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I mainly uploaded these to submit to the 'Backgrounds App' group for use for cell phone backgrounds on android devices.
if they aren't accepted, I'll be deleting them.
xox
TwitterGraph of Twitter user ArtboyUSA
generated by:
bradkellett.com/twitter_stats.html
As the software author describes it, a "totally ugly engine" - but once you start to think about the data that's out there - Twitter or otherwise - you start to think about all the ways this data could be visualized.
Can anybody recommend other engines peeps have written to viz network data?
Note that the graphs are labeled "Tweets per Day" and "Tweets per Hour" -- I think it really means "BY" not "PER" as in "40 of your Tweets came on Mondays" - not, your "average" Monday had 40 Tweets.
this cool project seems to project an artistic represenation of the current water quality in the river in
this cool project seems to project an artistic represenation of the current water quality in the river under this bridge...didn't see it work, but it seems like a great idea
So, which balloon size will suit you? :-)
Original project at: www.behance.net/gallery/Visualizing-Anger/371697
Collision plane is shaded and particles "casts" fake shadows :-) and it supports 5 network protocols ... ready for testing.
The goal of this project was to visualize anger. Even though we usually connect this emotion with very intensevisuals, I decided to take a more subtle, poetic approach. After a month of thorough research,which included reading about the signs and phases of anger, as well as thereasons which cause it, I formed a clear idea of my direction.
Original project at: www.behance.net/gallery/Visualizing-Anger/371697
Shortest path tree for bike travel from some point Concord, California, not accounting for elevation.
Spring 2010; Instructors: Lauren Carelli & Richard Wesley. "ReCut" project by student Peter Tran. Cut and plied poplar construction; approx. 12" x 8" x 3".
web.forret.com/tools/google-maps.asp
Show or embed any KML file (like, your own Google Maps or Flickr GeoRSS)
Just Pinned to architectural visualization: Inside the Psychedelic Skyscraper City of the Future | The Creators Project bit.ly/2FSBNqj
Part of the "Making the Invisible Visible" installation of large display visualizations of live library data at the Charles Simonyi Mixing Chamber on Level 5 of the Seattle Public Library's Central Library. For more information, see George Legrady's web site.
Part of a series created with Processing (http://processing.org) to illustrate stock price with interesting events.
This illustration compares Apple stock price with my purchases --
Hoping the rains come to nourish the waiting wildflowers...
All of my photos, videos and text are copyright Kahlee Brighton, all rights reserved. This material is not in the public domain which means it is not free for anyone to use. It may not be copied, printed or otherwise reproduced in any manner or form, whether in whole or in part, used on websites, blogs, or in any other media (and that includes, but is not limited to, Facebook, Twitter, Pinterest, Stumble Upon, Tumblr, YouTube, Vimeo, etc.) without my express written permission in advance. If you'd like to purchase, license or in any way use my work, please contact me directly. Thank you.
World Processor, installation of globes by Ingo Gunther in ISEA exhibition at the San Jose Museum of Art 2006
Visualizations from an experiment with del.icio.us. For full details visit mandalabrot.net/delicious
"Twitarium" is a project on visualizing Twitter,developed by a team called Dengaku5.
We have extracted locational information from atweet, and displayed a dot on globe, where it is coming from.
iPlant Collaborative members discuss an example shown on the TACC Visualization Wall.
Pictured (left to right): Brandon Theis, Steve Goff
Julia Kaganskiy (@juliaxgulia) organizes Arts, Culture and Technology meetups in NYC. This event on 27th April 2010 was on Data Mining & Visualization: www.meetup.com/Arts-Culture-and-Technology/calendar/13144...
Colorful imagery comes from and leads to creative thinking. Believe it or not, even black and white images can be "colorful" if they are the other things on the list.
Available as a free download at my website: www.OneSquigglyLine.com
On a large plexiglass screen suspended in space, an ongoing imaging process is visualized. A sudden burst of energy scrambles the visual coherency of an image, picture elements careening off into the far reaches of a three-dimensional virtual matrix. The pixel or “basic unit of programmable color” as Graham Harwood calls it, is for a brief moment freed from its representational burden, traversing space, becoming nothing but pure chromatic value and geometrical coordinate, caught up in a turbulent, expansive moment.
For media theorist Friedrich Kittler, the addressability of the pixel provides the conditions of possibility for what he calls the virtualization of optics. Where the physical camera lens once embodied the laws of optics in order to model and extend the human eye, software now simulates the camera and all other forms of optical hardware. The pixel’s implied receptacle, the two-dimensional Cartesian grid, acts as an invisible placeholder, an organizing principle intimating neighbor relationships that provide affordances for all manner of filtering, processing and image recognition proper to computer vision and computer graphics, the analysis and synthesis of the technical image.
Over time, certain points from this bustling jumble slowly drift back, drawn once again toward the center of the screen. Pixels langorously position themselves in relation to one another, contiguous colors gradually forming small surfaces. Little by little a new image takes shape. Once the last pixel is in place, the operation repeats anew.
What one sees are the latest photographs of breaking news in real time. The news agencies’ transcription and transmission of these events, as information, forms the background for both Addressability and its linguistic counterpart, Disambiguation. A dialogue is created across the two works, words and pixels becoming discrete components in combinatory play : depiction poetically reconfigured in one, description visually permutated in the other.
Installation view at La Criée Centre d'Art Contemporain, Rennes, France, 2011
Photo - Benoît Mauras
english - www.guess.fr/artwork/addressability/en/
français - www.guess.fr/projets/addressability/fr/
Notes
InFlow 3.1 performs network analysis AND network visualization in one integrated product -- no passing files back and forth between different programs like other tools. What is mapped in one window is measured in the other window -- what you see, is what you measure. InFlow excels at what-if analysis -- change the network, get new metrics -- just 2 clicks of the mouse. InFlow is designed to work with Microsoft Office and the WWW. You do not need to be an expert in statistics to use InFlow. InFlow is the only popular SNA/ONA software that has available training and personal mentoring through your first project(s). Experienced consultants teach you both the methodology and practice of SNA/ONA, along with how to use the software. Contact us for more information on purchasing InFlow and training on how to do social & organizational network analysis. InFlow provides easy access to the most popular network metrics. With visualization and metrics in one interactive interface, almost unlimited what-if scenarios are possible.
1. Visual thinking workshop in Toronto, 2. Geneva workshop, 3. Geneva workshop, 4. Geneva workshop, 5. Geneva workshop, 6. Visual thinking workshop in Toronto
Created with fd's Flickr Toys.