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First Hacks/Hackers Meetup held at Atherton Studio at HPR. Great presentations by Ben Trevino, Jared Kuroiwa and Misa Maruyama.
3d-walkthrough-rendering.outsourcing-services-india.com
Yantram Architectural photorealistic renders creates high-quality 3D facades in a virtual studio environment. Our team of architects and industrial designers build 3d models from CAD files, sketches, or photographs
"I delighted in seeing image after image populating the parallel glass planes, extending back as far as the eye could discern... Sometimes I would imagine an irreverent me way down the line who refused to fall into place, disrupting the steady progression and creating a new reality that informed the ones that followed."
the quote is by Brian Greene in the chapter titled The Bounds of Reality (On Parallel Worlds) in his book The Hidden Reality, Parallel Universes and the Deep Laws of the Cosmos
I hooked my camera up to my TV, and used the TV screen as the camera's viewfinder.
This is the result you get when the camera is in effect taking a picture of its own viewfinder
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
Architectural visualization of Minimalist House
Architects: Shinichi Ogawa & Associate
Location: Okinawa, Japan
This is a scatter plot of vehicle schedule deviation plotted against time of day. Time of day is plotted on the horizontal axis with gray tick marks every hour. The slightly bolder gray line is noon. Schedule deviation is plotted on the Y axis, with three ticks, from top to bottom: five minutes late, on time, and five minutes early. There's a dense area right after noon - this doesn't represent any feature of King County Metro's schedules - it's just a region where I got two day's worth of readings. On average vehicles are about a minute late. They're rarely more than two minutes early, but it's not terribly uncommon for a vehicle to be up to twenty minutes late.
A look at mobile traffic trends by website type. Data comes from sites that SwellPath has engagements with. See the blog post that goes with it here: www.swellpath.com/2010/10/mobile-traffic-website-type-inf...
Photo of a Man on Sunset Drive: 1914, 2008
by: Richard Blanco
And so it began: the earth torn, split open
by a dirt road cutting through palmettos
and wild tamarind trees defending the land
against the sun. Beside the road, a shack
leaning into the wind, on the wooden porch,
crates of avocados and limes, white chickens
pecking at the floor boards, and a man
under the shadow of his straw hat, staring
into the camera in 1914. He doesn't know
within a lifetime the unclaimed land behind
him will be cleared of scrub and sawgrass,
the soil will be turned, made to give back
what the farmers wish, their lonely houses
will stand acres apart from one another,
jailed behind the boughs of their orchards.
He'll never buy sugar at the general store,
mail love letters at the post office, or take
a train at the depot of the town that will rise
out of hundred-million years of coral rock
on promises of paradise. He'll never ride
a Model-T puttering down the dirt road
that will be paved over, stretch farther and
farther west into the horizon, reaching for
the setting sun after which it will be named.
He can't even begin to imagine the shadows
of buildings rising taller than the palm trees,
the street lights glowing like counterfeit stars
dotting the sky above the road, the thousands
who will take the road everyday, who'll also
call this place home less than a hundred years
after the photograph of him hanging today
in City Hall as testament. He'll never meet
me, the engineer hired to transform the road
again, bring back tree shadows and birdsongs,
build another promise of another paradise
meant to last another forever. He'll never see
me, the poet standing before him, trying
to read his mind across time, wondering if
he was thinking what I'm today, both of us
looking down the road that will stretch on
for years after I too disappear into a photo.
This sculpture by Natalie Sutinen (born in 1972), can be seen in the art room at the Haninge Cultural Centre from today. The artwork has no name. It is made of wax, paper, books and feathers. Sutinen often works with wax dolls, and says that she wants to visualise death with her art.
This is a java applet produced using Processing that visualizes my personal friends network from Facebook. It clearly shows the different groups from schools that have attended over the years. The java applet looks a bit worse and runs slower than the standalone application, but it gives a pretty good idea of the project
Space and the Cosmos
Far Out, Up Close: Visualizing the Invisible
10:20 am - 11:20 am MDT on Saturday, June 29, 2013
Telescopes, satellites, probes, and rovers have transformed how we perceive the universe and helped make the invisible, visible. New technologies now enable us to visualize the cosmos in even greater detail, understand our home planet in new ways, immerse ourselves in alien environments, and even see through the eyes of robot explorers. Expert speakers discuss how to bring the far out of our universe, up close.
Charles Alcock David McConville Richard Hollingham
Paepcke Auditorium
iPlant Collaborative members discuss an example shown on the TACC Visualization Wall.
Pictured (left to right): Brandon Theis, Steve Goff
1. Visual thinking workshop in Toronto, 2. Geneva workshop, 3. Geneva workshop
Created with fd's Flickr Toys.
Worldwide Visualization for a Breakthrough -
Please Join Us!
visualizedaily.com/action1-en.html
Transformation transformacja transformation transformace Transformation transzformáció преобразование transformación trasformazione 2012
www.flickr.com/photos/arjuna/sets/72157628371178639/with/...