View allAll Photos Tagged visualization
1. Visual thinking workshop in Toronto, 2. Geneva workshop, 3. Geneva workshop, 4. Geneva workshop
Created with fd's Flickr Toys.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
Visualization of an email list. Each picture reprensents one Month. A Sediment is an author, the height represents the length of teh body, each hair is a word. Answers are red lines.
"T O P O L O G Y" is a meditation of the word visualized in three dimensions in a tangible form. The form is constructed with a Z-Corp CNC prototyping machine and isosurf. "T O P O L O G Y" is the first in a series of 3-D forms created from the orientation of the letters.
www.blitz3ddesign.com/3d-exterior-rendering-services.html - Blitz 3D Design Studio offer services like architectural 3D Exterior Rendering Design, 3D Exterior Home Design, 3D House Exterior Design & 3D Exterior Visualization services in India.
Created by Martin Wattenberg, the goal of this visualization was to give a quick answer to the question, "what's happening in the market?"
The screen is divided into rectangular tiles that represent publicly traded companies. The area of a rectangle corresponds to the market capitalization of the company, and the color tells you how the stock price has changed since the previous market close.
I mainly uploaded these to submit to the 'Backgrounds App' group for use for cell phone backgrounds on android devices.
if they aren't accepted, I'll be deleting them.
xox
Starting with the 1000s, the "time-line" heads in a east direction continuously until the 1990s, when it then turns and goes in an opposite direction. Then it changes again for the 21st century, going north, where I expect it to go continuously at least until the 31st century, where it may start to slant in a north-north eastern direction.
Each decade has a particular color and direction I look at it in. I always look at the previous decades before the 1990s looking north, as if I were standing south of them. The arrows dictate which direction I'm looking at the years in.
Because my writing isn't that great (my handwriting has devolved into typing so much that I'm not used to it anymore), I will explain the colors here:
1930s: They are mostly a muddy brown, maybe a bit of yellow mixed. The colors are actually lit from the direction of the sun, and for the thirties, they'd be lit by a mid-morning sun (so from the left, kind of.)
1940s: A sort of red burgundy color. There is no sun, I think of them indoors in a dimly lit room with barely any windows. A deep color as a result.
1950s: A light greyish-bluish, with a promising afternoon sun directly north of it in the picture. Some yellow mixed in.
1960s: An oaky brown and yellow color. The sun in the same place, maybe waning.
1970s: A red-white color. The sun south of the line in the picture, so it's a morning sun. Bright. Can also be seen with the sun north of it, an afternoon sun.
1980s: Black with green, which makes me think of black SUVs in a neighborhood with tall green hedges. Mid-morning sun, to the left, which is also the time and place of the sun in the neighborhood scene it invokes. My favorite decade.
1990s: Aque blue with white, this time I'm looking at it from the north looking south, and the sun's from the south making it a morning sun. It's bright an early at the beginning of the decade, with the sun brightening the day completely by 1993, and dimming a bit by the end of 1997.
2000s: A silvery metallic white/blue/silver color. I can look either way, north or south, in this decade, and I'm standing in the middle of it. There is no sun again, this is like it's indoors. A bit darker.
Note that when I make reference to a sun, I mean that I never see a sun but it's how I see the light upon the color, which gives me a feel of what time of day it is. Rarely it's indoors to me.
I get the colors and imagery from largely real-life influences. Probably the sole synesthetic origin of the whole thing without influence is how the decades go east, then turn west, then turn north. Then the external influences that I have turned into synesthetic colors are things that I have seen that have been so ingrained in my mind that they've become that kind of thing. Like how something becomes iconic when it's so much a part of culture at some point we always know what it is.
I can explain the influences as I remember many of them with ease, but not here. The description would be way too long. I'll write it on my blog.
Satellite: Sentinel-2.
Visualization RGB: bands 4 (red), 3 (green), 2 (blue). True color.
La imagen tiene 64 km de ancho (aprox.)
Tabelbala (Arabic: تبلبالة, Berber languages: ⵜⴰⴱⵍⴱⴰⵍⵜ, romanized: Tabelbalt, Korandje: tsawərbəts) is a town and commune between Béchar and Tindouf in south-western Algeria, and is the capital, and only significant settlement, of the Daïra of the same name, encompassing most of the western half of Béni Abbès Province (part of Béchar Province until 2019). As of the 2008 census, its population was 5,121,[2] up from 4,663 in 1998,[3] with an annual growth rate of 1.0%.[2] The commune covers an area of 60,560 square kilometres (23,380 sq mi), making it by far the largest commune in the province, as well as the least densely populated. (en.wikipedia.org/wiki/Tabelbala)
Tabelbala (árabe: تبلبالة, lenguas bereberes: ⵜⴰⴱⵍⴱⴰⵍⵜ, romanizado: Tabelbalt, Korandje: tsawərbəts) es una ciudad y comuna entre Béchar y Tindouf en el suroeste de Argelia, y es la capital, y único asentamiento significativo, de la Daïra del mismo nombre, que abarca la mayor parte del mitad occidental de la provincia de Béni Abbès (parte de la provincia de Béchar hasta 2019). Según el censo de 2008, su población era 5.121,[2] frente a 4.663 en 1998,[3] con una tasa de crecimiento anual del 1,0%.[2] La comuna cubre un área de 60.560 kilómetros cuadrados (23.380 millas cuadradas), lo que la convierte con diferencia en la comuna más grande de la provincia, así como la menos densamente poblada.
(Traducido con Google Translator)
A data-visualization of meteorite impact data etched into stone at different locations on the Earth. Using data provided by Peter Jenniskens at the SETI Institute, Kildall wrote custom algorithms that created files specific for a high-pressure waterjet cutting machine.
When a large asteroid enters the earths atmosphere, it does so at high velocity of approximately 30,000km/hour. Before impact, it breaks up into thousands of small fragments, which are meteorites. Usually when they hit our planet in the ocean or at remote locations. Only recently have scientists been able to use GPS technology to geolocate the spread patterns, called Strewn Fields.
Using this data, along with the mass of the meteorites, Kildall has transposed the patterns using custom algorithms into 2D space and the programmed the waterjet machine — a high-pressure CNC water-cutting device to etch the data into stone. The waterjet reflects the kinetic energy of the asteroid and the stone is that of the Earth. Each stone is selected to match the type of rock found at that impact site on Earth.
Part of the group exhibition Future Artifacts
Thanks to Leisure & Culture Dundee
About the Artist Scott Kildall is cross-disciplinary artist who writes algorithms that transform various datasets into 3D sculptures and installations. The resulting artworks often invite public participation through direct interaction. His work has been exhibited internationally at venues including the New York Hall of Science, Transmediale, the Venice Biennale and the San Jose Museum of Art.
He has received fellowships, awards and residencies from organizations including Impakt Works, Autodesk, Recology San Francisco, Turbulence.org, Eyebeam Art + Technology Center, Kala Art Institute and The Banff Centre for the Arts.
FUTURE ARTIFACTS
Gabriel Menotti, Scott Kildall, Roel Roscam Abbing, Thomson & Craighead, Nedyalka Panova
This intervention-exhibition presents artworks and installations across the galleries and public spaces of the McManus: Dundee’s Art Gallery & Museum, and the Mills Observatory. The works conjure up an image of future artifacts, questions ideas of what we leave behind and reveals the hidden material cultures of our technological age. The audience can choose to hunt for these artifacts or find them by chance; either way they will provide new conversations between museum objects and their audience.
www.relevantlyspeaking.com/2008/02/22/social-network-visu...
found this FaceBook data visualization tool created by Ivan Kozik called Nexus. Nexus creates a graph of your social network and finds commonalities between your friends.Your can see and activate the tool HERE It calculates friend similarity , and highlights links between friends who share interests and groups. While the generated image is static, browsing the connections is dynamic: clicking a friend node shows who they are friends with, as well as all commonalities with mutual friends. Its a great tool to visualize how your friends are connected, which interests they share and the friends you have the most in common.
I mainly uploaded these to submit to the 'Backgrounds App' group for use for cell phone backgrounds on android devices.
if they aren't accepted, I'll be deleting them.
xox
HOLOGRAPHY - How it Works - With our visualization solutions you can produce images/ video in any sizeor shape, front or rear projected, spherical, cylindrical, conic or flat screen, from small screens to large-scale dome configurations. bit.ly/2cKiRtX
The dots are now pulled from a database and vector drawn in real time. Seems like a trivial change (and to site visitors it is), but before they were hand drawn onto the image. This will make it a snap to maintain and update long term. It will replace the live map this week when I figure out how to keep the labels from overlapping via javascript.
Memory leaks are beautiful to see with our internal visualization and debugging tool. We still don't like them though!
From Isotype Revisited project (http://www.isotyperevisited.org) at the University of Reading. Reproduced with permission.
Fusion TIFF File
U – Silk City
Project information
Location: Le Van Luong Road, Van Khe Ward, Ha Dong district, Hanoi
Type: Residential Building
Investor: Song Da – Thang Long Joint Stock Company
Total area: 9.2 hectares
Total investment: 10,000 billion VND
Building start date: November 2008
Building finish date: December 2013
Product by E5:
- Ariel visualization.
- Interior visualization.
- 3D Floor Plan
- Brand Identity Package.
- Catalog
- Signage Design for Model House
The 3D project completed in June 2010.
I mainly uploaded these to submit to the 'Backgrounds App' group for use for cell phone backgrounds on android devices.
if they aren't accepted, I'll be deleting them.
xox
TwitterGraph of Twitter user ArtboyUSA
generated by:
bradkellett.com/twitter_stats.html
As the software author describes it, a "totally ugly engine" - but once you start to think about the data that's out there - Twitter or otherwise - you start to think about all the ways this data could be visualized.
Can anybody recommend other engines peeps have written to viz network data?
Note that the graphs are labeled "Tweets per Day" and "Tweets per Hour" -- I think it really means "BY" not "PER" as in "40 of your Tweets came on Mondays" - not, your "average" Monday had 40 Tweets.
this cool project seems to project an artistic represenation of the current water quality in the river in
this cool project seems to project an artistic represenation of the current water quality in the river under this bridge...didn't see it work, but it seems like a great idea
Architectural Visualization Agency ProvidingHigh Quality2d and 3d Site plans and Roof Plans. Send usyour floor plan designs and receive colored 2d or 3d plans.
So, which balloon size will suit you? :-)
Original project at: www.behance.net/gallery/Visualizing-Anger/371697
Satellite: Sentinel-2. Sensor: MSI (MultiSpectral Instrument).
Visualization RGB: bands 4 (red), 3 (green), 2 (blue). True color.
La imagen tiene 24 km de ancho (aprox.)
Los orígenes de Niza se remontan al menos a la época romana, como en muchas otras ciudades de Provenza. Cemenelum fue fundada por Augusto en el 14 a.C. y ocupada hasta el siglo VII d.C. Perteneció después a los condes de Provenza hasta el siglo XIV, cuando paso a manos de la casa de Saboya. El Reino piamontés cederá Niza definitivamente a Francia en 1860 para compensar el apoyo de Napoleón III a la unificación italiana. Hoy es la capital del departamento de Alpes maritimes. Hoy Niza es la quinta ciudad de Francia con más de 340.000 habitantes y unos 900.000 en su conurbación. (www.la-provenza.es/niza)
Esta imagen ha sido procesada con el navegador EO Browser (apps.sentinel-hub.com/eo-browser) de Sentinel Hub. Sentinel Hub es un motor de procesamiento de datos satelitales, dentro del programa de observación de la Tierra Copernicus (copernicus.eu) de la Unión Europea, operado por la empresa Sinergise. EO Browser es gratuito y fácil de usar. El norte siempre está arriba.
This image has been processed using the EO Browser (apps.sentinel-hub.com/eo-browser) by Sentinel Hub. Sentinel Hub is a satellite data processing engine, within the European Union's Earth observation programme Copernicus (copernicus.eu), operated by the Sinergise company. EO Browser is free and easy to use. North is always up.