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Imagine you are visually impaired... how would explain to your scribe how to write a matrix and its values. How to draw a triangle and explaining all the sides and angles. Trigonometry.
Their brains function probably twice as fast as ours (who are not challenged) as they not only have to do their calculations mentally, they even have to explain it to their scribe as to how to put it down on the paper.
Story 4/5 www.flickr.com/groups/hpc/discuss/72157615184431603/
Visually communicate your brand and message with digital signage. It enables you to broadcast your messages quickly and easily, locally and globally, to customers and employees—all from a central location. Whether your installation is one sign or a thousand, you can trust your project to FASTSIGNS®..
Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
Submitted by: MFV Staff
Country: India
Organisation: Mission For Vision
Category: Amateur
Caption: MFV Mission Roshini - visually impaired children being taught mathematics
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Photo uploaded from the #StrongerTogether Photo Competition website (photocomp.iapb.org)
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
A comment from the Irish Amateur Wrestling Association
"Inclusiveness is key! This was spectacular.
A visually impaired wrestler competing in a main stream championship wrestling tournament. Arron, from Portlaoise Combat Academy Vs Peyton from Mohawk Valley Wrestling Club NY. One of the wrestlers was visually impaired, so to even out abilities, both wrestlers were blind folded.
Well done to Referee John for his experienced approach to this bout.
Great sportsmanship & wrestling from both."
The Irish Open 2022 Freestyle Wrestling Tournament was held on Saturday 15 October 2022 at :-
The National Sports Campus
Snugborough Rd,
Blanchardstown
Dublin
D05 EPN4
More than 160 wrestlers, representing 33 clubs were in action at the Sports Campus Ireland National Indoor Arena in Blanchardstown.
The I.A.W.A' s biggest championship yet! Was organised on 3 mats with wrestlers from clubs around Ireland and the World!
There were wrestlers from Ireland, the UK, the USA and more!.
In 5 days that I volunteered I probably scribed for 3 different students.
Madhulika was the brightest among them quick and effective and was thoroughly prepared to take on the boards by its horns.
She wants wants to take up Maths as her mainstream in her higher secondary (intermediate/junior-senior year)
She has great ambitions and has a lot of passion towards studies ... sadly the state of affairs for visually challenged people in India is not that great rather anywhere near satisfactory.
I wish her the best and hope for the best.
I was very much humbled by this scribing experience an opportunity provided to me by my cousin. I feel blessed everyday for one small thing I probably took for granted all while long .....
My Vision.
Story 5/5 www.flickr.com/groups/hpc/discuss/72157615184431603/
We are excited to introduce SPECTRE Magazine, a bold and visually driven publication exploring the many creative dimensions of Second Life. While our roots lie in modeling and styling, our magazine goes far beyond fashion.
SPECTRE Magazine is about showcasing the full spectrum of what Second Life has to offer—from expressive styling and identity to sim design, art, events, and immersive storytelling. It is a space for creatives who are not afraid to stand out.
✦✦✦✦✦✦
✦ WHAT WE FEATURE ✦
Each issue includes handpicked content from the vibrant SL community, such as:
• Fashion and Modeling Features
• Innovative Styling Concepts
• Sim and Landscape Design
• Lifestyle and Identity Topics
• Artistic Photography and Galleries
• Event Highlights and Creative Showcases
• Interviews and Spotlights on Designers, Artists, Builders & Organizers
• Diversity and Inclusive Representation
• Cultural Inspiration and Storytelling
We aim to amplify voices that break the mold—celebrating Second Life as a space for limitless self-expression and visionary creation.
Whether you're a designer, gallery owner, sim builder, event host, photographer, or stylist—there’s a place for you in SPECTRE.
✦✦✦✦✦✦
✦ ADVERTISING OPTIONS ✦
We offer impactful advertising opportunities designed to spotlight your work with elegance and edge. Ads appear within the magazine and are also supported by social media features when desired.
AD FORMATS AVAILABLE:
• Single Page – 1219 x 1690 pixels
• Double Page Spread – 2438 x 1690 pixels
Files must be sent in high-resolution PNG or JPG format.
You are welcome to include your logo, LM, tagline, or social media links.
📩 Send to: spectresl.advertising@gmail.com
📌 Subject line: [Your Brand Name] – Ad Submission
We also offer editorial collaborations and featured interviews for selected creators and projects that align with our vision.
✦✦✦✦✦✦
✦ OUR PHILOSOPHY ✦
SPECTRE is not just a publication—it is a celebration of vision and identity.
Our core values:
✓ Creativity without compromise
✓ Bold individuality and artistic freedom
✓ Celebration of diversity in all forms
✓ Honest visual storytelling
✓ Deep respect for SL’s vibrant community of creators
We believe Second Life is one of the most unique digital spaces ever built—offering endless tools for creative minds.
SPECTRE Magazine aims to be its visual voice.
✦✦✦✦✦✦
✦ WHO WE ARE ✦
Founded by Jayden Mercury, a long-time model, artist, photographer, and stylist in Second Life, SPECTRE Magazine is part of the broader SPECTRE Project, which includes:
• SPECTRE Model Agency & School – education, development, and empowerment for models
• JM Artdesign – photography, styling, and gallery events
• NeverendingSL – storytelling and visual concepts that go beyond the ordinary
Jayden has held titles such as Mister SL 2022/23 and Mister Elegance 2024. His vision is grounded in quality, depth, and a passion for individuality and artistic truth.
✦✦✦✦✦✦
✦ JOIN THE SPECTRE UNIVERSE ✦
If you’re interested in placing an ad, being featured, or collaborating creatively—we’d love to hear from you.
There is no fixed limit to what we can create together. Let’s turn your brand or project into a visual experience people won’t forget.
➤ Reach out any time with questions.
Best regards,
Jayden Mercury
Founder & Creative Director
SPECTRE Magazine | SPECTRE Model Agency | JM Artdesign
✦✦✦✦✦✦
📧 spectresl.advertising@gmail.com
🌐 spectreagency.net
🎮🔊💬 Discord: discord.gg/m52UnvHFM2
📍 Inworld Landmark: SPECTRE HQ
Facebook: Spectre - Model School & Agency SL
Need bold presence?
Be seen. Be SPECTRE.
✦✦✦✦✦✦
Locomotive DL9187.
The DL class are visually similar to the electric EF class locomotives hauling trains up and down the North Island Main Trunk line.
The locomotives use a 2.7MW German-built MTU 20V 4000R43 engine.
They also have the same Co-Co wheel arrangement as the DF and DX classes, as opposed to the Bo-Bo-Bo layout of the current EF locomotives.
Made to similar dimensions and both twin-cab designs.
The twin-cab design provides operational flexibility as locomotives don't need to be turned when working dead end lines.
They are the second class of twin-cab diesel locomotives to operate on the New Zealand rail network, the first being the 1950s-era DF class.
The National Disabled Veterans TEE Tournament is the brainchild of several employees of the Iowa City VA Medical Center, along with two visually impaired Iowa Veterans. These visionaries created the TEE Tournament, an acronym standing for TRAINING, EXPOSURE and EXPERIENCE. In 2008, it became one of six VA national rehabilitation programs for Veterans. The event expanded to include not only blind Veterans, but amputees, wheelchairbound Veterans, and those with other life changing disabilities. It takes place each year in Iowa City.
A comment from the Irish Amateur Wrestling Association
"Inclusiveness is key! This was spectacular.
A visually impaired wrestler competing in a main stream championship wrestling tournament. Arron, from Portlaoise Combat Academy Vs Peyton from Mohawk Valley Wrestling Club NY. One of the wrestlers was visually impaired, so to even out abilities, both wrestlers were blind folded.
Well done to Referee John for his experienced approach to this bout.
Great sportsmanship & wrestling from both."
The Irish Open 2022 Freestyle Wrestling Tournament was held on Saturday 15 October 2022 at :-
The National Sports Campus
Snugborough Rd,
Blanchardstown
Dublin
D05 EPN4
More than 160 wrestlers, representing 33 clubs were in action at the Sports Campus Ireland National Indoor Arena in Blanchardstown.
The I.A.W.A' s biggest championship yet! Was organised on 3 mats with wrestlers from clubs around Ireland and the World!
There were wrestlers from Ireland, the UK, the USA and more!.
A comment from the Irish Amateur Wrestling Association
"Inclusiveness is key! This was spectacular.
A visually impaired wrestler competing in a main stream championship wrestling tournament. Arron, from Portlaoise Combat Academy Vs Peyton from Mohawk Valley Wrestling Club NY. One of the wrestlers was visually impaired, so to even out abilities, both wrestlers were blind folded.
Well done to Referee John for his experienced approach to this bout.
Great sportsmanship & wrestling from both."
The Irish Open 2022 Freestyle Wrestling Tournament was held on Saturday 15 October 2022 at :-
The National Sports Campus
Snugborough Rd,
Blanchardstown
Dublin
D05 EPN4
More than 160 wrestlers, representing 33 clubs were in action at the Sports Campus Ireland National Indoor Arena in Blanchardstown.
The I.A.W.A' s biggest championship yet! Was organised on 3 mats with wrestlers from clubs around Ireland and the World!
There were wrestlers from Ireland, the UK, the USA and more!.
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
"The visually exposed Empire house from 1818 includes older structures, the stone cellars are probably medieval.
A terraced one-storey house with a basement in a corner position stands on the main square in the centre of the historic centre of the city. It has a rectangular ground plan, a mansard roof with small dormers, two roof ridges run perpendicular to the facade – a hipped roof adjoins the neighbouring house. The roofs are covered with eternit on the outside, and with burnt grooved tiles on the inside. The southern facade to TG Masaryk Square has 5 window axes on the first floor, on the ground floor on the left a window, a glazed entrance to the pharmacy, a window, a passage gate and a glazed display window with an entrance to the shop. The entrance to the passage is vaulted with a compressed arch, flanked by a profiled cornice with a vault and emphasised by half-columns carrying straight entablatures. The other openings on the ground floor are rectangular, flanked by cornices. The ground floor is divided by a bossage, separated from the first floor by a cordon cornice. The floor is divided by fluted pilasters with volute capitals between each window. Under the crown cornice with dentil is a strip with plastic decor, around the windows there are profiled chambranes with ears, window and window sill cornices and plastic decor in the parapet fillings and suprafenestras (festoons, floral curtains, ribbons). The side facade to Pernštýnské Square is designed similarly to the front facade with a bossage on the ground floor and pilasters on the floor, 3 windows on the left side of the facade have a semicircular raised window cornice, 4 windows on the right are distinguished by pilasters on each side of the window (i.e. there are two pilasters between the windows). On the ground floor there is a window on the left and a rectangular entrance to the house, from it to the right there are 4 window axes, windows without chambranes. The narrow courtyard facade is smooth, on the ground floor there is a passage opening vaulted with a compressed arch and a window, on the first floor there are 2 semicircular arched windows. The passage is vaulted with Czech flats into the waists. There are vaults in both shops - mainly barrel vaults, then barrel vaults with sectors, barrel segmental vaults, barrel vaults into traverses and a Prussian vault. A straight staircase vaulted with a compressed barrel vault leads from the passage to the first floor. On the first floor there are flat-ceilinged rooms, some with fabions, the layout has been subsequently modified. The cellars are dissected, barrel vaulted, made of stone, others of brick masonry. The roof is traditional wooden, with hambálky and a standing stool, under the wooden floor of the attic there is a mezzanine that used to be used for storage.
The visually exposed Empire house from 1818 includes older structures, the stone cellars are probably medieval. Apart from the cellars, the most valuable parts are the facade and the vaults on the ground floor." - info from the National Heritage Institute.
"Prostějov (Czech pronunciation: [ˈproscɛjof]; German: Proßnitz, Yiddish: פראסטיץ Prostitz) is a city in the Olomouc Region of the Czech Republic. It has about 44,000 inhabitants. Today the city is known for its fashion industry and AČR special forces unit 601. skss based there. The centre of the town is historically significant and is protected by law as urban monument zone.
The first historical mention of the village Prostějovice is from 1141. By the middle of the 13th century, it had developed into an important market village. At that time, German settlers were invited here, who established a new settlement on the site of today's TG Masaryk Square, to which the rights of the original settlement were transferred. On March 27, 1390, Prostějov was granted the right of the annual market thanks to the lords of Kravaře, which in fact became a town. In the Hussite period, the promising development slowed down as the city suffered delays on both sides; the insufficiently fortified Prostějov became easy prey for the troops of Margrave Albrecht and was burned down in 1431. The prosperity of the city was brought about by the establishment of the Jewish city and especially after a year 1490 more than a century-old government of the Pernštejn families, whose property became the town. In 1495, the city began the construction of stone walls with four gates with bastions. Between 1521 and 1538, the townspeople built a Renaissance town hall.
At the end of the 16th century, the city became the property of the Liechtensteins, which resulted in the stagnation of the city's development. In Prostejov the year 1527 printer Kaspar Aorga printed the first book on Moravia. During the Thirty Years' War, the town was devastated and in 1697 a fire broke out, killing the town hall, the school and the church. Then the city began to acquire a Baroque character. Around the middle of the 17th century, mainly thanks to local Jews, the food, textile and clothing industries developed rapidly, and in 1858 the first Czech ready-to-wear clothing industry was founded in Prostějov - the factory of the Mandla brothers, which attracted new inhabitants. In the 1960s, Prostějov was connected by rail with Brno and Olomouc. The 19th and 20th centuries changed the face of the city in the style of historicism and Art Nouveau. Since the 20s and especially 30s, dominating the construction becoming in Prostejov functionalism.
Moravia (Czech: Morava [ˈmorava]; German: Mähren) is a historical region in the east of the Czech Republic and one of three historical Czech lands, with Bohemia and Czech Silesia.
The medieval and early modern Margraviate of Moravia was a crown land of the Lands of the Bohemian Crown from 1348 to 1918, an imperial state of the Holy Roman Empire from 1004 to 1806, a crown land of the Austrian Empire from 1804 to 1867, and a part of Austria-Hungary from 1867 to 1918. Moravia was one of the five lands of Czechoslovakia founded in 1918. In 1928 it was merged with Czech Silesia, and then dissolved in 1948 during the abolition of the land system following the communist coup d'état.
Its area of 22,623.41 km2 is home to about 3.2 million of the Czech Republic's 10.8 million inhabitants. The people are historically named Moravians, a subgroup of Czechs, the other group being called Bohemians. The land takes its name from the Morava river, which runs from its north to south, being its principal watercourse. Moravia's largest city and historical capital is Brno. Before being sacked by the Swedish army during the Thirty Years' War, Olomouc served as the Moravian capital, and it is still the seat of the Archdiocese of Olomouc. Until the expulsions after 1945, significant parts of Moravia were German speaking." - info from Wikipedia.
Summer 2019 I did a solo cycling tour across Europe through 12 countries over the course of 3 months. I began my adventure in Edinburgh, Scotland and finished in Florence, Italy cycling 8,816 km. During my trip I took 47,000 photos.
Now on Instagram.
Courageous, visually spectacular, emotionally engaging production of raw, provocative dance theatre, inspired by Japanese Butoh, burlesque and cabaret, performed by infamous Australian physical theatre company Zen Zen Zo. Played to packed houses across Australia.
January 22, 2007. Yeah, I have many of those mistake shots. Some of them I decided to keep... maybe because they're still visually interesting, somehow.
Esmor Davies with the JCB he plans to drive from John O'Groats to Lands End to raise money for the Visually Impaired. To donate to this crazy ride www.justgiving.com/esmorsjcbmarathon
Men's & Women's downhill skiing, visually impaired, sitting and standing at the 2010 Vancouver Paralympic Games.
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
The White River Badlands of South Dakota consist of a scenic landscape of differentially weathered and eroded, nonmarine sedimentary rocks of Tertiary age. The most visually-striking areas have been set aside as an American national park (Badlands).
The simplified stratigraphic succession in Badlands National Park is:
Sharps Formation (Oligocene)
Brule Formation (Oligocene)
Chadron Formation (Eocene)
Chamberlain Pass Formation (Eocene)
Fox Hills Formation (Cretaceous-Paleocene?)
Pierre Shale (Cretaceous)
The Brule and Chadron Formations make up the White River Group, which along with the overlying Sharps Formation, are the principal scenery-making units in the White River Badlands. Light-colored volcanic ash beds are present in the succession, as are numerous reddish-colored paleosol ("fossil soil") horizons. The Pierre Shale at the base of the exposed succession is a marine unit.
The White River Group weathers and erodes relatively quickly into a rugged landscape with steep slopes, little to no soil, and little to no vegetation. These are the characteristics of badlands topography - "bad" referring to its unsuitability for farming.
Nonmarine fossils are relatively common in the White River Group - principally fossil mammals and other vertebrates. Fossils in the Chadron Formation indicate a swampy, near-sea level environment. The overling Brule Formation produces fossils consistent with a grassy prairie environment. The transition from low-elevation swamp to higher-elevation prairie in this area coincides with the uplift of the Rocky Mountains during the late stages of the Laramide Orogeny.
Erosion rates in the White River Badlands indicate that the landscape started to appear about half-a-million years ago and will disappear about half-a-million years from now. The landscape has about a one million year lifespan.
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Online pub. covering the geology of Badlands National Park:
Let's play a game shall we? Put what you think the answer is in the comments, please. Use the shapes and ideas in each photo to make a word which in turn makes a sentence.
Hints:
1) "____" me, God?!?!"
2) this should be obvious
3) think shape...
4) what's missing?
5) I feel so ghetto spelling like this...
6) this can feel really good....or really bad
7) who you see in your reflection
8) lucky 7's always make you "____"....
9) this phonetic needs to die...thanks Nintendo...
10) Push it!!
11) not quite the epitome of what it represents...
12) not a word, but punctuation
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
Submitted by: Albino Mahumana
Country: Mozambique
Organisation: Dossiers &facto news leter
Category: Professional
Caption: the visually impaired. a group learning to ornamentation, and the other at the bottom to practice choral singing
--
Photo uploaded from the #StrongerTogether Photo Competition website (photocomp.iapb.org)
[un]wired is an installation that visually and sonically interprets wireless network traffic.
The first iteration of the project by Jesse Allison, John Fillwalk and Keith Kothman designed and produced an outdoor interactive digital installation interpreting the wireless data infrastructure at Ball State University. Beginning the evening of April 18 and running through April 19, this digital media sculpture, consisting of 4 projection screens, computers, speakers and lights, broadcasted interactive media that reacts to the amount of traffic on the campus’ 15 wireless zones.
The second iteration of the project updated the visual imagery, included streaming audio and some wireless device interaction such as car alarm remote detection. It is installed at the BSU Indianapolis Center in downtown Indianapolis.
The most recent iteration of [un]wired processing network visualizer that responds to interactions from personal radio-frequency devices such as mobile phones, WiFi signals, Bluetooth signals and car-key fobs. It tracks real-time statistical information from wireless access points (designed for seamless handoff of moving wireless traffic, like a cell phone network), along with periodically updated information from hand-held and wireless access points. The interactions then appear in sound and shapes on the screen. Users interacting with the piece can then visually see their interaction live on screen. The control information is collected from network services via the MySQL database and transferred into Max/MSP/Jitter. [un]wired was exhibited at SIGGRAPH Asia 2008 in Singapore.
Wabi Sabi bowl #1, transparent amber#
Dimensions: inches & centimeters
7.5 x 7in (wide) 3.25in (height), lip: 7.25 x 5.75in
19 x 18cm (wide) 8.3cm (height), lip: 18.3 x 14.5cm
Price: $85 each, postage included
The Story:
I made this series of vessels in 2011. It was a time when I was questioning and examining form and the techniques required in the making of simple shapes. As a craftsman and in particular a glassmaker, I am always working to improve my abilities and techniques. However, during that period in 2011, I kept questioning myself: Why was I trying so hard to create perfectly symmetrical and balanced shapes? Why was I continually focusing on technique to make tight and controlled forms?
I decided to slow down and take a different approach at how I was going to touch or tool the glass. By paying close attention to subtle nuances that were manifesting throughout the hot-making process, I let the material guide me, allowing these forms to take shape. Looking back, I feel that the beauty of these pieces are in their details. The subtle refinement and attention paid to details can elevate a piece making it more successful and complete.
Visually, these pieces can appear rough to the eyes but the surfaces are very soft and glassy to the touch. During the hot making process the molten glass bubble is dunked or submerged into a bucket of water with a baking-soda mixture. This process cracks the surface of the glass and squeezes the bubble creating random patterns. Sometimes the surface will split open a little, forming a gouge or indent on the surface. I find these random occurrences very beautiful. Having this loose quality within the making process really allows each piece to have its own character, its own patina and story.
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"I thought it was visually stunning. In some ways there were a lot of questions I had at the end for Joshua - to try and eke a bit more meaning out of it for myself. I felt there was almost a double act going on between Anwar and Adi at one stage - you know, good cop bad cop, in a perverse sort of way. I thought it was fantastic. But I also enjoyed it because my father's a member of the Communist Party, and he's told me many many times these stories, in the late 60s/early 70s. And when I'd raise this with people, either in the trade union movement or the political movement, it was sort of an 'Ok yes but,' slightly bewildered look about the whole situation. And seeing a film made about what happened, even from the perpetrators' perspective: it sort of almost vindicated my past a little bit - my father telling me, and me telling my kids; that's how the message gets passed on isn't it. The oral tradition is as good as the film tradition in many respects...it's a vindication of people who've been on the outside saying: 'these things happen,' in places where you don't expect them to happen or you don't know about it. And of course with it being '65-'66, the height of the Vietnam War, of course the Americans were chin deep in it weren't they. Becuase it was the old domino effect wasn't it. Vietnam, Cambodia, Indonesia, Malaysia - if one goes it all goes doesn't it. So that sort of haunts the back of your memory. But I thought it was a beautiful film as well. "
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
This visually striking residential building was created by architect Moshe Safdie for Expo 67. The result was an amazingly modern dwelling that challenged the way architects created urban homes. Compared alternately to a beehive, a Taos pueblo, and a crystalline growth, the complex's 154 units are composed of prefabricated concrete cubes assembled on site. The apartments here are highly prized and a number of prominent Montrealers make Habitat 67 their home.
Probably the most visually interesting of all the vegetables
Like my photos? Buy me a coffee!
Visually distilling what a family get-together can look like, for me.
Canon 5D Classic + Canon EF 50mm F1.8 v1
Great moment with the VIsually Challenged women. I clicked the Kid holding the saree of the women and showed it to the kid. The kid smiled and held the fingers of the women and touched the screen showing the women in the pic to her. The women smiled and replied to the Kid in Bengali which i did not understand. But definitely i smelled happiness in her tone :) I just hugged the women and left without knowing to converse in Bengali ... Unforgettable moment ...
The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
Inside Salisbury Cathedral everything was so visually beautiful and awe inspiring!! Even, and maybe especially the arched ceilings. This is in the Quire area.
Weakened by his defeat by the French in 1214 and keen to avoid a civil war he feared losing, King John met the barons at Runnymede (between Windsor and Staines in Southern England) on 15 June 1215 and agreed the terms of the document now known as Magna Carta. Its content, driven by the concerns of barons and church, was designed to re-balance power between the King and his subjects. When King John set his seal on Magna Carta he conceded the fundamental principle that even as king he was not above the law.
Magna Carta (Latin for "Great Charter") 1215 is one of the most celebrated documents in English history. At the time it was the solution to a political crisis in Medieval England but its importance has endured as it has become recognised as a cornerstone of liberty influencing much of the civilized world.
A visit to view the best preserved original Magna Carta in the Chapter House is for many visitors the highlight of their time at Salisbury Cathedral.
Magna Carta contains 63 clauses written in Latin on parchment. Only three of the original clauses in Magna Carta are still law today. One defends the freedom and rights of the English Church, another confirms the liberties and customs of London and other towns, but the third is the most famous:
'No free man shall be seized or imprisoned, or stripped of his rights or possessions, or outlawed or exiled. Nor will we proceed with force against him except by the lawful judgement of his equals or by the law of the land. To no one will we sell, to no one deny or delay right or justice.'
Portugal, Lisboa. Visually handicapped residents of the Convento dos Cardais have a good time in the São Bento swimming pool. 05 March 2008. Photography by Ernst Schade
This is a mixed mineral specimen arrangement, most likely including:
Blue celestine / celestite — SrSO₄
The large rear cluster with pale blue-gray translucent crystals is likely celestine. The color, blocky/tabular crystal habit, glassy-pearly luster, and whitish matrix fit celestine well. Celestine commonly occurs in colorless to pale blue shades, has vitreous to pearly luster, and is relatively soft at Mohs 3–3.5.
Rose quartz — SiO₂
The pink rough piece at left-center is likely rose quartz. It shows the typical pale pink, massive, translucent appearance rather than distinct crystal faces. Rose quartz is pink quartz and is commonly sold as rough chunks, tumbled stones, beads, and cabochons.
Carnelian / orange chalcedony — microcrystalline SiO₂
The orange-red piece at lower left is likely carnelian, or possibly agate/carnelian chalcedony. The waxy translucence, orange-red iron-oxide color, and irregular fracture fit carnelian. Mindat defines carnelian as a reddish variety of chalcedony.
Clear to milky quartz / rock crystal — SiO₂
The clear-white pieces in the center and right foreground appear to be quartz, possibly rough rock crystal, milky quartz, or quartz fragments with internal fractures. Quartz is silicon dioxide, commonly colorless when pure, glassy, hard, and widespread in many rock types.
Drusy quartz or chalcedony-coated pieces
The beige-white sparkling fragments in the front and right may be drusy quartz/chalcedony: small quartz crystals coating chalcedony, agate, or matrix. Chalcedony is microcrystalline quartz, and agate/chert/carnelian are common related forms.
Confidence
Moderate. The visual IDs are consistent, but mineral identification from a photo is limited. The blue cluster is the one I would treat most cautiously: celestine is the best fit, but pale blue fluorite, calcite, or barite can look similar in photographs. A quick hardness check would help: celestine scratches easily compared with quartz; quartz will scratch glass.
Description
The image shows a still-life grouping of rough and crystalline mineral specimens on a white surface. The dominant object is a pale blue-gray crystal cluster in the rear, with overlapping translucent plates and blocky faces. In front are smaller specimens in contrasting colors: soft pink, milky white, clear, beige, honey-gray, and orange-red. Several pieces show glassy fracture surfaces, while others have granular or drusy sparkle.
The arrangement works visually because the minerals form a low arc from warm orange at lower left through pink and white into cool blue-gray at the rear. The white background emphasizes translucency, internal fractures, and mineral textures.
Discussion
This is a useful comparison set of macrocrystalline quartz, microcrystalline quartz, and a non-quartz sulfate mineral.
The quartz-family pieces include the rose quartz, clear/milky quartz, carnelian, and likely some chalcedony or drusy quartz. Quartz is hard, durable, and chemically simple: silicon dioxide. Its varieties differ mainly by crystal size, inclusions, trace elements, and structure. Rose quartz is massive pink quartz; carnelian is reddish chalcedony; chalcedony is a dense microcrystalline form of quartz.
The blue celestine is different chemically and physically. It is strontium sulfate, softer and heavier than quartz, and generally more fragile. That matters if handling or cleaning it. Quartz can tolerate more abrasion; celestine should be kept away from water soaking, acids, ultrasonic cleaning, and rough handling.
.
.
.
.
scanners and Braille printers. The physically and visually Auditoriums: Expedite the construction of the 1000-seater.
challenged are increasingly l.
.
osing access to campus spaces Auditorium as agreed by the Admin., and construction of.
due. to rampant construction and indiscriminate parking of proper seminar I conferencwe halls In SIS and SU&CS..
veh1cfes on roads etc. New constructions must keep in mind .
.
JNUSU 2006: A Perspective.
Ensuring expansion of Computer and Internet facilities,the needs of these students, and specific parking space be .
Including Centre-specific computers, proper pro.
allocated for vehlcfes. jectors/ Friends,.
laptops for power-point presentations In SLL&CS, SSS.
Expansion of Academic .
.
Programmes : Ensure and SIS. The BJP-Ied NDA Govt sold out the interests ofour people to US imperialism, corporales and MNCs, conductedspeedy functioning of the North East Studies Centre, MAJ Ensuring proper Sanitation and Hygiene In all canteens :~mu~~l P~ro~~· a~d communalised educationa.l and Administrative structures. Then, they mocked us by.
MPhil programmes in Women's Studies Programme and .
and Dhabas and menu to suit foreign students as well. a d CgPI '"'IPndla Shmmg! In May 2004, the people pun1shed them by kicking them out of power. The Congress-ledProgramme for Study of Discrimination and Exclu~:on, n " I(M)-supported UPA Government promised to make a difference..
The SBI Extension Counter must be turned Into a full~.
towards making them into fully fledged Centres. Expansion fledged Bank, and In view of expansion of the campus, Two years later-WHAT HAS CHANGED?.
of Centre for Indian Languages (CIL) to include other modem .
.
SBI ATM facilities should be opened at strategic spots.
Indian Languages, (such as Tamil. Kanada, Malayalam, ~..,r~ -The U~(\~ovt..continues to surrenderto US Imperialist policies-signing the Indo-US Nuke Deal and Knowl-.
of the campus..
Bengali and Oriya) . a Comparitive Uterature programme in = edge lmt1at1Ve w1th the US; and in exchange, voting against Iran atthe IAEA;.
SLL&CS, M PhiVPhD programmes in the Korean language. Friends, 2007 will mark a full decade of the martyrdom .
.
-Farmers s~lcldes have crossed 100, 000-and still counting, despite various cosmetic 'packages' offered by.
Publication of a Range of academic journals in the various of former JNUSU President Comrade Chandrashekhar, Q Manmohan Smgh;Schools and Centres in SL, SSS, and SIS, with scope for shot dead in Siwan by a mafia don-turned MP. As a fittingstudents to publish their articles. To this effect, JNU should tribute to Comrade Chandrashekhar, AJSA will strive that -Through SEZs, land ~ndres.ources are being reserved for corporates, and tax holidays are being awarded tohave its own Press. JNU should set up an Archive ofPeople's Movements these gre~dy companies. While the same coporates and their representatives in the UPA Govt.'s Kn owledge Transparency in Academic and Admission with documentation, films, photographs and footage, Commiss1on oppose quotas for the deprived, and fee hikes and privatisation make education unreachable for.
the poor;.
fact-finding reports, etc. Contributions ro this Archive.
Processes:Keeping in view the evidence of serious .
can be sought from citizens's groups, filmmakers, -Even on the issue of communalism, the UPA has been in surrender mode. The UPA Govt announced the 'cel-.
discriminatory, biased, as well as excessively subjectivemarking in the viva process, JNUSU must ensure the display movements/groups, journalists from alloverthe Country, ebration' of a fictitious and fake 'centenary' ofVande Mataram-thus calculatedly trying to play to the Sangh-andJNU students willalso be encouraged to make efforts BJP gallery. The witch-hunting and 'communal profiling' of minorities.
of break-up of WrittenNiva marks, fixing of minimum/ in the wake of the blasts in Mumbai.
to doocumentlstudy people's struggles..
maximum marks for viva, make provisions for vivas to be and Malegaon is yet another policy borrowed from BJP and Bush. Moreover, the UPA Government is taking no conducted in different languages, BA entrance exam to be Further, 2007is also the Birth CentenaryYearofShaheed-steps to prosecute the Modi Govt. in Gujarat which is abdicating from its Constitutional responsibility to provide offered in Hindi as well, and observers from among SC/ST e~Azam Bhagat Singh. JNUSU must demand that the rehabilitation for the riot victims, and has refus3d to make public the Srikrishna Committee Report into the faculty in vivas. setting up of a Library on the lines of the PC Joshi Mumbai riots of 1993, which has identified those guilty. Further, the Sachar Committee has revealed the sorryArchives, providing extensive documentation and state ofminorities, not just in BJP-rule. but even in States ruled by 'secular' formations, including the CongressAcceptance ofAleemiyat and Fazeelat certificates translations into many national and international and the 30-year old CPI-CPI(M) Governmentin West Bengal.in BA 1" year admissions, as is recognised in other languages ofthe writings of the Indian revolutionaries of.
Central Universities like BHU, Jamia Millia lslamia. the freedom struggle. Efforts mustalso be to explore ways -The UPA Govt. scrapped the draconian POTA, but is now planning to introduced an even worse, Bush-inspired 'War on Terror Act' {WOTA); it has also refused to accept the recommendation of the Jeevan Reddy.
to include such writings in the syllabi of JNU's academic.
Implementation of all Central Government Committee to repeal theAFSPA. which spells militart rule, rape and State terror for the people of the North East.
programmes..
Scholarships 0ncfuding the Rajiv Gandhi Fellowship, UGC and Kashmir,.
EJectA/SA.
Fellowship for Research Scholars. Maulana Azad MCM for -The Right to Education Bill has been first diluted, then discarded by the UPA; and the policy of privatisation.
.
minorities and Single Girl Child Fellowships in JNU at the To Defeat the CommunalABVPandCastelst YFE, and and corporatisation of higher education continues unabated. Meanwhile, in order to put a lid on students'.
ear1iesl ' Ensure Implementation of27% Quotas and52% movements against these policies, the UPA Govt. has set up the Lyngdoh Committee that tries to make Student.
.
More funds for Area Studies students in SIS, to Increase In Seats/ Unions tame stunted bodies incapable ofstrLJggling against the Government's policies; .
enable them to undertake Field Trips in foreign To ResistSEZs, Corporatisatlon andUPA's Surrender WHAT HAS THE ROLE OF THE CPI-CPI(M) BEEN?.
countries. to USImperialism/ .
.
The CPI-CPJ(M), far from playing the promised role of 'watchdog' for the people, is instead playing JoyalImprovement and Expansion of Ubrary Facilities: Better To Speak OutforPeople's Movements pet to the Congress and UPA. lt regularly plays out the script of uoppositlon followed by surrender''-and.
infrastructure, more books, as well as Centre-Specific from the North East to Narmada, Kallnganagar to its MPs have voted to pass a range ofanti-people laws including the Patent (Amendment) Act and the SEZ Act,Libraries in SLL&CS, SES and purs uing access Singuri and they have given their assent even to the infamous Indo-US Nuke Deal despite the glaring evidence that.
of JNU's SIS students to the IDSA Library. To Enhance MCM, Strengthen GSCASH, EOO and it is compromising oursovereignty. In west Bengal, the CPI-CPI(M)'s Government itselfimplements an ~EZActthat has the same c.
Fee Waivers and fee concessions for Foreign Placement Cell/ lauses declaring.
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banning the rights ofworkers to strike While pretending to express s~hdant(wlth the NBAand Medha Patkar..
time administrative staff for dealing with foreign students.
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and a Parliamentary Enquiry into the Parliament Attack Case. .Th SFI-AISF claims that the advent of the CPI-CPI(M)-supported UPA has allowed people's movements agamst.
AISA Panel For JNUSU Elections 06 Councillor Panels .
AF~PAand displacement to grow" in the country. But the fact is that people's and workers' movements havesome of the most terrible assaults ever since the UPA Govt. came to power: the assa.ult on.~onda.
Central Panel.
-sss SIS SLL&CS .
fac~~r. at Gurgaon the massacre of tribals fighting displacement at Kalinganagar, the UPA Govt. s dec1s1o~ to.
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The South Carolina State Library is pleased to host a free workshop on the Great American Eclipse 2017. This interactive and hands on training is specifically designed for visually impaired individuals and those who work with visually impaired populations, including special education teachers, early childhood specialists, teacher aides, paraprofessionals, tutors, counselors, and those in higher education.
Join us on July 26 to learn more about the historical event taking place on August 21, 2017 as a total solar eclipse sweeps across the entire United States, from Oregon to South Carolina.
Attendees will gain knowledge on the uniqueness of this eclipse, why eclipses occur, cultural connections, history, and safe viewing techniques. Discussion topics include NASA, solar systems, gravity, distance and scale, and geometry. All participants will receive a tactile book, digital materials and training resources. This workshop is free, however, registration is required to ensure seat availability.
The workshop instructors are Cynthia Hall, from the Lowcountry Hall of Science and Math (LHSM) and Dr. Cassandra Runyon, from the SC NASA Space Grant Consortium. This workshop is specifically designed for visually impaired individuals and professionals who work with this population and is designed as an educational program based in science, specifically astronomy and geology. Mariah, a visually impaired student at the College of Charleston, is also assisting with this workshop. Service dogs are welcome!
Cynthia Hall serves as an Adjunct Professor in the Department of Geology and is Director of the Lowcountry Hall of Science and Math, the education arm of the School of Science and Math at the College of Charleston. She teaches courses in Environmental Geology, Earth System Science for Teachers, and Marine and Coastal Science for Teachers. Through the Hall, she serves as a critical bridge between science and math faculty and educators in the region, as well as, develops and implements STEM professional development opportunities for educators and designs and develops curricula using effective pedagogical strategies and focusing on STEM-related content.
Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.Dr. Cassandra Runyon is Director of South Carolina NASA Space Grant Consortium and Associate Professor at the College of Charleston in the Department of Geology and Environmental Geosciences specializing in Remote Sensing, GIS, Geomorphology, and Planetary Geology.
Date:
Wednesday, July 26, 2017
Time:
9:00AM - 1:00PM
Campus:
South Carolina State Library
Location:
Learning Lab
Ex-Situ Psycocosm
Wire, beads, acrylic
2021
Bio:
My work is inspired by found objects, biodiversity, and contrasting elements within nature.
I work in both two and three dimensions and like to blend the two together in my work. I work mainly in acrylic or oil and use wire and layered panels of gessoed bristol to make my paintings appear as though they come off of the canvas.
My goal as an artist is to educate others about the importance and beauty of biodiversity and certain organisms’ role in their environment.
As a lifelong student working out of Roseville California, I am currently finishing my education in order to pursue a career in art education.
Artist statement:
Art is my outlet from the everyday stressors of life as well as my burning passion. Art to me is what helps me organize my thoughts and feelings in a healthy way that is visually appealing and familiar. Art is a window to my Latina and personal history and a doorway to my passions- nature, the relationship between colors, and attracting people from different backgrounds.
In my art, I like to capture the intricacies of nature as well as employ the elements of contrast and representation. I particularly enjoy combining the softer, more organic shapes of nature with more rigid, solid geometric shapes, and highlight the interplay. I work in a wide array of mediums which helps me to convey these contrasts in new ways. I mainly work in paint, but have explored working with three dimensional materials such as clay and wire to aid in emphasizing certain elements in my art. I do not like to hold myself to a single medium and love to experiment with different materials.
I first found my passion for art at the age of four drawing dragons atop an old chest of clothes. I still find myself enthralled with the world of art and being a maker. I hope to become a professor of the arts one day and plan on continuing to create art for as long as my body allows.
Website marcel.pt/estee_m/
Nataša Jovičić, art historian and art educator, speaks at the opening of the “Multisensory Exhibition for the Blind and Visually Impaired Persons” that shows how visually impaired persons experience artwork via tactile plates and audio guides.
Curated by Ms. Jovičić and the Modern Gallery, Zagreb, Croatia, the exhibition also sensitizes others to how people living with limited vision experience the world.
The exhibition was held on the sidelines of the Assemblies of WIPO Member States, which met from September 24 to October 2, 2018. WIPO co-organized the event with the government of Croatia.
Copyright: WIPO. Photo: Violaine Martin. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License.
Angkor Wat is visually, architecturally and artistically breathtaking. It is a massive three-tiered pyramid crowned by five lotus-like towers rising 65 meters from ground level. Angkor Wat is the centerpiece of any visit to the temples of Angkor.
At the apex of Khmer political and military dominance in the region, Suryavarman II constructed Angkor Wat in the form of a massive 'temple-mountain' dedicated to the Hindu god, Vishnu. It served as his state temple, though the temple’s uncommon westward orientation has led some to suggest that it was constructed as Suryavarman II’s funerary temple. Other temples of the same style and period include Thommanon, Banteay Samre, Wat Atwea and Beng Melea, which may have served as a prototype to Angkor Wat.
Angkor Wat is surrounded by a moat and an exterior wall measuring 1300 meters x 1500 meters. The temple itself is 1 km square and consists of three levels surmounted by a central tower. The walls of the temple are covered inside and out with bas-reliefs and carvings. Nearly 2000 distinctively rendered apsara carvings adorn the walls throughout the temple and represent some of the finest examples of apsara carvings in Angkorian era art. But it is the exterior walls of the lower level that display the most extraordinary bas-reliefs, depicting stories and characters from Hindu mythology and the historical wars of Suryavarman II. It is in the viewing of the bas-reliefs that a tour guide can be very helpful.
The northern reflecting pool in front is the most popular sunrise location. For sunrise, arrive very early, well before sunrise begins. The sun will rise behind Angkor Wat providing a silhouette of Angkor’s distinctively shaped towers against a colored sunrise sky. Some of the best colors appear just before the sun breaks over the horizon.
The visual impact of Angkor Wat, particularly on one's first visit, is awesome. As you pass through the outer gate and get your first glimpse, its size and architecture make it appear two dimensional, like a giant postcard photo against the sky. After you cross through the gate and approach the temple along the walkway it slowly gains depth and complexity. To maximize this effect you should make your first visit in optimal lighting conditions, i.e. after 2:00PM. Do not make your first visit to Angkor Wat in the morning when the backlighting obscures the view.
The first level of is the most artistically interesting. Most visitors begin their exploration with the bas-reliefs that cover the exterior wall of the first level, following the bas-reliefs counterclockwise around the temple. Bas-relief highlights include the mythological Battle of Kuru on the west wall; the historical march of the army of Suryavarman II, builder of Angkor Wat, against the Cham, followed by scenes from Heaven and Hell on the south wall; and the classic ‘Churning of the Ocean Milk’ on the east wall.
The temple interior is not as densely carved as the first level exterior, but still sports hundreds of fine carvings of apsaras and scenes from Hindu mythology. A guide can be quite helpful in explaining the stories of the various chambers, statues and architectural forms to be found in the interior. At the upper-most of your tour of the temple, the central tower on the third level houses four Buddha images, each facing a different cardinal point, highlighting the fact that though Angkor Wat was constructed as a Hindu temple, it has served as a Buddhist temple since Buddhism became Cambodia’s dominant religion in the 14th century. Some say that it is good luck to pay homage to all four Buddha images before departing Angkor.
Source: Canby Publications Co., Ltd