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taken from the sketchbook titled ' Contrasts'.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
For Further Details: Dr Maureen O'Neill and Claire Sambrook
maureen.oneill@port.ac.uk | claire.sambrook@port.ac.uk
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
INTHANG presents
"Visual T shirts" exhibition
"ietsmooisaandemuur" Gallery
schilderstraat 17A
's-Hertogenbosch
The Netherlands
Tel +31 (0)73 6132971
2 June - 30 June 2007
Opening reception: 2 June 2007, Saturday, 3-5pm
hours Fri-Sat 12-5pm and by appointment
Artists:
ANYMALFUNCTION
BurtonwoodandHolmes
Chika Ito
Gerard van Selst
Kees van den Boogaart
Marrie Hoedelmans
Massimo Arena
Matteo Bertelli
Michael Ronaldo Cabreza
Wim Habraken
INTHANG is pleased to present "Visual T shirt"
exhibition in 's-Hertogenbosch, the Netherlands.
"Visual T shirt" represents a wide selection of
artists working internationally. Each artists created
inspiring images for this exhibition. Original images
are exclusively handprinted(limited edition) at kurtface
silkscreening studio with Printmaster Wim Habraken.
In addition to this unique collaboration, all the
images are printed on Eco T shirts which is fair
traded and organically grown by Bo Weevil.
The gallery will have about twenty T shirts hanging.
Purchase of T shirts will be by ordering.
Orgenized by Massimo Arena and Chika Ito.
For further information please visit www.inthang.net
or contact info@inthang.net
INTHANG
Clarastraat110
5211LB
's-Hertogenbosch
The Netherlands
En este curso introductorio, se propone un análisis y construcción de la visualidad que va de lo fotográfico como referencia más inmediata de nuestra percepción hasta llegar a las abstracciones de dichas percepciones, lugar dónde cobran fuerza los elementos materiales que forman cada evento comunicativo y visual. En este sentido el alumno a lo largo del taller aprehende y construye los signos visuales: "fotográfico", "ideográfico", "tipográfico" y "gráfico puro" en la medida que los reconoce como elementos de su percepción visual y en estado de composición.
Hap Gallery is pleased to present I Never Can Say What I Mean, a group exhibition curated by Iris Williamson featuring works by Matthew Craven, Jennifer Dalton, Klára Grančičová, Sylvan Lionni, Marius Moldvær, Justin Plakas, and Samantha Wall.
In I Never Can Say What I Mean artists explore the fragile relationship between intention, action, and interpretation. Marius Moldvær, Klára Grančičová, and Samantha Wall examine the thoughts preceding action. Jennifer Dalton deals with the paradox of choice. Matthew Craven, Sylvan Lionni, and Justin Plakas consider the result of choices made.
Photos by: Stephanie Yu MFA Visual Studies '14
The Center for the Visual and Performing Arts in conjunction with Prince George's Coalition for Young Artists presents Jane Monheit. The Grammy-nominated vocalist, along side Suitland High School Students, performs multiple jazz musical pieces.
Photos by: Amir Stoudamire
Submitted by: María Torres Maldonado
Country: México
Organisation: Centro de Estudios para Invidentes, A.C.
Category: Amateur
Caption: Visual stimulation class, where the student is working contrasts, depth and tracking through assistive technology applications to train her visual restoration as
optimally as possible.
Clase de estimulación visual, donde la alumna está trabajando contrastes, profundidad y rastreo a través de aplicaciones de tecnología asistiva para entrenar su restauración visual lo más óptimo posible.
Photo uploaded from the #VisionFirst! Photo Competition (photocomp.iapb.org) held for World Sight Day 2019
Re-THINGing Gesture in Contemporary Sculpture Practice displayed at Esplanade Jendela (Visual Art Space).
Vinilos, formas troqueladas, displays, cajas de luz. Retoque, impresión y montaje de imágenes de alta calidad para moda, para aplicaciones en puntos de venta, stands, displays, decoración de interiores. Personalización y acabados de calidad. www.sabatebarcelona.com
Ejercicio taller Sistemas VIsuales/
- Interpretación visual de las 10 reglas textualesde sist. propuesto por otro.
A3- 2/0- color pantone: sobreimpresión.
Electric Delicate - Kalkbrenner vs. Tok Tok & CHOPSTICK & MARCELLO DI RIENZO - Freiheizhalle München 20.02.2010 - Visuals by Doublevisions
Outpost 150722
Beuys Brown and Klein Blue
Magdalena Broska.
The Transubstantiation of Matter.
Beuys's materials are not to be understood literally, by their outward appearance.
Beuys emphasises that the brown floor paint is not just a colour but also a plastic substance.
I have chosen brown so as to present a plastic substance and thus express something that relates to every form of substantiality, just as I am trying to do with this superimposed red. I simply want to bridge the gap between a discussion about colour and the problem of substantiality.
Joseph Beuys, Drawings. 1979
For Beuys the real and the concretely employed material is only seemingly real, fully in a philosophical sense: a phenomenon from some essential being that is hidden behind appearances, and that is to be elicited by a kind of counter- image process.
Conceptions of Counter Images/Transformation.
The Homoeopathic Method/Like cures like.
Beuys's brown and Klein's blue form a pair of opposites: according to the hermetic-alchemical world view, such opposites contain the arcane power of polar dissimilarity that seeks to be augmented and joined together, a polar way of thinking that seeks resolution.
With his brown oil paint, Joseph Beuys assumed a counter-position to Yves Klein and his blue, which stands for immaterial manifestations, the sky, the sea, and the light of the south, and which conveys space and wide vistas.
In terms of consistency, Beuys's brown is purely coating paint, as commonly used for rust proofing.
Its visual appearance links it with earth, heaviness, darkness, and also blood.
still working on a big modular set of live generating visuals, via fft analysis in processing, which also can be triggerd by midi. here the font distorted combined with some cube.
check out the video: www.vimeo.com/9059548
I did two today, because I'm not sure this one makes much sense, but it's pretty funny. I tried it with Lego Luke Skywalker too, but he didn't show up very well.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk