View allAll Photos Tagged visual
from the visual journal that I've been working on, started on '09 and now continued. Most of the images in the 2022 section come from a French children's book on zoology, "Pour les tout Petits,Lectures sur les Animaux."
A new visual journal -- courtesy the talented Norma Lydon -- that I just began, having completed the other.
With the weather turned grey and the spring flowers just starting to poke through, it is nice to view again some fall blooming flowers from a lovely front porch garden in Neskowin, Oregon.
Hasselblad 503CX with Carl Zeiss Sonnar 180mm F4 T*
Film: Ektar 100
It's too much, isn't it?
It blocks our breath.
(highly amazed by the Sonnar Lens. More great resolution pics to come. :) )
Visual art made from sand collected at Ventura Beach California. I made it from wood, hose, cardboard and wall spackle.
Visual notes from JSB's keynote at the 2010 NMC Summer Conference, captured using Autodesk SketchBook Pro on my iPad.
Taken June 12, 2010.
✰ This photo was featured on The Epic Global Showcase here: flavoredtape.com/post/154190250731
-------------
✦ Now featuring: Abstract by arteology
3D abstract design
#AB_FAV_FREE_
I had been 'playing' with this concept for a while in my head. I called it (instead of the Silence of the Lambs) the Silence of the Bird. When I had the final result, it came to me immediately: VISUAL SILENCE.
I don't often 'dive' into the digital 'magical' darkroom that photoshop can be, but for certain projects it is a great creative tool!
Here, in the case of visual silence, what is being absorbed is not sound but gaze.
If silence is the absence of noise, then this visual silence is defined as the gradual absence, the vanishing, of what surrounds it, where we burrow from the visible surface to the invisible core.
Our focus on the image involves a diminution of the optic field:
in this sense, visual silence is like a poem, its power arising from its sheer vulnerability.
The image cannot be penetrated even by the most powerful of gazes because it is already open, in full view... and yet the transparency of the image, one that does not attempt to hide anything, is still capable of mystery.
Visual silence arrests us because it is the interface between two realms of partial knowledge: between he who does not know he is being watched and those who do not know what they are watching.
Some images leave us speechless, we watch them in silent awe.
Ultimately the camera is merely an extension of the human eye, it only sees and cannot wholly know what it is seeing.
Each time I think... that's it, there's only so much you can do with flowers... and yet again and again, I'll see something new.
Being creative is not a choice... it is an urge in me.
May PEACE be with you and thanx for everything, M, (*_*)
For more of my other work visit here: www.indigo2photography.com
Please do not use any of my images on websites, blogs or any other media without my explicit permission. © All rights reserved
feathers, indigo, eyes, blue, flowers gerbera, daisy, post-processed, digital, square, studio, visual-silence, visual-art, Hasselblad, Zeiss, Magda indigo
El Cuerpo. Nuestros cuerpos,
enredados dándole al movimiento,
danzantes, danzan en caricias y besos, enredados el uno contra el otro.
Mientras nuestras lenguas hablando, hablantes, hablan el mismo lenguaje.
Para después entre besos besarse, gozarse.
Mezclando nuestras salivas y entre besos ellas dos gozando, gozan.
El Cuerpo, el cuerpo se agita,
se convulsiona va adoptando la forma amorosa de la pasión acelerada hasta
que llega la sudoración corporal y la paz invade los cuerpos, al final del alma.
Autora autodidacta Jade Bueno Morales poesía echa a partir de un sentimiento
Autora autodidacta Jade Bueno Morales Fotógrafa
Notes for a talk I will give at IFVP 2010 in early August on how to do visual recording on the iPad.
Note: AirSketch was created by Qrayon, not Grayon. Oops.
You can see the movie of this sketch being done on YouTube: www.youtube.com/watch?v=qRJG46hUAW8
Or read about how I made the movie on my blog: ninmah.be/2010/08/02/ipad-visual-movie/
Visual Magick made these adorable inflatable shark mods!!!! Look at that face! Those hand holds! I want to float away somewhere when I wear this mod! There is even a walker included with squeeky sounds! Comical! Rubber! Adorable! Check-ch-check-check-check-ch-check it out! What-wha-what-what-what’s it all about?! Link: marketplace.secondlife.com/p/VM-Slugger-Shark-Inflatable-...
I’m deliriously tired so that might have been a strange review lol.
More from this Visual Disturbances series here
___
Subject Two: Zoe Seabrook, Short-sightedness + Weak Astigmatism - Right Eye: Unknown Prescription
By doing the Visual Study from the beginning I felt that it was not going the way I wanted, not having control of the charcoal, It was hard for me to take on the shape and the spaces that I needed. I was struggling but managed to continue on the basic shape of the art work in front of me and little by little I have managed to give few details also creating waves of patterns by using the charcoals as well as using shadowing in my work which made the visual project stand out more.
I'm entering this in a call for visual journals by the Brooklyn Sketchbook Library to be put in a time capsule for 50 years (!). I've decided the theme will be birds, with the Emily Dickinson quote in mind, "I hope you love birds too. It's economical. It saves going to heaven."
"Survivor: a story in four quotes"
and "Hamlet Revisited: a short visual narrative"
are currently available as e-books at
Previously, both stories were part of an installation at
Virtual Senses Storytelling Lab on Chilbo (Second Life).
Y todo pasa.
Y todo permanece.
Como imágenes que pasan a cámara lenta y se mantienen en la memoria.
Persistencia retiniana.
De lo pasado, lo sufrido y lo olvidado sin olvidar.
Una marea, una ola, una onda que sin mas se acerca y te empapa.
Y esa humedad te cala.
Te enferma.
Todo pasa.
Pero todo permanece.
School of Art and Art History at University of Iowa in Iowa City, Iowa. Designed by New York City architect Steven Holl.
Timnit Gebru wants to replace the U.S. Census (which costs $1B/year to implement) by simply analyzing the cars seen in Google Street View images.
After processing 22 million observed cars, she found some fascinating things, like the predictive power of "the sedan/truck ratio" for political party. Republicans sure like trucks! More findings in the comments below.
From the AI in Fintech Forum today at Stanford ICME.