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The National Visualization and Analytics Center (NVAC) is a national and international resource providing strategic leadership and coordination for visual analytics technology and tools. The mission of the Cognitive Foundations for Visual Analytics project is to articulate a theoretical framework to guide research in visual analytics. Cognitive factors are investigated that influence the effectiveness of visualization on analytic problem solving in complex domains.
This image was a part of the 2010 PNNL Science as Art contest.
Terms of Use: Our images are freely and publicly available for use with the credit line, "Courtesy of Pacific Northwest National Laboratory." Please use provided caption information for use in appropriate context.
© Copyright Tommy Simms All Rights Reserved.
The Atlanta Botanical Garden provides many photo opportunites, especially the flower and insect macro. Atlanta Botanical Garden in Atlanta, Georgia.
Part of my Atlanta Botanical Garden set.
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With Manchester's imposing ATC Tower behind, Cessna Citation
G-JBLZ cleans up as she zips away between the airliner departures off Runway 05 Left.
IMG_6390
by Carlyle Baker.
[Toronto], Curvd H&z, 28 may 1987. 1oo copies issued as Curvd H&z 358 & Card 57.
5-3/4 x 4, photocopy postcard with rubberstamp rear.
5.oo
The first night up at Oreily's rainforest retreat had a spectacular sunset. I had only just got my stuff into the room before I was running off to try find a suitable place to capture this sunset. Settled on this slight panoramic crop. I called it visual digest as I thought the image had lots of interesting aspects for the eye to wonder through and digest. But I could just be full of it.. :)
Made with a Minolta XG-7 35mm SLR camera + 50mm lens + asa 100 Kodak film + tripod in 1979. This is a scan of a print of a photo of the entrance to one of my underground "Clearlight" (gelatin) LSD conversion laboratories high in the hills near Berkeley, California.
("Johnny's in the basement, mixin' up the medicine..."---Bob Dylan, in "Subterranean Homesick Blues")
(WITCHES DANCING! Wolfshäger Hexenbrut Walpurgis Wolfshagen im Harz [2016] may be viewed here www.youtube.com/watch?v=BjUV-byB8ls I LOVE the tutting at the end!)
(In the 2015 documentary THE SUNSHINE MAKERS, Tim Scully, Nick Sand, and others are shown making LSD at a clandestine laboratory in Windsor, California in 1969. In a memorable scene, Nick Sand briefly but very humorously pretends to be a "mad scientist", making "crazy" facial expressions and weird hand motions over a piece of lab glassware...)
I TOOK LSD APPROXIMATELY 5,000 TIMES BETWEEN 1969 AND 1992.
("The term 'permafried'...has been around for decades. It refers to the myth that LSD can cause permanent brain damage..."
---Adrienne Santos-Longhurst, 10.14. 2019, healthline dot com. Medically reviewed by Zara Risoldi Cochrane. "Permafried" is a pejorative word often used by ignorant and/or hateful people to describe people like me who have used a lot of LSD.)
("Ooo eee ooo ah ah ting tang walla walla bing bang
Ooo eee ooo ah ah ting tang walla walla bing bang"
---"David Seville" (Ross Bagdasarian), in his 1958 hit song "Witch Doctor", repeating what he says a witch doctor has told him. The cover of a 1958 mono Liberty Records LP "The Witch Doctor" ["Transistorized-Spectra-Sonic-Sound"], which included the song, was created by Bill Pate and featured an illustration depicting a large brown-skinned witch doctor wearing an African-style mask acting as a puppet master, using strings to manipulate 7 small figures, including a barefoot man in tattered overalls preparing to drink from a jug of "moonshine"...)
Please see the photos below of some of what was produced here.
Please note: DEPICTION IS NOT ADVOCACY!!!
Please click on the link below to read some important information about LSD:
www.flickr.com/photos/jdyf333/2075297284/
My "autobiography":
One of the most... unusually decorated buildings I've seen in a while. This is the Visual Arts Institute on Key Highway in Baltimore City. I did two U-turns and parked next to a fire hydrant to get a closer look at this... thing of beauty? Eye-sore? Bizarrely decorated museum. Kind of reminded me of the Royal Ontario Museum.
Decal of Re-THINGing Gesture in Contemporary Sculpture Practice displayed at the floor of Esplanade Mall.
I'm entering this in a call for visual journals by the Brooklyn Sketchbook Library to be put in a time capsule for 50 years (!). I've decided the theme will be birds, with the Emily Dickinson quote in mind, "I hope you love birds too. It's economical. It saves going to heaven."
Essa foi feita para a Flavinha Borges do Ateliê Arte com Amor, a bonequinha foi feita baseada nas bonecas de EVA que ela faz www.flickr.com/photos/flavinhaartesanatos/ =D
Orçamentos e informações:
contato@danysabadini.com.br
Design de identidade visual para a Casa dos Sentidos + Jardim Sensorial (PR - Brasil) que consiste em marca e identidade gráfica. Todas as formas e objetos projetados surgem dos elementos essenciais da geometria.
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É um projeto cultural promovido pela Montenegro Produções que acontecerá em 2021. Ambos formam a maior exposição interativa do sul do país, que trará ao público sensações e estímulos a partir de leituras poéticas de cenários cotidianos e naturais, sob a ótica do universo autista. Novos artistas também integram a programação da mostra, que depois de Curitiba seguirá para Ponta Grossa.
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A partir de abril de 2021, no ParkShopping Barigui. Mais informações www.montenegroproducoes.com
I'll try to tell you the feel of the moment at this sight.
Do you see slow movement of the water, the dancing glare of the sun, do you hear my shoe steps on the grass, my breathing and the beat of my heart, did you see that tiny fish escaping in the hide, and that slow movement of the shades in between the reeds singing the lullaby, the whisper is lost, look, listen to the tiny air bubble burst
Please don't use this image on websites, blogs or other media without my explicit permission / Por favor no utilice esta imagen en sitios web, blogs u otro tipo de publicaciones sin mi permiso explícito.
Interestingness # 347, Jan.15 2014.
©A.D.Belmont© COPYRIGHT / TODOS LOS DERECHOS RESERVADOS
Two towers, built decades apart appear in harmony. The Art Deco tower on the left, known as The Jewelers Building, was built by 1926. The exterior is clad in terra cotta tiles and topped with a large dome, reputed to have been a speakeasy frequented by Al Capone. It is now an architectural office. The art Deco style is moderated by Roman, Greek and Gothic details in the façade treatment. The corner turrets were originally water tanks for the tower's fire suppression system.
The Kemper Tower, a contemporary office building, features vertical columns and window treatments in keeping with the adjacent Art Deco tower.
I made these graphics on photoshop ( all except Bert and Ernie!) and created a visual timetable for the children so they know what to expect during their day.
Imagen capturada en la carretera de Barcelona con el espectacular fondo de la fachada principal de los grandes pabellones de la antigua fábrica harinera de Villarroya y Castellano, construidos en 1857 tras el gran incendio de 1855, que en 1899 había sido reconvertida en factoría azucarera con la denominación de Nueva Azucarera "La Raperie". En ellos se habilitaron habitaciones para los jefes de la azucarera, una capilla, almacenes y locales para el personal facultativo, la dependencia y algunos talleres. En las traseras de estos inmuebles se abría un gran patio o jardín central por el que fluía al aire la acequia Urdana.
En primer término, aspecto del tráfico de esta vía de comunicación, y en la esquina de la izquierda detalle de la sombra proyectada por el fotógrafo de esta imagen y sus acompañantes.
Proyecto GAZA ("Gran Archivo Zaragoza Antigua") es un compendio de imágenes de la antigua Zaragoza (España), acompañadas de textos creados por José María Ballestín Miguel y la colaboración de Antonio Tausiet.
Fuente visual de la imagen: www.todocoleccion.net/, datada y comentada para el Gran Archivo Zaragoza Antigua (GAZA)
Double colour, used water coloured pencils in the background sometimes I think it looks ok other times I hate it, but no going back I have to finish my mission!
In this quartet of visual symphonies, we explore the subtle interplay between form and color, shadow and light. Each piece, unique in its composition, adheres to a minimalist palette of red, black, white, and gray, wielding collage techniques that dance on the edge of modern abstraction. Together, they speak to the delicate balance of chaos and order, the seen and unseen, inviting the viewer into a contemplative space where interpretation is personal and boundless.
Poem:
Canvas whispers in shades subdued,
A quartet's dance, abstractly viewed.
Ink bleeds into the fabric's grain,
Geometric whispers, a silent refrain.
Crimson boldness breaks the plane,
Black and white in stark refrain.
A story told in cuts and curves,
Each piece disrupts, each piece disturbs.
Shadows cast on walls so bare,
Figures forming in the air.
An artist's touch, both soft and stark,
In every shade, a kindled spark.
These pieces hold a silent might,
A blend of day, a bleed of night.
In abstract forms, a tale we find,
The painted thoughts of an unbound mind.
Haiku:
Stark lines cut the gray,
Red bleeds into silent white—
Art whispers its truth.