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Blue Beach Western Australia
Check out my Profile Page for more information on my images and my website and contact detailsCopyright © 2012 Neal Pritchard PhotographyThis photo may not be used in any form without prior permission. All rights reserved. All images may NOT be used on websites, blogs or in any other form of media print or web based without explicit written permission by Spool Photography
This is a long circuit and we knew, because of a ferry booking, that we would probably not be able to complete it and would therefore have to pick a spot to return from early. We hoped to see the seal colony at least. Unfortunately, at the very beginning - the west side of Sand Voe - the web-based maps suggested a coastal route that took us into walking along a steep and slippery incline, with drops, if we did slip, straight down into the voe. We assumed that 'any second' we'd come across worn grass that suggested we had hit the path and we persevered, slow and careful, on the slope that none of us were entirely comfortable walking along. The path did not materialise and we eventually climbed the steep slope to a safe flat area. This section cost us more time than we had wanted and we therefore decided, disappointed, to turn back before we reached the seal colony. The walk back - first away from the coast up the main branch of the Pettadale Burn and then across the spongy gorse/grasses to North Voe - was a good work-out for our legs but not hugely interesting. We will have to come back and do the full hike.
NEWS RELEASE
IPOH MALI - VPY RECEIVES TIMELY BOOST
121-room Tune Hotel Ipoh set to open 30 March
Photo caption: Tune Hotel Ipoh located at Jalan Veerasamy is set for opening 30 March 2012.
KUALA LUMPUR, 10 January 2012 – Global value hotel brand Tune Hotels has announced 30 March 2012 as the opening date of its 11th and latest Malaysian property, Tune Hotel Ipoh in the state of Perak.
To celebrate, Tune Hotels is running a pre-opening promo where rooms at Tune Hotel Ipoh are on sale from only RM8 per night. Booking starts today (10 January 2012) until 20 January 2012 for stay period of 30 March – 30 November 2012. The promotion available is exclusively online at www.tunehotels.com.
Group CEO of Tune Hotels, Mark Lankester said: “Through this special promotion, we would like to invite everyone to come and join us in celebrating Visit Perak Year 2012 and experience Ipoh and Perak as a whole.”
“We look forward to participating in the Visit Perak Year 2012, by helping provide world-class accommodation at affordable rates to both foreign and domestic tourists to Perak, in particular Ipoh. We have always said that within Malaysia we want to provide the most complete coverage for travellers and businesses and the establishment of Tune Hotel Ipoh is a further step in that direction.”
Tune Hotel Ipoh will have 121 rooms including 80 doubles, 40 twins and one wheelchair-friendly room. As an added convenience especially for families with under aged children, there will be interconnecting rooms, a new feature introduced by Tune Hotels at the Ipoh property. The hotel will also house commercial retail outlets including an AirAsia Travel & Service Centre that will cater to the residents of Ipoh and the surrounding areas.
Tune Hotels currently operates 10 hotels in Malaysia, two in Bali, Indonesia, two in London, England and one in Thailand. Tune Hotel Ipoh will be the chain’s 11th hotel in Malaysia with the others being Kuala Lumpur, Penang, KLIA-LCCT Airport, Kota Kinabalu, Kuching, Johor Bahru, Kota Damansara, Bintulu, Kota Bharu and Kulim. In Bali, Tune Hotels are located at Kuta and Legian while in London it is at Westminster and Liverpool Street. The latest hotel that opened on 22 December 2011 was Tune Hotel Hat Yai, Thailand.
Adding to the list soon will be Tune Hotel Pattaya in Thailand, scheduled for opening on 17 February 2012 and three locations in the Philippines – Angeles City (10 Feb 2012), Cebu City (24 Feb 2012) and Ermita, Manila (9 March 2012). Rooms at these hotels are now available for booking at www.tunehotels.com.
Tune Hotels has successfully pioneered a branded value hotel brand with the concept of pay-as-you-use that has become hugely popular amongst travelers from across the world. Under the concept, guests only pay for room rates with the option of adding on other amenities like towels & toiletries, air-conditioning, in-room wifi and satellite TV service at selected hotels.
Tune Hotels has recently set a new record for itself by registering three million guests over a period of four years since the opening of its first hotel in downtown Kuala Lumpur in 2007. From the one millionth guest mark it achieved in March 2010 to two millionth by mid-2011, Tune Hotels’ guest arrivals have been exponential as the network aggressively expands across Southeast Asia and the UK.
Calling on guests to stay connected with Tune Hotels via the social media networks Facebook and Twitter, Mark pointed out that about 30 new Tune Hotels will be opening globally in the next 12 months. “More Tune Hotels are scheduled for opening in Asean, the UK, India and Australia, that will give our guests even more options for travel destinations. With these new hotels, our number of guests will grow even faster and we expect to reach the five millionth mark by mid-2012. We encourage guests to stay tuned for Tune Hotels’ latest openings and promotions via Facebook and Twitter.”
Tune Hotels is part of Tune Group, a lifestyle business conglomerate co-founded by Tan Sri Tony Fernandes and Dato’ Kamarudin Meranun, who are the Group CEO and Deputy Group CEO respectively of Asia’s largest low cost carrier AirAsia.
For real-time updates and promotion alerts, guests can stay connected with Tune Hotels via Facebook at www.facebook.com/tunehotels and on Twitter via www.twitter.com/tunehotels.
For booking and further information, visit www.tunehotels.com.
- END -
About Tune Hotels
Tune Hotels is part of the lifestyle business conglomerate Tune Group that was founded by Tan Sri Tony Fernandes and Dato’ Kamarudin Meranun. Tune Group seeks to innovate and revolutionise the way services are made available and has employed efficient web-based technologies to reach and engage its customers, presenting a unique lifestyle offering ranging from value hotel stays, personal finance solutions and affordable prepaid mobile services. Tune Group of Companies are Tune Air, Tune Hotels, Tune Money, Tune Talk, Tune Box, Tune Studios, Tune Live and, Queens Park Rangers Football Club (QPR).
Since Tune Hotels was first launched in Kuala Lumpur, Malaysia, in 2007, over 3 million guests have stayed in its properties spread across Malaysia, Indonesia, Thailand and the United Kingdom. It now has 14 hotels located in Kuala Lumpur, Kota Kinabalu, Kuching, KLIA-LCCT Airport, Penang, Johor Bahru, Kota Damansara, Bintulu, Kota Bharu and Kulim in Malaysia; Kuta and Legian in Bali, Indonesia; Westminster, London in the UK; and Hat Yai in Thailand.
All Tune Hotels hotels feature space-efficient, streamlined rooms focusing on high-quality basics: 5-star bed, powerful hot showers and energy-saving fans. The strategically located hotels provide housekeeping services, electronic keycard access into rooms, CCTV surveillance, and prohibits access into the main lobby without a keycard past midnight. Through Tune Hotels’ pay-as-you-use system of add-ons wi-fi, TV, laundered towels and other energy-consuming facilities and amenities, Tune Hotels aims to help guests conserve both their funds as well as the earth’s resources.
Tune Hotels is a part of Tune Group, the principal partner of the Premier League’s Professional Games Match Officials (PGMO) and the BIG Global Loyalty Programme.
More photos are available from www.flickr.com/tunehotels.
For media contacts:
Cymantha Sothiar
Group CEO’s Office - Communications
HP: +6 (012) 686 7292
Fax: +6 (03) 7955 5899
Email: cymantha@tunehotels.com
Spinglo is giving away 3 iPhones/iPads and 7 iPod nano 6th Gen a day! Every week one person is sent to a cruise. My free invitation for you to get some of this is here: www.spinglo.com/i/clr
Spinglo and Marketing
Spinglo will utilize the social media revolution for expanding its customer base, which will provide a firm foundation for the launching of future web- concepts.
Spinglo is a link between new smart network concepts and smart Internet users. As a Spinglo friend you will have access to the latest web concepts and launches. For Spinglo friends, these are packed with membership benefits and exciting offers. Spinglo will constantly add lots of new and exciting competitions and exclusive offers. Everyone is welcome to join Spinglo and of course joining is absolutely free!
Spinglo offers its members a unique web-based international network marketing plan where members can win amazing prices and earn bonuses.
Before the webshop concepts are launched (2011), Spinglo will expand its customer base through a competition which is very easy and offers excellent prizes everyday such as iPhone, Ipad, and iPod nano with a little effort. The weekly competition winner receives a vacation for two and access to the grand finals which offers very generous prizes as well.
Spinlo’s marketing plan will offer its members unique privileges once it is launched. When you register your friend as a free member, you get Spinglo points for it. When your friend invites their friends and they invite their friends etc. you get Spinglo points from them as well all the way up to five levels. This becomes your friendship network. Once Spinglo web-shop opens you will benefit from the purchases of your friendship network in the form of Spinglo points! This means that you will get huge discounts from Spinglo and you can even get some stuff for free!
Depending of your activity you may have tens of friends, hundreds or even thousands of friends in your friendship organization, the amount of Spinglo points will determine the nature of the discounts.
Enables users to search the Web, Usenet, and images. Features include PageRank, caching and translation of results, and an option to find similar pages. Show stock quote for GOOG
Google-owned, web-based email service provides details of storage, options and links to related services.
mail.google.com
Google Accounts
These guidelines can be viewed online at www.google.com/permissions/guidelines.html (or such other URL as Google may provide for this purpose from ...
mail.google.com/mail/signup
Google Videos
Search and watch millions of videos. Includes forum and personalized recommendations.
video.google.com
Google Earth
Google Earth lets you fly anywhere on Earth to view satellite imagery, maps, terrain, 3D buildings, from galaxies in outer space to the canyons of the ocean ...
earth.google.com
Offices of the Anti Advertising Agency and www.delocator.net
Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.
The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.
To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.
Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.
Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.
During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.
Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.
Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."
The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.
It's possible to control your entire site through HiFi's web-based template editor. It is super-fast and easy to use.
Finding out how well your service is being received by your patients has gone hi-tech with NHS Patient Satisfaction Survey Kiosks. Patient feedback can be gained with a choice of mobile tablet devices, wall mount, desk mount and free-standing touch screen kiosks.
Using survey kiosks for patient opinions
The NHS Patient Satisfaction Survey Kiosks can be located on wards or in the main reception area of hospitals and provide patient feedback using touchscreen kiosks. Patient feedback kiosks provide a convenient, quick and easy method for patients and staff to consult on changes and service offerings. Touchscreens remove the necessity for paper based surveys which are often slower, more expensive and take more resources to manage. What's more, touchscreen patiend surveys can be updated when you wish and run at certain times of day, week or year.
Surveypoint Kiosk Surveys Patient Feedback
Using SurveyPoint, our online Consultation and Surveys management software in combination with our touch screen kiosks we can easily create bespoke patient surveys which run on the touchscreen kiosk and can also be accessed online and on portable devices.
Surveypoint Survey Kiosk Benefits
* Create surveys in minutes
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When not being used to provide patient satisfaction surveys the kiosk can also enable patients to interact with a wide range of health information or make free phone calls for support and advice from many sources.
Surveypoint Kiosk Software features:
* Designed specifically for touch screen kiosks
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* Include your own branding, images and other styles
* Range of question types including:
* Multiple choice
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* Skip logic - Question routing based on previous answers
* Run surveys online as well as on the kiosk
* Exportable results
* Training for your staff
* No specialist knowledge required
* Survey template designed for your application
NHS Patient Satisfaction Survey Kiosks
Patient feedback kiosks are fully branded to suit their location and can also include a telephone handset for patients to provide recorded feedback of their experiences. The NHS Patient Satisfaction Survey Kiosks can be used by Patients and also by visitors and relatives of patients to record feedback on many issues relating to the site and care provided.
Applications
* NHS Patient Satisfaction Surveys * CAMHS teams surveys * Mental Health
Mobile Clinical Assistant
Our new survey tablets are now available for running your surveys.
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Patient Satisfaction Survey Kiosks can be desk mounted, wall mount or free standing and additionally be built into one of our kiosk towers to act as a central 'information point' for patients and visitors.
Total Service
Our customer support team, combined with our field-based technicians excel in providing proactive management of systems and work closely with sites to ensure all staff members are bought-in to using the technology.
We provide all of the services you require to run a succesful system for many years. We include project management, design, installation, training, maintenance and ongoing support and we can also provide a broadband internet connection if you prefer not to use your existing network.
If you would like more information about our Patient Satisfaction Survey Kiosks then please call us on 0845 451 2020.
Chris Russ, Realtor of Exit First Realty, began his real estate career 6 years ago in Surprise, Arizona. He enrolled in Westford Real Estate School in October of 2003 and learned the business under the guidance of Robert Schaeffer, a leading Realtor nationwide and savvy venture capitalist. Throughout a diverse career including 6 years in professional baseball and a stint as a Loan Officer, Chris Russ has proven himself to be an accomplished and determined producer.
Chris specializes and takes great pride in helping others re-locate to new towns, as he once did over a dozen times while pursuing his dream of playing Major League Baseball. Chris Russ is a full time Realtor serving all of Central Maryland-Baltimore City, Baltimore, Howard, and Anne Arundel Counties. Chris has a Marketing Degree from Towson University and utilizes his education in marketing everyday. He is especially diverse in web based marketing, and with 78 percent of home buyers starting their home search on the internet, this trait is increasingly essential to success.
Throughout his career, Chris has earned many awards and accolades. Recognized as a master closer in selling, he was top in his company for sales volume at Mortgage Options in San Diego California. Chris now works tirelessly on the other side of the transaction to ensure his clients are aware of how they can keep their homes if they are upside down or take advantage of the great buying opportunities available. With homes available as low as 30 cents on the dollar, it is easy to see why Chris is so enthusiastic about his profession.
Chris brings enthusiasm and dedication to everything he does; in the real estate industry this has earned him the honor of being offered a spot at the brokerage of Ed Haraway, a leading broker in the region and Exit‘s Agent of the Year in 2006 for all of the U.S. and Canada. With Exit growing to the 5th largest Real Estate company in the U.S. and expanding to employ over 50,000 agents in just over ten years, Chris is grateful for the experience and guidance he has access to everyday.
Chris believes that success can only be achieved through continuous learning. Recently, Chris attended the Johnny Loewy’s Advanced Individual Training Series. The extensive 3 day crash course offered valuable cutting edge insight on how to maximize web based marketing efforts and how to effectively process short sales in today‘s hectic market.
As a son of a Navy Veteran, Chris has a special place in his heart for those brave enough to serve in the armed forces. He has made preparations to accomadate vets and those enrolled to make sure reloacting and returning home is as seemless as possible.
Chris’s goal is to become his client's real estate consultant for life and feels that Client Service, Trust, and Hard Work make all the difference. When Chris is not working towards his professional goals he enjoys spending time with his soon to be wife Julie, who brings unending joy to his life. They both are working towards fulfilling their dreams to be the best they can be and volunteer their time to a few worthy causes as well. Chris is envolved with Habitat with Humanity and volunteers at the local shelter walking orphaned dogs. Chris also greatly enjoyed working with the Challenger Program in Lincoln Nebraska, helping children with disabilities. Chris hopes that through his good works he will have the opportunity help more people on a wider scale and is accessible to his network at all times to learn of new opportunities.
I published this to demonstrate the point that if you give the same Mandelbrot set location (ie, coordinates) to any fractal program, then you will see the exact same fractal structures.
The colors and other surface rendering effects may be very different, but the point is the structure is identical.
[OK, its not quite identical, because it is a mirror image. This is simply an inconsistency in orientation of the X and Y axes in the way the algorithm was coded.]
If you want to enlarge (or zoom out) from this location, you can click on web based fractal program. fract.ygingras.net/funky-2/0.26297022/0.00245330/1500000
I selected it because it allows you to place the X and Y coordinate numbers (and the "Magnification Factor" on the URL.
Java applet based fractal generators are commonplace. Many good ones can be found here: www.mathtools.net/Java/Fractals/
File: FractWebBased_Rodd1h_1024a
Offices of the Anti Advertising Agency and www.delocator.net
Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.
The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.
To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.
Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.
Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.
During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.
Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.
Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."
The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.
she made me miso soup and we listened to music and talked and we geeked out about real time web based tracking of GPS enabled busses.
that's what she's doing here. you can too.
Central Desktop delivers a Complete Business Collaboration platform for the mid-market enabling business teams to connect, share, collaborate and manage business both internally and externally on customizable web workspaces. Its solution is delivered as a pure-play web-based platform (SaaS) that combines the most robust collaboration tools available with consumer-level service and afford-ability. Central Desktop enables teams of all sizes to work virtually and seamlessly without the need for IT resources, leveling the playing field for SMBs wishing to do business with the Fortune 5000 through technology that is as simple as launching a browser. Central Desktop was founded in 2005, and is a privately-held company located in Pasadena, California.
Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
What if you could tell someone exactly what vehicle you wanted... what colors you would consider, what options it must have and most importantly, how much you want to spend? Another Jeff Gordon Chevrolet Exclusive - KeyboardToDashboard.com
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Agriculture Secretary Tom Vilsack and Agriculture Deputy Secretary Kathleen Merrigan respond to a question from "Grist," via twitter message (right), during the unveiling of the Know Your Farmer, Know Your Food (KYF) Compass, an interactive web-based document and map highlighting USDA support for local and regional food projects and successful producer, business and community case studies. While hosting a live webinar to highlight USDA's work over the past three years, the Secretaries emphasized how local and regional food systems across the country create additional economic opportunities for farmers, ranchers and food entrepreneurs, expand healthy food access and meet growing customer demand. At the U.S. Department of Agriculture in Washington, D.C., on Wednesday, February 29, 2012. USDA Photo by Lance Cheung.
10″ Digital Signage Tablet PC (Now Available)
Now Available!!
Interactivity is quickly becoming one of the top trends in state-of-the-art digital signage. Users find that allowing
customers to interact with a screen, whether through touchscreen technology, mobile phone capability or otherwise,
increases dwell time and generates more interest in the on-screen content.
Sun Group will introduce 4.3″, 5″, 7″and 10″ an Android-based digital signage tablet PC, features a multitouch screen that allows customers to easily and intuitively interact with the content, The embedded Wi-Fi functionality automatically connects to a Web-based, easy-to-use, Digital Signage remote content management system.
The Interactive Tablet is an Android based 4.3″, 5″, 7” and 10″ interactive digital display which bring you the most advanced way to reach your audience. Whether you’re in education, finance, medicine,retail or any other profession.
The Sun Group Android-based digital signage tablet can be used as a simple standalone digital signage player.
Some of the features including:
1. Auto start when power is turned on, Auto repeat play function.
2. Auto power-on/off time setting one day or 7 days in one week, automatically play and non-stop replay within the pre-set time frame.
3. Upgrade contents of the built-in memory by simply inserting an USB flash drive.
4. Playlists support functions, can set different folders, copy all target files to those different folders, system would default to play your target file one by one.
5. High-class metal housing
6. Supports VESA mounting hole configurations: 75mm x 75mm
7. Password can be set to protect the contents.
8. Password can be set to lock the keyboard of the tablet.
9. Support software updating Via Wi-Fi, (optional) new function can be customized according to customers needs.
10. Build-in two high quality stereo speakers, rated power is 2 x 2W.
Applicable Fields:
Digital signage Tablet is useful and applicable in nearly every field of busines such as
Business Organizations: Supermarket, shopping malls, exclusive agency, chain shops, large-scale sales, hotels, restaurants, travel agencies etc.
Photos Courtesy of Maverick Inman
At the end of the day, The Mash is a festival. And what festival is complete without a soundtrack? Certainly not this one. That's why after a full week of feasting on good food, expanding our minds at panels and classes, and filling our bellies with delicious brews, we celebrate our last evening in town with a Bash; a Mash Bash. We're bringing everything we find exciting about the Brooklyn music and arts scene out for one night in an explosion of sound and color. There will be a local food truck on hand to fill our bellies and plenty of Brooklyn cans at the bar to throw at the acts we find lackluster.
On stage in DC we're bringing together Brooklynite punk rockers The Men, as well as hometown favorites Passing Phases & Heavy Breathing. Expect to sweat. A lot.
The Men, yes, “The,” are a four-piece post punk outfit from Brooklyn, NY. Their catalog, which began in 2008 with a hand-dubbed self-released demo cassette, has grown to include two LP’s — We Are the Men and Immaculada — two more tapes, and a 7-inch. They have toured three times, played over 75 shows and have grown a following of die hard fans crowding into living rooms and basements throughout the five boroughs, desperately trying to see them.
Passing Phases is a rock 'n' roll band from Sterling, Va. They've been playing shows in the DC area for three years and have have one full length LP and one 7", both released on the Arlington based Cricket Cemetery records.
According to DCist, Heavy Breathing "does not spare us any weight—their heavy riffs borrow from kraut rock, punk and metal, and the band occasionally sounds like they've been dragged through the sludge. However, the keyboards and canned vocals all sound inspired by a Saturday night radio dance party. The result is something unlike what we've heard either inside or outside the Beltway."
In short, The Men are utterly life-affirming and incredibly exciting to watch. Live, like their recorded output, they swerve wildly from and between abrasive noise punk, Neil Young country-tinged rock, wild psychedelia, melodic grunge and everything in between. The Men pay no heed to rules. - CaughtintheCrossfire.com
The Mash Bash will also feature video art from Brooklyn-based artists like:
Molly Surno (Lives and works in Brooklyn and Los Angeles), an installation artist that works in film & video, sculpture, sound, and photography.
Jeremy Couillard (Lives and works in Brooklyn), who works with algorithmic models to simulate natural phenomena, and who received his MFA from Columbia 2012.
Jacob Ciocci (Lives and works in Brooklyn), an American visual artist, performance artist and musician. Along with sister Jessica Ciocci and friend Ben Jones, he is one of the three remaining founding members of Paper Rad, an artist collective.
Tara Sinn (Lives and works in Brooklyn and Atlanta), an artist based in New York City. Her work includes videos, installations, and web-based animations.
Jason Tschantré lives and works in Brooklyn as a video artist and 3d projection mapper. With Nuit Blanche New York, he's created immersive video art environments for Red Bull Music Academy, Kickstarter Film Festival, Brooklyn Night Bazaar, and the Onebeat Music Festival.
Offices of the Anti Advertising Agency and www.delocator.net
Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.
The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.
To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.
Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.
Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.
During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.
Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.
Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."
The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.
Offices of the Anti Advertising Agency and www.delocator.net
Two exhibitions by the artists' collaboratives the Anti-Advertising Agency and Finishing School will take over the San Francisco Art Institute's Walter and McBean Galleries for the month of April and into May.
The Anti-Advertising Agency (AAA) will transform the McBean Project Space into its temporary headquarters replete with a conference table, desks, chairs, dry erase boards, a water cooler, fluorescent lamps, and cubicle walls in order to plan the Agency's counter-advertising projects for 2005–2006. Artist and educator Steve Lambert founded the Anti Advertising Agency. Co-opting the tools and structures used by the advertising and public relations industries, the Agency was established as a response to the pervasiveness of commercial content in public urban space. As the CEO of the Anti Advertising Agency, Lambert will work from start to finish with the artists selected for Agency support to help realize their projects.
To date, five artists’ projects have been selected for Agency support. All of these projects will have workstations in the gallery/office where they can begin work and present their ideas to the public.
Participating artists include Sara Dierck and Michael Dodge, who will work on engaging the public through sound and radio; Amanda Eicher, who will focus on connecting consumer products with labor; Susan R. Greene, who brings expertise in community-based art making and clinical psychology; Packard Jennings, who will hone the Agency's message through public surveys and target audiences; and Dara Greenwald and Josh MacPhee, who will use street teams to promote business activity that doesn't rely on advertising. As each of these artists projects evolve, the residual Post It ® notes, reference material, paper scraps, diagrams, and scrawled notebooks will be left in the gallery as part of the exhibition.
Simultaneously, downstairs in the Walter Gallery, the Southern California based artist group Finishing School will create a café/workshop environment to serve as the physical location for the launch of their newest project, the web-based, www.delocator.net. Finishing School is the collective identity of artists Brian Boyer, Ed Giardina, and xtine. For this project the artists have collaborated with computer programmer Vasna Sdoeung to produce their interactive website www.delocator.net. This online interactive database allows patrons to enter and pull comparative information regarding independently owned café and trans-national coffee emporiums.
During the exhibition, Finishing School will transform the gallery into a traditional coffee house environment with the addition of computers and wireless Internet access. Gallery visitors will learn about the delocator project and are invited to add information to a growing online database of independently owned café’s and coffee houses.
Finishing School is the second Nimoy Artist Residency to be funded by Susan Bay and Leonard Nimoy, who established the Nimoy Foundation in 2003. The mission of the Nimoy Foundation is to recognize, encourage, and support the work of contemporary visual and performing artists.
Exhibitions Director Merry Scully finds the entrepreneurial approach taken by both the AAA and the Finishing School reflective of national and international art making trends. "This kind of artistic practice engages the social and political sphere rather than simply representing or commenting upon it," explains Scully. “It invites a rethinking and exchange from the audience that more didactic work does not."
The Walter and McBean Galleries are open Tuesday–Saturday, 11am–6pm. Both exhibitions invite active participation by the audience. The "CEO" of the AAA will be on-site and available to the public Wednesdays, Fridays, and Saturdays. The AAA will offer free anti-advertising "consultations" to the public on Wednesdays at 6:30pm, and "focus groups" on Fridays from 4:00pm to 5:00pm. The delocator café/workshop will be open during gallery hours. More information about these projects can be found at www.antiadvertisingagency.com
and www.delocator.net.
10″ Digital Signage Tablet PC (Now Available)
Now Available!!
Interactivity is quickly becoming one of the top trends in state-of-the-art digital signage. Users find that allowing
customers to interact with a screen, whether through touchscreen technology, mobile phone capability or otherwise,
increases dwell time and generates more interest in the on-screen content.
Sun Group will introduce 4.3″, 5″, 7″and 10″ an Android-based digital signage tablet PC, features a multitouch screen that allows customers to easily and intuitively interact with the content, The embedded Wi-Fi functionality automatically connects to a Web-based, easy-to-use, Digital Signage remote content management system.
The Interactive Tablet is an Android based 4.3″, 5″, 7” and 10″ interactive digital display which bring you the most advanced way to reach your audience. Whether you’re in education, finance, medicine,retail or any other profession.
The Sun Group Android-based digital signage tablet can be used as a simple standalone digital signage player.
Some of the features including:
1. Auto start when power is turned on, Auto repeat play function.
2. Auto power-on/off time setting one day or 7 days in one week, automatically play and non-stop replay within the pre-set time frame.
3. Upgrade contents of the built-in memory by simply inserting an USB flash drive.
4. Playlists support functions, can set different folders, copy all target files to those different folders, system would default to play your target file one by one.
5. High-class metal housing
6. Supports VESA mounting hole configurations: 75mm x 75mm
7. Password can be set to protect the contents.
8. Password can be set to lock the keyboard of the tablet.
9. Support software updating Via Wi-Fi, (optional) new function can be customized according to customers needs.
10. Build-in two high quality stereo speakers, rated power is 2 x 2W.
Applicable Fields:
Digital signage Tablet is useful and applicable in nearly every field of busines such as
Business Organizations: Supermarket, shopping malls, exclusive agency, chain shops, large-scale sales, hotels, restaurants, travel agencies etc.
Islander™ PLUS fleet fuel management system combines the functionality of the advanced web-based site fuel controller CFN PLUS and the sophisticated island fleet card reader ICR PLUS in a single package hardened for the fuel island. View the original Image here
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COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
___
COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
Mingle Media TV and Red Carpet Report host Cathy Kelley were invited to cover the 39th Annual Gracie Awards, (The Gracies) Honoring Exemplary Women in Media. The event was hosted by Aisha Tyler and was held in the Ballroom of the Beverly Hilton Hotel.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About the Gracies
The Gracies recognizes exemplary programming created for women, by women, and about women in all facets of media, including radio, television, cable and new media. The awards program also encourages the realistic and multi-faceted portrayal of women in entertainment, news, features and other programs.
The Gracies are presented by the Alliance for Women in Media Foundation, the philanthropic arm of the Alliance for Women that supports educational programs, charitable activities, public service campaigns and scholarships to benefit the public and women in media. The Gracie Awards, established in 1975, honor programming and individuals of the highest caliber in all facets of radio, television, cable and web-based media, including news, drama, comedy, public services, documentary and sports. www.thegracies.org
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Cathy Kelley : www.twitter.com/CatherineKelley
XSS-EPOS™, Sportsbetting Kiosk: Risk-free, self-service KIOSK exchange betting application
EXPAND YOUR MARKET
Offer land-based gaming venues an intelligent, self-service based version of BetXTech's cashier software featuring a stylish and secure touch-screen terminal. Casinos now can increase their sports betting volume by placing the devices in well-traveled casino areas, while small betting shops also could benefit by relying less on manned sportsbook operations, which are more expensive to operate than kiosks.
XSS-EPOS™ kiosks are capable of generating betting revenue on a continuous 24/7 basis. The cash, swipe card, and Pre-paid scratch card based system instills player confidence while ensuring 100% player anonymity.
PERFECTED FOR MULTI-LOCATION ENVIRONMENTS
•Betting Shops
•Casinos - Land and Sea based
•Sports Bars and Cafés
•Hotels & Airport Lobbies
•Sports facilities including gyms and fitness centres
•Leisure & Entertainment Centres
•Sports Stadiums and Concert Venues
HOW THE SELF-SERVICE KIOSK SYSTEM WORKS
•Network Point of Service
•A network of betting terminals operated by local operators & optional subagents – managed by the BetXTech Management System
•Web based Client-Server platform
•Configuration and administration though a web-based management console
•Can be fitted with a bill acceptor, a credit card swipe, computer keyboard, a robust fixed trackball, thermal printer, and a touchscreen monitor.
BESPOKE KIOSK SYSTEM DESIGN
•Variety of kiosk types and design
•Wi-Fi (wireless) capabilities
•Marketing and Advertising placement
•Improve corporate branding
•Rugged product, strong resistance to vandalism
•Free-standing or Wall Mounted secure enclosures
XC-EPOS™, Sportsbetting Cashier allows operators to offer competitive odds which are automatically converted from Betfair odds with a built-in, adjustable profit margin essentially enabling no-risk betting profit. The solution provides betting shop, casino, and sports cafe operators the opportunity to manage a Sport and Event betting offering without the financial risks associated with traditional Sportsbooks.
OPERATOR-FOCUSED FEATURES
•Support for multi-currencies and multi-languages
•Fine-grained Margin Management at every level: Global -> Sport Level -> Event Level -> Sub-Event Level -> Market Level
•Betting For, Betting Against, and live, “in-running” betting are all supported.
•Huge profit if the punter's bet won but no profit when punter's bet lost. Highly recommended on punter-friendly betting events such as World Cup.
•Choices on when and where to apply margins:
•Odds and Stake Margin: Margin profit realized regardless of the outcome of an event
•Odds Only Margin: “If Win” mode enables larger profit if punter’s bet won, but no profit for losing bets (recommended on punter-friendly events such as the World Cup).
•Three choices of margin formula:
•Best Odds - Gets the current best odds from the exchange
•Weighted Average - Gets the average of all available odds
•Dynamic Weighted Average - a variation of the Weighted average except that a price will only be included if it is within 25 percent of the current best odds
•Preview mode for punters: enables separate client-facing screens to allow punters to peruse available markets.
•Complete, robust and exportable set of reporting
•EPOS cashier runs out of the box : No servers needed
•Support for Decimal Odds, Vegas Odds, Fractional Odds and Malay Odds
•Support for Multiple Sports
•Support for Multiple TV Monitors and other output devices
•Ability to exclude sports that you do not want to offer on a permanent or temporary basis
•Full compatibility to all POS devices supported by Microsoft Windows Embedded Point of Service and Windows XP Pro Operating Systems
•Low cost of ownership
•Can run on a regular PC, Laptop or POS Terminal
FOR MORE INFORMATION, Pls. CALL +44 (0)20 8123 0968 in the UK, or +33 6 24 74 61 73 outside the UK.
Jessica Rowen, President
Mitchell-Vance Laboratories
Jessica Rowen is Founder and President of Mitchell-Vance Laboratories LLC. The company specializes in the research and development of products for the treatment and prevention of scars. In 2002, Rowen founded Advanced Health and Nutrition, a web-based business offering natural health products and nutritional supplements. She established Mitchell-Vance Laboratories in 2007, and soon introduced ScarAway® Silicone Scar Sheets with Silon® technology. Today, her company markets numerous scar treatment products and has become a leader in scar treatment in the over-the-counter retail marketplace. Jessica attended Albertus Magnus College where she graduated Summa Cum Laude in Business Management and Marketing in 1997.
Rowen is a member of the Women’s Business Enterprise National Council and the Guilford Chamber of Commerce. She and her husband reside in Guilford and are the proud parents of five children, ages 19, 18, 17, 16, and 10.
Fact Sheet
WHAT:GardenTV, a gardening channel on the web, will launch a sneak preview of its channel offerings at the Northwest Flower & Garden Show. The channel will showcase experts in the industry with a focus on flower and garden topics, garden-to-table trends, organic and sustainable practices, urban gardening and gardening from around the globe.
WEBSITE:www.gardentv.tv
WHEN:Full channel launch: April, 2013
NOTABLES:
➢GardenTV is a web-based network that can be viewed on your computer, tablet or mobile device.
➢A supporting sponsor of the 2013 Northwest Flower & Garden Show, GardenTV will produce an in-depth cinematographic look at this year’s garden displays. GardenTV will be taping interviews with seminar presenters and other experts in attendance.
➢GardenTV will also produce its own original shows. Two shows already announced to debut this spring are "Celebrity Gardens," a showcase of well known celebrities on location in their home gardens and "The Well Traveled Fork," a farm-to-table cooking show that teaches us where our food comes from, sustainable practices, and how to turn your organic meats and produce into delicious culinary dishes.
CONTENT & PROGRAMMING:
GardenTV is looking to add content and programming to the channel. If you are interested in casting or have content you would like considered for the channel, please contact Joey Cooper at Joey Cooper 541-350-1876 or joey@joiemedia.com
There are some really amazing sales lead follow up as well as better new options all coming up with these CRM tool or software that makes it so ideal in the business. Make sure you work on all these facts and accordingly get it used for the purpose. There are many professional agencies or sources web based crm software available form where you can get the best of CRM tool or software.
Businesses today need innovative business –class messaging capabilities which boost productivity and save money.
Microsoft Hosted Exchange is the world's powerful corporate-class email solution, which improves productivity with On-the-go-access to email, calendar, and task management tools with No IT resources required!
Microsoft Hosted Exchange is one of the most extensively used business messaging platform which, helps users
Manage their time effortlessly with built-in scheduling assistant which automates time-consuming calendar tasks.
Enable them to connect and share efficiently. All email, tasks, calendars, contacts and files are centrally stored at the hosting providers’ data center, which can easily be accessed using a desktop, or on any internet-enabled computer in any location or via smartphones like BlackBerry, iPhone or others.
Stay safe and compliant with Antivirus and Antispam filters.
Easily configure on all the smartphone devices Any modifications or alterations made on e-mail, calendar, contacts and tasks get updated to all connected devices. The interface is similar to Microsoft Outlook. You can send and receive mails, check schedule, setup meetings and tasks.
Net4’s Hosted Microsoft Exchange is the most easy, effective and affordable option for as low as Rs 248/user/mo.
The core features includes:
Large Mailboxes: Each user gets 2 GB of mailbox storage.
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FREE Exchange server upgrades.
Full DNS management.
Antivirus/anti-spam: Multiple filters and virus-scanning engines to help protect your organization from spam, viruses, and phishing scams.
Active Sync for all Smart Phones & Mobility: Mobile access is available from all phones capable of receiving e-mail, including Windows Phone, the iPhone, Android, Palm, Nokia, and Blackberry devices.
Shared calendar and contacts: Users can compare calendars to schedule meetings with Exchange Online and have access to collaboration features like shared calendars, groups, global address list, external contacts, tasks, conference rooms, and delegation.
Administration center: A centralized, Web-based administration console enables you to configure Exchange Online to manage subscriptions, provision users, reset passwords, and configure services from anywhere you have Internet access.
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Get the most out of Net4’s Microsoft Hosted Exchange Now!
U.S. Department of Agriculture (USDA) Departmental Management (DM) Office of Human Resources Management (OHRM) Disability Employment Program Manager Alison Levy and Cornell University Employment & Disability Institute Extension Faculty Hannah Rudstam co-leads the new Just-In-Time web based toolkit that helps managers better provide reasonable accommodations and disability inclusiveness at the U.S. Department of Agriculture (USDA), on Tuesday, May 5, 2015, in Washington, D.C. The class covered a wide range of topics, from proper verbal labels, and best strategies for various work place scenarios, to applicable laws, to name a few. The class provided knowledge for employees at all levels. The web-based toolkit was made in collaboration with Cornell University. USDA Photo by Lance Cheung.
epiFlection.epiclectic.com - The Album
Twisted graphic enhancements of mostly found life form images captured from the web-based world, courtesy of the epiPhone camera, Photoshop and the warped mind of the epiclectic.
Disclaimer - If anyone objects to me reprocessing one of their images, please drop me a flickr mail and I will be more than happy to provide a link to your original image - or remove it from my public photo stream.
Call for Images - If you have a photograph you would like to submit for an official epiFlection treatment, send me a flickr mail with a link to your photo. Once posted, you will get credit, a link to your photo, and a great photo for downloading, printing, framing and giving as a wonderful gift to loved ones in your close circle of friends.
Naomi Tyler, associate professor of the practice of special education, directs Peabody’s IRIS Center, which provides free, web-based, instructional resources for educators and parents of special needs students.
Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
Rick Witschonke, of the American Numismatic Society, has just announced an important new tool for Roman Republican numismatics, CHRR, numismatics.org/chrr/ that supplements Crawford's RRCH for the period after 156BC. I think this should be of a lot of interest to LaMoneta readers and it would be interesting to discuss experiences using this tool. I attach a screenshot above of a typical presentation of a hoard on CHRR. Note that it mainly covers the same period as Kris Lockyear's book Patterns and Process in Late Roman Republican Coin Hoards, 157–2 BC. Oxford: British Archaeological Reports.
Andrew
Coin Hoards of the Roman Republic – A New Tool for Roman Numismatics
Today the American Numismatic Society and the
Institute of Archaeology of University College London, UK, launch an important new tool for the analysis of Roman Republican coin hoards.
Coin Hoards of the Roman Republic Online (CHRR Online) is a collaboration between Rick Witschonke and Ethan Gruber at the ANS and Dr. Kris Lockyear of UCL.
The new web-based tool makes available in searchable form the contents of a database created by Dr. Lockyear of 694 Roman Republican Coin hoards and the 115,000 coins that they contain. The new tool, which is based on the Numishare technology, makes it possible to browse, search, map and analyze the evidence of Roman coin finds in new and exciting ways.
“The database was initially created on a PC for my PhD, but it has continued to be expanded since then and forms the basis of my book Patterns and Process in the Late Roman Republican Coin Hoards, where it is used, amongst other things, to investigate the size of late Republican coin issues, the date of the import of Republican denarii to Dacia and the patterning created by the events of the civil wars. I am very grateful to Professor Michael Crawford for allowing me access to his unpublished archive held in the British Museum”, noted Dr Lockyear. “It was obvious that the database, the result of over twenty years work, was a valuable resource that could help others in their research if I could make it widely available. As the database continues to grow, updates will be posted to the online version, which I hope will encourage others to share information.” Further information on the history of the project, and its future is available here.
The potential for the ANS to help in the process of online publication was spotted by curatorial associate Rick Witschonke. “It was clear that Kris’ database dovetailed very neatly with work being carried out at the ANS to create stable identities for numismatic concepts on the web”, explains Witschonke. “We were very fortunate also to be in touch with the curators at the British Museum, Ian Leins and Eleanor Ghey, who generously made available to us the work they had recently undertaken to catalogue the BM collection. By bringing together their data and Kris’ hoard database with the work that ANS has been undertaking at Nomisma.org, we were able to create a new tool based on Linked Open Data principles.”
The creation of the new web tool was the work of ANS database developer Ethan Gruber. The integration of Roman Republican Coinage coin types defined by Nomisma.org into CHRR Online enables maps and timelines showing the geographic and temporal extent of hoards. Furthermore, users of the quantitative
analysis interface may compare the distribution of selected typological attributes across numerous hoards, visualizing results in the form of graphs or downloading data in CSV for more sophisticated analyses. For example, one may
compare the distribution of mints or issuers across dozens of hoards: a common numismatic query, delivered nearly instantaneously.
“The CHRR project is wonderful example of the way that ANS is working with multiple partners to create new resources for our members and the whole community of collectors and scholars” notes ANS Executive Director Ute Wartenberg Kagan. “By sharing our data in standard, open formats, we increase its power hugely. The ANS is currently at the forefront of the development of digital tools for numismatics at an international level. It is tremendously exciting to see another tool launched today.”
The tool can be accessed at: numismatics.org/chrr/
Rick Witschonke
Six Apps That Help You Lose Weight
Rachel Grumman Bender
Nov 9, 2011
www.youbeauty.com/body-fitness/six-apps-that-help-you-los...
Anyone who has ever struggled to get off the couch and hit the gym knows it’s much harder to pull a no-show when someone—a friend, a trainer—is waiting to meet you there. It’s called accountability and for some people who are looking to shed excess pounds or shape up, it can give them the edge they need to reach their goal.
Studies show that using tools to hold yourself accountable, such as keeping a food journal or working out with a buddy, help people successfully stick to a weight loss plan or exercise routine. And the Internet has only made it easier to stay on track. A 2010 study in the Journal of Medical Internet Research looked at a web-based weight maintenance intervention program and found that the more frequently people logged onto weight loss sites, the more pounds they shed. In the study, users who went online and recorded their weight at least once a month for 24 months maintained the highest amount of weight loss—an average of nine pounds—compared to those who went online at least once a month for 14 months and kept off five pounds on average. Those who logged on less often maintained an average weight loss of a mere three pounds.
But not all experts agree that accountability is the best way to meet a weight-loss goal. “The problem with accountability is that in order to turn your goal into something that you can hold yourself accountable for, you almost always have to focus on an outcome rather than a process,” notes Art Markman, Ph.D., YouBeauty Psychology Advisor “Successful weight loss means both losing weight and also maintaining that weight. In order to do that successfully, you have to make significant and sustainable changes to your lifestyle. You have to eat differently in a way that you can continue even after you reach your target weight. And you have to add regular exercise into the routine.”
Adds Markman, “you're better off focusing on creating healthy habits that are sustainable. The focus should always be on process rather than outcome.”
Although Edward Abramson, Ph.D., a clinical psychologist and author of "It's Not Just Baby Fat: 10 Steps to Help Your Child" to a Healthy Weight, agrees that accountability isn’t a foolproof weight loss tool, he says it can help you stay motivated by providing social support to get you through the rough patches, such as when that pint of ice cream is calling your name. “Motivation is really the key, given that weight loss is effortful and that you don’t always see immediate benefits,” says Dr. Abramson. “Often social support is a great motivator—someone who will be supportive and encouraging—and can be very useful in maintaining healthy eating habits and exercise.”
If you’re looking to lose five pounds or run for longer than five minutes without getting winded, check out these high tech ways to help you reach your weight-loss and fitness goals:
* The Eatery. This new app (available on iTunes) lets you take a photo of your food, rate it and share the information with other people also using the app or your friends on Facebook to get their feedback (they can rate your meals from “fit” to “fat”). The point? Sharing what you’re eating may make you more likely to think twice before diving into that mac ‘n’ cheese over a healthy salad. What’s more, you’ll be able to track your food trends, such as you’re more likely to reach for a donut at 3p.m. every day (try taking a walk instead), and become more aware of what you are eating so that you can change your behavior and choose healthier foods.
* The Withings Wifi Body Scale. The scale measures your weight, BMI, lean and fat mass and transfers the information to your smartphone or computer so you can keep track of your progress (or if you’re falling into old, bad habits). To raise the accountability stakes, the scale even lets you Tweet your weight so you can share it with anyone following you on Twitter, if you feel so bold. Talk about accountability!
* The BodyMedia Fit system. The BodyMedia Fit system includes an armband that’s worn day and night, which automatically clocks the calories you burn during daily activities—from running on the treadmill to running errands—and monitors your quality of sleep, which is another key factor in successful weight loss. Although wearing an armband 24 hours a day may not be the most convenient thing, this may make it all worth it: The BodyMedia Fit system boasts that users can lose up to three times the amount of weight compared to people trying to shed excess pounds on their own.
* Lose It! The free app (available on iTunes and the Lose It! website) is your virtual food and exercise journal, helping you monitor what you eat and how often you break a sweat. Based on your personal information, Lose It! calculates how many calories you should be eating daily. As you log in your food intake, it deducts calories from your total daily “budget.” The app lets you share how many pounds you’ve lost as well as your weight loss and fitness goals with friends to help you stay motivated. It will even remind you when you forget to log your meals. The result? The average Lose It! user drops more than 12 pounds.
* iMapMyFitness+. Whether you’re into biking or running, you can easily set goals and measure your progress with this fitness tracking app. Thanks to its GPS technology, iMapMyFitness+ easily tracks your time, distance, speed and pace on an interactive map when running or cycling. You can also email or Tweet your workout data to fitness buddies, friends and family.
* SocialGym. This straight-forward app helps you track your cardio and strength training workouts (from walking on the treadmill to biceps curls), chart your progress and share your workouts with your friends on Facebook to garner positive feedback to keep you going.
Photos Courtesy of Maverick Inman
At the end of the day, The Mash is a festival. And what festival is complete without a soundtrack? Certainly not this one. That's why after a full week of feasting on good food, expanding our minds at panels and classes, and filling our bellies with delicious brews, we celebrate our last evening in town with a Bash; a Mash Bash. We're bringing everything we find exciting about the Brooklyn music and arts scene out for one night in an explosion of sound and color. There will be a local food truck on hand to fill our bellies and plenty of Brooklyn cans at the bar to throw at the acts we find lackluster.
On stage in DC we're bringing together Brooklynite punk rockers The Men, as well as hometown favorites Passing Phases & Heavy Breathing. Expect to sweat. A lot.
The Men, yes, “The,” are a four-piece post punk outfit from Brooklyn, NY. Their catalog, which began in 2008 with a hand-dubbed self-released demo cassette, has grown to include two LP’s — We Are the Men and Immaculada — two more tapes, and a 7-inch. They have toured three times, played over 75 shows and have grown a following of die hard fans crowding into living rooms and basements throughout the five boroughs, desperately trying to see them.
Passing Phases is a rock 'n' roll band from Sterling, Va. They've been playing shows in the DC area for three years and have have one full length LP and one 7", both released on the Arlington based Cricket Cemetery records.
According to DCist, Heavy Breathing "does not spare us any weight—their heavy riffs borrow from kraut rock, punk and metal, and the band occasionally sounds like they've been dragged through the sludge. However, the keyboards and canned vocals all sound inspired by a Saturday night radio dance party. The result is something unlike what we've heard either inside or outside the Beltway."
In short, The Men are utterly life-affirming and incredibly exciting to watch. Live, like their recorded output, they swerve wildly from and between abrasive noise punk, Neil Young country-tinged rock, wild psychedelia, melodic grunge and everything in between. The Men pay no heed to rules. - CaughtintheCrossfire.com
The Mash Bash will also feature video art from Brooklyn-based artists like:
Molly Surno (Lives and works in Brooklyn and Los Angeles), an installation artist that works in film & video, sculpture, sound, and photography.
Jeremy Couillard (Lives and works in Brooklyn), who works with algorithmic models to simulate natural phenomena, and who received his MFA from Columbia 2012.
Jacob Ciocci (Lives and works in Brooklyn), an American visual artist, performance artist and musician. Along with sister Jessica Ciocci and friend Ben Jones, he is one of the three remaining founding members of Paper Rad, an artist collective.
Tara Sinn (Lives and works in Brooklyn and Atlanta), an artist based in New York City. Her work includes videos, installations, and web-based animations.
Jason Tschantré lives and works in Brooklyn as a video artist and 3d projection mapper. With Nuit Blanche New York, he's created immersive video art environments for Red Bull Music Academy, Kickstarter Film Festival, Brooklyn Night Bazaar, and the Onebeat Music Festival.
Cornell University Employment & Disability Institute Extension Faculty Hannah Rudstam co-leads the new Just-In-Time web based toolkit that helps managers better provide reasonable accommodations and disability inclusiveness at U.S. Department of Agriculture (USDA) on Tuesday, May 5, 2015, in Washington, D.C. The class covered a wide range of topics, from proper verbal labels, and best strategies for various work place scenarios, to applicable laws, to name a few of the topics. The class provided knowledge for employees at all levels. The web-based toolkit was made in collaboration with Cornell University. USDA Photo by Lance Cheung.
10″ Digital Signage Tablet PC (Now Available)
Now Available!!
Interactivity is quickly becoming one of the top trends in state-of-the-art digital signage. Users find that allowing
customers to interact with a screen, whether through touchscreen technology, mobile phone capability or otherwise,
increases dwell time and generates more interest in the on-screen content.
Sun Group will introduce 4.3″, 5″, 7″and 10″ an Android-based digital signage tablet PC, features a multitouch screen that allows customers to easily and intuitively interact with the content, The embedded Wi-Fi functionality automatically connects to a Web-based, easy-to-use, Digital Signage remote content management system.
The Interactive Tablet is an Android based 4.3″, 5″, 7” and 10″ interactive digital display which bring you the most advanced way to reach your audience. Whether you’re in education, finance, medicine,retail or any other profession.
The Sun Group Android-based digital signage tablet can be used as a simple standalone digital signage player.
Some of the features including:
1. Auto start when power is turned on, Auto repeat play function.
2. Auto power-on/off time setting one day or 7 days in one week, automatically play and non-stop replay within the pre-set time frame.
3. Upgrade contents of the built-in memory by simply inserting an USB flash drive.
4. Playlists support functions, can set different folders, copy all target files to those different folders, system would default to play your target file one by one.
5. High-class metal housing
6. Supports VESA mounting hole configurations: 75mm x 75mm
7. Password can be set to protect the contents.
8. Password can be set to lock the keyboard of the tablet.
9. Support software updating Via Wi-Fi, (optional) new function can be customized according to customers needs.
10. Build-in two high quality stereo speakers, rated power is 2 x 2W.
Applicable Fields:
Digital signage Tablet is useful and applicable in nearly every field of busines such as
Business Organizations: Supermarket, shopping malls, exclusive agency, chain shops, large-scale sales, hotels, restaurants, travel agencies etc.
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So I'm looking at my desk tonight, and I realize that I've got more screens running than I ever have before.
1. Left half of my work PC. Typically runs Outlook, and sometimes reference material for what I'm doing on the screen to the right (3)
2. My MacBookPro. Typically running TweetDeck, used for personal stuff, RSS, and so forth.
3. Right half of my work PC. Typically used for generating PowerPoints, Word documents, and so forth. Also used for comparison browsing (e.g. Chrome on the left, Firefox on the right).
4. My iPhone. It's usually here as it's my personal phone, and so forth.
5. My iPad. Right now, it's running the MLB At Bat app, so I can track what's up in the Yankees-Tigers game, audio and all. During the day, It's usually there when I need to check something web-based quickly while working in other windows.
6. My Nexus One (not pictured). It's what took this photo. My work device, and about the only phone I've used in the last few years that comes close to rivaling my iPhone. If it had legit Exchange support (read: the calendar), I wouldn't have to do the two phones thing.
HRMS software, you can significantly reduce the manual workload required to carry out these tasks. Alp offers an end-to-end enterprise HRMS web based SAAS application which can manage the entire gamut of HR functions.
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www.recyclism.com/corruptimator.php
Corrupt™ is a web based Glitch Art Software allowing its user to upload and share corrupted images on www.corrupt.recyclism.com
This single-channel video is the collection of uploaded images on www.corrupt.recyclism.com since 2005. The video of 45.46 minutes includes 65,462 corrupted images uploaded by thousands of different people over the past years. This video was made with the Corruptimator™ by Brian Solon.
Corruptimator™ is a bunch of Bash shell scripts loosely cobbled together in an attempt to simplify and automate the process of assembling a movie from five years’ worth of images generated by CORRUPT™. Get the source code here
Co-curated by Sarah Cook and Kathy Rae Huffman, Broadcast Yourself is an international group exhibition that contextualises the current trend of sharing videos online (on websites such as YouTube) through the presentation of works of video art and web-based art from the 1970s to the 1990s. It includes the work of a diverse group of artists who have challenged television culture and questioned what it means to undertake the personal act of putting oneself ‘on-air’.
Works presented ranged from Bill Viola’s Reverse Television — Portraits of Viewers (1984), where he filmed American television viewers and broadcast the footage back out at them as they watched television, to Shaina Anand’s Khirkee Yaan Project (2006) from New Delhi, an exploration of what happens when you connect people via an open circuit TV system.
The exhibition included artists: Active Ingredient (Rachel Jacobs / Matt Watkins), Shaina Anand, Ian Breakwell, Chris Burden, Stan Douglas, Kit Galloway and Sherrie Rabinowitz, Alistair Gentry, Guillermo Gómez-Peña, Doug Hall, Chip Lord and Jody Proctor, Joanie 4 Jackie (Miranda July et al.), Pat Naldi and Wendy Kirkup, TV Swansong (curated by Nina Pope and Karen Guthrie), Bill Viola, Van Gogh TV, 56Ktv Bastard Channel (curated by Reinhard Storz / xcult.org).
The exhibition toured to Cornerhouse, Manchester from 13 June to 10 August 2008.
Biography
Sarah Cook is a curator and writer based in Newcastle upon Tyne, UK. She is a Reader at the University of Sunderland where she co-founded and co-edits CRUMB, the online resource for curators of new media art and teaches on the MA Curating course. Having grown up in Canada, she has a longstanding association with The Banff Center where she has worked as a guest curator and researcher in residence. After completing her PhD in 2004, she worked as adjunct curator of new media at BALTIC Centre for Contemporary Art funded by the AHRC and in 2008 was the inaugural curatorial fellow at Eyebeam Art and Technology Center in New York. Sarah has curated and co-curated international exhibitions including Database Imaginary (2004), The Art Formerly Known As New Media (2005) and Broadcast Yourself (2008).
Kathy Rae Huffman is an independent curator. She has commissioned artists, written about and coordinated events for a variety of international festivals and organisations since the 1980s. Huffman received an MFA in Exhibition Design from California State University Long Beach, where she also completed the post-graduate course in Museum Studies. She has held curatorial posts at the Long Beach Museum of Art (1979-1984) and The ICA Boston (1984-1990). She was professor of electronic art and director of EMAC at RPI, Troy, New York (1998-2000). She was Visual Arts Director at Cornerhouse, Manchester from 2002-2008, where her curatorial work included: Art TV (for The Getty Museum), Nick Crowe: Commemorative Glass, Marcel Odenbach: The Idea of Africa and Zineb Sedira: Telling stories with differences amongst others.
Credit
Co-curated by Sarah Cook and Kathy Rae Huffman. Touring exhibition produced by AV Festival 08 and Cornerhouse in collaboration with Hatton Gallery. Supported by Arts Council England, CRUMB at the University of Sunderland, and The Leverhulme Trust.
___
COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay
___
COAST SALISH TERRITORIES (Vancouver) – The Second Annual Vancouver Indigenous Media Arts Festival (VIMAF) will be showcasing the best of cutting-edge Indigitized artists and their works November 8-11 at a handful of venues on Coast Salish Territories. VIMAF brings together special guests from across Turtle Island, including Alanis Obomsawin, who will be presented with VIMAF’s Lifetime Achievement Award. She will be joined by directors and producers from Montreal, Ottawa, Toronto, Winnipeg and BC. Their works will be shown at the West Coast’s only Native media arts festival, including a variety of mediums such as short films, music videos, documentaries, video art, animation, feature length films, interactive media, video projection, and broadcasting.
Programming at the weekend festival will celebrate a number of trailblazing artists from around Turtle Island with Gala and Conference events, interactive installations, National Film Board (NFB) feature film premieres, and evening musical programs, all meshing traditional and contemporary experiences of Indigenous Peoples. A number of prominent featured installations and films will be making their west coast debut at VIMAF, including NFB/imagineNATIVE partnership De Nort, an online interactive journey and onsite installation from the Winnipeg/Montreal ITWĒ Collective exploring life and experiences on a northern Manitoba reserve and how through forced reservation traditional memories and knowledge are being replaced.
“Presenting web-based work alongside radio, television,and cinema really show the multi-platform storytelling strategies being used to tell our stories,” said Ronnie Harris, member, VIMAF Coordinating Committee. “Using digital tools is a popular strategies for Indigenous storytellers on the West Coast.”
NFB Film premieres include Director Alanis Obomsawin’s The People of the Kattawapiskak River, returning Residential School lens We Were Children, West Coast Smokin’Fish, Every Emotion Costs, and others. VIMAF and W2 Community Media Arts Society resident media artist, Bracken Hanuse Corlett (Wuikinuxv-Klahoose), will also be projecting, Wuulhu – To Fuse Together, a series of digital installations throughout Festival home venue, W2, for the weekend. Musical offerings fuse traditional sounds with cutting edge electronic-influenced sets provided by the East Coasts’ A Tribe Called Red who are playing at Fortune Sound Club, and locals Skookum Sound System, as well as DJ’s Annashay, Vancouver DMC Finalist DJ Krisp playing VIMAF’s Indigenous Afterdark: Around The Sun.
The 2012 Festival will be headquartered at W2, with other events taking place at SFU Woodward’s Cinema, National Film Board – Pacific Region, and Fortune Sound Club. “Anchoring the Festival in Vancouver’s original settlement is fitting,” says Harris, “we are using the Woodward’s media hub which is made up of W2, SFU and the NFB, to bring a focal point for understanding what is Indigenous culture today in the centre of the city.”
VIMAF is a media arts organization founded in 2011 to re-affirm the presence of Indigenous digital production in Coast Salish Territory. VIMAF holds space for Indigenous media artists to show their works in an environment that fosters cultural discourse, critical awareness and interactivity through the independent production, stimulation, examination and illumination of Indigenous socio-political histories and current realities.
VIMAF gratefully acknowledges the support of W2 Community Media Arts Society, First People’s Cultural Council, Hastings Crossing BIA, National Film Board – Interactive Studio, and a dozen Indigenous organizations.
** Photos by W2 chew who passed around my camera.
VIMAF presents: The Skookum Sound System and RPM.fm One Year Celebration
A Tribe Called Red (special guest spot!) | Skookum Sound System | DJ Krisp | Mob Bounce | DJ Annashay