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The dots are now pulled from a database and vector drawn in real time. Seems like a trivial change (and to site visitors it is), but before they were hand drawn onto the image. This will make it a snap to maintain and update long term. It will replace the live map this week when I figure out how to keep the labels from overlapping via javascript.

Memory leaks are beautiful to see with our internal visualization and debugging tool. We still don't like them though!

Coursework, HEAJ (Haute-École Albert Jacquard, Namur, Belgium).

 

HEAJ website :

www.infographie-sup.be/

Photos from inside my magnetic field visualizer

I mainly uploaded these to submit to the 'Backgrounds App' group for use for cell phone backgrounds on android devices.

 

if they aren't accepted, I'll be deleting them.

 

xox

TwitterGraph of Twitter user ArtboyUSA

generated by:

bradkellett.com/twitter_stats.html

 

As the software author describes it, a "totally ugly engine" - but once you start to think about the data that's out there - Twitter or otherwise - you start to think about all the ways this data could be visualized.

 

Can anybody recommend other engines peeps have written to viz network data?

 

Note that the graphs are labeled "Tweets per Day" and "Tweets per Hour" -- I think it really means "BY" not "PER" as in "40 of your Tweets came on Mondays" - not, your "average" Monday had 40 Tweets.

Visualization: Studio216

Architect: LMN Architects

Location: Seattle

this cool project seems to project an artistic represenation of the current water quality in the river in

 

this cool project seems to project an artistic represenation of the current water quality in the river under this bridge...didn't see it work, but it seems like a great idea

by #IFVPmember Ann Leach

So, which balloon size will suit you? :-)

 

Original project at: www.behance.net/gallery/Visualizing-Anger/371697

Satellite: Sentinel-2. Sensor: MSI (MultiSpectral Instrument).

Visualization RGB: bands 4 (red), 3 (green), 2 (blue). True color.

 

La imagen tiene 24 km de ancho (aprox.)

 

Los orígenes de Niza se remontan al menos a la época romana, como en muchas otras ciudades de Provenza. Cemenelum fue fundada por Augusto en el 14 a.C. y ocupada hasta el siglo VII d.C. Perteneció después a los condes de Provenza hasta el siglo XIV, cuando paso a manos de la casa de Saboya. El Reino piamontés cederá Niza definitivamente a Francia en 1860 para compensar el apoyo de Napoleón III a la unificación italiana. Hoy es la capital del departamento de Alpes maritimes. Hoy Niza es la quinta ciudad de Francia con más de 340.000 habitantes y unos 900.000 en su conurbación. (www.la-provenza.es/niza)

 

Esta imagen ha sido procesada con el navegador EO Browser (apps.sentinel-hub.com/eo-browser) de Sentinel Hub. Sentinel Hub es un motor de procesamiento de datos satelitales, dentro del programa de observación de la Tierra Copernicus (copernicus.eu) de la Unión Europea, operado por la empresa Sinergise. EO Browser es gratuito y fácil de usar. El norte siempre está arriba.

 

This image has been processed using the EO Browser (apps.sentinel-hub.com/eo-browser) by Sentinel Hub. Sentinel Hub is a satellite data processing engine, within the European Union's Earth observation programme Copernicus (copernicus.eu), operated by the Sinergise company. EO Browser is free and easy to use. North is always up.

Collision plane is shaded and particles "casts" fake shadows :-) and it supports 5 network protocols ... ready for testing.

The goal of this project was to visualize anger. Even though we usually connect this emotion with very intensevisuals, I decided to take a more subtle, poetic approach. After a month of thorough research,which included reading about the signs and phases of anger, as well as thereasons which cause it, I formed a clear idea of my direction.

 

Original project at: www.behance.net/gallery/Visualizing-Anger/371697

Visualization: Studio216

Architect: The Berger Partnership

Location: Seattle

Shortest path tree for bike travel from some point Concord, California, not accounting for elevation.

Small Living room

web.forret.com/tools/google-maps.asp

Show or embed any KML file (like, your own Google Maps or Flickr GeoRSS)

This is an intermediary result of our project. Pretty nice, but still some things to be improved.

Visualization of Flickr geotagged photos, uploaded between 2007 to 2015 and geotagged with the highest accuracy (street-level). I generated a number of different visualizations. Some are more artistic in style while others are designed more informative.

 

This type of visualization has been done years before (check out Eric Fischer's maps). Maybe the statistics going on on the lower-right corner provide some additional information not available so far.

 

Created as part of my research project (maps.alexanderdunkel.com).

 

Here's a blog entry with more info.

Just Pinned to architectural visualization: Inside the Psychedelic Skyscraper City of the Future | The Creators Project bit.ly/2FSBNqj

by #IFVPmember Nicolene Louw

Julia Kaganskiy (@juliaxgulia) organizes Arts, Culture and Technology meetups in NYC. This event on 27th April 2010 was on Data Mining & Visualization: www.meetup.com/Arts-Culture-and-Technology/calendar/13144...

exhibition opening

 

Filodrammatica Gallery, Korzo 28/1, Rijeka

10 November, 2022

 

ON VIEW UNTIL 29 NOVEMBER, 2022

  

Visualizing the fragmentary nature of our digital lives, the "All-Aligned" project ask: what is a society in which we, as users of digital systems, identify ourselves with automatically generated symbols, a society whose identities are driven by algorithms? What does the standard repertoire of national symbols, such as the flag, motto, coat of arms and anthem, represent today, at the time of the proliferation of digital capital, the accelerated doubling of memetic fronts and the general inflation of meaning?

 

The core of the project is a custom made random flag generator for infinite identity building, a software system based on applied artificial intelligence (AI), named Fractal Nations.

 

Ideas and concepts (pirate, Balkan, libertarian, ecological, dark, etc.) are being mapped onto graphic elements (colors, layouts, symbols, new shapes, etc.). By generating flags, the system also generates an infinite number of micro-identities, which multiply in a fractal manner, dividing themselves ad infinitum.

  

The exhibition shows various visual outputs from the described software system, primarily flags, which are displayed as real, physical, cloth or silk flags, as prints on the gallery wall, and as part of an interactive site, exhibited in the gallery, which allows visitors to generate their personal, individual – truly individualistic – symbolic identity on the spot (and for that exact moment in time, because the very next moment their own flag would look different).

 

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UROŠ KRČADINAC (b. 1984) is a Belgrade-based digital artist, technologist, writer, and educator. His transmedia practice involves computer programming, writing, designing, animating, and mapmaking. His research was published by IEEE scientific journals, his artworks presented at re:publica, Emily Car University, SASA Academy Gallery, Serbian Museum of Science and Technology, and many more. He received his PhD in Informatics from the University of Belgrade. Currently, he works as an Assistant Professor of Digital Art and Computing at the Faculty of Media and Communications in Belgrade.

  

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Photos by: Tanja Kanazir / Drugo more

 

drugo-more.hr/en/uros-krcadinac-all-aligned/

Part of a series created with Processing (http://processing.org) to illustrate stock price with interesting events.

 

This illustration compares Apple stock price with my purchases --

Hoping the rains come to nourish the waiting wildflowers...

 

All of my photos, videos and text are copyright Kahlee Brighton, all rights reserved. This material is not in the public domain which means it is not free for anyone to use. It may not be copied, printed or otherwise reproduced in any manner or form, whether in whole or in part, used on websites, blogs, or in any other media (and that includes, but is not limited to, Facebook, Twitter, Pinterest, Stumble Upon, Tumblr, YouTube, Vimeo, etc.) without my express written permission in advance. If you'd like to purchase, license or in any way use my work, please contact me directly. Thank you.

Visualization: Studio216

Architect: Bassetti Architects

Location: Seattle

World Processor, installation of globes by Ingo Gunther in ISEA exhibition at the San Jose Museum of Art 2006

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