place at the White House, and Twitter was used to expand the conversation worldwide, from Washington, D.C., on Monday, March 5, 2012. USDA Photo by Lance Cheung.
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Only use the original size. the others go a little weird in the conversion.
from: wiki.mibbit.com/index.php/Logo_graphics
mibbit is a web-based IRC client : www.mibbit.com
fluid is a site specific browser: fluidapp.com/
ERP software for manufacturing: Looking for ERP Manufacturing firm in India? ESS offers ERP Software for manufacturing companies at affordable price. Our web based ERP fully customized for manufacturing firm. Our ebizframe ERP can help you share information between various departments.
New City, 2008
Peter Frankfurt (American, b. 1958) of Imaginary Forces (American, est. 1996)
Greg Lynn (American, b. 1964) of Greg Lynn FORM (American, est. 2001)
Alex McDowell (British, b. 1955) of Matter Art and Science (USA, est. 2001)
New City, a Web-based virtual environment developed for this exhibition, is a laboratory for experiments in visualization, architecture, design, information, simulation, and experience. The citys is built on a manifold, a surface that forever folds onto itself, capturing endless dimesions of space and time.
Design and the Elastic Mind, on exhibit at the Museum of Modern Art from February 24-May 12, 2008, explores the reciprocal relationship between science and design in the contemporary world by bringing together design objects and concepts that marry the most advanced scientific research with attentive consideration of human limitations, habits, and aspirations. The exhibition highlights designers
Under Secretary of the Army Joseph W. Westphal discusses the Army's Business Transformation and the value of collaborating with industry on best business practices with the Army News Service and Army Broadcasting at the Pentagon, 16 Oct. 2012, Washington, DC. (U.S. Army photo by Staff Sgt. Bernardo Fuller)
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COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
Camp Casey was the name given to the encampment of anti-war protesters outside the Prairie Chapel Ranch in Crawford, Texas during U.S. President George W. Bush’s five-week summer vacation there in 2005, named after Iraq War casualty U.S. Army Specialist Casey Sheehan. It was founded by Cindy Sheehan, Casey Sheehan’s mother, after she failed to get a second meeting with President Bush for an explanation of the cause for which her son, Casey, died. Having been turned away, she pitched a tent by the side of the road and announced her intention to stay, day and night, for the full five weeks or until such a meeting was granted. She was joined by hundreds of supporters including members of Iraq Veterans Against the War.
Joseph DeLappe is an artist and educator living in Nevada. He created the project dead-in-iraq, which consecutively types all the names of America’s military casualties from the war in Iraq into the America’s Army recruiting game. He directs iraqimemorial.org, a web based call for proposed memorials to the many thousand of civilian casualties from the war in Iraq.
Laurie Macfee is a writer, artist, and educator currently finishing her first poetry manuscript. She is interested in the intersections of visual and written language, the semiotics of how we process. She has collaborated with DeLappe on multiple projects, including creating a 5,000 photo archive of his project Mapping the Solar.
Photos Courtesy of Maverick Inman
At the end of the day, The Mash is a festival. And what festival is complete without a soundtrack? Certainly not this one. That's why after a full week of feasting on good food, expanding our minds at panels and classes, and filling our bellies with delicious brews, we celebrate our last evening in town with a Bash; a Mash Bash. We're bringing everything we find exciting about the Brooklyn music and arts scene out for one night in an explosion of sound and color. There will be a local food truck on hand to fill our bellies and plenty of Brooklyn cans at the bar to throw at the acts we find lackluster.
On stage in DC we're bringing together Brooklynite punk rockers The Men, as well as hometown favorites Passing Phases & Heavy Breathing. Expect to sweat. A lot.
The Men, yes, “The,” are a four-piece post punk outfit from Brooklyn, NY. Their catalog, which began in 2008 with a hand-dubbed self-released demo cassette, has grown to include two LP’s — We Are the Men and Immaculada — two more tapes, and a 7-inch. They have toured three times, played over 75 shows and have grown a following of die hard fans crowding into living rooms and basements throughout the five boroughs, desperately trying to see them.
Passing Phases is a rock 'n' roll band from Sterling, Va. They've been playing shows in the DC area for three years and have have one full length LP and one 7", both released on the Arlington based Cricket Cemetery records.
According to DCist, Heavy Breathing "does not spare us any weight—their heavy riffs borrow from kraut rock, punk and metal, and the band occasionally sounds like they've been dragged through the sludge. However, the keyboards and canned vocals all sound inspired by a Saturday night radio dance party. The result is something unlike what we've heard either inside or outside the Beltway."
In short, The Men are utterly life-affirming and incredibly exciting to watch. Live, like their recorded output, they swerve wildly from and between abrasive noise punk, Neil Young country-tinged rock, wild psychedelia, melodic grunge and everything in between. The Men pay no heed to rules. - CaughtintheCrossfire.com
The Mash Bash will also feature video art from Brooklyn-based artists like:
Molly Surno (Lives and works in Brooklyn and Los Angeles), an installation artist that works in film & video, sculpture, sound, and photography.
Jeremy Couillard (Lives and works in Brooklyn), who works with algorithmic models to simulate natural phenomena, and who received his MFA from Columbia 2012.
Jacob Ciocci (Lives and works in Brooklyn), an American visual artist, performance artist and musician. Along with sister Jessica Ciocci and friend Ben Jones, he is one of the three remaining founding members of Paper Rad, an artist collective.
Tara Sinn (Lives and works in Brooklyn and Atlanta), an artist based in New York City. Her work includes videos, installations, and web-based animations.
Jason Tschantré lives and works in Brooklyn as a video artist and 3d projection mapper. With Nuit Blanche New York, he's created immersive video art environments for Red Bull Music Academy, Kickstarter Film Festival, Brooklyn Night Bazaar, and the Onebeat Music Festival.
Uwajibikaji pamoja complaints channel in Kenya - A Transparency International Kenya officer explains the “Uwajibikaji pamoja” service to members of the public. Uwajibikaji pamoja is a referral initiative that enables members of the public to submit complaints or feedback concerning aid and service delivery through three channels: a toll-free SMS line, a web-based portal or by filling out paper forms. People with no access to a mobile phone or internet can visit the nearest office of a participating organisation to lodge their complaint. The walk-in option also enables people who cannot read or write to report their cases.
How to set up web-based real time collaborative document editor on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
CBSAlliance.com is one of the leading companies which has expertise in Shirt Design Software and Development for Online Custom Designing Tool. Some of our software products are Clothes Design, T shirt Design, Shoes, Apparel, Hat/Cap, Mug, Mouse Pad, Button, Books, Business or Visiting Card, Greeting Cards etc… We also provide web based software design and development in Laptops, Mobile Phone, iPhone, Award products and much more. This is like fully modified for E-commerce designing and selling store.
Photos Courtesy of Maverick Inman
At the end of the day, The Mash is a festival. And what festival is complete without a soundtrack? Certainly not this one. That's why after a full week of feasting on good food, expanding our minds at panels and classes, and filling our bellies with delicious brews, we celebrate our last evening in town with a Bash; a Mash Bash. We're bringing everything we find exciting about the Brooklyn music and arts scene out for one night in an explosion of sound and color. There will be a local food truck on hand to fill our bellies and plenty of Brooklyn cans at the bar to throw at the acts we find lackluster.
On stage in DC we're bringing together Brooklynite punk rockers The Men, as well as hometown favorites Passing Phases & Heavy Breathing. Expect to sweat. A lot.
The Men, yes, “The,” are a four-piece post punk outfit from Brooklyn, NY. Their catalog, which began in 2008 with a hand-dubbed self-released demo cassette, has grown to include two LP’s — We Are the Men and Immaculada — two more tapes, and a 7-inch. They have toured three times, played over 75 shows and have grown a following of die hard fans crowding into living rooms and basements throughout the five boroughs, desperately trying to see them.
Passing Phases is a rock 'n' roll band from Sterling, Va. They've been playing shows in the DC area for three years and have have one full length LP and one 7", both released on the Arlington based Cricket Cemetery records.
According to DCist, Heavy Breathing "does not spare us any weight—their heavy riffs borrow from kraut rock, punk and metal, and the band occasionally sounds like they've been dragged through the sludge. However, the keyboards and canned vocals all sound inspired by a Saturday night radio dance party. The result is something unlike what we've heard either inside or outside the Beltway."
In short, The Men are utterly life-affirming and incredibly exciting to watch. Live, like their recorded output, they swerve wildly from and between abrasive noise punk, Neil Young country-tinged rock, wild psychedelia, melodic grunge and everything in between. The Men pay no heed to rules. - CaughtintheCrossfire.com
The Mash Bash will also feature video art from Brooklyn-based artists like:
Molly Surno (Lives and works in Brooklyn and Los Angeles), an installation artist that works in film & video, sculpture, sound, and photography.
Jeremy Couillard (Lives and works in Brooklyn), who works with algorithmic models to simulate natural phenomena, and who received his MFA from Columbia 2012.
Jacob Ciocci (Lives and works in Brooklyn), an American visual artist, performance artist and musician. Along with sister Jessica Ciocci and friend Ben Jones, he is one of the three remaining founding members of Paper Rad, an artist collective.
Tara Sinn (Lives and works in Brooklyn and Atlanta), an artist based in New York City. Her work includes videos, installations, and web-based animations.
Jason Tschantré lives and works in Brooklyn as a video artist and 3d projection mapper. With Nuit Blanche New York, he's created immersive video art environments for Red Bull Music Academy, Kickstarter Film Festival, Brooklyn Night Bazaar, and the Onebeat Music Festival.
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COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
NASA Earth Science Multimedia Fellowship
JOB DESCRIPTION
The Earth Science Multimedia Fellowship is a yearlong program designed to nurture emerging producers who wish to explore the intersection of broadcast journalism, science storytelling, social media, and Earth and climate science. The program is aimed at recent graduates and graduate students interested creating visually interesting video and multimedia content for some of NASA’s most exciting Earth Science Missions. This is a chance to share results from NASA’s remote sensing missions on topics such as global precipitation patterns, the Antarctic ozone hole, sea ice decline, ocean productivity, greenhouse gas measurements, hurricanes, fires, floods and natural disasters. Fellows will be assigned mentors and will have the opportunity to work with leading science producers, data visualizers, animators, science writers, and researchers during their year.
RESPONSIBILITIES:
Fellows will be expected to make substantive contributions by creating content for use by a wide range of audiences: newsmedia, bloggers, educators, park rangers, students, museums, science centers, and the general public
Fellows may create short form web based video, video news releases, live public affairs and news programming, educational vignettes, satellite media tours, short documentaries, webcasts, and integrated web content
Fellows will participate in all phases of video production: generating story ideas, writing scripts, operating cameras, working with animators and data visualizers, editing, captioning, and overseeing product distribution
WHO SHOULD APPLY?
Graduate students and recent graduates in journalism, communications, film, video or science
Gifted visual communicators with a passion for earth science or technology
Producers experienced in the entire arc of video production, especially editing
Experience working with animators or graphics professionals a plus
APPLICATION MATERIALS:
Video/writing work samples: Please include links to samples of work or a demo reel. For group projects, please let us know what your role was on the piece. You can see samples of our team’s work on our YouTube channel: www.youtube.com/user/nasaexplorer
Personal Statement: Please include a personal statement outlining your educational and professional objectives
Resume and Reference: Please include a resume with relevant work experience and educational highlights. Applicants are required to submit three reference letters
TIMELINE:
Application deadline is January 31th, 2014. Starting date for the one-year position is flexible.
APPLY:
The position is administered through URSA.
___
COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
Man-flu "Man flu is a phrase (in some cases pejorative) that refers to the idea that men, when they have a cold, exaggerate and claim they have the flu. Whilst a commonly used phrase in the UK and IRELAND, it is referred to in other cultures and there is a continuing discourse over the scientific basis for the phrase."
Forget the "continuing discourse", i can tell you now, it's deadly. :)
... then you read on, "A web-based survey of readers of Nuts magazine in late 2006 stirred interest in this notion, which was criticised as unscientific and unreliable. It has been suggested that such exaggeration is possibly just as prevalent in women. This condition can only truly be called "man" flu when the sufferer in question has a partner from whom they hope to solicit extra attention to care for their supposedly grievous symptoms. When the sufferer is alone then the condition can only be the common cold or flu. Regardless of any scientific basis, the idea behind man flu has been present in popular culture, and has even been the source of controversy when used in advertising." Wiki.
Third World Democracy ...
Paper Planes - I'll let M.I.A tell how it is youtu.be/zAJA-bz1uo0
How did the Clash get in there!?! :)
*Straight from camera. (SFC/SOOC)
NASA’s Community College Aerospace College Workshop at #NASAMarshall
Community college students from across the nation attend the NASA Community College Aerospace Scholars workshop at NASA’s Marshall Space Flight Center in Huntsville, Alabama, Oct. 25-28.
Underrepresented and underserved students having successfully completed the program’s five-week-long, web-based curriculum were eligible to attend this on-site experience. During the workshop, students formed fictional companies to develop and test prototype rovers for future Mars exploration. Aligned with NASA’s Journey to Mars and efforts to develop a diverse workforce experienced in aerospace and aeronautics, NCAS workshop students attend briefings with NASA engineers and scientists, tour NASA facilities, learn about future deep-space exploration with NASA’s Space Launch System rocket and are encouraged to pursue careers in the STEM fields of science, technology, engineering and mathematics.
Learn how you can be involved: nas.okstate.edu/ncas/
NASA Media Usage Guidelines
Mingle Media TV and Red Carpet Report host Cathy Kelley were invited to cover the 39th Annual Gracie Awards, (The Gracies) Honoring Exemplary Women in Media. The event was hosted by Aisha Tyler and was held in the Ballroom of the Beverly Hilton Hotel.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About the Gracies
The Gracies recognizes exemplary programming created for women, by women, and about women in all facets of media, including radio, television, cable and new media. The awards program also encourages the realistic and multi-faceted portrayal of women in entertainment, news, features and other programs.
The Gracies are presented by the Alliance for Women in Media Foundation, the philanthropic arm of the Alliance for Women that supports educational programs, charitable activities, public service campaigns and scholarships to benefit the public and women in media. The Gracie Awards, established in 1975, honor programming and individuals of the highest caliber in all facets of radio, television, cable and web-based media, including news, drama, comedy, public services, documentary and sports. www.thegracies.org
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Cathy Kelley : www.twitter.com/CatherineKelley
This is called surprise ! Today after decade I logged on to National geography website and found my photo was selected on Daily Dozen on the second week of November 2009!!
Thanks to Laura Jean Peterman who commented on the photo so I could know that!
That was the first photo I have ever submitted ... also this photo was selected for another exhibition in Bangladesh by Photography group and was selected for another web based world class magazine...
At that point of time I didnt know much of photography . Used to click what looked good to me ... I think I havent improved much .... I still cant take another photo like this one...
___
COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
epiFlection.epiclectic.com - The Album
Twisted graphic enhancements of mostly found life form images captured from the web-based world, courtesy of the epiPhone camera, Photoshop and the warped mind of the epiclectic.
Disclaimer - If anyone objects to me reprocessing one of their images, please drop me a flickr mail and I will be more than happy to provide a link to your original image - or remove it from my public photo stream.
Call for Images - If you have a photograph you would like to submit for an official epiFlection treatment, send me a flickr mail with a link to your photo. Once posted, you will get credit, a link to your photo, and a great photo for downloading, printing, framing and giving as a wonderful gift to loved ones in your close circle of friends.
Highlighting the kind of mutually beneficial trade that President Obama talked about during his visit in November, Locke visited a neighborhood grocery store in New Delhi that is using technology developed by a U.S. company to market its products, manage its customers and organize its business operations. Intuit, based in Mountain View, Calif., created “GoConnect,” a new innovative mobile and web-based marketing service that is helping Indian micro and small businesses grow and improve the way they communicate with their customers. Intuit’s new application was first announced during the President Obama’s visit to India.
The Disaster Artist is a 2017 American biographical comedy-drama film produced and directed by James Franco. Written by Scott Neustadter and Michael H. Weber, the film is based on Greg Sestero and Tom Bissell's 2013 non-fiction book of the same name, and chronicles the making of Tommy Wiseau's 2003 The Room, widely considered one of the worst films ever made. The film stars brothers James and Dave Franco as Wiseau and Sestero, respectively, alongside a supporting cast featuring Seth Rogen (who also produced), Alison Brie, Ari Graynor, Josh Hutcherson, and Jacki Weaver.
Principal photography began on December 8, 2015. A work-in-progress cut of the film premiered at South by Southwest on March 12, 2017; it was later screened at the 2017 Toronto International Film Festival on September 11, and also played at the 2017 San Sebastián International Film Festival, where it became the first American film to win its top prize, the Golden Shell, since A Thousand Years of Good Prayers in 2007.
Distributed by A24 in the United States and Warner Bros. in international markets, The Disaster Artist began a limited release on December 1, 2017, before opening wide on December 8, 2017. It received positive reviews from critics, with James Franco's portrayal of Wiseau as well as the film's humor and screenplay receiving praise, and was chosen by the National Board of Review as one of the top ten films of 2017. At the 75th Golden Globe Awards, James Franco won the award for Best Actor – Musical or Comedy; the film was also nominated for Best Motion Picture – Musical or Comedy. Franco also received a nomination for Outstanding Performance by a Male Actor in a Leading Role at the 24th Screen Actors Guild Awards, and the film earned a nomination for Best Adapted Screenplay at the 90th Academy Awards.
Directed byJames Franco
Produced by
James Franco
Vince Jolivette
Seth Rogen
Evan Goldberg
James Weaver
Screenplay by
Scott Neustadter
Michael H. Weber
Based onThe Disaster Artist
by Greg Sestero
Tom Bissell
Starring
James Franco
Dave Franco
Seth Rogen
Alison Brie
Ari Graynor
Josh Hutcherson
Jacki Weaver
*Slim Khezri plays an Actor at Premiere
Music byDave Porter
CinematographyBrandon Trost
Edited byStacey Schroeder
Production
company
New Line Cinema
Good Universe
Point Grey Pictures
Rabbit Bandini Productions
Distributed by
A24 (United States)
Warner Bros. (International)
Release date
March 12, 2017 (SXSW)
December 1, 2017 (United States)
Running time
103 minutes
CountryUnited States
LanguageEnglish
Budget$10 million
Box office$29.8 million
I noticed this spider and her web inside our plastic greenhouse some days back, marvelling at her ability to capture a white wasp. Yesterday I noticed she had just caught a second one, and one of her egg balls was starting to hatch, so I grabbed my camera and tripod and got this shot.
I do have some concern on the matter of an external party storing my password and login, but this IMO thingy does have some potential. just keep your login and password safe...
How to set up web-based network traffic monitoring on Linux
If you would like to use this photo, be sure to place a proper attribution linking to xmodulo.com
___
COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
Our company is specialized in supplying and exporting of all kinds of lady apparel & accessories products which have many years experience in this field. Our main products include fashion jackets, dresses, pants, shirts, and T-shirts and so on
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We strive to provide customers worldwide with high quality lady apparel & accessories products with the best service at low prices straightly from China. Our products include all kinds of clothing such as Tops, Shirts, T-Shirts, Dresses, Skirts, Sweaters, Jackets, Coats and Pants. We are highly competitive with our nice quality, material, tailor and design.
Whoever you are, and wherever you are, Chinese-Wholesale offers the same price to all: the lowest possible. Whether you're a shopper looking to get hold of the latest products or a dropshipper who refuses to pay the high prices in your country, Chinese-Wholesale provides high-speed service and fantastic prices.
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ShangHai YiShang Garments Clothing Store
Come celebrate with the ONAC community during the ONE PDX launch event and learn more about the Oregon Native Enterprise (ONE) Program at this free event!\nThe ONE Coalition has developed a business development series utilizing the voices of our community and representing our collective wisdom in support of business development and ownership for Native American entrepreneurs across Oregon & SW Washington. We invite you to learn more about this exciting new program and the StartUpOregon Platform as it supports Economic Development opportunities by leveraging web-based technologies to expand your reach.\nONAC is dedicated to working with all members of the community to advance the educational and economic opportunities for Native Americans in Oregon and Southwest Washington. We look forward to having our partners and community advocates come together during this event. Thank you! copyright © 2018 sean dreilinger
Valentine's Day 2018 Pakistan – I Heart Shopping | www.bigbazaronline.pk
Many people around the world celebrate Valentine’s Day by showing appreciation for the people they love or adore. Some people take their loved ones for a romantic dinner at a restaurant while others may choose this day to propose or get married. Many people give greeting cards, chocolates, jewelry or flowers, particularly roses, to their partners or admirers on Valentine’s Day.
It is also a time to appreciate friends in some social circles and cultures. For example, Valentine's Day in Finland refers to “Friend's day”, which is more about remembering all friends rather than focusing solely on romance. Valentine's Day in Guatemala is known as Day of Love and Friendship). It is similar to Valentine’s Day customs and traditions countries such as the Pakistan but it is also a time for many to show their appreciation for their friends.
In case you're making arrangements for a motion picture, don't stress! We're putting forth the best form garments for the two men and ladies. Folks should wear a shirt, a wrist watch and polished shoes to be the star of February. While, young ladies can pick a refined dress with light gems, and easygoing flip tumble to take after an excessive style.
Well! In case you're arranging out a supper outside the home, you may require a formal dress. Man should wear clothing that incorporates formal shirt, dress gasp, infectious sleeve fasteners and a marked wrist watch. Ladies, then again, should want to pick a complex outfit with high foot rear areas. This you can get in our Valentine’s Day bargains in Pakistan. Also, ensure, whatever you purchase must supplement the dress you're wearing.
In any case, this isn't and end!
We're likewise giving a total shopping manual for our web based shopping clients for the long stretch of February which will make this month most vital and stunning for them.
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Shirt
In case you're searching for a decent present for him, get a flawlessly sewed shirt from our web based shopping store. Give him a chance to experience passionate feelings for best plans, hues and lavish cotton that will inundate him in ideal solace throughout the day.
Wallet
Additionally, you can likewise display fundamental frill, for example, wallet which he carries on regular routine. Get the most loved plan and hotshot your unrivaled taste and decision.
Aromas
A rundown of aromas is likewise sitting tight for you in our Valentine’s Day blessings online in Pakistan. Men venerate noticing manly and choice. What's more, in this way, our accumulation comprises of best aromas for Valentine’s Day rebates in Pakistan. This will influence his heart to jump, and avoid a beat.
Valentines Gifts Online for Her
Young ladies who love valentine's day, this is the greatest day to introduce her blessing to express an interminable love for her. Regardless of whether you're single and prepared to blend or appreciate a solid relationship, you can introduce huge amounts of sweet endowments from our Valentine’s Day bargains in Pakistan.
Along these lines, here is our rundown of valentine’s blessings online in Pakistan.
Aromas
There is nothing more captivating than a lady whose landing is reported by a ultra-chic and female aroma. Thus, send her the best scents to prevail upon her.
Watches
Peruse through our remarkable Valentine’s Day bargains on the web and locate the best looks for her wrist. Influence her wrists to display stunning wrist trinket watches. Along these lines, don't place yourself in a perspective and pick the ideal valentine's blessings now.
Presently, prepare for Valentine's day bargains in Pakistan– the shopping party of February. To offer our clients the best arrangements, we are on boarding number of new brands where you can appreciate the period of February. This is the most ideal approach to underwrite the chance of web based shopping in Pakistan. In this way, stay tuned to www.bigbazaronline.pk Valentines Deals for most recent updates of this occasion.
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Mingle Media TV and Red Carpet Report host Cathy Kelley were invited to cover the 39th Annual Gracie Awards, (The Gracies) Honoring Exemplary Women in Media. The event was hosted by Aisha Tyler and was held in the Ballroom of the Beverly Hilton Hotel.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About the Gracies
The Gracies recognizes exemplary programming created for women, by women, and about women in all facets of media, including radio, television, cable and new media. The awards program also encourages the realistic and multi-faceted portrayal of women in entertainment, news, features and other programs.
The Gracies are presented by the Alliance for Women in Media Foundation, the philanthropic arm of the Alliance for Women that supports educational programs, charitable activities, public service campaigns and scholarships to benefit the public and women in media. The Gracie Awards, established in 1975, honor programming and individuals of the highest caliber in all facets of radio, television, cable and web-based media, including news, drama, comedy, public services, documentary and sports. www.thegracies.org
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Cathy Kelley : www.twitter.com/CatherineKelley
This Part II completes Session 4 to present advances worldwide that highlight the relevance and feasibility of subnational
measurement for tourism management. It will also discuss at more technical levels the importance of delineating
spatial areas and issues of comparability and coherence.
Moderator: Mr. Peter Laimer, Deputy Director, Directorate Spatial Statistics, Statistics Austria and Chair of the UNWTO
Committee on Statistics and TSA.
Presentations:
• Mr. Luo Zhibin, Deputy Mayor of Zhangjiajie Municipal Government, China: “Establishing China standards of tourism
Classification, Solving the tourism statistics problem by using big data”
• Ms. Mélanie Gauche, Project manager, Monitoring and Statistics Directorate, Ministry for the Ecological and Solidary
Transition, France: “Measuring Tourism Intensity and its Impact on the Environment at Subnational Level”
• Ms. Nagore Espinosa, Coordinator of INRouTe and CEO of in2destination: “Tourism, Territory and Sustainability: A
Statistical Insight at Subnational Levels” and Mr. Raúl Hernández-Martín, Head of the Chair of Tourism, University
of La Laguna: “A pilot study on Measuring Sustainability in Lanzarote, Canary Islands, Spain”
• Mr. Carlos Carré, Consultant for Conservation International: “Ecotourism in the San Martín Region (Peru) from an
Ecosystem Accounting Perspective”
• Ms. Jingyan Liu, Sun Yat-sen University: “A Web-based Regional Tourism Satellite Account Information System”
• Mr. Carl Obst, UNWTO Consultant: “Defining Spatial Areas for Measuring Sustainable Tourism”
Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
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