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Seashells, plus the lamp found in the garbage from the day before and some manipulation and double exposure work done here.
Each of these, in its own way is like a visual haiku to me.
"Winter is that time of year, when so much has been taken away, that what is left is even more beautiful."
Garrison Keillor - Prairie Home Companion
A series of assemblages and mixed media paintings by Chiew Sien Kuan (Singapore) displayed along the Esplanade Tunnel during A Little Love Story in Singapore.
GRAFFITI
Entendida como una de las expresiones de arte urbano más populares y características de la actualidad, el graffiti no es más que un dibujo o una obra de arte pictórica realizadas en las pares y muros de la calle. Así, el graffiti no se mueve o muestra dentro de círculos intelectuales o privados de arte sino que se caracteriza por ser expuesto de manera pública para que todos lo vean y disfruten día a día. El graffiti es por lo general anónimo y puede tener diferentes objetivos en lo que respecta a la razón de su realización: mientras algunos son meramente artísticos, otros son formulaciones políticas, otros de protesta y muchos otros son simples mensajes sin mayores pretensiones.
La palabra graffiti proviene del italiano y se relaciona con la idea de grafito o de expresión gráfica. Justamente, uno de los elementos más característicos del graffiti es que se realiza siempre de manera gráfica y visual. Por lo general, el graffiti no sigue reglas artísticas más que la misma libertad de expresión del autor, y es por eso que mientras algunos son realmente complejos y verdaderas obras de arte, otros son simples frases escritas con cierta violencia en las paredes o puertas de negocios.
Se estima que los graffitis son siempre realizados por las generaciones más jóvenes que se encuentran opuestas al mundo conservador e institucionalizado de los adultos. En este sentido, en muchos países el graffiti es un delito ya que es considerado suciedad o daño de la propiedad privada. Sin embargo, en diversos lugares el graffiti ya está integrado al tejido urbano y es considerado una verdadera e importante forma de expresión cultural y popular.
Hoy en día, los graffitis se han revigorizado en muchas ciudades ya que se utilizan stencils de gran complejidad e infinitos diseños para establecer ideas o puntos de vista. Algunos de ellos son graciosos, otros cuentan con una importante ironía, pero todos lo hacen desde un lado artístico que debe tenerse en cuenta más allá del hecho en sí del graffiti.
With the weather turned grey and the spring flowers just starting to poke through, it is nice to view again some fall blooming flowers from a lovely front porch garden in Neskowin, Oregon.
Hasselblad 503CX with Carl Zeiss Sonnar 180mm F4 T*
Film: Ektar 100
It's too much, isn't it?
It blocks our breath.
(highly amazed by the Sonnar Lens. More great resolution pics to come. :) )
Visual art made from sand collected at Ventura Beach California. I made it from wood, hose, cardboard and wall spackle.
the bedspread, the wardrobe, the uniform, the fringe... oh the hell of boarding school... no freaken wonder i'm pulling that face
✰ This photo was featured on The Epic Global Showcase here: flavoredtape.com/post/154190250731
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✦ Now featuring: Abstract by arteology
3D abstract design
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
feathers, indigo, eyes, blue, flowers gerbera, daisy, post-processed, digital, square, studio, visual-silence, visual-art, Hasselblad, Zeiss, Magda indigo
El Cuerpo. Nuestros cuerpos,
enredados dándole al movimiento,
danzantes, danzan en caricias y besos, enredados el uno contra el otro.
Mientras nuestras lenguas hablando, hablantes, hablan el mismo lenguaje.
Para después entre besos besarse, gozarse.
Mezclando nuestras salivas y entre besos ellas dos gozando, gozan.
El Cuerpo, el cuerpo se agita,
se convulsiona va adoptando la forma amorosa de la pasión acelerada hasta
que llega la sudoración corporal y la paz invade los cuerpos, al final del alma.
Autora autodidacta Jade Bueno Morales poesía echa a partir de un sentimiento
Autora autodidacta Jade Bueno Morales Fotógrafa
Visual Magick made these adorable inflatable shark mods!!!! Look at that face! Those hand holds! I want to float away somewhere when I wear this mod! There is even a walker included with squeeky sounds! Comical! Rubber! Adorable! Check-ch-check-check-check-ch-check it out! What-wha-what-what-what’s it all about?! Link: marketplace.secondlife.com/p/VM-Slugger-Shark-Inflatable-...
I’m deliriously tired so that might have been a strange review lol.
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
More from this Visual Disturbances series here
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Subject Two: Zoe Seabrook, Short-sightedness + Weak Astigmatism - Right Eye: Unknown Prescription
By doing the Visual Study from the beginning I felt that it was not going the way I wanted, not having control of the charcoal, It was hard for me to take on the shape and the spaces that I needed. I was struggling but managed to continue on the basic shape of the art work in front of me and little by little I have managed to give few details also creating waves of patterns by using the charcoals as well as using shadowing in my work which made the visual project stand out more.
No capítulo anterior...
Vou correndo para Charitas, chego quando o sol começa a descer, naquele ponto onde dá para sentir a velocidade do horizonte subindo em direção ao sol (sim porque a estrelona está parada. ;)). Pego a minha câmera de filme e começo a fotografar. Claro que fico preocupado porque já se passou quase meia hora e ninguém apareceu. Esperava ser o primeiro a chegar mas não com mais de meia hora de vantagem. Ligo para a Tati Sapateiro.
- Alô ? Oi Tati, vocês já estão chegando ?
- Chegando ? Onde ?
- Aqui em Charitas, estou esperando vocês.
- Ah, era isto que a gente tinha combinado ? (até parece que ela não leu o script do capítulo anterior!) A gente não saiu ainda, vamos ver o por do sol daqui de Itaipu.
(pausa para o Stelling ficar menos P da vida)
(fim da pausa)
---[Neste capítulo]---
Termina a pausa, não estou nem um pouco P da vida e começa um por do sol lindo!! A frustração de não ter a galera comigo foi compensada pelo belo visual do fim de tarde em Charitas e pela impressão que tinha tirado um ou duas fotografias boas! Enquanto isto, em Itaipu, aqueles danados tiraram milhares de fotografias fantásticas!
Quando a Tati e sua comitiva chegaram à Charitas nós estávamos almojantando no 'Olimpo' (que para mim é mais nome de sabão em pó do que de restaurante, mas tudo bem), o por do sol tinha ido embora mas parte dele se encontrava preso no filme Kodak ProImage 100 dentro da minha câmera...
A noite cai de vez, o grupo se dispersa mas alguns de nós (eu, Andrea, Mônica, Hélcio, Neusa, Eulina e, claro, Tati) nos encontramos de novo em São Francisco para uma Devassa básica.
À guisa de epílogo eu e Andrea levamos a Tati para o seu flat no Leblon mas quase todo este epílogo aconteceu na cabeça do Hélcio! :o) Perguntem à ele.
Tenham uma ótima semana!