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Table for 2 is 4 .... after the Big Bang by Vertical Submarine (Singapore) displayed at the Esplanade Concourse.
Diseño de Identidad Visual de la empresa PADIPLAST que trabaja en industria del termoformado, si hizo un diseño exnovo que conserva el rojo como color corporativo, pero que ahora muestra una empresa más sólida y cercana a sus clientes.
Proyecto realizado junto a:
Pipe Carrión
Camilo Puas
Vinilos, formas troqueladas, displays, cajas de luz. Retoque, impresión y montaje de imágenes de alta calidad para moda, para aplicaciones en puntos de venta, stands, displays, decoración de interiores. Personalización y acabados de calidad. www.sabatebarcelona.com
The AV stuff has got to go somewhere! Now the temporary offices of Audio Visual -- meeting rooms A & C.
© Marija Kobler / transmediale & CTM
DB BY RYOJI IKEDA
Curated by Ingrid Buschmann and Gabriele Knapstein.
Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart – Berlin
Duration: 28. January – 09. April, TUE–FRI 10–18:00, SAT 11–20:00, SUN 11–18:00
Japanese composer and visual artist Ryoji Ikeda has conceived an exhibition for the Hamburger Bahnhof that, for the first time, compositionally unites the two symmetrical halls on the upper level of the museum’s east and west wings. The exhibition’s title db (abbr. for decibel) refers to this symmetry while simultaneously indicating the complementary relationship between the two exhibition spaces. Ikeda has designed the white room and the black room as counterparts, not only physically (brightness, color), but also conceptually and perceptually. The project is a composition in which time and space are shaped through the most minimal use of sound, light and visual elements. It is the artist’s first solo exhibition in Germany.
A project by Freunde Guter Musik Berlin e.V. and Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart – Berlin. In collaboration with MaerzMusik 2012 | Berliner Festspiele. Made possible by funding from Ernst Schering Foundation and Hauptstadtkulturfonds.
Audiovisual Live Performance
Sounds and Visuals by Boris, Poems and Live Typing by Miguel Godinho.
23.06.2012, at "Os Artistas" Faro, Portugal
The OC intended to organize colorful Games. This became evident in all areas: In the sports pictograms, in the rainbow-colored lines on the exterior and interior structures of the Olympic installations, during the victor's ceremonies, through the sports and art posters and at the temporary structures which stood out clearly from other buildings through their signal colors.
Helen Shaddock is a Glasgow based visual artist who graduated from Glasgow School of Art in 2008 with a First class Honours Degree in Fine Art:Environmental Art. Shaddock has been involved in exhibitions nationally and internationally, and her work is in a number of public and private collections. Recent exhibitions include a solo exhibition of new work at Here Gallery, Bristol in June 2011, and forthcoming exhibitions include a solo exhibition in one of the Briggait Project Spaces, Glasgow in October.
My work stems from a fascination and visual attraction to organised information, colour, repeated patterns and imagery of stripes/strata both man made and natural ranging from bar codes to rock strata. Working with a range of media and within pictorial and sculptural conventions, I engage the viewer both visually and experientially. Drawing is fundamental to my way of working, and process is an important part of my work, often introducing a durational aspect. Order and chaos constantly challenge each other, and despite an obsessive attention to structure, detail and process, unpredicted outcomes come together.
In a recent essay about my work, Sam Ainsley describes my work as “exuberant and life enhancing; it allows us (the viewers) to re-experience the pleasures of colour, texture and form which have shaped our experience of the world from our childhood years; all human beings seem to respond to the seduction of these. Helen Shaddock's work asserts the importance of the hand of the artist, both in drawing and making; it is wholly life-affirming and allows us to remember and share in the individual human being's response to the world with a sense of joy and wonder.”
Sam Ainsley, Former Head of Master of Fine Art progamme at The Glasgow School of Art, currently, Researcher in Residence (part of AHM, Ainsley, Harding Moffat) at Glasgow Sculpture Studios.
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
VISUAL LIBRARIES - Leave your Mark.
A collaborative, visual project which encourages you to sign out a Visual Library Book and ‘Leave Your Mark’.
A Visual Library Book is whatever you want it to be, a sketchbook, a journal, a diary, a notepad.
You can ‘Leave Your Mark’ in whatever way you want, ranging from drawing, writing, sewing, adding photographs, markings, printing and sticking. How you make your marks is entirely up to you. All we ask is that you have fun with the different themes. Just borrow it on your library card with other books and materials. If you are not already a member, just ask the staff to help you.
45 Visual Library Books have been placed in Portsmouth Central Library and each has its own theme ranging from; Portsmouth, My City, When I Open My Eyes, Whilst I Was Waiting, Love, What’s in My Pocket and Memories. The intention is for you to feel free to explore the Visual Library Books and choose a theme that you like.
In Association with: Rhodia, Seawhite, Portsmouth City Council, University of Portsmouth, COPIC Pens
For Further Details: claire.sambrook@port.ac.uk
Desktop animations, Terminal Automation Scripts and aGifs @ Stedelijk Museum Amsterdam. Photos by their press stuff.
In colaboration with Margarita.
Vananas Visual con sebastian maciel + edith martin ´+ maniqui
Vananas Visual con sebastian maciel + edith martin + maniqui
The truth, we might not agree. The fact, we might misunderstand it. The reality, we might not accept it.
One of the kind in Taiwan, Taipei.
our Founder Sarah Corbett delivered a talk at the 'Emporium of Invaluable Insights' tent in Shambala Festival, UK 2014. The tent & speakers where hosted by Futerra.
Founder of Futerra Ed Gillespie said: "Sarah inspired us to stitch and bitch with the best, urging elegant and beautiful provocations with graft that shift perceptions and behaviours, campaigning has never looked so artful."
Here is the board summary of Sarah's talk created by @VisualMinutes illustrators during the talk and left for festival-goers to read throughout the festival.
All photo credits to Futerra's Rachel Jones
NeochaEDGE /// is a Shanghai-based creative agency that produces inspiring visual arts and music content with China's leading creators – the EDGE Creative Collective – for the most forward-thinking brands and agencies in the world.
visit us: EDGE.Neocha.com/
新茶锋潮 /// 成立于上海的创意机构, 旨在集合中国最先锋的创作人(锋潮创意集体), 为拥有前卫理念的全球品牌和广告公司提供视觉及音乐方向的创意内容.
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To create this visual effect I used photogrammetry to digitize a skull I had sculpted from clay. I then rendered the Skull after creating an animation using Blender's, built-in camera tracker. I composited the render and the footage in Adobe After Effects where I did basic colour correction. I then colour graded the final render in Adobe Premiere Pro.